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Click here to subscribeA PAIR OF EDWARDIAN PAINTED SATINWOOD POT CUPBOARDS of bowed form, the three quarter galleried top with cut out loop handles, and painted with a cherub within a floral wreath, tambour door with turned ebonised handles, the sides and fascia painted with ribbon tied floral swags, raised on square tapering legs, 18" x 15 1/4" x 32 1/4"
A GEORGE III OAK DRESSER, 18th century, the associated delft rack with moulded cornice, pierced and scrolled frieze, three moulded edged shelves flanked on either side by four small shelves, the base with mahogany banding and comprising central drawer over cupboard door with arched panel, flanked on either side by four drawers, brass drop handles, canted angles with mahogany quarter columns, panelled sides, moulded base and ogee bracket feet, 79" x 23 1/4" x 85"
A VICTORIAN WALNUT WARDROBE with burr walnut panels crossbanded with stringing, scrolled cornice with applied laurel wreath, single door with bevelled mirror plate flanked on either side by a floral marquetry panel, long drawer below with brass ring handles, on ogee bracket feet, 44 1/2" x 20 1/2" x 88 1/2"
A GEORGE III OAK AND MAHOGANY CORNER CUPBOARD, early 19th century, possibly Irish, the moulded cornice with swan neck pediment carved with florettes and centred by an urn on a fluted plinth, door with beaded panelling and corner florettes, canted angles and moulded base, 30 3/4" x 17 1/4" x 50 1/2"
A Victorian H.W Bedford burr walnut games box, mid/late 19th century, yellow metal initials to top, the lid opens to reveal a double door fitted interior, comprising of two tiered gallery for chess pieces, drafts, dominoes and many more, stamped registration mark, plaque reading H.W Bedford 67 Regent Street, width 32 cm.
A LATE VICTORIAN MAHOGANY DISPLAY CABINET BY GILLOWS, FIRST QUARTER 20TH CENTURY The central bay with bevelled galzed door enclosing two glass shelves flanked by open mirrored bays and cupboards on a plinth base, stamped 'GILLOWS LANCASTER' and 'L20352' 80 in. (203 cm.) high; 66 in. (167.5 cm.) wide; 17 in. (43 cm.) deep View on Christie's.com
A SWISS 'BLACK FOREST' WOOD 'CUCKOO' CLOCK LATE 19TH EARLY 20TH CENTURY Carved with birds and acorns with ivorine numerals, original brass movement with a pair of mechanical bellows and a gong strike attached to the rear door, two weights and a wood pendulum 26 in. (66 cm.) excluding chains and weights View on Christie's.com
A LATE VICTORIAN AMBOYNA AND EBONISED SIDE CABINET BY GILLOW & CO., LATE 19TH CENTURY The rectangular gilt-edged top above a parquetry lozenged frieze with a central glazed door enclosing two adjustable velvet-lined shelves flanked by a pair of panelled doors each enclosing a single shelf on a plinth base, stamped GILLOW & CO. 9649' 39½ in. (100.5 cm.) high; 60 in. (152.5 cm.) wide; 16 in. (40.5 cm.) deep View on Christie's.com
A FRENCH ROSEWOOD, IVORY, BRASS, COPPER AND PEWTER INLALID VITIRINE LATE 19TH CENTURY The upper section with broken pediment and gallery above a glazed cabinet with central door enclosing three shelves, the base with a central frieze draw above two tapering supports and shaped undertier with a solid back panel, the cabinet currently locked 90 in. (229 cm.) high; 43 in. (109 cm.) wide; 14 in. (35.5 cm.) dee View on Christie's.com
A FRENCH GILT-BRASS STRIKING AND REPEATING CARRIAGE CLOCK RAINGO FERES, PARIS. MID 19TH CENTURY The regilt case with shuttered rear door, engine-turned silvered dial, blued steel hands, twin barrels movement with monometallic lever balance to gilt platform escapement, countwheel strike on bell 6 in. (15 cm.) high View on Christie's.com
A FRENCH ENGRAVED GILT-BRASS STRIKING AND REPEATING CARRIAGE CLOCK BOURDIN, PARIS. MID 19TH CENTURY Engraved case with shuttered engraved rear door signed 'Bourdin/HOROLOGER DU ROI/Rue de la Paix/24/A PARIS' (regilt), conforming mask to white enamel dial disc, blued steel hands, twin barrels movement with replaced platform escapement, rack strike on bell 5½ in. (14 cm.) high, handle down View on Christie's.com
James Liddle, Bathgate: a Georgian mahogany longcase clock, the brass dial with silvered roman chapter ring, subsidiary seconds and date dials, foliate spandrels, nameplate to the arch, signed `James Liddle, Bathgate`, anchor escapement, the case with pierced fretwork swan neck pediment decorated foliate design, dentil cornice above an arched glazed door flanked by spiral twist corinthian columns, arched waist doors flanked by spiral twist corinthian quadrants, panelled base on bracket feet, 84 1/2in. high.
Stockell & Stuart, Newcastle: an oak longcase clock, the painted roman dial with subsidiary seconds dial and date aperture, foliate decoration to arch and spandrels, anchor escapement, the case with dentil cornice above an arched glazed door flanked by fluted columns, with pointed arch waist door, on panel base, 81in. high.
Robert Swan, Bridlington: an walnut cased longcase clock, arched brass roman dial, with subsidiary seconds dial and date aperture, nameplate signed `Robert Swan, Bridlington`, with strike silent dial to arch, ornate dolphin and scroll pattern spandrels, the five pillar movement with anchor escapement, the case with brass eagle and globe finial, arched convex frieze above a glazed door flanked by fluted columns, arched and banded waist door on panel base with bracket feet, 97 1/2in. high.
An early 20th Century oak bracket clock, the brass dial with silvered chapter ring, slow/fast dial to the arch, chiming movement, gilt spandrels, the arched case with brass finials, convex frieze above an arched glazed door flanked by canted corners with applied gilt metal busts, on plinth base, raised on scroll and paw feet,
J. Bryson, Dalkeith: a Victorian Scottish mahogany longcase clock, with circular silvered roman dial with subsidiary seconds and date dials, anchor escapement, the case with pierced pediment above an arched concave frieze, circular brass framed glass door below, rectangular waist door flanked by fielded panel base on bracket feet, 86in. high.
John Stancliffe: a carved oak longcase clock, with brass roman dial, matted centre, with dated aperture, mask and scroll spandrels, the case with mask and scroll cornice, foliate frieze, square waist door flanked by plain columns, the lower section with mask and foliate frieze, arched shell and leaf waist door, scroll pattern panelled base on bracket feet, 89 1/2in. high.
A Victorian walnut breakfront credenza, the curved breakfront top with ebonised moulded edge, fitted a central inlaid door with ormolu mounts either side of two curved glazed door enclosing two fitted shelves with velvet lined interiors, raised on turned ebonised bun feet, c.1860, 58 x 14 3/4 x 40in. (147.5 x 37.5 x 100.75cms).
An Edwardian mahogany Sheraton revival inlaid corner cupboard, the upper section with flared cornice, the astragal glazed cupboard door fitted with two shelves above a bowfront cupboard section fitted with three drawers, raised on strung splay feet, 73 x 16 1/4 x 23in. (185 x 41 x 58.5cms).
A Victorian walnut inlaid and ormolu mounted pier cabinet, the walnut top with ormolu fillet above an inlaid floral frieze, the glazed strung and ormolu mounted door opening to reveal two fitted walnut shelves, the whole raised on a shaped walnut apron with ormolu mounts, 47 1/2 x 14 x 35in. (121 x 35.5 x 89cms) wide.
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