Robert Seabeck (Wyoming, B. 1945) "1903 Model a Roadster" Signed lower left. Original Mixed Media painting on Paper. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting originally appeared on the Republic of the Marshall Islands 60c 1903 Model A Roadster stamp issued June 4, 1996. In 1903, Ford Motor Company produced its first automobile -- the Model A Roadster. A simple, two-seat runabout with a 72-inch wheelbase, the Model A featured a 100.5-cubic-inch, opposed-twin engine that developed eight horsepower at 1,000 rpm. The Model A sold for $850 and had a planetary transmission with two forward speeds. For $100 more a detachable rear tonneau, with two-person seating and back door access, was included. The Model A had a right-hand steering wheel, as opposed to the tiller used to steer earlier automobiles, including Ford's 1896 Quadricycle. The standard color for the Model A was bright red with black fenders. A small carriage step was used to load passengers into this high profile automobile. The Model A could reach speeds of 30 mph and was proclaimed to be "the most perfect machine on the market." Image Size: 7.75 x 12 in. Overall Size: 15 x 22.5 in. Unframed. (B15398)
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Nice oil on canvas by Randy Peyton, signed R Peyton in the lower right, and also signed verso and dated 1995. Exterior door with elaborate carvings and a donkey off to the side. Native-born Texan Randy Peyton started painting the land of his birth when he was twelve years old. Landscape, architecture, figures, and sometimes a combination of the three are prevalent in his work. His palette varies from earth to jewel tones with emphasis on light and shadow. Combining soft realism with a touch of impressionism characterizes his paintings. Canvases range from miniatures to murals, all with equal ease.Sight: 23 1/2 x 17 1/2 in.Overall: 34 1/2 x 29 in.Please note that all sales are final. No refunds will be given under any circumstances.
MILK FLOAT to suit 14.2 to 15hh. Painted red and yellow, with matching lines, and black metal work. On 47.5ins/16-spoke wheels with cranked axle and elliptic springs. Fitted with curved mud guards, brass rein rail, lamp brackets and adjustable seats accessed via the rear door. There are fitted sign boards with the front board sign written 'S. L. H Contractors'. Won the Best 1940's Trade Vehicle at an Easter Parade. Approx. measurements: 74ins wide x 6ft 5ins long x 85ins high, length of shafts 82ins, 27ins at their narrowest. Estimate £500-550 Lot 4 can be viewed at the Reading Auction Centre.
WAGONETTE built by F.A. Carl Wolf or F.A. Kadner & Co., of Rosswein, Germany circa 1890 to suit 14.2 to 15.2hh single or pair. A smart vehicle painted black with gold lining. On 37.5/45ins, 12/14-spoke English pattern varnished wheels with elliptic springs. The brass hub caps are metal banded and the trace hooks are of an unusual design with a leather securing strap, both typical of Continental manufacture. Fitted with brass whip holder, lamp brackets, mud guards, footbrake and large steps for easy access. The rear door, decorated with an image of a gunman and his dog, allows access to face to face seating upholstered in black buttoned leatherette. Sold with shafts and a pole. The axle is stamped Rosswein which is in Saxony in Germany and at the time had two carriage manufacturers: F.A. Carl Wolf and F.A. Kadner & Co. Very smooth, comfortable ride. Placed in private carriage collection 2004 to 2019. The wheels have been retyred, the wood brake renewed, and was partly repainted for use in Attelage and family outings. Approx. measurements: 55ins wide x 67ins high x 95ins long and 30ins between shafts. Estimate £800-1000 Lot 16 can be viewed at the Reading Auction Centre
Pierre Édouard Frère (1819-1886) French ''At the Door, Écouen'' With artist's stamp?, oil on panel, 34.5cm by 25.5cm Provenance: The artist's sale, Christie's, 1887; Christie's stencils 9S3OA, 467GH and another indistinct verso See illustration . Images of frame and verso will be uploaded in due course.
