A Louis XVI Style Kingwood Vitrine. The Brêche d'alep marble top above a band of gilt bronze egg & dart beading and a decorative frieze adorned with gilded goats grazing from a basket of vines and swagged garlands of flowers. The long bevelled glass door & side panels enclosing glass shelves and framed by intricately cast gilt beading with rosettes adorning the re-entrant corner quadrants and an edge-beaded medallion panel to the base cast with classical nymph stood by a flaming urn. Standing on cabriole legs 26 ins (66 cms) wide, 16 ins (41 cms) deep and 64 ins (163 cms) in height.
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A 19th century mahogany corner cupboard, the moulded cornice above a single cupboard door of four fielded panels with egg and dart decoration opening to reveal three shaped shelves above a further single door of twin panels similarly decorated and flanked by two fluted column pilasters raised on a breakfront base, 110 cm wide x 213 cm high
An early 20th century mahogany serpentine fronted display cabinet, the cornice with moulded and beaded decoration above a scrolling acanthus and shell carved frieze, the central cabinet door and side panels interspersed by harebell carved drops, the base with fluted and floral paterae frieze over three central drawers with ornate brass swan neck handles flanked by two panelled cupboard doors with oval mouldings, raised on square tapered legs to block feet, 137 cm wide x 200 cm high
A XIX Century Oak Crossbanded Longcase Clock, of weight day movement striking on a bell, the brass dial (30cms) with a silver chapter ring with Arabic numerals, subsidiary seconds and calendar aperture, signed A.E.Frith, Halifax, sun/moon arch and brass mask spandrels, the hood with a swan neck pediment, brass roundels fluted pilasters, the trunk with an ogee top door, centred by shell patera, flanked by fluted 1/4 round columns, shell patera to deep plinth, 225cms high.
A XIX Century Oak and Mahogany Longcase Clock, of eight day movement striking on a bell, the painted dial with Arabic numerals, two subsidiary dials and signed Stonehouse, Leeds, flower painted spandrels with a religious scene, the hood with swan neck pediment and plain pilasters, the crossbanded trunk door of Gothic form, flanked by canted corners, on a deep plinth with shaped bracket feet, 235 cms high.
A XIX Century Mahogany and Rosewood Longcase Clock, of eight day movement striking on a bell, the painted dial with Roman numerals, subsidiary dial and calendar aperture, signed Beal & Son, Sheffield, painted to the arch with a shipping scene, the hood with a swan neck pediment, baluster turned pilasters, the trunk door flanked by canted corners, on a deep plinth with bracket feet, 227 cms high.
A XIX Century Red Boulle cabinet, with ormolu mounts, the upper section with a stepped top over a single glazed door, enclosing two shelves, flanked by caryatid mounts, the lower section of similar construction, the glazed door enclosing a single shelf, flanked by goat mask mounts, on a plinth base, 175 cms high, 72 cms wide, 39 cms deep.
Samuel Guy, Old-Bedlam, London an early 18th Century eight day long case clock movement faced by dial with mask head spandrels silvered chapter, subsidiary dial and date aperture dial contained within an associated figured walnut case having three quarter length door with bullseye, box base on plinth, 220cm.
