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Lot 654
A XIX Century Oak Crossbanded Longcase Clock, of weight day movement striking on a bell, the brass dial (30cms) with a silver chapter ring with Arabic numerals, subsidiary seconds and calendar aperture, signed A.E.Frith, Halifax, sun/moon arch and brass mask spandrels, the hood with a swan neck pediment, brass roundels fluted pilasters, the trunk with an ogee top door, centred by shell patera, flanked by fluted 1/4 round columns, shell patera to deep plinth, 225cms high.
Lot 662
A XIX Century Oak and Mahogany Longcase Clock, of eight day movement striking on a bell, the painted dial with Arabic numerals, two subsidiary dials and signed Stonehouse, Leeds, flower painted spandrels with a religious scene, the hood with swan neck pediment and plain pilasters, the crossbanded trunk door of Gothic form, flanked by canted corners, on a deep plinth with shaped bracket feet, 235 cms high.
Lot 663
A XIX Century Mahogany and Rosewood Longcase Clock, of eight day movement striking on a bell, the painted dial with Roman numerals, subsidiary dial and calendar aperture, signed Beal & Son, Sheffield, painted to the arch with a shipping scene, the hood with a swan neck pediment, baluster turned pilasters, the trunk door flanked by canted corners, on a deep plinth with bracket feet, 227 cms high.
Lot 732
A XIX Century Red Boulle cabinet, with ormolu mounts, the upper section with a stepped top over a single glazed door, enclosing two shelves, flanked by caryatid mounts, the lower section of similar construction, the glazed door enclosing a single shelf, flanked by goat mask mounts, on a plinth base, 175 cms high, 72 cms wide, 39 cms deep.
Lot 604
Samuel Guy, Old-Bedlam, London an early 18th Century eight day long case clock movement faced by dial with mask head spandrels silvered chapter, subsidiary dial and date aperture dial contained within an associated figured walnut case having three quarter length door with bullseye, box base on plinth, 220cm.
Lot 966
A Victorian rosewood chiming mantel clock, the engraved dial with silvered chapter ring and FOUR BELLS/EIGHT BELLS selector, the twin fusee movement with rectangular plates and carillon in lotus moulded case carved with flowers and foliage, 45cm h . ++Small repairs to the case at the seat of the hinge of the door and veneer chipping around the rear door
Lot 971
A Victorian mahogany timepiece, with painted dial and steel hands, the fusee movement with rectangular plates, 37cm diam. ++The paint on the dial rather worn, slight damage to the mahogany bezel at 9o'clock, the two hinges to the small door on the side of the case corroded, lacking the veneer from the curved underside
Lot 975
A Regency brass inlaid mahogany longcase clock, signed on the slightly convex painted dial Sharp & Son Corner House London Bridge, the eight day movement with brass bezel in break-arched case with scrolling spandrels, stop fluted pilasters and scale pattern side frets, the trunk enclosed by a conforming flame figured door, on panelled base, 201cm h. ++The movement cleaned and overhauled. In good condition with pendulum and brass sheathed weights. The case in good condition with minor shrinkage crack in one side of the base
Lot 976
A Welsh George III oak longcase clock, the brass dial with silvered centre and chapter ring signed Danl Williams BUILTH, with subsidiary seconds dial, date aperture, engravings above both winding apertures, rococo spandrels and eight day movement, the case with cavetto cornice to the flat topped hood, the trunk with blind fret carved foliage and ogee arched door, 206cm h Daniel Williams (1776-1853), Clockmaker of Builth Wells, Breconshire. ++The movement recently overhauled and cleaned, the upper part of the hood and base of the trunk altered/repaired
Lot 982
A French gilt bronze mounted kingwood vitrine, with 'Vernis Martin' panels, the plush lined cabinet with low domed top and serpentine sides on conforming commode-base and richly decorated with ciselé foliate, gadrooned and other mounts, 193cm h; 77 x 41cm, c1900. ++Some minor lifting of the veneers on the top, one of the glass shelves chipped, some craquelure/blistering of the painted decoration affecting the principal door panel but a fine quality example in good overall original condition
Lot 986
A Victorian ebonised mahogany side cabinet, of bow ended breakfront form with brass stringing and giltmetal mounts, the panelled door and frieze with Sèvres style porcelain oval bleu celeste ground plaques painted with lovers or flowers, on turned feet, 115cm h, 170 x 43cm . ++Some lifting of the brass stringing in places, some of the mounts re-gilt with a bronzing paint. Slight wear to the gilding around the scene on the largest plaque
Lot 1034
A mahogany and line inlaid writing cabinet, the upper part with fall front enclosing a fitted interior with three drawers and leather inlet surface, the drop leaf lower part enclosed by a door, with brass handles, on turned feet, 133cm h; 89 x 45cm, early 19th c and later. ++An unusual and compact object, made up probably in the later 19th or early 20th c; in good condition
