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A 19th Century Vitrine in the Louis XV Style. The diagonally grained kingwood veneers inlaid with shaped bands of marquetry foliage. The cabinet door having a serpentine glazed front above a bombe shaped Vernis Martin panel painted with a romantic scene and edged in scrolling gilt metal beading. The shaped top surmounted by a Rococo crest with decorative gilt bronze mounts to the pilasters and heading the square cabriole legs. The interior fitted with glass display shelves, 40 ins (102 cms) in width, 75 ins(190 cms) in height.
A Marquetry Longcase Clock (A/F) The 11 inch (28 cms) brass dial having a silvered chapter ring signed Edw. Stanton London with winged cherub head spandrels to the corners and ring turned winding holes to the matted centre. The hood having a flat moulded top above a pierced brass frieze of scrolling foliage enhanced with engraving, and integral barleytwist columns flanking the dial. The long trunk door and base panel intricately marquetried with birds perched amongst flowering foliage cascading from urns enhanced with penwork and contrasted against a dark background, with round edge moulding to the door and oval lenticle, 82½ ins (210 cms) in height.
A Mahogany Longcase Grand-daughter Clock, 58½ ins (149 cms) in height. The 6½ inch (16.5 cm) brass dial having a painted rocking boat in the arch above a silvered chapter ring encompassing an engraved centre of scrolling foliage and mounted with decorative face mask spandrels to the corners. The hood's moulded swan-neck pediment carved with rose blooms to the terminals and having turned finials either side above scrolling blind fret-carving with fluted side columns flanking the dial. The trunk having a band of blind fretwork above a long narrow lipmoulded door with shaped top, flanked by recessed fluted quarter columns above carved brick-work corner detailing, leading down to the moulded base with canted corners and ogee bracket feet.
Edwardian mahogany longcase clock, the hood with paterae decorated swan neck pediment and reeded pillars, the trunk with oval bevelled glass panel door, the arch shaped dial with two silvered subsidiary dials for chime/silent and Whittington/Westminster, mask head spandrels to the silvered dial, gilt Arabic numerals and silvered seconds dial - eight dial striking and chiming movement on nine tubes, 232cm high
An Arts and Crafts oak side cabinet, early 20th century with capped uprights, the rear open shelf with a gesso inset panel depicting a bespectacled man reading, a jackdaw perched on his chair and entitled 'To share our treasure, doubles our pleasure', above a stained glass cupboard door flanked by two small drawers and open shelves 169cm. high by 112cm. wide by 40cm deep W.
AN EARLY 19TH CENTURY THIRTY HOUR OAK LONGCASE CLOCK, signed Thos. Lister, the 12in. square brass dial with Roman chapter ring, the centre chased with foliage, calendar aperture and moon phases, striking on a bell, the case with swan neck pediment, the arched trunk door flanked by quarter round columns over a plinth fielded panel, 88in. (223.5cms) high
A 19TH CENTURY MAHOGANY EIGHT-DAY LONGCASE CLOCK, signed B. R. Hennessy, Swansea, the circular 13in. (33cms) white dial with Roman numerals and seconds dial, the movement with deadbeat escapement and striking on a bell; the hood with a bracketed pediment mounted with later urn finials, the dial flanked by writhen pilasters, the trunk with string inlay, plain door over a deep plinth on bracket feet, 83in. (211cms) high
AN EARLY 19TH CENTURY OAK AND MAHOGANY LONGCASE CLOCK, by Henry Burlington of Rippon, having a painted arched dial, 12in. (30.5cms), Arabic numerals, signed to centre, the spandrels painted with birds and their nests, the arch with a basket of flowers, calendar aperture, thirty hour movement striking on a bell, the case having a broken arch pediment, rounded pilasters to the hood, the trunk door inlaid with a Prince of Wales feathers and on bracket feet, 90in. (228.5cms) high
A SEVEN-PIECE IVORY CRACKLE-GLAZE AND PAINTED BEDROOM SUITE by Marsh Jones & Cribb, painted in pale green and painted with floral sprays and garlands comprising:- chest of five drawers, serpentine fronted and on cabriole legs; pair of single bedsteads with scrolled and arched head and foot boards; a cabinet with open compartment and single door; a dressing table having an arrangement of five drawers, a set of triple mirrors, a dressing stool and a single chair, circa 1935
AN EDWARD VII MAHOGANY AND SATINWOOD INLAID DISPLAY CABINET of arched outline, having a moulded cornice above a single tracery glazed door to the centre, flanked by a bowed end panel to either side, the interior shelved and lined with fabric, above a deep apron inlaid with dentil banding and ribboned swags, on square tapered legs with spade feet joined by an undertier, 50in. wide x 69.5in. high (127 x 176.5cms)
A VICTORIAN EBONISED BREAK-FRONT CREDENZA, the frieze inlaid with stylised foliate motifs and gilt metal rope work, the bowed glass canted cabinets fitted with two velvet covered shelves, flanking a centre panelled door, inlaid with an elaborate foliate shield medallion, lower gilt metal border, on toupie feet, 59.5in. (151cms) wide
A THOMPSON OF KILBURN OAK SIDEBOARD, having a short raised back carved with a simple interlaced frieze, adzed surface, above three drawers to the centre flanked by a four-indented panel door and three small drawers to either side, knob handles, cast iron circular hinge and lock plates with latch handles, on short octagonal legs, carved in relief with a mouse, 72in. (183cms) wide, circa 1940s
A GEORGE III OAK STANDING CORNER CUPBOARD, having a moulded cornice and mahogany frieze above a single four-indented panel door and twin-indented panel door below, the interior fitted with two and one shaped shelves, indented and canted sides, on later turned feet, 45.25in. wide x 87in. high (115 x 221cms)
A GEORGE III MAHOGANY LONGCASE CLOCK having an arched painted dial with moon phase and seashell decoration and date aperture, indistinctly signed by Liverpool maker, the case with scroll arch pediment, gilt painted foliate decoration and wrythen column support, crossbanded panel door and canted corners, 85" high overall.
A QUEEN ANNE WALNUT LONGCASE CLOCK having an 11 1/2" square brass dial, with embossed spandrels and silvered chapter ring, second hand and date aperture, engraved decoration, signed John Free Oxon, the case with blind fretwork cornice, panel door with herringbone crossbanding and plain base with moulded edge, 87" high overall. John Free Oxford 1676-1726, apprentice to John Knibb from 1696-1705.
A good Charles I oak credence table, circa 1630 the twin planked rectangular canted top above a triform shaped cabinet with single door, wrought iron hinged and drop handle, twin panelled back with grooved frieze and side panel, on baluster ring supports, planked undertier, on short block feet, width 73cm x height 75cm x depth 46cm.
A late 19th century Sheraton revival satinwood and ebony strung bonheur du jour, the shaped top with a pierced crenilated cornice above a glazed door flanked by two doors with lozenge panels, each with turned pillars, the tulipwood crossbanded breakfront base with a baize lined slide and a frieze drawer on square tapering legs with brass caps and casters, 136cm high x 47cm deep x 96cm wide
A mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack strike on a bell, the brass 14 1/4in dial with automaton moonphase and with inscription James Butler Fecit Bolton, the silvered chapter ring with Roman numerals and Arabic five-minute divisions about a subsidiary seconds dial and date aperture, the case with flame mahogany panels, blind fret canted corners, reeded pilasters and a shaped door, the hood with broken pediment and two eagle and ball finials, 240cm high
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235302 item(s)/page