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An Avignon sedan chair, possibly by Guignet, circa 1750: painted in an elegant grey flowered arabesque design, lined with green silk damask with a green comb catisane fringe and a single remaining side iron curtain rail and tie backs, quarter glass windows in the Italian shape, twin blank armorials with bases and supports to front door and upper rear panel, with a Marquis' coronet above, the upper side panels with mirrored initials JG or IG in blue cartouche with ornamented supports and coronet above, three small grisaille cartouche paintings representing a goddess in the Mediterranean sea with gilt surrounds, 173cm high x 93cm wide x 81cm deep CONDITION REPORT: Leather roof damaged and some leather panels removed and loose - scuffed and dry. Cracks to joints. Signs of old woodwork to mouldings and exposed wood elements of the interior. Restoration to gilding and leather panels. Painted leather panelled later restored in part. Cracks to leather panelling to lower sections of the chair. Some imitation of the leather pattern of the panelling restored with painted sections. Front drop down window stiff but side windows functional with later glass panels. Coat of arms to back worn and scuffed as pictured. Door handle detached but present. Some moulding replaced and restored not gilded. Damask lining to the interior with wear, damage and generally dry and with tears, loose threads and losses. Tasselled fringes dry and fragile. Gilding restored in part with gold paint. Paint chipping to scattered areas, in particular the lower back panel as pictured. Underside not inspected.
A French fabric covered model of a sedan chair, early 20th Century, with opening door and glass shelves for use as a bijouterie cabinet, 27cm high x 13cm wide x 14.5cm deep CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
PLEASE NOTE AMENDED ESTIMATEA rare German silver novelty house shaped box retailed by Posen, Provenance: belonging to Marcus and Ulrike Mosse, the single story house with dormer window in roof, shuttered windows, central front door, brick facade , tiled roof and chimney, the back with a photograph of Marcu and Ulrike in and oval frame and the base opening, 7.5cm wide, 141 grams, impressed 800 POSEN German Crescent and Crown marks - a note inside ‘The portraits are Marcus & Ulrike Mosse, the house is said to be their house in Graetz, Posnan (formerly in Prussia) - this came to me from the estate of my aunt Else Litthauer - Ernst Litthauer
Modern oak longcase clock, architectural pediment with urn finial, long glazed door, bracket feet, 9.5" arched brass dial, the German movement striking on eight gongs, height 198cm.Condition report:Not set up to determine if in full working order. Pendulum and three weights are present. The case is clean and free of any significant marks or damage.
Scottish mahogany longcase clock, hood with swan neck pediment abd eagle finial, Corinthian column supports, trunk with long arched door, fluted quarter pilasters, plinth on short turned legs, thirteen inch arched brass dial with subsidary seconds dial and date aperture, signed James Bowie, Kirkcaldy, eight day movement striking on a bell, height 218cm.Condition report:Two weights and a pendulum are present (the pendulum shaft is bent and misaligned). Not set up in the saleroom to determine if fully working. The movement appears complete. The minute hand has been replaced. Some spot tarnishing on the dial. HIstoric repairs to the swan necks on the hood. The rest of the case is generally in good presentable condition, some of the crossbanding is replaced. Adaptations to the base and feet.
Oak longcase clock, pagoda top with ball finials, long door, bracket feet, elev inch brass dial with single hand, subsidiary date aperture, signed John Spence, Market Harborough, (circa 1745), thirty-hour movement striking on a bell, height 219cm.Condition report:Not set up in the saleroom to test if in full working order or keeping time. Weight and pendulum present. One hand lacking. Some of the black enamelling on the numerals has flaked away. The ball finials on the hood are completely misaligned and replacements. the lower panelling on the case is split horizontally. Old repairs throughout the case.
Oak and mahogany longcase clock, cavetto cornice, turned columns, trunk with long door, bracket feet, twelve inch square painted dial with subsidiary date aperture, signed Jno Birtles, Harboro, thiry hour movement striking on a bell, height 193cm, with weight and pendulum.Condition report:Not in working order, the pendulum guide looks to have been twisted so much that the pendulum won't fit and swing freely. The top of the pendulum has a crude old repair and seems to be lacking the hook regardless. The movement is loose from the seat board. The dial appears repainted and has an existing paint flake approx 1.5cm in diam above the flowal bouquet. The hood and door of the case are much later in age (the hood late 20th century replacement and doesn't match very well. The back panel has historic worm activity.
Mahogany longcase clock, the hood with scrolled pediment and applied carved frieze, turned and carved supports, trunk with short door and engaged pilasters, bracket feet, thirteen inch arched painted dial indistinctly signed, eight day movement striking on a bell, height 218cm.Condition report:Two weights and a winding key, no pendulum. The dial has heavy losses of enamel to the lower left corner and lower margin. Hands replaced The movement is clean which suggests it has been maintained and serviced but no known history and not set up in the saleroom to test if complete. Sound boards replaced. The case with various replacement elements and restorations.
Two London delftware tiles from a larger tile panel, c.1770-90, probably Lambeth, finely painted in blue with an equestrian figure and another standing figure before a tavern, a woman peering from behind an open door, mounted on a later wooden frame, 26cm across.Provenance: from the collection of the late Jonathan Horne.Illustrated: Jonathan Horne, Tin-Glazed Tiles, p.120, fig.678.
A mahogany coin cabinet, 33.5 x 30.5 x 31.5cm, comprising 24 trays double-pierced to house a total of 939 coins and a deep bottom drawer, single door, lock and key; including 28 forgeries of ancient and World coins, mostly Crown-sized [Lot]. Cabinet in excellent order, but trays lacking felts £100-£150
An early 20th Century Arts & Crafts style glazed bookcase, the flared cornice, over a double door cabinet with stained glass floral motifs, opening to reveal a shelved interior, the base with two short drawers and stylised handles, over a double door cabinet, raised on a plinth base, 122 x 47 x 210cm high.
Chaim Schreiber - Schreiber Furniture - An original mid 20th Century 1960's Danish inspired teak wood highboard / sideboard credenza by Schreiber. The higboard having twin sliding glass door compartment flanked by a full front cocktail cabinet to the right. Below a central recess section are three drawers to the right, a single sliding door cupboard, all raised on tapering supports. Makers mark to inner drawer. Measures 131cm x 122cm x 41cm.
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235302 item(s)/page