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Click here to subscribeA 19th century French mahogany, gilt metal mounted and marble topped vitrine, the mottled white and red marble top with pierced three quarter gallery above glazed cupboard door with fret cut brass inlaid lower panel, opening to a velvet lined interior of three shelves, raised on short cabriole supports with foliate cast mounted and pierced sabots, 62.5cm wide x 151cm high x 32cm deep.
A late 18th/ early 19th century oak longcase clock, THOS. STEWART, AUCHTERARDER, the brass dial with Roman and Arabic numerals, two subsidiary dials and twin train four pillar movement striking on a bell, within a broken swan neck pediment hood supported by turned columns, the trunk with arched top door on a rectangular base with bracket feet, pendulum, weights and key present, overall 208cm high.
A 19th century longcase clock, Glasgow, makers name rubbed, the enamelled dial with Roman numerals and two subsidiary dials, the arch decorated with 'The Cottars Saturday Night', the spandrels decorated with 'BURNS', 'RAMSAY', 'SCOTT' and 'FERGUSON', the twin train four pillar movement striking on a later gong, enclosed within a rectangular hood with scroll carved surmount, the trunk with rectangular panel door above a rectangular base with bracket feet, weights, pendulum and key present, 226cm high.
An early 20th century free standing Vernis Martin type vitrine, with a glazed cupboard door opening to a glass shelf interior, with three glass panel sides above a bombe lower section decorated with figures and landscape views, on short cabriole supports with scroll cast sabots, 59cm diameter x 113cm high.
A late 19th/ early 20th century French kingwood, marquetry and gilt metal mounted vitrine, the mottled red and white rectangular marble top above a glazed cupboard door with bombe lower panel decorated with figures fishing, opening to a fitted interior of three shelves, raised on tapered square section supports with foliate cast mounts, 66.5cm wide x 161.5cm high x 40cm deep.
A George III mahogany mantel clock by S. Dunn of London, the 8ins diameter painted domed metal dial with Roman numerals to the eight three train movement, striking, chiming and repeating on nine bells, with engraved borders to the back plate, contained in mahogany case with square swept-in top with five turned brass urn pattern finials, fretted brass panels to sides, the front door inlaid with bold marquetry leaf ornament, the sides with folding handles and brass fish scale grilles and on brass ogee bracket feet, 23ins high Note : Possibly Samuel Dunn recorded working London from 1787
A late 19th Century walnut cased "Vienna Regulator" style wall clock, the 7ins silvered arched top dial with Arabic numerals to the eight day two train movement striking on a gong, contained in case with carved architectural style pediment with turned finials, split turned pilasters to door, on turned supports and with open niche and conforming apron, 50ins high
An early Victorian mahogany cased drop dial wall clock by Tidmarsh of Twickenham, the 12ins diameter painted metal dial with Roman numerals to the eight day fusee movement, contained in mahogany case with the bezel carved with bold leaf ornament, the drop section with curved glazed panel and inlaid with brass stringing of paterae, and with carved floral and leaf pattern wings, 24ins high (lacking side door, slight crack to bezel at 9 o'clock and chipped around the lower part of drop)
A 1920s dark oak "Grandmother" clock, the 8ins arched brass dial with silvered chapter ring with Roman and Arabic numerals and matted dial centre to the eight day three train movement striking and chiming on five gongs, contained in case with arched and moulded cornice and spiral turned columns to hood and panelled trunk door, the centre carved with stylised floral ornament, the plinth with shaped quatrefoil panel, on ogee bracket feet, 69.5ins high
A 1920s oak "Grandmother" clock, the 11.5ins arched brass dial with silvered chapter ring with Roman and Arabic numerals and matted dial centre to the eight day three train movement striking and chiming on five gongs, contained in case with arched and moulded cornice to hood, and glazed trunk door and fielded panel plinth, on bracket feet, 68ins high
