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A 19th century and later mahogany longcase clock, the square hood with moulded arch door, brass ball finials and fluted columns, enclosing Birmingham movement and brass dial with silvered chapter ring, striking dial in arch, subsidiary second and date dials, within pierced gilt metal spandrels, the trunk with arch top door, upon plain plinth, (222cm tall)
A Victorian mahogany crossbanded eight day longcase clock, the hood with broken swan pediment, centred by finial over an arch door, enclosing enamel and painted dial with harvester scene in the arch, with second and date hands, the trunk with triple arch top flanked by canted corners, upon plinth, with shaped apron, (251cm tall)
An 18th century Continental oak cabinet on stand, of demi lune facet outline, the arcaded panels with arched alcoves and angelic mask surmounts, centred by a small cupboard door, the corinthian column supports with interlaced vine foot upon later stand with conforming columns, platform base and bun feet, (170 x 85cm)
A circa 1800 oak and mahogany longcase clock, having broken swan neck pediment with satinwood fan inlays above twin fluted pilasters flanking arched brass dial (width 12 inches), signed to the arch William Sykes, Holbeck painted with a figure scene above a brass chapter ring with Roman and Arabic numerals, cast brass scroll corner spandrels, the centre with scroll leaf engraving, subsidiary seconds dial and date dial, twin winding holes for a brass four pillar eight day weight driven movement striking on a bell, the case having quarter turned fluted pilasters flanking oak and mahogany banded door above a mahogany and oak box base, height 220cm
A circa 1800 oak and mahogany longcase clock, having a small swan neck pediment above twin fluted pilasters flanking brass arched dial (width 12 inches), the dial with Roman numerals, C scroll cast corner spandrels, subsidiary seconds dial and signed J Mawkes, Derby (face extensively restored), twin winding holes for an eight day brass four pillar twin train movement striking on a bell, the oak case with all-over oak and mahogany crossbanding, quarter turned fluted pilasters flanking conch-shell inlaid crossbanded door above a box base on bracket feet, height 208cm (see lot 415 for illustration)
An early 19th Century mahogany longcase clock, having a swan neck pediment above twin fluted pilasters flanking painted arched dial (width 12 inches), signed to the centre Thomas Scott of Gainsbro, having Roman and Arabic numerals, subsidiary seconds dial and rolling date dial, twin winding holes for a brass eight day four pillar movement striking on a bell, the case having marquetry floral urn inlaid panelled door within quarter turned fluted pilasters to a further marquetry inlaid box base raised on ogee bracket feet, height 215cm (see lot 415 for illustration)
A Sheraton Revival mahogany and inlaid display cabinet, having a scrolling swan neck pediment and marquetry urn inlaid frieze above single glazed door enclosing shelved interior, raised upon single drawer side table, the central ground with oval inlaid reserve depicting basket of produce, all within boxwood stringing, scroll inlaid single drawer and raised on four slender square tapering supports with spade terminals, height 170cm, width 59cm
A near pair of Sheraton Revival mahogany and inlaid display cabinets, each having an urn and scroll marquetry inlaid frieze above astragal glazed door enclosing velvet lined shelved interior, the bowfront bases having single door with urn and marquetry swag inlays and raised on square tapering supports with spade terminals, height 178cm, width 67cm
A Sheraton Revival mahogany and satinwood banded bowfront sideboard, having a centre frieze drawer flanked by cupboard door and fitted cellaret drawer, each with corner fan satinwood inlays, cast brass oval ring handles and all raised on six square tapering supports with spade terminals, width 167cm
A George III mahogany bureau cabinet, the upper section with Greek key moulded cornice, blind carved frieze above twin panelled doors enclosing fitted adjustable shelves, the base having a sloping fall enclosing a well fitted interior, centre panelled cupboard door flanked by secret columns in turn flanked by arcaded pigeonholes and banked drawers, all above four long graduated drawers, having a cockbeaded edge, pressed brass oval plate handles, the whole raised on ogee bracket feet, height 231cm x 117cm (Illus. Back Cover))
A George III mahogany writing bureau, the sloping fall opening to reveal a well fitted interior, centre cupboard door flanked by arcaded pigeonholes and seven stationery drawers, all above four long graduated drawers, each having a cockbeaded edge, brass swan neck handles and raised on bracket feet, width 102cm (see lot 531 for illustration)
A 19th Century French ebony veneered on oak breakfront side cabinet stamped verso Monbro Aine, having a breakfront with black marble top above an ormolu scroll mounted frieze, ormolu mounted panel door, the central ground inlaid with pietra-dura depicting urn of flowers, the whole with further acanthus leaf ormolu mounts, all-over brass stringing (some lifting) and raised upon a shaped plinth base with further ormolu applied mounts, width 98cm
A Louis XV style kingwood and ormolu mounted vitrine, having a Rococo style gilt bronze mount above serpentine glazed door flanked by twin concave glazed panels enclosing a mirror backed interior with glass shelves and velvet base above scroll marquetry inlaid bombe panels, all within scrolling gilt bronze mounts and raised on six French cabriole supports with scroll mounts, height 195cm, width 116cm
A 19th Century credenza, the shaped white marble top above an acanthus, ribbon and roundel moulded frieze, falling to a pair of twin foliate moulded Corinthian-style column supports centred by a single glazed door panel with a bow fronted corner panel at either side all in a gilt and gessoed finish, 59” wide by 45” high, S/D.
A mid-19th century German walnut and brass line inlaid bracket clock, the twin fusee movement signed ‘S. Kamerer, Furtwangen’ with anchor escapement, striking on a gong, the six and a half inch circular silvered dial bearing Roman hour numerals within an ormolu bezel, the caddy shaped top above a glazed door and swept base, on bun feet, 45cm high
A George III oak longcase clock, the twin train movement with anchor escapement striking on a bell, the twelve inch white painted break arch dial with moon phase, subsidiary seconds dial and date aperture, with fruit and flower painted spandrels, marked for Thomas Felton, Handsworth, the hood with swan neck pediment and reeded Corinthian columns, the trunk with mahogany cross banded door between reeded quarter pilasters on plinth base and bracket feet
A late Victorian rosewood and marquetry inlaid Davenport, the galleried superstructure above a sloping fall enclosing two short drawers, above turned front supports and panelled sides, the right panelled door enclosing four drawers with rebated brass handles, on ceramic castors, 90cm high, 56cm wide, 55cm deep
A George III style mahogany demi-lune side cabinet, early 20th century, the shaped top above a central frieze drawer above a cupboard door, flanked to each side by a hinged drawer, a cupboard door and leaf and bell husk carved uprights, on four square tapered legs with spade feet, 91.5cm high, 122.5cm wide, 53cm deep
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235302 item(s)/page