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Lot 1

Late Victorian Walnut Architectural Cased Mantle Clock with split baluster turned columns, bevelled glass arched door on bracket supports, the silvered chapter ring on lacquered brass face with Arab numerals, 2 train movement, striking on a gong, movement 250 85 (pendulum & key in office)

Lot 1

George III Oak Bureau with Associated Two Door Bookcase, the Fitted Interior above 4 Drawers

Lot 1

Victorian Mahogany Cabinet on Stand, the Glazed Single Door Top Above a Drawer and a Cupboard, Ht. 225cm

Lot 1

Mid 18th Century Painted Pine Two Door Cupboard with Original Hinges Ht 226cm Width 203cm

Lot 1

Victorian Carved Oak Dresser Two Glazed Doors with Leaded Stained Glass Lights over Two Door Cupboard Heavily Carved Throughout with Angel and Lion Heads Ht 241cm Width 125cm

Lot 1

George III Painted Pine 2 Door Linen Press, Doors Enclosing Four Slides Above Two Short and One Long Drawer Ht. 221 Width 128

Lot 1

JAMES TOWNSHEND, R B A, SIGNED OIL, ‘At the cottage door’, 17" x 11"

Lot 1

Murfitt, Sutton, a Regency mahogany and ebony banded longcase clock, the breakarch hood with reeded columns above cushion moulding, the arched trunk door flanked by quarter reeded columns, upon a rectangular canted base and splay feet with shaped apron, the arched painted 12 inch dial with shell spandrels, seconds dial and date aperture, with 8 day 4 pillar movement, 210cm high

Lot 1

John Wignall, Ormskirk, a flame mahogany and satinwood inlaid longcase clock, the swan neck pediment with reeded columns and gilt painted foliate frieze panel, the shaped top trunk door flanked by quarter fluted pilasters, raised on a rectangular plinth with canted corners, the 14 inch square enamel dial with painted spandrels, seconds and calendar dials, and 4 pillar 8 day movement, 221cm high

Lot 1

An oak longcase clock, 18th century and later, the hood with swan neck pediment and slender columns, the trunk with shaped top door and raised on a panelled plinth with ogee feet, the square brass 12 inch dial signed 'Wm Eastwood' between V and VII, the centre well engraved with two pairs of figures and exotic plants, scroll spandrels, calendar dial (non functioning), and associated 8 day 4 pillar movement, 221cm high

Lot 1

An 18th century Continental walnut, tortoiseshell and ivory inlaid cabinet on stand, the upper section with pierced brass three quarter gallery above an architecturally inlaid central door enclosing four figurally worked drawers above a further drawer flanked with eight twin panelled drawers interspersed with brass rosette studs, standing on bun feet, the later lower section wrought iron, 112cm wide, 32cm deep, 103cm high

Lot 1

A 19th century walnut, kingwood and gilt metal mounted side cabinet, the pagoda top above a marquetry inlaid porcelain inset cupboard door enclosing shelves flanked with similarly mounted and inset uprights, standing on a shaped plinth base, 91cm wide, 33cm deep, 120cm high

Lot 1

A 19th century satinwood and oak bank of drawers, the rectangular top with moulded edge above an arrangement of twelve short and two long graduated drawers centred with a marquetry inlaid cupboard door above a further short drawer below, standing on pointed bun feet, 99cm wide, 25cm deep, 33cm high

Lot 1003

A mahogany corner cupboard with dentil moulding, glazed upper door and single cupboard below.

Lot 1172

An Edwardian mahogany wardrobe with mirror door.

Lot 1173

A late Victorian satinwood mirror door wardrobe and chest with mirror.

Lot 1174

An Edwardian string inlaid mahogany mirror door wardrobe.

Lot 1212

A good quality dining room suite comprising Spanish design refectory table, six chairs including carver (seats do not comply with the 1988 Fire & Fire Furnishings Regulations and must be cut off by staff before they leave the premises), together with a glazed side cabinet and four door serving buffet.

Lot 1

A Victorian figured walnut and kingwood banded credenza, of small size with central glazed door, flanked by glazed bowed ends 3ft. 8in.

Lot 1

A good quality Edwardian inlaid satinwood display cabinet, of serpentine form with three glazed doors with fancy scrolling astragals over frieze drawer, small glazed door flanked by side cupboards, on square tapered legs, the whole profusely decorated with floral swags and scrolling arabesques width 3ft. 6in, height 6ft. 11in..

Lot 1

An Arts and Crafts mahogany two door hanging cabinet, with painted panelled doors of cherubs riding mythical creatures 2ft. 8in.

Lot 20

A Beidermier pear wood two door cabinet with ebonised banding.

Lot 38

A two door glazed wall cabinet.

Lot 63

An oak part clock case with remnant early 18thC lacquer door panel.

Lot 1

A Victorian ebonised and gilt metal mounted pier cabinet, with glazed door on toupie feet 2ft. 6in.

Lot 1

An Edwardian inlaid mahogany cabinet, with painted panel door enclosing five sliding trays on squared tapered legs with undertier 1ft. 10in.

