JOSEPH GRAY, DURHAM: A MAHOGANY LONGCASE CLOCK the case with long satinwood crossbanded and ebony inlaid door flanked by reeded pilasters with brass capitals, above a base with canted corners, on ogee bracket feet, the hood with swan-neck pediment, the brass arched dial with pierced spandrels, silver chapter ring with Roman and Arabic numerals, matt centre with seconds dial and date aperture enclosing eight day two train movement striking on a bell, height: 229cmÂ
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LATE GEORGE III MAHOGANY LONGCASE CLOCK by Ketterer Portsea, the case with boxwood stringing to the door, quarter pilasters on bracket feet with a domed hud, the reeded columns, and brass ball and eagle finials, the painted arched dial with two train eight-day movement, subsidiary dial and seconds hand, 223.5cm highÂ
A VICTORIAN WALNUT PARTNERS' DESK, Last quarter 19th century, the rectangular top with gilt tooled green leather inset writing surface, with ogee moulded edges, above three frieze drawers to front and back, on twin pedestals each with four graduated and cockbeaded drawers to one side and an arch panel door to the other, with foliate carved mounts flanking to top and bottom, on plinth bases, height: 77cm, length: 173cm, width: 95cm
A GEORGE III OAK AND WALNUT BANDED DRESSER, circa 1800 and later, the associated upper section with cornice above three glazed doors with arched astragals; the breakfront base section with a central bank of four drawers flanked to each side by a further drawer and cupboard door, on bracket feet, height overall: 199, width: 176cm, depth: 50cm
A LATE GEORGE OR REGENCY MAHOGANY NIGHT COMMODE, circa 1810 and later edapted, the rectangular top with three quarter gallery; the two drawers and cupboard door at the front all with gilt brass lions' masks and ring handles, on turned legs with brass caps and castors, height: 84cm, width: 53cm, depth: 54cm
A DUTCH PAINTED HARDWOOD, PROBABLY CHERRYWOOD SIDE CABINET, circa 1790, the top decorated with a floral wreath within a rectangular reserve, the drawer to the front with conforming painted motifs, above a tambour door and a further, deep drawer with conforming decoration; the short tapered legs with brass caps and castors, height: 90cm, width: 61cm, depth: 39cm
A FRENCH FRUITWOOD AND BEECH PANETIERE FOOD CUPBOARD, 18th century and later elements, the rectangular top with twin spherical finials above openwork turned spindles to front and sides, an openwork hinged door to the front, above bun feet to the front, with straight back legs, height overall: 65cm, width: 86cm, depth: 44cm
A PAIR OF LOUIS XVI STYLE WALNUT AND MARQUETRY ENCOIGNURES, the mottled brown and white marble tops with moulded edges, above quarter veneered and floral marquetry friezes, each above a hinged door with floral basket on a quarter veneered ground, above aprons with bracket feet, height: 92cm, width: 68cm
Smeg Wine Cooler - Model S36STRP Single height unit measuring H920 x 600 x 600mm. Stainless steel cabinet, dark glass door. Capacity 36 bottles in one compartment. Wooden shelves. Designed to fit under worktop. The fridge is in good condition and fully operational. The top and sides are still covered in the manufacturers protective film. Purchased new circa 2011/2012Collection from Dreweatts Hambridge Lane, NewburyPlease note, Although the wine cooler is in perfect working order it has not been PAT Tested so the plug will need to be checked by an electrician to ensure it complies with the HSC safety standard
Edwardian satin walnut three-piece bedroom suite, comprising a wardrobe, broken triangular pediment, single mirror door, single drawer under, plinth base, width 122cm, height 206cm; dressing table with a mirror back, two raised trinket drawers over two short and two long drawers, width 108cm; and a bedside cupboard, width 32cm. (3)
Edwardian satin walnut two-piece bedroom suite, comprising a single wardrobe, shaped pediment, mirror panelled door, two short and a single long drawer under, plinth base, width 126cm, height 218cm; and a dressing table, triple mirror back, two banks of two trinket drawers, the base with two short and two long drawers, width 107cm.
