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Lot 601
Mid to late C20th Watkins and Doncaster mahogany collectors specimen cabinet, single panel door opening to reveal row of twenty glazed drawers containing a large collection of well presented native smaller Yorkshire moths (seven bottom drawers empty). Examples include Pale Mottled Willow, Rosy Marbled, Red Underwing etc (many varietys). H125cm, W56cm, L55cm.
Lot 604
Late C19th/early C20th Watkins and Doncaster light mahogany collectors specimen cabinet, the glazed door opening to reveal 20 glazed drawers containing collection of many varieties of small and miniature Yorkshire moths, one drawer empty incl. Ghost Moth, Map Wing Swift etc . H125cm, W55cm, L50cm
Lot 227
A George III style mahogany eight day longcase clock, the swan-neck pediment and fluted columns enclosing an arched brass dial with angel and crown mounts, silvered crest to the arch, subsidiary seconds dial, date aperture and silvered chapter ring inscribed R Smallwood, Macclesfield, over a shaped trunk door, plinth base and bracket feet, the twin train movement striking on a bell, dial 31 cm wide, total height 213 cm
Lot 247
A pair of decorative Edwardian architectural three-panel mahogany and parcel gilt library doors fitted six heavy-duty brass "Bank" ball bearing (?) hinges. 219 cm overall height x 56 cm overall width per door x 4.5 cm thickness.The doors are in good structural order and currently have a mortice catch but could be fitted with a mortice lock probably expanding on the housing that the catch currently occupiesThe doors have no sapwood and no signs of insect damage
Lot 316
A Victorian marble-topped mahogany dentists/collectors cabinet with a three-quarter gallery top, the upper section with fourteen shallow drawers containing seashells and other specimens, The base fitted with five further drawers of specimens and a cupboard door with five faux draw fronts, supported on turned bun feet. 80 cm wide x 47 cm deep x 112 cm high.Some fire damage to the gallery, two small knobs are broken off but we have the bits that have come off.The top drawers lock via a flush register bar but we don't have the key to this lock but it is currently unlocked
Lot 356
A J.W. Elliott for Garrard limited edition Silver Jubilee commemorative mantel clock, with arched case, enclosing a hallmarked silver dial with Elizabeth II cypher to the arch and Royal Palaces to the spandrels, with silver hallmarked swing handle and ogee bracket feet, the three train movement numbered 208/250 with three chimes striking on bells and balance wheel, damage to the movement door, 37.5 cm high
Lot 424
An Edwardian rectangular portrait miniature on ivory panel of Mrs A.A.E.L. Barker (Nee Joyce) taken from a portrait of around 1895, 8cm x 11cm (ivory certification number YKHJL363), in a gilt brass surround and two-door tooled leather easel display case, together with an Edwardian oval portrait miniature of a gentleman, 6cm x 7cm approx (ivory certification number 7XPMUW7F), and other miniature painted-over family photographs and vacant miniature cases.Private estate
Lot 349
Moritz Gottschalk post Modernist 1950 Wooden Dolls House with roof top garden and sun porch. A fine dolls house which has been played with my 3 generations and needs some attention with door hinges and the plate glass windows are present and the sun blinds are original and is dusty with age. The sun porch on the roof lacks arm levers to hold it out but structurally the house is sound-Many papers and flooring original and marked as shown in detailed photographs, ad the house is all original and a seldom seen model from this Company-4 internal rooms and hall and staircases and rooftop garden , roof sun porch and an external roof garden staircase and on Original Platform and small garden wall surround and stucco render.
