Thomas Ivory, Dundee. A Georgian mahogany longcase clock having an eight-day duration movement striking the hours on a bell, the twelve-inch arched painted dial having black Roman hour numerals, gilt scroll corner spandrels, subsidiary seconds dial and date aperture, decorative brass hands and signed `Thos. Ivory, Dundee`, with a `strike/silent` dial within the arch, the mahogany case having a break-arch trunk door, fluted canted corners, inlaid `Sheraton-style` shell inlay to the base and trunk corners, the base with a double plinth and a shaped, moulded panel, the break-arch hood having plain columns with brass capitals and brass `ball-and-spire` centre finial, height, 206cm (not inc finial) * Thomas Ivory is recorded in Dundee between 1793 and 1825 being admitted as a burgess of the town in July 1795. As a skilled draughtsman he gave up clockmaking in the 1800`s to work for publishers and engineers.
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P.. Pontypool, a mid-Victorian Welsh mahogany longcase clock with rocking-ship automata, having an eight-day duration movement striking the hours on a bell, the twelve-inch painted dial having black Roman numerals, subsidiary seconds dial and date aperture, painted decoration to the four corners depicting various riverside buildings and decorative brass hands, the centre indistinctly signed `P..., Pontypool`, with a rocking ship automata within the arch, the mahogany case of typical South Wales form with the barley twist columns to the trunk and hood having brass Corinthian capitals, a short door to the trunk inlaid with ebony & boxwood stringing which is repeated to the base, further crossbanding to the top and bottom matchbox panels, wavy edge moulding to the hood door, with wavy cresting to the top surmounted by three brass finials, the weights stamped, in reverse, with the name `D. Smith`, height: 230cm (inc. finial)* Possibly one of Parry, Phillips or Polak, all of whom are recorded as working in Pontypool in the early-to-mid 19th century.
William Woster, London, an ebonised longcase clock having an eight-day duration, five pillar movement striking the hours on a bell with an inside countwheel, the square twelve-inch brass dial having a raised, silvered chapter ring engraved with black Roman hour numerals, `meeting arrowhead` quarter hour markings and half-quarter markings and signed by the maker `Wm. Woster, London`, the matted dial centre having ringed winding holes, engraved decoration to the date aperture, cast `cherub & crown` corner spandrels and decorative blued steel hands, the ebonised case, having a caddy top with fretwork below, a glass lenticle to the trunk door, quartered columns with brass capitals to the hood and surmounted by `eagle and ball` brass finials, height: 238cm. * William Woster of London is recorded as having been apprenticed in 1697.
George Prior, London, an ebonised longcase regulator having eight-day duration timepiece movement with a dead-beat escapement, maintaining power, a compensating pendulum, the ten-inch break-arch silvered dial having an outer minute ring, subsidiary seconds dial and hour aperture, signed in the arch `George Prior, London`, the ebonised case having a caddy top, shaped top to the trunk door and a plain base, height: 212cm. * George Prior was born in 1782, the son of the clockmaker John Prior, and is known to have been working in London from 1793 until 1830.
James Woolley, Codnor, a carved oak longcase clock having an eight-day duration movement striking the hours on a bell, the twelve-inch break-arch dial having a penny moon with moon date below and showing the date and time of high water, the raised, silvered chapter ring engraved with black Roman numerals, floral half-hour markings and `meeting-arrowhead` half-quarter markings, the matted dial centre having ringed winding holes, and a heart shaped cartouche engraved with the makers name `Ia Woolley, Codnor`, with wheatear border engraving, the oak case carved throughout and having a caddy top, lenticle to the trunk door, a raised plinth to the base and quarterd columns, with giltwood capitals, to the hood, height: 244cm. * James Woolley, born circa 1700 in Codnor, Derbyshire, was a celebrated maker who was one of a number of the family working as clockmakers. He often signed his clocks `Wolley` as in this example. He died in 1786.