Fine Paul Garnier Series I repeater carriage clock striking on a bell, the back plate signed P.G. Brevete and Baullier Pere et Fils, the 3" silvered chapter ring within a silvered engine turned mask, also with a foliate engraved platform escapement, with vertical rising front door to enable winding, within a one-piece case, 7" high *This clock was sold at Bonhams on 12th October 2014, lot 351 for £1250 *This clock was possibly originally fitted with a chaff cutter escapement, although it is fitted with a high quality old English platform which might be original. *Most collectors associate Paul Garnier movements as having the chaff-cutter escapement as patented by him in 1830; a form of escapement that supposedly allowed for a more robust action and improved timekeeping as compared to the still commonly used cylinder. Indeed, it is often suggested that a Garnier movement without a chaff-cutter has had the platform changed or is not a Garnier. However an analysis of these movements shows that a large proportion of Garnier clocks made from circa 1840 were in actuality fitted with the lever platform escapement and not the chaff-cutter, with the majority having the corner cut-out of the platform to accommodate the positioning of the rack lifting piece. Magistretti & Pippa mention some 98 Garnier clocks in their chapter on Garnier of which thirty-six have some form of escapement described. Of this thirty-six, 21 are lever escapements, 13 chaff-cutter and one a duplex, with the majority of platform lever escapements recorded after circa 1840, incidentally the year the ten-year chaff-cutter patent ended.*The above information is taken from published research undertaken by Leigh Extence
Good rare gilt brass strut clock in the manner of Thomas Cole, the silvered chapter ring signed Hunt & Roskell enclosing a finely and profusely engraved dial plate over a fixed date calendar, the gilt brass case also finely engraved with stylised foliage, with easel stand, shaped swivel base with folding suspension loop to the top, the back with vertical sliding door revealing the escapement and inscribed Hunt & Roskell, 156, New Bond Street, London, 5.75" high overall
Good English satinwood and rosewood cased double fusee library clock, the 6" square silvered foliate engraved dial signed Herbert Blockley, Succr to Lund & Blockley, 41, Duke Street ST. James's, London, the movement striking the hours and quarters on two bells and with locking pendulum, within a later cushion stepped case surmounted by a flat cornice with bevel glazed window, 14.5" high (pendulum & door key) *This clock is in a finely made later case
Good English mahogany triple fusee verge bracket clock, the 7" brass arched dial signed John Arnold, London on a silvered shaped plate to the matted centre with false pendulum bob and calendar apertures enclosed by a silvered chapter ring, with strike/silent dial to the arch, the movement with finely engraved scrolling foliate back plate playing on a nest of six graduated bells and striking the hours on another, within a stepped case raised upon a cushion shaped flaring base and surmounted by a caddy top with four turned brass finials and carrying handle, 21.5" high (pendulum and door key)
Patek Philippe Solar mantel clock, the back door hinged at the top and opening to reveal the movement, within a pillared brushed brass case with silvered dial and gilt baton markers, surmounted by solar cells, 5.5" high, within original red leather hinged folding travelling case *This clock is sold with the original Patek Philippe Instruction Guide
Fine English mahogany double fusee library clock and wall bracket, the 7.5" silvered dial signed W. Chambers, 18 Powell Street, London, the movement with deadbeat escapement and maintaining power, within a glazed flame mahogany rounded arched case with gadrooned and foliate carved plinth, 22" high (without wall bracket) (with cylindrical glazed mercury pendulum and door key)
Good English ebonised double fusee original verge bracket clock, the 7" brass arched dial signed Chater & Son, London on an arched shaped plate to the matted centre with false bob pendulum and date apertures, with strike/silent dial to the arch, also signed Chater & Son, London to the fine foliate engraved back plate, within a stepped case surmounted by a caddy top, four turned brass finials and a carrying handle, 20.5" high (pendulum and door key)
Fine English red lacquer chinoiserie decorated double fusee verge bracket clock and bracket, the 7" brass arched dial with silvered chapter ring enclosing a matted centre with false pendulum bob and calendar apertures, with strike/silent dial to the arch, the back plate finely engraved with a basket of flowers and meandering foliage, within a stepped case with gilded chinoiserie decoration, surmounted by a caddy top, four acorn brass finials and carrying handle, 19" high (later pendulum and door keys)
Oak eight day longcase clock, the 12" painted arched dial signed Davied Peat, Grieff to the centre with subsidiary seconds and calendar dials, painted with a duck shooting scene to the arch and signed beneath Peter Crarer, within a later bespoke made oak case with long rounded arched door, the hood surmounted by a rounded arched stepped pediment, 81" high (pendulum, two weights and door key)
Good mahogany eight day longcase clock, the 12" brass arched dial signed John Taylor, London on a silvered circular plaque to the matted centre with calendar aperture, enclosed by a silvered chapter ring and surmounted by a strike/silent dial to the arch, the case with long rounded arched reeded moulded door and the hood surmounted by a rounded moulded arched pediment, 87" high (pendulum, two weights and keys)
Good oak thirty hour longcase clock with birdcage movement, the rectangular brass dial (10.25" x 8.5") signed Stephen Wilmshurst, Odiham above the silvered chapter ring enclosing a foliate engraved centre with single iron hand, the slender figured oak case with long door and the hood surmounted by a flat stepped moulded cornice with three turned brass finials, 83" high (pendulum and weight)