Lot 55
Hughie O'Donoghue RA (b.1953)Fallen Elm (Kilfane)Oil on board, 71 x 122cm (28 x 48")Signed, inscribed and dated 2007/'8 versoIn 1995, Hughie O’Donoghue and his wife Clare moved to Ireland. They settled in Kilfane Glebe, an early 19th century property including some ten acres of what he described as “Arcadian” landscape close to Thomastown in Co Kilkenny. In time he set about creating a substantial studio, capable of accommodating even the largest paintings. After about twelve years, they thought of moving on, and have subsequently divided their time between London and North Mayo, from where his mother had reluctantly emigrated to England in 1937.In the few years prior to leaving Kilfane, he increasingly incorporated the immediate landscape in his paintings, perhaps aware that he would soon be leaving it behind. He walked the land every day and, as he said, an overriding theme in his work is “fading memory.” There is a fondly elegiac cast to a great deal of the paintings he made at this time. That applies equally to the Kilfane setting and to Mayo, where he was headed: he came across the shattered statue in Fallen Angel (2007) in the remote cemetery where his grandfather is buried in Mayo.Fallen Elm (Kilfane) is a close companion to Fallen Angel, and a variation on one of his recurrent subjects: the sleeper or dreamer folded into the earth. It shares the template of a photographic element on the right, here the horizontal trunk of a felled, hollowed elm, and a material insertion into the fabric of the painting on the left. In Fallen Angel the insertion is a wooden cross; here it is a door or window-shaped rectangle, a metaphor, perhaps, for the painting as a point of access to the buried past. These insertions were found materials, usually wood panels or planks retained during the restoration of Kilfane, an assertion of painting’s status for him as a kind of concrete poetry.O’Donoghue’s gifts as a tactile painter with a pitch perfect instinct for colour and tonal values are fully evident in this exceptional work. The glorious burst of light - life itself - renders the elm as a symbol of all of nature, heroic, fallen, but an integral part of earth’s regenerative cycle.Aidan Dunne, August 2022
Lot 289
A Whitfield's Safe with key and extra metal safebox as well as the original drawer to the interior, the key, lock and door do work. Made by SAFE & DOOR CO LTD, Birmingham and London, early to mid 20th century. (2) Provenance: G & L Platriti Estate.Outer dimensions: Width 40cm, Depth 45cm, Height 56cm
Lot 39
A ROSS COMPOUND MONOCULAR MICROSCOPE, ENGLISH, SECOND HALF 19TH CENTURY,base signed ROSS LONDON, 2084, the microscope stage with rack-and-pinion focusing, substage mirror, with three oculars marked A, B & C, three objectives in 1/4-inch, 1/2-ichn & 1-inch Ross London cases, in mahogany case with brass handle, the inside door with old object glasses/angular aperture' label, the microscope 17in (43cm) high7 3/4in x 17 1/4in x 7 1/2in (20cm x 44cm x 19cm) cased Footnotes:Andrew Ross first produced his design for the compound monocular microscope in the early 1840's. Innovations to microscope design by the Ross family included the characteristic Y-shaped stand for improved balance, and the weight reduction by Thomas Ross which improved portability.For further information on this lot please visit Bonhams.com
Lot 78
A MODEL UNDERTYPE STATIONARY HORIZONTAL STEAM ENGINE, ENGLISH, DATED 1894,with metal plaque engraved F. LAWRANCE 1894,the single cylinder with eccentric driven slide valve, the valve chest with maker's plate, the crosshead running in twin guide bars with lubricator cups, twin ball governor, the crankshaft running in main bearings on twin pedestal supports with lubricators and with 6-spoked cast and machined flywheel, the mahogany-lagged boiler with brass banding, the copper sheathed firebox with safety valve and inspection mudhole door, the backhead with single water gauge glass, try-cocks and blow-down valve, the smokebox with door handle and strap hinges, copper chimney with brass cap, the main metal bedplate mounted on shaped wood plinth with glazed mahogany case. the model 13in x 15 1/2in x 5in (33cm x 39cm x 13cm)cased 16in x 20in x 10 1/2in (40.5cm x 51cm x 26.5cm) This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 403
Mahogany box or display case, 19th Century, with glass hinged door/lid and drawer with brass handle, 56cm x 20.5cm x 31cm and a painted wooden box with hinged lid, 56cm x 18cm x 41cm (2)Overall wear and scratched to both. Some splits and damage, particularly to the hinged box. Baize lining to the interior is worn.
Lot 383
A mid-16th century oak linenfold standing cupboard, circa 1550Having a boarded top with applied moulded edge, a cupboard with central twin-panelled door, each panel linenfold-carved, flanked by a conforming fixed panel, and twin-panelled sides, raised on tall rectangular-section front supports, joined by a boarded undertier and a back board of five further linenfold panels, 161cm wide, 63cm deep, 145cm high
Lot 442
A small James I oak and elm court cupboard, West Country, dated 1611The near one-piece top with ovolo-moulded edge, the frieze strapwork carved and centred by paired ‘marriage’ initials and date ‘IH 1611 MH’, on inverted-baluster and reel-turned end columns, enclosing a pair of panelled cupboard doors, centred by a fixed plain panel, a central cupboard door below flanked by fixed panels, the elm sides centred by a pierced leaf quatrefoil, one side replaced, restorations, height 117.5cm, width 133cm, depth 51.5cm
Lot 473
A small and interesting oak linenfold-carved cupboard In the 16th century manner, having a deep moulded cornice, the front of four tiers, topped by a central panelled cupboard door, over a pair of boarded doors, a long drawer and two further cupboard doors, each side with eight plain panels, height 150.5cm, width 107cm, depth 49.5cm This cupboard was almost certainly made in the early 20th century, with considerable time and effort to appear ‘genuine’ and was probably originally sold as '16th century' and as a result does very much 'look the part’.
