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Lot 1835
David Linley Furniture, satinwood and ebony mounted dome shaped mantel clock with brown patinated dog figure surmount, the circular silvered dial with Roman numerals inscribed Mark Sampson, with a single train movement13ins high x 8ins wide x 6.5ins deepMissing a small part (see photos). Cracks to door, otherwise in generally good condition. Crack to back door and to one side as shown in photos.
Lot 1848
18th Century oak longcase clock with square hood and rectangular panel door, the brass dial with mask head spandrels, Arabic and Roman numerals, subsidiary seconds dial, date aperture and alarm, signed Raphael Sone, Denmead, with a single train thirty hour movementWeights and pendulum are present.The base height has been reduced.No key present to flush door on main trunk73.5ins high
Lot 1854
19th Century oak longcase clock having brass and silvered dial with three train weight driven movement striking and chiming on various bells, the dial inscribed Dan Jones, Seend, housed in a square hood flanked by reeded pilasters with flush panel carved door and conforming plinth base (later carved)Weights and pendulum are present.83ins high
Lot 1869
George III mahogany longcase clock the broken arch hood with brass mounted flanking pilasters above a moulded figured panelled door and conforming plinth base, the brass dial with matted centre, silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dials and date aperture, signed FRA. Gregg, St. James's, the two train movement with anchor escapement striking on a bellIn working order
Lot 1870
Figured walnut longcase clock, the broken arch hood with flanking pilasters above a moulded panel door and conforming plinth base, the brass dial with matted centre, silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial and date aperture, signed to the arch Obadiah Smith, Ratcliff Highway, London, the two train movement striking on a bell
Lot 26
A three-piece 'Anglo-Moresque' walnut bedroom suite, by Liberty & Co., circa 1880, comprising wardrobe, with robe cupboard with mirrored door, adjoined by a smaller cupboard with stained and leaded glass door panel, above two short drawers and a further cupboard, all above one long drawer; dressing table with mirror back fitted with two vanity drawers, a single long drawer above an open shelf; and a washstand with single drawer and open shelf, all with pierced fret work, the dressing table and washstand with wavy slated sides; wardrobe width 115cm, depth 49cm, height 183cm, dressing table width 100cm, depth 51cm, height 155cm, wash stand width 99cm, depth 51cm, height 87cm. (Qty: 3)Footnote: Provenance: acquired Liberty & Co, January 2000.
Lot 67
A large mahogany bookcase fascia, designed by Sir Edwin Landseer Lutyens for the Billiard Room of Papillon Hall, Lubenham, the main aspect incorporating a breakfront bookcase, flanked by a glazed door, matched by a cupboard, middle section with four eight-pane glazed panelled doors, enclosing shelves, over four panelled doors, double cornice section, plinth base, the flanking sections with arched doors incorporating 'teardrop' glazing, with ornamented tracery, break-moulded outlines, angled corners; together with other auxiliary pieces, length as assembled, width 520cm, height 270cm.Footnote: Papillon Hall was built in about 1622-24 for David Papillon, an architect and military engineer of French extraction. It was greatly enlarged in 1903 by Sir Edwin Lutyens for Captain Frank Bellville, heir to the Keen's Mustard fortune, who was an avid huntsman. Lutyens had wanted to design a "butterfly-plan" house having visited Norman Shaw's remodelled Chesters some years earlier, and Papillon Hall gave him the perfect footing with the original octagonal core to extend from. It appears a coincidence that the desire to design a butterfly-plan house and the original owner's name meaning butterfly in French presented itself at the Hall in Lubenham. The enlargement was designed during Lutyen's "transitional" phase from vernacular to classical styles and it incorporated elements of both, as well as French influences in reference to Mr Papillon's origins. Contrary to Roderick Gradidge's comments in his 1981 monograph on Lutyens where he suggested a more traditional English style was used, the interior furnishing for the Billiard Room at least carried on the French influence. This period in Lutyens' career became pivotal, with his pursuit of the Classical winning out above the French style. Papillon Hall was later requisitioned by the US Airborne Division during World War II, and was eventually demolished in 1951 having been returned to the family, and a failed attempt to find a new owner led to a state of severe disrepair. The Billiard Room fittings were sold by the demolition contractor and then installed in a house in Glasgow from where they have recently emerged following its conversion to flats and their removal.
Lot 87
George III mahogany bureau of large proportion, the fall front enclosing a well-fitted interior, pigeon holes, secret compartments, also central door depicting scene of Britannia, two short drawers over three long graduating drawers (with later handles) carried on ogee bracket feet , height 111cm, width 118cm, depth 52cm
Lot 452
A Victorian mahogany Davenport / Bureau Bookcase, of small size, the moulded cornice above a pair of swag and harebell pattern astragal glazed doors enclosing shelves, the base with hinged fall-front with leather writing inset opening to reveal a fitted interior, the sides with slides and a side panel door enclosing four drawers, on bracket feet, 20¾in (52.5cm) wide.
Lot 486
A George III oak 8-day Longcase Clock, John Smith, Chester, with two-weight movement striking on a bell, the 13-inch brass dial with moon-phase above silvered chapter ring with black Arabic minutes and black Roman hours, subsidiary seconds and date aperture, brass spandrels, signed in the arch John Smith, Chester, the case with swan-neck hood and brass-mounted columns on a trunk with shaped door above a plinth on ogee bracket feet, 89in (226cm) high.
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