Fine walnut and marquetry month going longcase clock with five pillar movement, the 11.5" square brass dial with silvered chapter ring signed William Provost (Prevost), Newcastle on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the case with moulded edge long door inlaid with three panels of birds and foliate marquetry, also fitted with a circular lenticle, the base similarly inlaid and the sides with boxwood stringing, the hood with a flat stepped cornice over a foliate marquetry inlaid door surround, 81" high (pendulum, two large brass cased weights and keys) (Case alterations) *It is thought that William Prevost (signed Provost on the dial) was of French extraction and was born in the early 1660s. Although based in Newcastle, he obviously visited London regularly and usually signed his dials with a London address. He married Margaret Badudouin at St Mary Magdalene church in Fish Street, London in 1689. His most famous clock is the year going and striking walnut longcase clock exhibited in the Horological Masterworks exhibition, item 44. This clock shares the same Newcastle address *This clock was sold by Bonhams in their Fine Clocks sale dated 11th December 2007 (lot 174) for £9,600 and by Bearnes Hampton Littlewood on 7th October 2009 for £11,400 *The clock also features in Brian Loomes - Clockmakers of Britain 1286-1700, p381, fig 202
Good walnut eight day longcase clock with five pillar movement, the 12" brass arched dial signed John Hebert, Isleworth on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, profusely engraved to the arch with a basket of flowers over scrolling foliage, the whole dial also engraved with continuous arrowhead borders, the case with long beaded and crossbanded door and the hood surmounted by a flat stepped cornice over a foliate carved pierced frieze, 90" high (pendulum, two brass cased weights and door key) (case restoration required)
Good marquetry eight day longcase clock, the 11" square brass dial signed Tho. Savage, London on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and a calendar aperture, within a later marquetry case inlaid to the front with panels of birds amidst flowering foliage, with long beaded moulded door fitted with a circular lenticle, the hood surmounted by a flat stepped cornice over a pierced foliate carved frieze, 84" high (pendulum, two weights and keys)
Oak and mahogany crossbanded eight day longcase clock, the 12" brass arched dial signed James Gould, London on a convex boss to the arch, over a silver chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the case with long wavy pointed arched door and the hood surmounted by a stepped cornice with Greek key and foliate fretwork blind panels, 84" high (pendulum and two weights)
Oak eight day longcase clock, the 12" brass arched dial signed Samuel: Whichcote, London on an oval plaque to the matted centre with subsidiary seconds dial and calendar aperture, enclosed by a silvered chapter ring and with strike/silent dial to the arch, the case with long rounded arched moulded door and the hood surmounted by a rounded arched stepped pediment with two brass ball and spike finials, 78.5" high (pendulum, two brass cased weights and keys)
Mahogany eight day longcase clock, the 12" square brass dial with silvered chapter ring enclosing an engraved centre depicting thatched dwellings in a rural landscape, with subsidiary seconds dial and calendar aperture, with rocking ship automata to the arch inscribed 'The Lighthouse', the case with medium length rounded arched door inlaid with a boxwood line and flanked by quarter cable twist pillars, the hood surmounted by a swan neck pediment and two brass ball and eagle finials, 85" high (pendulum and two weights)
Interesting small mahogany two day longcase clock, the 4.75" brass arched dial signed Joseph Plowman, Chichester to the arch over two iron hands and a central alarm dial, the case with long rounded moulded arched door and the hood surmounted by a stepped moulded rounded arch pediment, 59.5" high (pendulum & weight) *This clock has recently been overhauled and is sold with a guarantee invoice certificate dated 7th October 2020
Good oak inlaid eight day longcase clock with five pillar movement, the 13" brass arched dial signed Tho. Ogden, Rippenden on the silvered chapter ring below 6 o'clock, enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, surmounted by a calendar chapter ring enclosing a matted centre with penny moon aperture, the case with long door inlaid with a vase of flowers in bog oak and boxwood, flanked by chevron banded borders and barley twist columns, with similar inlay to the recessed panelled base, carved all over with egg and dart borders, with stylised geometric flowerheads to the sides, the hood surmounted by a moulded swan neck pediment, 88" high (wooden rod pendulum and two brass cased weights)
Good walnut eight day longcase clock, the 12" square brass dial signed Sam Stevens, London on the brass chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the movement with outside countwheel, the case with long beaded moulded edged door fitted with a lenticle and the hood surmounted by a flat stepped cornice over a blind fretwork carved panel, 82" high (pendulum and two weights)
Three rectangular enamelled signs including "Caution Trench Covers are Adequate for Pedestrian Purposes Only. No Wheelbarrows, Trolleys or Vehicles Without Additional Reinforcement" 5" x 12 1/2"; "Notice - the Audable Alarms in this Sub-Station may Operate on Opening this Door..." 7" x 9" and one other (3)
An early 20th century walnut-cased 8-day dome-top mantel clock, movement chiming on 5 gongs, case height 33cm, with pendulum and key, not currently working, and a Smiths dome-top mantel clock, not currently working (2)Both in need of some restoration as movement in larger clock is slightly loose inside case, general wear to both cases with a few small splits in the door frame of larger clock, but no obvious major damage
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235302 item(s)/page