Fine mid 19th century English repeating carriage clock of exhibition quality by Thomas Cole, the double fusee movement signed Arnold, Charles Frodsham, Strand, London, no. 857, the silver engraved foliate dial with Roman numerals signed 'Charles Frodsham, 84 Strand, London, 859', the platform lever escapement with a bi-metal compensation balance, the back plate with a silvered seconds dial and hammers striking on a gong, within a fine engraved foliate and cast gilt brass case with presentation inscription 'To the Rev'd. Henry Eley M.A.F.G.S. from the Parishioners on his resigning the vicarage of Broomfield, Essex, April 11th, 1861', bevelled glazed silvered side panels inset with a scaled thermometer and opposing manual calendar, hinged back door, 6.75" high to include the handle Reference Upon the death of John Roger Arnold, Charles Frodsham purchased the whole of the Arnold business, and moved his business and family into the former Arnold premises at 84 Strand in 1844. Trading continued as Arnold & Frodsham Chronometer Makers for a further fourteen years See Thomas Cole & Victorian Clockmaking by J.B Hawkins, page 143. Also Carriage Clocks by Charles Allix, illustrated by Peter Bonnert, page 240
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Good oak and mahogany inlaid eight day longcase clock, the 12" painted arched dial signed Deacon, Barton, the case with long pointed arched door inlaid to the centre with a conch shell and crossbanded with mahogany and chevron banding, the hood surmounted by a moulded swan neck pediment, 81" high (pendulum and two weights) *The movement and case of this clock have been recently overhauled and serviced
Fine English fiddle mahogany single fusee 10" wall dial clock signed W. Gill, Birstwith, the substantial movement with shaped plates and passing strike on a bell, the bezel released with a novelty catch accessed through the side door, also fitted with a large hinged back door, within a drum fiddle mahogany case (pendulum and key)
Mahogany three train grandmother clock, the 9" brass arched dial signed Diego & Evans, London on a silvered boss to the arch over a silvered chapter enclosing a matted centre, the movement playing on eight rods, the case with long moulded rounded arched door and the hood surmounted by a wavy cornice with three ball and spike finials, 80" high (pendulum, no weights)
Mahogany three train longcase clock playing on five tubular bells, the 12" brass dial with silver chapter ring enclosing a matted centre, under subsidiary chime/silent and strike/silent dials, the case with long bevelled glazed door and with geometric blind fretwork carved friezes, the hood surmounted by a swan neck pediment and brass ball finial, 92" high (pendulum, no weights)
Ebonised double fusee verge bracket clock, the 9" square brass dial with silvered chapter ring signed L. Heyman, Gendt, enclosing a matted centre with calendar aperture, the five pillar movement with swirling foliate engraved back plate, within a stepped case surmounted by a caddy top, four acorn finials and ornate brass carrying handle, 19" high (pendulum and door key)
Good English oak triple fusee boardroom clock, the 8" rounded arched dial signed Sir.J. Bennett Ltd, 65 Cheapside, London on an arched plate to the matted centre, enclosed by a silvered chapter ring and surmounted by subsidiary chime/silent, slow/fast and Whittington chimes/Westminster on gongs dials, the substantial movement playing on a nest of eight bells, striking on four small and one large gong, within an impressive carved oak pillared stepped case surmounted by a caddy top, 27" high (crank winding and door keys)
Mahogany eight day longcase clock, the 13" painted arched dial signed W. Avenell, Farnham with subsidiary seconds and calendar dials, also with moon phase to the arch, the case inlaid with ebony lines and with long rounded arch door, the hood with a rounded arched moulded cornice surmounted by three brass ball finials, 93" high (pendulum and two weights)
Oak eight day longcase clock, the 13" square brass dial signed John Owen, Llanswst to the foliate engraved centre with subsidiary seconds dial and calendar aperture, the case with mahogany crossbanded long door flanked by quarter fluted columns and the hood surmounted by a moulded stepped cornice, 77.5" high *This clock is sold with a book on Llanswst clockmakers by Colin and Mary Brown
Oak and mahogany crossbanded eight day longcase clock, the 13" square brass dial signed Brown, Chester to the silvered chapter ring enclosing a foliate engraved centre with subsidiary seconds dial, the case with long crossbanded wavy door and the hood surmounted by a swan neck pediment, 86" high (pendulum and two weights)
Fine English walnut double fusee bracket clock, the silvered dial signed Barraud & Lunds, 14 Bishopsgate St., Cornhill, London no. 6815, also bearing an old Barraud & Lunds service sheet to the inside back door, the movement with locking pendulum and striking on a gong, within a stepped canted case with carved friezes, 12" high (pendulum and keys)