Lot 663
An early 18th century oak longcase thirty hour clock, Devon, circa 1720-50Having a particularly small 7.5 inch brass dial, the Roman dial chapter ring signed 'Rich Luscombe', with four pillar movement striking on a bell, the hood with column pilasters, and the case with a tall trunk door with double-reeded edge, plinth base, 184cm high, 45.5cm wide, 25.5cm deepRichard Luscombe made mainly bracket clocks, and very few longcases,
Lot 165A
serial No. 4499, with twin 'Sublime-Harmonie' combs on silvered part reeded cast bedplate, pitched pine soundboards, speed regulator and start/stop on motor cover, in the cabinet with corner detail, the front door with full mirror plate, flanked by a pair of matching mirror plate panels, sound fret to centre of pediment, light walnut finish with molded ebonised detail, with five discsAll teeth present, combs have surface rust, plays smoothly jamming occasionally; Cabinet 19 1/2" (50cm) high, 13" (33cm) deep, 17" (43cm) wide
Lot 382
Very Scarce Boxed Star Wars Palitoy Catina with Special Offer Label ‘Includes 4 Free Star Wars mini action figures, contains: play-base with swing doors, circular bar, chipboard backdrop with pictures of Cantina band, plus one battle action play base, four circular disc bases, in near mint un used complete original condition, instruction leaflet, complete unused decal sheet, unused door assembly hinges, outer original box is in good original condition, some edge/age wear, plus Palitoy Star Wars Walrus Man Vintage Original Carded Figure, 3 ¾ inches mint, with mint bubble on near mint 20 back unpunched card, has slight curving, Palitoy Star Wars Hammerhead Vintage Original Carded Figure, 3 ¾ inches mint, with mint bubble on near mint 20 back unpunched card, Palitoy Star Wars Snaggletooth Vintage Original Carded Figure, 3 ¾ inches mint, with mint bubble on near mint 20 back unpunched card and Palitoy Star Wars Greedo Vintage Original Carded Figure, 3 ¾ inches mint, factory sealed bubble, good, indentation to side and bottom of bubble, on a good 20 back unpunched card, creasing to top of card near hangar, all carded figures come with protective cases. (5 items) This set was produced in 1979 in the UK by Palitoy, it was produced without the figures and was designed differently from the Kenner USA version. This set with the special offer sticker and four carded figures is very scarce, it has been offered by the vendor who has had it since childhood.
Lot 103
Gill, Eric (1882-1940) Gill family collection of photographs of Gill's statues, carvings, inscriptional works &c. 1) 25 photographs of Eric Gill's statues & inscriptional work, all inscribed on the backs in Eric Gill's hand;including such works as "Mankind" (in the Tate Gallery); carvings in Portland stone for the West Dean Lychgate; stone decoration for Mirfield Refectory; "B.B.C. Details of Ariel, unfinished"; memorial stone for Sir Charles Hamilton at Broadway, Glos.; "Eve". Bath Stone 2 feet high approx. EG Apr. 1930"; 'St. Dominic Caen stone carved by Eric Gill, the Blackfriars Church, Oxford 1931 (about 18 inches high)...'; St. Francis (for Coplestone gravestone), Hoptonwood stone, about 3 feet high, 1935, in cemetery at Chester...'; 'Model for South Wind ca. 1929. Bath stone, about 2 feet long' (St. James's Park station); torso of a woman, a work completed at Ditchling, ca. 1920; 'Torso, Portland Stone, about 18 inches high'; The Glastonbury Madonna, in Portland Stone, completed in 1928; 'Headstone in Hopton-Wood Stone (Pitman's system), E.G. del. David R. Sc. 1936'; "Garden Statue", an early work completed 1911/12, later in Roger Fry's collection; elaborate bas-relief commissioned by the L.M.S. railway for their hotel at Morecombe, Lancs., illustrating the story of Nausica and Ulysses (1933), afterwards used on LMS menu cards; the Crucifix for G.K. Chesterton's grave in Beaconsfield Cemetery, 1937. 