Lot 1

An Edwardian inlaid rosewood music cabinet, with mirror panelled door and floral decoration on squared tapered feet with castors 1ft. 10in.

Lot 1

An Arts and Crafts oak cupboard, with three open shelves and panel door with hammered metal strap hinges 1ft. 10in.

Lot 1

A late Victorian mahogany two door shoe cupboard 2ft. 7in.

Lot 1

A 1920's figured walnut two door display cabinet, on cabriole legs 3ft. 5in.

Lot 1

* A painted door stop depicting a milkmaid, a child and a dog

Lot 1

A late 18th Century/early 19th Century mahogany stick barometer, the arched top with urn finials, the brass door and mahogany trunk with a turned oval cistern cover, the silvered dial with a hydrometer and a ivory reading knob, surrounded by engraved garlands, 104cm

Lot 1

A George III standing corner cabinet, having a dentil cornice over an arched astragal glazed door enclosing three shaped shelves, within fluted pilasters, and two glazed lower doors, now painted black, 218cm high x 108cm wide

Lot 1

A mahogany standing corner cabinet, c. 1900, having a swan neck cornice with pierced fretwork over a glazed door with urn shaped glazing bars and a panelled base door, all with well carved ribbon tied flowers, swags, musical trophies and stylised foliage, 235cm high x 106cm wide

Lot 1

A Regency style painted side cabinet, with a shelf on scrolled brackets, over a frieze drawer and a glazed door on turned feet, painted in cream with green floral details and stylised scrolls and acanthus foliage, 71cm wide x 123cm high

Lot 1

* A white painted corner cupboard, 18th century, the moulded cornice with an arched glazed door, flanked by fluted pilasters, the base with a fall front, enclosing a red painted fitted interior and two cupboard doors beneath, approx 240cm

Lot 1

A mahogany hanging corner cabinet, with a single astragal door, now mounted on a later stand, cabinet 62cm wide x 104cm high

Lot 1

A 19th Century French kingwood display cabinet, having a rouge marble top, gilt bronze mounts and a single bowed glazed door, applied Edwards & Roberts label to the reverse, 73cm wide x 120cm high

Lot 1

RICHARD GRIFFITHS, DENBIGH (1791-1840), AN EARLY 19th CENTURY WELSH LONGCASE CLOCK, the honey oak and mahogany crossbanded case with long trunk door, the hood with blind fretwork frieze, 33cm square white dial, signed, with subsidiary seconds and date crescent, 4 pillar 8-day falseplate movement with rack strike and anchor escapement. 2.05m

Lot 1

JOHN BROWNLESS JUNIOR, STAINDROP, (1787-1827), AN 18th CENTURY OAK LONGCASE CLOCK, with long trunk door and hood with turned pilasters, the associated 30 hour movement with 4 scribed pillars and outside countwheel strike, 26.5cm square brass dial with matted centre and date aperture, signed. 2.01m

Lot 1

THOMAS HOUGHTON, CHORLEY, (1780-1840), AN EARLY 19th CENTURY LANCASHIRE MAHOGANY LONGCASE CLOCK, the superior case with rectangular trunk door fanked by 1/4 round reeded pilasters, the hood with swan neck pediment and free standing corinthian columns, 35.5cm square white dial with subsidiary seconds and date pinter, (date wheel absent), 4 pillar, 8-day rack striking movement with Wilson falseplate and anchor escapement. 2.22m

Lot 1

HUGH LOUGH, PENRITH (1740-1791), AN 18th CENTURY OAK LONGCASE CLOCK, with long trunk door and star burst flanked by 1/4 round pilasters, the hood with blind fretwork frieze, now with 31cm square brass dial with Halifax moon and date crescent, 30-hour 4 pillar mechanism with outside countwheel strike. 2.07m

Lot 1

WILLIAM SPEAKMAN, LONDON, A LATE 17th CENTURY STYLE EBONISED LONCASE CLOCK, with long trunk door, the hood with barley-twist pilasters, 30.5cm square brass dial with subsidiary seconds and date aperture, complete with 8-day rack striking movement, with re-arrangements to movement. 1.99m

Lot 1

LATE 19th CENTURY VIENNA TYPE WALL CLOCK, the typical stained wood case with glazed trunk door, circular white dial, and timepiece single train spring driven movement with grid iron pendulum. 77cm

Lot 1

EDWARDIAN INLAID MAHOGANY VITRINE CABINET, c. 1910, in the Liberty style, the shaped and pierced backboard above a rectangular top, over a lead-glazed door with three coloured glass panels, raised on square section tapering legs. 1.40m by 0.61m by 0.34m

Lot 120

Brass door handles, Victorian glass knobs, marbles, silver plate in three boxes

Lot 1

Door knocker, Arts and Crafts, cast iron with hammered finish, and similar letter box

Lot 1

Arts and Crafts, Oak wardrobe, single door and inlaid panels

Lot 1

Art Nouveau, Oak wardrobe, with mirrored door and two decorated plates 145 x 210cm

Lot 1

A late 19th Century mahogany cased mantel clock, silver floral decorated dial and black Roman numerals, enclosed by bevelled glass door, raised on shaped plinth base with brass feet.