A George III Mahogany, Rosewood Crossbanded and Ebony Strung Bureau Bookcase, 3rd quarter 18th century, the breakfront dentil cornice above panelled hinged doors enclosing a fitted interior for shelves above a cupboard door enclosing pigeon holes and small drawers with candle slides below, all between fluted and gilded pilasters, the fall enclosing an attractive fitted interior of serpentine shape drawers and pigeon holes around a central cupboard door, the base with four long graduated drawers, on later feet, 104cm by 59cm by 220cm
A Seven Piece Satinwood and Ebony Strung Bedroom Suite, circa 1900, comprising a bowfront wardrobe with Greek key dentil cornice above two cupboard doors enclosing a shelf, four drawers below flanked by cupboard doors enclosing hanging space, on a plinth base with square tapering legs and spade feet, 209cm by 71cm by 219cm, a kidney shaped dressing table with three oval bevelled glass pivoting mirrors on spindle turned supports above a quarter-veneered top, with an arrangement of five drawers, on square tapering legs, spade feet and castors, 135cm by 63cm by 191cm, a bedside cupboard with gallery back, quarter-veneered top, single frieze drawer and cupboard door, 40cm by 42cm by 89cm, a panelled bedstead, the footboard of bowfront form, takes a 4ft mattress, and three shield-back chairs with solid splats above assorted floral woolwork seats, on square tapering legs, 44cm by 42cm by 95cm
A Rosewood Veneered and Crossbanded Bureau Bookcase, 19th century and later, the swan neck pediment above two bevelled glass mirror doors enclosing shelves and two drawers above two candle slides, above a fall front enclosing a leather writing surface and fitted interior, the base with a long frieze drawer above an arched drawer and cupboard door flanked by six drawers, on bracket feet, 118cm by 58cm by 248cm
A Victorian Figured Walnut, Marquetry Inlaid and Gilt Metal Mounted Pier Cabinet, circa 1870, the moulded top above an inlaid frieze and glazed door enclosing a fabric lined interior, the stiles inlaid with flowerbells below gilt metal ram's head and swag mounts, the moulded base with gilt metal stiff leaf border, 80cm by 34cm by 100cm
A George III Mahogany Kneehole Desk, 3rd quarter 18th century, the moulded top above a long frieze drawer with fall front enclosing three small drawers and seven pigeon holes, with a sliding arched kneehole drawer below flanked by six oak-lined drawers, all around a cupboard door, with moulded base and bracket feet, 91cm by 54cm by 80cm
A Japanese Shibayama, Carved Hardwood and Ivory Decorated Shodana, late 19th century, of rectangular form with a carved frieze of flowers and birds above a cupboard door flanked by two sliding panels with two drawers below, all decorated with ivory and mother-of-pearl amongst gilt painted foliage, on a stand with carved apron and scrolled bracket feet, 145cm by 43cm by 107cm
A Late 19th Century Rosewood, Ivory and Penwork Inlaid Kidney Shape Writing Desk, labelled Wallis & Co Ltd, Holborn Circus, London, the superstructure with pierced brass three-quarter gallery above a central cupboard door inlaid with a classical figure and flanked by two rectangular panels above a leather writing surface and central frieze drawer, on square tapering legs joined by an elegant stretcher, brass capped feet and castors, 113cm by 63cm by 107cm
A Victorian Figured Walnut and Gilt Metal Mounted Bureau de Dame, in Louis XV style, the arched top above a central glazed door enclosing a mirrored interior flanked by a pierced gallery, three small drawers and a large drawer below, the base of serpentine shaped form with tulipwood banding above a central frieze drawer, on slender cabriole legs with gilt foliate mounts, the rear legs joined by a mirror plate, 107cm by 56cm by 142cm
A French Louis XV/Transitional Style Kingwood and Gilt Metal Mounted Breakfront Vitrine, early 20th century, the stage top with a patricia green marble top above a central glazed door enclosing a fabric lined interior and two glass shelves, flanked by two small doors, all with gilt foliate mounts, on slender cabriole legs with gilt cast mounts and sabots, 149cm by 45cm by 151cm. Generally very good condition, small minor areas of repair (see image) gilt mount on base needs slight attention
A Louis XVI Transitional Style Kingwood and Gilt Metal Mounted Vitrine, late 19th century, of breakfront form, the frieze decorated with laurel leaves centred by a mask with cornucopiae and rams, the glass door enclosing a velvet lined interior and two adjustable shelves with painted classical panels, on cabriole legs, 112cm by 65cm by 135cm. It does not have a marble top, in our opinion the wooden top is original. The top is scratched and split, the paintwork crazed, otherwise good. Velvet interior is in reasonable condition
A Brass Striking and Repeating Alarm Carriage Clock, retailed by E W Streeter, London, circa 1890, case with carrying handle and repeat button, enamel dial with Roman numerals, alarm dial, twin barrel movement with a silvered platform lever escapement stamped JS for (Joseph Soldano) and numbered 1021, 16.5cm high see illustration 02.10.20 Brass surfaces with small scratches and very minor dents in parts, back door glass with one chip to the corner, glass panels with small scratches, dial with retailers signature slightly rubbed, movement with both barrels winding smoothly, functions are working, movement in going order.