'S. Simeon Stylites (Garden Figure)'; Coat-of-arms for Jesus College, Cambridge, "Weldon Stone", about 7 ft. 6 inches high. 1930-31". The earliest photograph is one dated 1908 which shows three memorial stones, captioned 'Three memorials. A. Portland Stone - letters incised & printed black. B. Statuary Marble & Alabaster - Letters incised & painted "Brun rouge". C. York stone - Letters in relief.' A in the headstone for John Kipling, commissioned by the Earl of Lytton, 119 in THE INSCRIPTIONAL WORK... B is the oval tablet for Harriet Templer, 112 in THE INSCRIPTIONAL WORK. C is the headstone with relief inscription for Lily Duff, 79 in THE INSCRIPTIONAL WORK... 19052) 46 photographs of Eric Gill's statues & inscriptional work, all with inscriptions on the backs by members of the Gill family: Mary Gill, Evan Gill (E.G.'s brother), Petra Tegetmeier & Joan Hague (his daughters); and by Sir Wm. Rothenstein. There are 46 with their captions or other MS inscriptions. They include such works as "the money changers", the War Memorial of Portland Stone (6 ft x 16 ft.) on the wall of the Library at Leeds University, 1922-23, 418 in THE INSCRIPTIONAL WORK...; pierced carvings in door at the Radcliffe Library, Oxford, 1934; unfinished 'Headstone, Portland Stone, about 6' high'; 'The Divine Lovers'; funeral urn, in Willesden Cemetery, in memory of Walter Mortimer Ronalds, 1925; 'The golden calf'; Madonna & Child; tablet of polished Hopton-Wood stone, St. James, Piccadilly, in memory of Mary Beatrice Johnson, 1930; Memorial of Portland stone at Chirk, near Wrexham, 1920; 'A contortionist'; 'St. John the Baptist'; headstone in memory of Walter Consitt Boulter, 1913; Crucifix on the altar of Hart House Chapel, Toronto; Mother & Child (1913); portrait panel of Hopton-Wood stone, in memory of Ottoline Morrell, 727 in THE INSCRIPTIONAL WORK...; headstone of Delabole slate in memory of Percy Walter White; 'Joan of Arc'; 'A dancer'; '4th Station. St Cuthbert's Church, Bradford' (this has a number of inscriptions in William Rothenstein's hand); 'Study for Leeds War Memorial'; 'Leeds Memorial. The money changers, 1st stage'; 'Mater Amabilis'; 'Mankind'.3) 9 photographs of statues & carvings by Gill's assistants, six inscribed on the back in Eric Gill's hand. They are by Antony Foster, Charles Blakman, H.J. Cribb and Laurie Cribb. And the headstone for Eric Gill in the communal cemetery, Speen, Bucks, which was designed by E.G. himself but cut by his assistant Laurie Cribb. This is 762 in THE INSCRIPTIONAL WORK...4) 127 photographs without captions or inscriptions. They include such works as the headstone for Guinevere Shove; 'Ecstasy'; gravestone in Boulogne in memory of Herbert Trench, 438 in THE INSCRIPTONAL WORK...; tablet in memory of the McCosh family; Hopton-Wood stone tablet at Sevenoaks, Kent; coloured alabaster Mother & Child; Gravestone of York stone, 639B in THE INSCRIPTIONAL WORK... Plate VI); 'South Wind'; portrait panel of Lord Rutherford; statue of Mother & Child, commissioned by Rupert Brooke; Delabole slate tablet, 718 in THE INSCRIPTIONAL WORK; Grave-board at Suhr bei Aarau, Switzerland, 1933; The splits, 1 & 2; Portland headstone REMEMBER PHILOMEL; wall tablet in Brighton, for site of Russell House; stone tablet to mark the Coronation of King George V; Headstone at Drumoak, Aberdeen; wall tablet in the Maharani Hospital, Jagdalpur; sundial; headstone in Chester Cemetery for members of the Coplestone family; tablet of Roman stone in the Peek Frean pavilion, 1939; incised lettering on a pilaster of the British Museum, 394 in THE INSCRIPTIONAL WORK...5) Envelope of 15 photographs of Eric Gill's statues & carvings, mostly inscribed on verso by him or Mary GillNote: Provenance: Property of an English collector.
Lot 145
A group of diecast buses, 1:76 scale, The Western Greyhound, Exclusive First Editions Western National, Exclusive First Editions Leyland Olympian Coach, Daimler DMS bus, Daimler DMS one door, Bristol VR3, Leyland Olympian Coach, Original Omnibus ROE trolley bus for Doncaster, Corgi Anniversary Bristol Lodekka FS5G Lincolnshire Road Car, Great British Buses, Western National Bristol K, Exclusive First Edition Bristol BR Series 3, Bristol K6A, Bristol FLF Lodekka, and others, boxed. (1 tray)
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235346 item(s)/page