James Clowes, London, an early ebonised longcase clock having an eight-day duration movement with five finned pillars and striking the hours on a bell with an outside countwheel, the eleven-inch square brass dial having a matted centre with ringed winding holes, date aperture and a subsidiary seconds dial and having cast `cherub-head` spandrels to the four corners, the raised silvered chapter ring engraved with black Roman numerals, Arabic outer numerals, `meeting-arrowhead` half-hour markings and signed either side of VI o`clock with the maker`s name `Jas Clowes, London`, with blued steel fancy decorative hands, the ebonised case having a bulls-eye lenticle glass to the trunk door, three-quarter columns to the hood with cast brass capitals, quartered columns to the rear and sumounted by a caddy top with brass ball-and-spire finials either side, height: 223cm. * James Clowes became a member of the Worshipful Company of Clockmakers in 1671 and was known to have still been working in 1705. There was a longcase clock signed by him in the famous Wetherfield Collection.
Charles Absolon, London, a Georgian mahogany longcase clock having an eight-day duration, five-pillar movement with dead-beat escapement, striking the hours on a bell with an internal rack, the thirteen-inch round silvered dial having decorative blued steel `scroll` hands and engraved with black Roman numerals, outer Arabic five minute markings, a subsidiary seconds dial and the maker`s name `Chas. Absolon, London`, the mahogany break-arch case having fluted quarter-columns to the trunk with cast-brass capitals and brass inlay, the base having a shaped raised panel and standing on a double plinth, the hood having a full opening front door with cast bezel, fluted canted corners with brass inlay and round glazed side panels, height: 212cm. * Charles Absolon is recorded as working in London in the late Eighteenth century.
An Early 18th Century oak court cupboard with a moulded cornice and fluted dentil frieze on turned column uprights, the recessed centre section with moulded panels and twin enclosing doors, one being pierced with a heart, the cupboard below with a moulded panel front and enclosing door, raised on plain extended stiles, 183cm (6ft) long, 176cm (5ft 9 1/4 in) high.
A 17th Century Italian ebony, ivory veneered and brass inlaid cabinet on later stand, the twelve various drawers all depicting scenes from Noah`s Ark, with animals, birds and insects all proceeding two-by-two towards the Ark depicted on the central architectural door, six small drawers within, 107cm (3ft 6in) wide, 114cm (3ft 9in) wide, 142cm (4ft 8in) high overall. * Provenance: According to family tradition, Edgeworth Manor, Gloucester, thence by descent.
An Edwardian mahogany longcase clock with eight day movement striking on a bell, the brass break arch dial with silvered chapter ring framing a matt centre with subsidiary seconds, beneath a silvered boss to arch inscribed `Richard Gregg, London`, the hood with inlaid shell patera surmount flanked by brass ball and eagle finials, above a glazed door and fluted columns, the arched trunk door with oval inlaid patera repeated on the base within crossbanded border, on bracket feet, height approx 207cm, together with two weights and a pendulum.
An early 19th Century Scottish mahogany longcase clock with eight day movement striking on a bell, the painted circular dial with Roman numerals, subsidiary seconds and date dials and inscribed `....Lanark`, the circular moulded hood with hinged glazed door above carved foliate scroll mouldings, the tapered trunk with bow front door and turned pilasters on a panelled base and plinth, height approx 191cm, together with two weights and a pendulum.
A George III mahogany longcase clock with eight day movement striking on a bell, the brass break arch dial with silvered chapter ring framing an engraved matt centre with subsidiary seconds and date aperture, beneath a silvered boss to the arch inscribed `Jn Barr, Port Glasgow`, all cornered with pierced gilt spandrels, the hood with swan neck pediment flanking a scallop shell surmount above a glazed door and fluted columns, the trunk with double arched door, flanked by fluted chamfer cut corners, on a plain base and bracket feet, height approx 201cm, together with two weighs and pendulum.
