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Lot 800
A fine Edwardian satinwood music cabinet with hand painted decoration in the form of swags and flowers, the caddy top above a single door and the central panel with a painted portrait of Georgiana, Duchess of Devonshire (after Gainsborough), over three long drawers and raised on square section tapering legs (129.5cm H, 50.75cm W, 37cm D)
Lot 226
A George II Irish chestnut and fruitwood tray-top two door night cupboard, with sliding commode base, raised on squared supports, 57cm (22 1/2in) wide, together withan Edwardian satinwood strung bow front mahogany wash stand, with a pair of blind panel doors, with satinwood banding, 122cm (48in) wide, and a Victorian oval papier mache tray, with gilt border detail, now a coffee table on a matched turned base, 66cm (26in) wide
Lot 198
Georgian green and gold lacquer longcase clock fitted with an arched glazed door enclosing an engraved brass dial with subsidiary seconds dial, inscribed in the arch, `Jos Stancliffe, Barkisland`, the case with an arched rectangular trunk door decorated with typical chinoiserie style panels, on moulded base, 96in high.
Lot 141
WILLIAM CLAXTON (1927 - 2008)Steve McQueen preps for a race Mojave desert, 1968Tirage argentique. Numéroté 6/15 (la série prend fin au numéro 9/15 suite au décès du photographe) et cachet du photographe au dos. Analoge fotoafdruk. Genummerd 6/15 (de serie eindigd op nummer 9/15 door het overlijden van de fotograaf). Stempel van de fotograaf achteraan. 50 x 40cm
Lot 146
WILLIAM CLAXTON (1927 - 2008)Steve McQueen in his garage Solar Drives, 1962Tirage argentique. Numéroté 3/15 (la série prend fin au numéro 9/15 suite au décès du photographe) cachet du photographe au dos.Analoge fotoafdruk. Genummerd 3/15 (de serie eindigd op nummer 9/15 door het overlijden van de fotograaf). Stempel van de fotograaf achteraan. 50 x 40cm
Lot 376
MAN RAY (1890 - 1976)Femme,1981Tirage argentique provenant du portfolio “Femmes”. Numéroté 24/35. Ed. Studio Marconi, Milano, supervisée par Juliet Man Ray. Certificat d’authenticité signé par Juliet Man Ray. Analoge fotoafdruk uit de portfolio “Femmes”. Genummerd 24/35. Ed. Studio Marconi, Milano, begeleid door Juliet Man Ray. Certificaat gesigneerd door Juliet Man Ray.30 x 22cm
Lot 185
A FINE NAPOLEON III BOULLE TWIN DOOR BOOKCASE of bowed outline, with moulded and ormolu mounted cornice above a pair of glazed panel doors headed by female masks and banded with brass arabesque design, between glazed convex side panels, the frieze applied with cast ormolu mounts over a pair of cupboard doors with oval reserves filled with scrolling arabesques on a shaped plinth base. 220cm high, 170cm wide
Lot 323
A WILLIAM AND MARY WALNUT AND MARQUETRY INLAID LONGCASE CLOCK, basically 17th Century, the square hood with cavetto cornice over scrolling foliage panel and glazed barley twist door, enclosing a brass dial with putto and crown spandrels, inked with Roman and Arabic numerals, signed Jn. Tribe, Thackham, the trunk profusely inlaid in the Dutch manner with birds, flowers and seaweed marquetry, with circular lenticle on plinth base (with weights and pendulum). 203cm high
Lot 20
THE PIMLICO CUP, AN AMERICAN SILVER TWIN HANDLED CUP, Baltimore early 20th century, mark of Schofield Co., stamped "STERLING 925/1000 FINE", the textured split, twin handles applied to a lobed body, with gadrooned rim above continuous bands depicting horse racing scenes, the lobed lower section with intertwined scrolling foliage, enclosing cartouches later engraved "Two-Year-Olds One Mile And A Sixteenth Won by Jewels Reward, Owner Maine Chance Farm" to one side and "Maryland Jockey Club, Pimlico, Pimlico Futurity $50,000 Added Saturday, November 23-1957", held aloft by a tapered support with four horse heads in high relief, on a square base on four scroll feet (circa 52ozs). 25cm high, 27cm wide over handles Provenance: Elizabeth Arden. Awarded to the horse "Jewel Reward" ridden by Bill Shoemaker, trained by Ivan H. Parker of Maine Chance Farm Stud owned by Elizabeth Arden in 1957 at the then Pimlico Futurity, now called Laurel Futurity, which is an annual American thoroughbred horse race held in Laurel Park Racecourse in Laurel, Maryland, USA. Elizabeth Arden's horse racing career was financially fuelled by her thriving cosmetic career. Elizabeth Arden, christened Florence Nightingale Graham (1884-1966) was the hugely successful entrepreneurial Canadian businesswoman who built the US cosmetic empire "Elizabeth Arden Inc.". She was one of the "wealthiest women in the world" at the peak of her interesting career in cosmetics and fashion. Arden dropped out of nursing school in Toronto and joined her elder brother in New York working as a book-keeper in a Pharmaceutical Company where she spent hours in the lab, equipping herself with the necessary skills to further her knowledge in skincare. She also travelled to Paris and absorbed more skills and style, whilst on the Continent. She opened her first salon in New York's Fifth Avenue in 1910 with her trademark red door. Arden broke all the rules, as a woman, and she made it fashionable for ladies to wear make-up. She furthered the scientific formulae and also the 'concept', and managed to create and sell the "total look" and thereafter revolutionised the industry. Having made her fortune Arden diverged into the bloodstock racing world in the mid 1930's under the nom de course "Mr. Nightingale" until she adopted the name Maine Chance Farm from her health spa in Mount Vernon, Maine. Maine Chance Farm became a major player in the racing world in the 1940's and 50's and was the top money-winning stable in the US in 1945. A tragic fire at a racetrack in Chicago destroyed twenty-two horses from Maine Chance Farm in 1946. In 1956 Arden acquired the 722 acre northern portion of Coldstream Stud following the death of owner E. Dale Schaffer. After Arden's death the farm became part of the College of Agriculture at the University of Kentucky.
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