A George III Mahogany Striking Table Clock, signed Natt Style, London circa 1760, mahogany and parcel gilt decorated case with an inverted bell top pediment and carrying handle, glass side panels, 7-inch arch brass dial, matted dial centre with a mock pendulum and date apertures and signed on a plaque, arch with strike/silent selection, twin fusee movement with a verge escapement and rack striking on a bell, movement backplate with floral and scroll engraving, 50cm high over handle see illustration 02.10.20 Parcel gilt surfaces are rubbed in parts, later silks behind the glass side panels, back door with some small veneers missing and the two top corner frets are damaged, inside back door with two small pieces of wood missing, inside of the case back with two small vacant holes next to the movement brackets, movement needs cleaning, movement in going order and striking.
A Mahogany Chiming Table Clock, retailed by Webber, Liverpool, circa 1890, arched case with gilt metal finials, Corinthian side columns, pierced side sound frets, 8-inch brass dial with a silvered Roman numeral chapter ring, arch with three dials for chime/silent, fast/slow and chime on 8 bells/Westminster chime selections, large triple fusee movement with an anchor escapement chiming on a nest of eight bells and striking the hours on a gong, movement backplate numbered 4178, 76cm high see illustration 01.10.20 Case is slightly faded, small scratches and chips in parts, some cracks in parts, metal mounts are discoloured, front door is very slightly bowed, back door with the metal sound fret panel is loose and the beading is missing that holds the panel into place, dial chapter rings are slightly discoloured, movement is dirty and needs cleaning, movement in going order, with pendulum.
A Mahogany Striking Eight Day Domestic Regulator Longcase Clock, signed C.E Rodgers, Stamford, mid-19th century, flat top pediment, canted corners, recessed trunk door and matching plinth, 12-inch circular painted regulator dial, two dials for seconds and hours and a central minute hand, five pillar movement with a deadbeat escapement and maintaining power, rack striking on a bell, 192cm high see illustration 01.10.20 Case slightly faded in parts, hood with small cracks in parts, small repair next to the front door hinge, small chips to veneers in parts, small dents in parts, dial has been totally repainted, movement is complete and in going order, with two weights and a pendulum.
A Mahogany Eight Day Longcase Clock, signed Jno Harrison, Newcastle, circa 1780, flat top pediment, columns with Corinthian capitals, arched inlaid trunk door, 12-3/4-inch arch brass dial, scroll engraved dial centre with a seconds dial and date aperture, arch with moonphase aperture, four pillar movement with an anchor escapement and rack striking on a bell, 211cm high see illustration 01.10.20 Case is faded in parts, case with small chips and cracks in parts, trunk with a crack above the trunk door, later moulding to the bottom of the plinth, front of the plinth with cracks, feet are missing, dial is discoloured in parts, movement needs cleaning, with two weights and a pendulum.
An Oak Eight Day Longcase Clock, signed Samuel Shepley, Stockport, 1758, flat top pediment, top aperture with gilt painted scroll decoration and dated 1758, arched crossbanded trunk door, crossbanded plinth with canted corners, 12-inch square brass dial with a silvered chapter ring signed, finely engraved scroll decorated dial centre with seconds dial and date aperture, four pillar movement with an anchor escapement and rack striking on a bell, 208cm high see illustration 01.10.20 Case with small scratches in parts and minor dents, plinth left hand side with a fine crack, dial is clean, movement needs cleaning, with two weights and a pendulum.