Good figured walnut eight day longcase clock with five pillar movement, the 12" brass arched dial signed Thomas Haslewood, London on a shaped plaque to the matted centre with subsidiary seconds dial and calendar aperture, with strike/silent bell to the arch, the case with long moulded rounded arched door and the hood with a flat stepped cornice, 87" high (pendulum, brass cased weights and keys)
Oak and mahogany thirty hour longcase clock, the 12" painted arched dial signed Crane & Sons, Bromsgrove with calendar aperture, the case with medium length door inlaid centrally with a vase of flowers and crossbanded in mahogany, the hood surmounted by a swan neck pediment, 81" high (pendulum and weight)
Mahogany eight day longcase clock with five pillar movement, the 12" brass arched dial with silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, with strike/silent dial to the arch, the case with long reeded rounded arched door, flanked by ormolu mounted quarter fluted columns and the hood surmounted by a rounded arched moulded cornice, 81" high (pendulum and two weights)
Walnut marquetry three train longcase clock, the 12" square brass dial signed George Harrington, London on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the movement playing on a nest of eight bells, the case with long moulded edged door enclosing a lenticle and three marquetry panels decorated with birds amidst flowering foliage, the hood surmounted by a moulded stepped pediment, 84" high (pendulum and three weights)
Oak and burr walnut eight day longcase clock, the 11" square brass dial signed John Elliott, Plymouth on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the case with long crossbanded door and the hood surmounted by a foliate pierced fretwork cresting, 85" high (pendulum and two weights)
Mahogany eight day longcase clock with five pillar movement, the 12" brass arched dial signed John Ellicott on the gilt chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, also with large strike/silent dial to the arch, the case with long moulded rounded arched door and the hood surmounted by a caddy top with giltwood pierced foliate carved panel and three brass and ball finials, 100" high (pendulum, two brass cased lead weights and keys)
Good English rosewood double fusee lancet bracket clock, the 8" convex white dial signed J. Richardson, Manchester, the movement with foliate engraved back plate, locking pendulum and striking on a bell, within a lancet shaped case inlaid with geometric and floral brass motifs, 19" high (pendulum and two door keys)
Walnut marquetry eight day longcase clock, the 11" square brass dial signed William Juxon, Tamworth on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the case with long door, fitted with a lenticle and inlaid with three floral panels within a moulded beaded border, the hood surmounted by a flat stepped pediment over a pierced foliate fret carved frieze, 81" high (pendulum and two weights)
Good flame mahogany eight day longcase clock, the 12" circular cream dial signed Dwerrihouse & Carter, London with subsidiary seconds and calendar dials, the case with long reeded arched door flanked by ormolu mounted quarter fluted columns, the hood surmounted by a moulded rounded arched pediment, 81" high (pendulum and two brass cased weights)
Oak eight day longcase clock, the 12" square brass dial signed James Staples, Odiham on the foliate engraved dial plate with subsidiary seconds dial and calendar aperture, enclosed by a silvered chapter ring, the case with short door inlaid with a central conch shell and the hood surmounted by a swan neck pediment and brass ball and spike finial, 80" high (pendulum and two weights)
Ebonised pitch pine tavern clock, the 20.5" square dial signed Richd Francis, Attleburg, also inscribed to the rear of the dial 'Richard Francis made new movement to this face, August the 18th 1815, painted by Halls 1810 July', over a typical trunk case with short door, 60" high (pendulum, weight and keys)
Mahogany and oak eight day longcase clock, the 14" painted arched dial signed W. Helliwell, Leeds to the centre with subsidiary seconds and calendar dials, the case with short inlaid shaped door and the hood surmounted by a moulded swan neck pediment and brass ball and spike finial, 93" high (two weights)
Mahogany regulator, the 10" circular silvered dial signed J. Hammersley, London with subsidiary seconds and hour dials, the movement with deadbeat escapement and maintaining power, the later case with long glazed door, surmounted by a moulded stepped pediment, 73" high (weight and wooden pendulum rod, but no bob)
A group of Chinese pieces to include a set of four Chinese blue and white porcelain tea bowls, 19th Century, a pair of Chinese cloisonne door pulls modelled as peacocks, the stylised birds decorated with archaic style linear scrollwork in blue, yellow, pink and white on black ground, late 19th Century, a pair of red and black lacquer square trays, 19th Century, 10.5cm and a brown stone bowl with a surface decorated with a mass of straw-like fragments, 19th Century, 7cm x 3cm
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235346 item(s)/page