Lot 1087
A Welsh George III oak mural spice cupboard, with key fret cornice and carved frieze of stylised foliage, enclosed by a panelled door, 61cm h; 53 x 24cm . ++The hinges replaced; hole where a presumably brass knob would have once been fixed. Small damage to the carving on the frieze. Old chip on the upper surface of the cornice
Lot 1094
A Welsh George III oak cwpwrdd deuddarn, the stepped cornice with two pendants above three doors with break-arched, raised-and-fielded panels, the lower part fitted three drawers and two further doors, on stiles, 170cm h; 158 x 56cm . ++The narrow top edge either replaced or chamfered at later date, one of the door panels with vertical shrinkage crack; other minor faults. Not restored; with replacements, of good original colour
Lot 368
A George III mahogany eight-day longcase clock, James Smith, Edinburgh, circa 1789, the four-pillar movement with anchor escapement, striking on a bell, the thirteen inch arched painted dial with subsidiary seconds and date dials, signed to the arch 'Jas. Smith, Edinburgh', the hood with three turned finials and broken swan-neck pediment, above later veneered spandrels and turned columns, the inside of the arched trunk door with original clockmaker's printed paper label; 'DIRECTIONS SHEWING HOW TO SET UP AND REGULATE AN EIGHT- DAY CLOCK........EDINBURGH 1789, Per JAs. SMITH Watch-maker', the trunk and panelled base with chamfered corners, 226.5cm high (faded decoration to dial, replacement plinth). See Britten's Old Clocks and Watches and Their Makers, reprinted 1990, where James Smith is noted by Cecil Clutton to have worked as a clockmaker in Edinburgh from 1790-1806. The label to this clock shows that he was definitely active there in 1789.
Lot 369
Edward Bilbie, Chewstoke, a George III longcase clock, the 12 inch arched brass dial engraved with an eagle, 'Tempus Fugit' and flowers, date aperture, eight-day striking four-pillar movement, in an oak case, later carved with bellflowers and foliate scrolls, the door with a caryatid and inlaid compass rose, 243cm high overall
Lot 370
Redshaw, Newcastle, a mahogany crossbanded oak eight-day longcase clock, mid 18th century, the four finned pillar inside countwheel bell-striking movement with 11 inch square brass dial with calendar aperture to the foliate engraved matted centre within an applied Roman numeral chapter ring with foliate half hour markers and signed Redshaw, Newcastle to lower edge, the angles with mask and scroll cast spandrels, the case with ogee moulded cornice above reeded pilasters to hood, rectangular trunk door and on plinth base with ogee bracket feet, 196cm high.
Lot 543
A gilt brass and ceramic mounted ebonised and gilt side cabinet, third quarter 19th century, the variegated russet marble top above ceramic frieze plaques and large door panels painted with Cupid and attendants, and with romantic Watteauesque scenes, the angles with freestanding pillars, on toupie feet, 113cm high, 118cm wide, 46cm deep
Lot 2822
An early Victorian walnut dwarf bookcase, the open shelves beneath a turned baluster gallery and flanked by cupboards. Each has a single door with a panel ornately carved with fruiting holly branches and ornate shaped brass hinges. The plinth with three drawers. Width 78 1/2ins., height 48ins. (See illustration)
Lot 89
An eight day longcase clock, oak, 18th century, the 10I inch square brass dial signed E Bullock, Ellesmere, the brass face probably originally from a 30 hour movement, now eight day striking on a bell, centred date aperture but no date wheel, cherub moulded spandrels with ring of Arabic and Roman numerals, the hood with three quarter turned front corner hood pilasters over a short trunk door on a box base, lacking feet, 185 cm high
Lot 95
A George III and later eight day, longcase clock, oak, the 12 inch brass and silvered dial signed J. M., Hythe with outer ring of Arabic numerals, inner ring of Roman numerals, centred subsidiary seconds dial and date aperture, the caddy top hood with front corner corinthian columns over a plain rectangular narrow trunk door on a planked base and tall bracket feet, 214cm high (with repairs and renewals)
Lot 97
A George III eight day longcase clock, the 13 inch arch brass dial signed Samual Hartley Salop with associated eight day movement striking on a single bell, the hood with arched glazed door flanked by tapering fluted front corner hood pilasters over a shaped crossbanded long trunk door between quarter fluted front corner pilasters on a box base (lacking short bracket feet) (at fault), 218cm high
Lot 98
A William and Mary style eight day walnut veneered longcase clock, the 10 inch square brass and silver dial with chapter ring of Roman and Arabic numerals, centred subsidiary seconds dial and date aperture, the brass back plate engraved 'Henry Jones in the temple', the eight day movement striking on a single bell, the hood with blind fret frieze over three quarter spiral turned front corner hood pilasters above a quarter veneered rectangular long trunk door on a box base and four compressed bun feet, 192cm high