Lot 1

A 19th Century mahogany pot cupboard with pie crust gallery, banded line inlay and inlay motif, raised on square supports with single opening door and drawer underneath.

Lot 1

A mahogany display cabinet on stand, fitted with two adjustable shelves above an arrangement of pigeon holes and three fitted drawers, enclosed by bevel glass door with fitted candle slide, the whole raised on cabriole supports.

Lot 11

A GEORGE III OAK LONG CASE CLOCK having an arched brass dial with embossed spandrels, date aperture and second hand, signed 'Will. M Coulton of York', the hood with pillar support and panel door below, some alterations to the case , 81" high. Note: A William Coulton was recorded as working in York circa 1740.

Lot 30

AN EARLY VICTORIAN ROSEWOOD CHIFFONIER with mirrored back, panel door and canted side panels on a shaped base, 37 1/2" wide.

Lot 58

AN EDWARDIAN MAHOGANY AND SATINWOOD INLAID CYLINDRICAL DISPLAY CABINET with panel door, glass shelves and splay legs, 17 1/2" diameter, 30" high

Lot 76

A VICTORIAN EBONISED PIER CABINET with flecked grey marble top and single glazed silk backed door, the cabinet decorated all over with walnut inlay and applied with gilt ormolu mounts, standing on a plinth base, 29 1/2" wide x 36 1/2" high.

Lot 79

A LATE VICTORIAN OAK HANGING CORNER CABINET with embossed copper hinges and central copper panel to the single door decorated with a phoenix, 30" wide x 39 1/2" high.

Lot 1

*Easter Rebellion - Ireland 1916. Two autograph letters signed ‘Alice' [Wimborne, to her mother Lady Ebury], Vice Regal Lodge, Dublin, dated May 2nd and Friday [5th May, 1916], being eye-witness accounts of the troubles accompanying the Rebellion as seen from the Viceroy's home in Phoenix Park, ‘It has all calmed down now but its been a terrible time. One more awful tragedy in this beloved land - it makes my heart ache. I am so sorry you were anxious', continuing ‘Well darling, we had been anxious about Sein Fane for sometime past, it has been jumpy [?]. Ivor all along took a grave view & tried his best to get more troops more of everything but was not listened to. I don't want to blame anybody but I tell you this for your private information. Had he had his way this never would have happened or at any rate might never have happened - I think everyone did their best but they were wrong & he was right. You know the position of the Lord Lieutenant he can only suggest but has no power. On Saturday morning Sir Roger Casement was captured & the connection between Sein Fane & Germany established. H. E. then urged instant action - impossible to carry the others with him', and later continuing, ‘Monday came, I was washing my hands for luncheon when I was rung up and told to say in my bedroom, Sein Fane had attacked the castle & might come here. We were lunching early as the special left at 2010 - I went down & found Ivor very calm but very white - he begged me to go to Headfort but I told him I would sooner die', and continuing in some detail to relate these events, 16 pages, the second letter noting that she thinks all danger is over now, ‘But we had some very critical hours & have had I think a very miraculous escape', and later noting ‘The rebels are in houses, & shoot at the troops so as to effectually prevent them from coping with things as numerically & from every other point of view they should be able to. But it can only be a question of days ...', 4 pages, all on Vice Regal Lodge letterhead, 4to, together with another autograph letter from Alice to Maudie [probably her sister Maud Glyn of Albury Hall in Hertfordshire], Copped Hall, Epping, Essex, 26th September, no year, with family news and gossip plus mention of a Zeppelin attack, ‘Yes, we did see the Zeppelin. I woke about 12:20 - hearing distinct firing - I went out to listen, & the searchlights were all around - I woke A & B but they said it was too distant to come out for, & stayed in their rooms - so I had rather a wonderful time to myself, outside the front door for the chattering maids didn't wake til much later. There was nothing very near - but the flash & sound of bombs London ways & guns & then a Zep passed overhead from London to Chelmsford way - very high, out of sight - all the birds & beasts were uneasy in the still clear night - then from the river way came sounds of a battle - bigger guns & the upper windows rattled - then, low down in the S.G. I saw two eyes of light that got bigger rapidly - as if a big motor was coming in the sky - & then a burst of flame & smoke - & the shape of a burning Zep clearly - like a fool I was so thrilled that I felt Jimmy must see & left it burning, as you might say, & rushed in to him and shook him awake', 6 pp., 4to, plus an eleven page typed copy letter from Honourable Hugh Grovesnor at the Foreign Office in Peking, 18th November 1897 to H. Foley concerning Corea, Kiau-Chow and loan negotiations, plus three other Glyn related family-related items. Ivor Churchill Guest, First Viscount Wimborne (1873-1939) became Lord Lietuenant of Ireland in 1915 and served in that post for three difficult years. (7)

Lot 245

A VICTORIAN HEAVY BRASS DOOR KNOCKER of lion rampant form, 9 1/2" high.

Lot 635

A small display/collectors cabinet, with single door and brass mounts, 19.4in (49cm) high.

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