A George III mahogany longcase clock with eight day movement striking on a bell, the painted break arch dial with Roman numerals, subsidiary seconds and date aperture beneath a rolling moon to arch and inscribed `John Collier, Cheadle`, the hood with swan neck pediment surmounted by three brass ball and eagle finials, above a glazed door flanked by inlaid columns, the trunk with triple Gothic arched door on a chamfered base and ogee bracket feet, height approx 247cm, together with two weights and pendulum.
A late 19th Century German walnut mantel clock with eight day movement striking the hours and quarters on two gongs, the brass dial with matt centre and silvered chapter ring beneath a silvered slow/fast indicator dial, surrounded by pierced and cast gilt foliate scroll spandrels, the backplate stamped `Lenzkirch 960331`, the brass mounted case with domed top and flame finials above a glazed door flanked by ionic column pilasters and pierced side fret panels, on brass feet, height approx 38.5cm, together with pendulum.
A 19th Century pine longcase clock with thirty hour movement striking on a bell, the painted square dial with Arabic numerals and inscribed `Symonds, Reepham`, the hood with glazed door above a rectangular trunk door on a plain base and plinth, height approx 199cm (restoration), together with pendulum and weight.
A late 19th Century brass and porcelain mantel clock with eight day movement striking on a gong, the painted porcelain dial with Arabic numerals above a scene of a courting couple with woodland and building beyond, signed `Koene`, the case with arched surmount above a pair of pillars on a pedestal base and bracket feet, height approx 28cm, together with pendulum and key (lacking back door).
A mid-18th Century oak longcase clock with thirty hour movement striking on a bell, the square brass dial with chapter ring framing an engraved rococo scroll centre with date aperture and inscribed `Peter Odell, Hitchin`, all cornered with pierced and cast foliate scroll spandrels, the hood with caddy top above a blind fretwork frieze and glazed door with turned columns, the trunk with rectangular door on a plain base and plinth, height approx 216cm, together with pendulum and weight (some faults).
A late 19th Century German oak bracket clock with eight day movement striking the hours and quarters on five gongs, the brass dial with subsidiary slow/fast and chime/silent indicator dials above a silvered chapter ring and matt centre, surrounded by cast and pierced gilt scroll spandrels, the backplate stamped `W&H Sch` (Winterholder & Hoffmeier), the dome top case profusely carved with masks, foliage and scrolls, the front with bevelled glazed door flanked by a pair of carved mask and scroll fret panels on a breakfront base and bracket feet, height approx 57cm, together with a pendulum.
A George III mahogany longcase clock with eight day movement striking on a bell, the brass break arch dial with silvered chapter ring framing a foliate engraved silvered centre with date aperture and inscribed `John Tickell Crediton`, cornered with gilt spandrels beneath a silvered boss to arch inscribed `Tempus Fugit` above an eagle, the arched hood with brass pineapple finials above a glazed door and Corinthian columns, the crossbanded rectangular trunk door flanked by Corinthian corner columns on an inlaid base and bracket feet, height approx 220cm, together with pendulum and two weights.
An early 20th Century walnut Vienna style wall clock, with eight day movement striking on a gong, the circular two piece enamel dial with Roman numerals, the architectural case with an arched moulded pediment above a glazed door flanked by fluted column pilasters and a tapered apron, height approx 124cm, together with pendulum and two weights (faults).
A 19th Century oak longcase clock with eight day movement striking on a bell, the painted break arch dial with Roman numerals, subsidiary seconds and date dials and inscribed `W. Keith Inverness` beneath a painted fruit basket to arch, the arched hood with glazed door, the trunk with arched door on a plain base and plinth, height approx 214cm, together with two weights (lacking pendulum and faults).
An Edwardian satinwood display cabinet, the arched pediment with a Greek key moulded frieze painted with rose garlands above an astragal glazed door flanked by serpentine glass panels enclosing two shelves, the apron fitted with a single drawer and painted with foliate scrolls, raised on reeded tapering legs united by an undertier, width approx 130cm.
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235346 item(s)/page