A Victorian rosewood chiming mantel clock, the engraved dial with silvered chapter ring and FOUR BELLS/EIGHT BELLS selector, the twin fusee movement with rectangular plates and carillon in lotus moulded case carved with flowers and foliage, 45cm h . ++Small repairs to the case at the seat of the hinge of the door and veneer chipping around the rear door
A Victorian mahogany timepiece, with painted dial and steel hands, the fusee movement with rectangular plates, 37cm diam. ++The paint on the dial rather worn, slight damage to the mahogany bezel at 9o'clock, the two hinges to the small door on the side of the case corroded, lacking the veneer from the curved underside
A Regency brass inlaid mahogany longcase clock, signed on the slightly convex painted dial Sharp & Son Corner House London Bridge, the eight day movement with brass bezel in break-arched case with scrolling spandrels, stop fluted pilasters and scale pattern side frets, the trunk enclosed by a conforming flame figured door, on panelled base, 201cm h. ++The movement cleaned and overhauled. In good condition with pendulum and brass sheathed weights. The case in good condition with minor shrinkage crack in one side of the base
A Welsh George III oak longcase clock, the brass dial with silvered centre and chapter ring signed Danl Williams BUILTH, with subsidiary seconds dial, date aperture, engravings above both winding apertures, rococo spandrels and eight day movement, the case with cavetto cornice to the flat topped hood, the trunk with blind fret carved foliage and ogee arched door, 206cm h Daniel Williams (1776-1853), Clockmaker of Builth Wells, Breconshire. ++The movement recently overhauled and cleaned, the upper part of the hood and base of the trunk altered/repaired
A French gilt bronze mounted kingwood vitrine, with 'Vernis Martin' panels, the plush lined cabinet with low domed top and serpentine sides on conforming commode-base and richly decorated with ciselé foliate, gadrooned and other mounts, 193cm h; 77 x 41cm, c1900. ++Some minor lifting of the veneers on the top, one of the glass shelves chipped, some craquelure/blistering of the painted decoration affecting the principal door panel but a fine quality example in good overall original condition
A Victorian ebonised mahogany side cabinet, of bow ended breakfront form with brass stringing and giltmetal mounts, the panelled door and frieze with Sèvres style porcelain oval bleu celeste ground plaques painted with lovers or flowers, on turned feet, 115cm h, 170 x 43cm . ++Some lifting of the brass stringing in places, some of the mounts re-gilt with a bronzing paint. Slight wear to the gilding around the scene on the largest plaque
A mahogany and line inlaid writing cabinet, the upper part with fall front enclosing a fitted interior with three drawers and leather inlet surface, the drop leaf lower part enclosed by a door, with brass handles, on turned feet, 133cm h; 89 x 45cm, early 19th c and later. ++An unusual and compact object, made up probably in the later 19th or early 20th c; in good condition
A Welsh George III oak mural spice cupboard, with key fret cornice and carved frieze of stylised foliage, enclosed by a panelled door, 61cm h; 53 x 24cm . ++The hinges replaced; hole where a presumably brass knob would have once been fixed. Small damage to the carving on the frieze. Old chip on the upper surface of the cornice
A Welsh George III oak cwpwrdd deuddarn, the stepped cornice with two pendants above three doors with break-arched, raised-and-fielded panels, the lower part fitted three drawers and two further doors, on stiles, 170cm h; 158 x 56cm . ++The narrow top edge either replaced or chamfered at later date, one of the door panels with vertical shrinkage crack; other minor faults. Not restored; with replacements, of good original colour
A George III mahogany eight-day longcase clock, James Smith, Edinburgh, circa 1789, the four-pillar movement with anchor escapement, striking on a bell, the thirteen inch arched painted dial with subsidiary seconds and date dials, signed to the arch 'Jas. Smith, Edinburgh', the hood with three turned finials and broken swan-neck pediment, above later veneered spandrels and turned columns, the inside of the arched trunk door with original clockmaker's printed paper label; 'DIRECTIONS SHEWING HOW TO SET UP AND REGULATE AN EIGHT- DAY CLOCK........EDINBURGH 1789, Per JAs. SMITH Watch-maker', the trunk and panelled base with chamfered corners, 226.5cm high (faded decoration to dial, replacement plinth). See Britten's Old Clocks and Watches and Their Makers, reprinted 1990, where James Smith is noted by Cecil Clutton to have worked as a clockmaker in Edinburgh from 1790-1806. The label to this clock shows that he was definitely active there in 1789.
Edward Bilbie, Chewstoke, a George III longcase clock, the 12 inch arched brass dial engraved with an eagle, 'Tempus Fugit' and flowers, date aperture, eight-day striking four-pillar movement, in an oak case, later carved with bellflowers and foliate scrolls, the door with a caryatid and inlaid compass rose, 243cm high overall
Redshaw, Newcastle, a mahogany crossbanded oak eight-day longcase clock, mid 18th century, the four finned pillar inside countwheel bell-striking movement with 11 inch square brass dial with calendar aperture to the foliate engraved matted centre within an applied Roman numeral chapter ring with foliate half hour markers and signed Redshaw, Newcastle to lower edge, the angles with mask and scroll cast spandrels, the case with ogee moulded cornice above reeded pilasters to hood, rectangular trunk door and on plinth base with ogee bracket feet, 196cm high.
A gilt brass and ceramic mounted ebonised and gilt side cabinet, third quarter 19th century, the variegated russet marble top above ceramic frieze plaques and large door panels painted with Cupid and attendants, and with romantic Watteauesque scenes, the angles with freestanding pillars, on toupie feet, 113cm high, 118cm wide, 46cm deep
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235302 item(s)/page