A late 18th Century oak longcase clock by Lawrie of Carlisle, the 13ins arched brass dial with wide chapter ring (formerly silvered) with Roman and Arabic numerals, the dial centre with subsidiary seconds dial and date aperture and engraved with leaf scroll ornament, the arch showing calendar and phases of the moon to the eight day two train movement striking on a bell, contained in oak case, the moulded scroll pediment with carved flowerhead paterae and plain turned pillars, the shaped trunk door flanked by fluted quarter columns, the plinth base with turned feet, 87ins high Note : Probably by John Lawrie, born 1749, son of Archibald Lawrie
A mid 18th Century oak longcase clock by Thomas Jenkinson of Sandwich, the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, the matted dial centre with subsidiary seconds dial, date aperture and turned winding holes, with cast mask and leaf scroll spandrels all within engraved leaf pattern borders to the eight day five pillar movement striking on a bell, contained in plain oak case with moulded cornice and plain turned pillars to hood, plain trunk door, on shaped bracket feet, 77ins high Note : Thomas Jenkinson recorded Sandwich, born 1691, died 1755
A late 18th Century mahogany longcase clock by James Lock of Bath, the 13ins arched painted metal dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the arch and spandrels enamelled in colours with floral sprays and gilt oval, to the eight day two train movement striking on a bell, contained in mahogany case with moulded scroll pediment and carved giltwood leaf paterae, slender turned pillars to hood, shaped and moulded trunk door flanked by fluted quarter columns, the plinth base crossbanded in mahogany, on bracket feet, 92ins high Note : James Lock recorded working in Bath 1780
An early George III mahogany longcase clock by Robert Higgs of London, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture and matted dial centre to the eight day two train five pillar movement with alarum, contained in figured mahogany case with swept caddy top and double moulded arch, inset with fretted panel and with slender turned and fluted stopped columns to hood, shaped and moulded trunk door veneered in figured mahogany and flanked by fluted and stopped quarter columns, the plinth with raised astragal moulding and double plinth base, 98ins high Note : Robert Higgs recorded working Sweetings Alley, London, Apprentice 1743, Clockmaker 1750-1769
A modern French kingwood and gilt metal mounted display cabinet of Louis XV design and serpentine outline, the upper part with gilt metal floral and leaf scroll cresting and caryatids to sides, fitted two plate-glass shelves enclosed by a single glazed and panelled door, the lower part inset with oval and rectangular panels painted with a couple in a landscape, putti and river landscapes, on six cabriole legs, 49ins wide x 21ins deep x 85ins high
Dezo Hoffman (1918-1986) - Black and white photograph - "The Beatles: enjoying a ride at New York's Central Park", 8.25ins x 6.5ins, signed by all members of the group Provenance : Collected by Lesley Talbot Strettle, daughter of Stewart Mote, who worked at Leon's Tobacconist next door to the London Palladium in the 1960s, who regularly met and requested autographs from the stars performing at the London Palladium for his daughter
A Scottish mahogany longcase clock, early 19th century, the arched brass dial with rolling moon in arch, central date hand, eight-day movement, striking on a bell, inscribed 'AD' W Lyon, Port Glasgow', the hood with fluted baluster columns, the trunk with Corinthian quarter columns and flame veneered door, 212cm highdial 13in
A George III mahogany pedestal, attributed to Thomas Chippendale, the stepped top over a fluted frieze with carved foliate corners, the door with a central carved oval leaf patera within diagonal quarter veneered panel with raised bead moulding, the corners with radiating leaf roundels, the interior with a lead-lined drawer with tap, a centre drawer with lift-out box and a cupboard below,45cm wide43cm deep100cm high The stepped top appears to have been altered at a later date and now has a hinged 'lid'Literature: A comparable pair of sideboard pedestals at Paxton House, Berwickshire are illustrated and discussed in: Christopher Gilbert 'The Life and Works of Thomas Chippendale' pl.343. p.194. text p. 270.Another pair of similar design sold at Christie's, New York, 15 April 2005.A further comparable pair sold at Bearnes, Hampton and Littlewood, Exeter, 24/25 April 2013.
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