Lot 100
A late George III thirty hour longcase clock, the 12 inch square repainted face signed Thomas Gilbert, Rugeley, with ring of Arabic numerals and centre date aperture, the hood with swan neck pediment over half fluted front corner hood pilasters above a short crossbanded trunk door flanked by quarter fluted front corner trunk pilasters on a box base and short bracket feet, 205cm high
Lot 101
A thirty hour longcase clock, oak, crossbanded mahogany, the 11 inch square painted dial (restored) signed Plimer, Wellington, with ring of Roman numerals and centre date aperture, the hood with swan neck pediment over three quarter fluted front corner hood pilasters above a long narrow crossbanded trunk door with conch shell inlay on a planked base and short bracket feet, 215cm high
Lot 103
A late Victorian twin weight driven walnut and ebonized vienna style wall clock, the 7 inch white dial with a ring of Roman numerals and centred subsidiary seconds dial, the long glazed door revealing a quarter veneered walnut back and brass and ebonized pendulum under a serpentine pediment, over short fluted front corner pilasters and pagoda basket base, 111cm tall
Lot 114
A cabinet on stand, 18th century and later, oak, the dentil moulded cornice over a single rectangular panelled door opening to reveal two serpentine shaped fixed shelves, the door between multi-line mouldings on a stand with single frieze drawer with brass key escutcheon and two brass knob handles over front corner ring turned and tapering front supports on block feet united by plain side stretchers, 57cm wide, 152cm high, 36.5cm deep
Lot 149
A Country House library bookcase, early 19th century, mahogany, satinwood and marquetry, the ball moulded stepped cornice and scrolling leaf marquetry inlaid frieze over four rectangular glazed cabinet doors with outer chequered ebony stringing and double arched glazing bars opening to reveal adjustable shelves, the centre section with deep double conch shell inlaid secretaire drawer front opening to reveal an arrangement of four short graduated centre drawers flanked by five pigeonholes over a long shallow drawer and long narrow pigeonhole with a single oval panel cabinet door to each end, the secretaire drawer over two urn and swag inlaid cabinet doors revealing two pull-out trays flanked by a crossbanded and marquetry inlaid cabinet door to each end depicting the arts, opening to reveal an arrangement of five graduated, mahogany fronted drawers fitted with brass, rectangular swing handles with hexagonal discs, raised on four short square tapering front Adam inspired feet, 255cm wide, 260cm high to the centre, 60cm deep to the centre. Provenance listed in the catalogue of the Riccall Hall sale, Yorkshire, lot number 686, the sale by order of the executers of the late Lord Danesfort, K. C., J. P., the sale, a three day sale, September 24th, 25th and 26th 1935, auctioneers Richardson and Trotter, York, the bookcase has a chalk inscription to the back 'From Riccall Hall, September 28th 1935', Lord Danesfort formally John George Butcher, Barron Danesfort (1853-1935), Lord Danesfort was captured by 'Spy, characterturist and portrait painter for Vanity Fair Sir Lesley Ward (1851-1922), a published watercolour in Vanity Fair, November 1901 of John George Butcher, Barron Danesfort, he was later noted in 1934 as a champion of the Southern Irish loyalist along with Lord William John Arthur Charles James Cavendish and Lord Edward Henry Carlson.The bookcase design draws influence from Chippendale, Hepplewhite and Adam and is most probably Irish from the first quarter of the 19th century.
Lot 182
A kneehole desk, 18th century and later, mahogany, the rectangular top with deep crossbanded border and re- entrant front corners over a brushing slide and single long frieze drawer above an inverted kneehole with cabinet to the back, the single door with H brass hinges, flanked by four short drawers to each side, raised on four front bracket feet, 82cm wide, 82.5cm high, 48cm deep
Lot 748
An early 19th century mahogany longcase clock, the pagoda top hood centred with a blind fretwork panel and three acorn finials above reeded columns, the circular 16 inch enamel dial signed "Reynolds Spalding" with seconds dial and Roman numerals, with 8 day four pillar movement, the trunk with reeded quarter pilasters, raised on a rectangular plinth and short bracket feet, door loose, some damage to plinth veneer, 240cm high
Lot 749
An early 19th century oak and mahogany longcase clock, the hood with swan neck pediment and eagle finial and Corinthian columns, the break arch 13 inch dial signed "Ino, Barber Nottm" with painted floral spandrels and octagonal pastoral scene to the arch with 8 day four pillar movement, centre calendar, the trunk with canted corners and oval inlay to the door, the plinth with circular stringing banding and bracket feet, 213cm high
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235346 item(s)/page