A Mahogany Eight Day Longcase Clock, signed Peter Clare, Manchester, circa 1780, swan neck pediment with a gilt painted front aperture with urn and scroll decoration, pierced blind fret borders, crossbanded trunk door flanked by fluted pilasters, plinth with a raised quatre form panel, 13-1/2-inch arch brass dial, scroll engraved dial centre with two dials for seconds and date, arch with moonphase aperture, four pillar movement with an anchor escapement and rack striking on a bell, 262cm high see illustration 01.10.20 Case with small chips in parts, hood door glass is cracked, trunk door is slightly faded, trunk door with scratches to the bottom side, right hand side pierced blind fret with a small portion missing, dial is discoloured, minute hand is broken and half of the hand is missing, movement is dirty, bottom front plate of the movement with one vacant hole, moon disc has no drive at present and does not work, with two weights and a pendulum.
A Mahogany Eight Day Longcase Clock, signed Joshua Harrocks, Lancaster, circa 1770, architectural broken arch pediment, wavy shaped trunk door, stop wooden fluted pilasters, plinth with canted corners, 13-inch arch brass dial, finely engraved scroll and floral decorated dial centre, seconds dial and date aperture, arch with moonphase aperture and signed above on a silvered plaque, four pillar movement with an anchor escapement and rack striking on a bell, 231cm high see illustration Joshua Horrocks is recorded as working for Robert Parkinson in Lancaster by 1746. He became a Freeman of Lancaster in 1749. In 1766 he was working in Pudding Lane, Lancaster before moving to Ermont Bridge in 1771. He housed his finest clocks in Gillows mahogany cases. Case with small scratches in parts, pediment with small chips to the mouldings, hood door lock is later, plinth with dents in parts, later added feet, back feet are missing, dial slightly discoloured in parts, movement is complete and in going order, with two weights and a pendulum.
A George III Mahogany Eight Day Longcase Clock, signed Edmund Prideaux, London, circa 1780, arched pediment, brass stop fluted columns, arched trunk door with moulded borders, base with a raised moulded panel, 12-inch arched brass dial, matted dial centre with a seconds dial and date aperture, arch with strike/silent selection and signed above on a silvered arch plaque, five pillar movement with an anchor escapement and rack striking on a bell, 241cm high see illustration Edmund Prideaux worked in London between 1743-1790. 17.06.20 Case with small cracks to the moulded borders, trunk door is very slightly bowed, front base panel is very slightly bowed, case slightly faded in parts, dial is discoloured in parts, movement looks complete, movement in going order, with pendulum and two weights.
A Good Mahogany Eight Day Longcase Clock, signed Willm Hughes, High Holborn, London, circa 1780, pagoda pediment, brass sphere finials, stop brass fluted columns, pierced side fret panels, nicely figured arch moulded trunk door, stop brass fluted pilasters, plinth with a raised quatre form panel, 12-inch arch brass dial, two dials for seconds and date, arch with strike/silent selection, five pillar movement with an anchor escapement and rack striking on a bell, 257cm high see illustrations 01.10.20 Hood with small cracks to the veneers in parts, hood door with scratches around the lock, case has been polished, case with small dents in parts, dial is discoloured, movement needs cleaning, movement in going order, with two weights and a pendulum.
A Rare Mulberry Eight Day Longcase Clock, signed Mark Hawkins, St Edmunds Bury, early 18th century, flat top pediment, glazed side panels, nicely figured case with a crossbanded trunk door and a glass lenticle, crossbanded plinth, 12-inch square brass dial with a silvered chapter ring signed, matted dial centre, seconds dial, floral and bird engraved decoration around the date aperture, five pillar movement with an anchor escapement and rack striking on a bell, 206cm high see illustration Mark Hawkins (Senior) (1674-1750) was a Suffolk clockmaker, working in both Bury St Edmunds and Newmarket. He died in 1750, but two of his three sons, William Hawkins and Mark Hawkins continued as clockmakers. 01.10.20 Case with a good original colour, case with small chips to the edges in parts, some wood worm holes in parts which are not active, later skirting around the bottom of the plinth, dial and movement are clean, movement in going order, with two weights and a pendulum.
A George III Mahogany Stick Barometer, signed J.Hillum, 109 Bishopsgate St Within London, circa 1800, visible mercury tube with a single vernier silvered dial signed, thermometer tube, turned cistern cover, 92cm high see illustration 01.10.20 Case slightly faded in parts, door glass with some small chips, minor dents to the edges and cistern cover, mercury is visible in the tube, dial is discoloured.
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235346 item(s)/page