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CHINESE CARVED HARDWOOD DISPLAY CABINET LATE 19TH CENTURY ornately pierced and carved throughout with scrolling foliage, dragons, exotic birds and mythical beasts, the arched top above and arrangement of open shelves and one apron door, raised on claw and ball feet 112cm wide, 209cm high, 41cm deep
GEORGE III MAHOGANY LONGCASE CLOCK BY JAMES MCGREGOR, EDINBURGH, CIRCA 1810 the swan neck pediment with brass Ho Ho bird finial, over an arched enamelled dial, painted with shells, Roman numerals, subsiduary second and date dials, the twin train eight-day movement striking on a bell, the boxwood strung trunk door flanked by fluted quarter columns, on a plinth base with bracket feet 205cm high
An oak and mahogany eight day longcase clock, early 19th century, the 13 inch square painted dial signed `Robert Fletcher, Chester`, restored face with subsidiary seconds dial and centred date aperture, within a ring of Roman numerals and floral corner spandrels, the restored eight day movement striking on a single bell with replaced seat board, the hood with swan-neck pediment over a shaped short trunk door over a cross banded box base on short bracket feet, 226cm high
A Victorian mahogany rosewood crossbanded eight day longcase clock, the 14 inch arched painted dial signed `Bradley, Shelton`, with centred subsidiary seconds dial, ring of Arabic numerals, the painted spandrels depicting rural life under a rolling moon, the hood with swan-neck pediment over an arched hood door, flanked by octagonal front corner hood pilasters, over a short Gothic arched trunk door, on a box base and splay bracket feet, 238cm high
An oak crossbanded mahogany eight day longcase clock, the 14 inch square painted dial signed `Samuel Maddox, Winsford`, with centred phases of the moon and date aperture within a ring of Roman numerals and florally painted corner spandrels, the hood with swan-neck pediment over a square glazed hood door, flanked by half reeded square front corner hood pilasters, over a short ogee arched trunk door, on a crossbanded box base and ogee moulded short bracket feet, 218cm high
A late Victorian carved oak desk, the scrolling leaf and monogrammed pediment over an open central recess to the back, flanked by a single panel cabinet door to each side, the panels carved with leaves over an egg and dart edged rectangular top, above two short frieze drawers carved with scrolling leaves, the aesthetic type handles on an armorial panel, on slender baluster and block front supports united by a double baluster H-stretcher, 96cm wide, 103cm high, 63cm deep
An early Victorian oak and mahogany straight fronted wall hanging Masonic corner cabinet, on associated Welsh oak single door corner cabinet to the base, the top cabinet with split finial cornice over mahogany veneered landscape panels to the frieze, the single panel cabinet door inlaid with central set-square and dividers, the corners depicting a crescent moon, the sun and other motifs, opening to reveal three fixed shelves over a central short spice drawer flanked by two false short drawer fronts, the associated cabinet to the base with single arched cabinet door opening to reveal two fixed serpentine shelves, 90cm wide, 219cm high
A George III oak bureau bookcase, the bookcase top with dentil moulded cornice over two twin fielded panel cabinet doors, above a fall front opening to reveal a simple fitted interior of six pigeonholes, four short drawers and central fielded cabinet door, over two short and two long drawers to the base, fitted with replacement brass swan-neck handles, raised on shaped bracket feet, 114cm wide, 186cm high, 56cm deep
A Victorian walnut and marquetry breakfront credenza, the bell flower and arabesque marquetry inlaid frieze over a marquetry decorated, single panel cabinet door to the centre, flanked by a glazed display door to each side, revealing two fixed shelves, with floral scroll and arabesque gilt metal mounts, raised on a cut-out plinth base (faded), 153cm wide, 104cm high, 34cm deep
A walnut sideboard, late 19th/early 20th century, the concave panelled back with open serpentine shelf flanked by heavily carved scrolling leaf corner bracket, under an egg and dart moulded frieze and leaf carved cornice, above a bow-fronted centre section flanked by a single panel cabinet door to each side, with classically carved uprights on square baluster short legs, the left hand cabinet door opening to reveal three sliding linen or glass trays (lacking the third tray), the centre and right hand side cabinet door, opening to reveal a fixed shelf, 245.5cm wide, 236cm high, 80cm deep
An Edwardian mahogany gentleman`s wardrobe, the lozenge inlaid frieze over a three quarter length bevelled mirror door to the left hand side, three open shelves over three drawers to the right hand side, with one long drawer to the base, on a plinth support, 122cm wide, 208.5cm high, 52cm deep
A Warings Edwardian mahogany, chevron strung bedroom suite, comprising of a single mirror door corner wardrobe, 140cm wide, 197cm high, a bow-fronted dressing table with concave low stretcher to the back, 129cm wide, 113cm high, 57cm deep, and a single door pot cupboard, all on square tapering front legs, fitted with wreath moulded brass ring handles (3)
A matched 1920s/30s walnut bedroom suite, comprising of single mirror door corner wardrobe, 132cm wide, 218cm high, two closely matching chests of two short over two long drawers (one faded), a closely matching pair of single door pot cupboards, an inverted break-top dressing table, and a marble top wash stand without back (7)
A German quarter striking mahogany mantel clock, with a platform lever escapement striking on two gongs, by Winterhalder and Hofmeier, with a rectangular silvered dial and chapter ring with subsidiary regulation and Chime/Silent dials, the case with bevelled glass panels, 10.25in (26cm) h. Door key, winding key.
An 8 day oak longcase clock, striking on a bell with a 14 inch painted arch dial, with subsidiary seconds dial and pierced crescent date aperture, signed JNO. CHAMBLEY, W.HAMPTON, the arch with a rural landscape, the case mahogany banded with stringing and a swan neck pediment, the shaped top trunk door with a marquetry shell, flanked by quarter pilasters, to a panelled base on bracket plinth base, 87.5in (222cm) h.
An 8 day mahogany longcase clock, with moon phase and tidal dial, the 13 inch brass dial signed on the silvered chapter ring Benson, Whitehaven, the silvered centre engraved with dolphins containing an ebbing and flowing tidal aperture painted with boats, the arch containing a rolling moon, the four pillar movement in a substantial case, panelled plinth flanked by brick effect carving, the trunk with quarter veneered door and canted corners, the hood with swan neck pediment, 7ft 10in (239cm) h.
A three train longcase clock, striking on 8 bells and a gong with a 12 inch arch brass dial with silvered chapter ring signed John Clark, with subsidiary seconds dial and moonphase with date disconnected, with 8/4 lever below the name plaque signed John Clark, Frome, in an oak case with a carved trunk door and recessed panel base, 88.5in (225cm) h.
A boulle mantel clock in Louis XIV style, with an 8 day movement striking on a gong with an outside countwheel, with a brass dial having inset enamel Roman numeral panels, above a pierced panel of foliage and eagles and a enamel boss inscribed `THURET APARIS,` the case with gilt brass mounts and a trumpeting angel surmount, 18.5in (47cm) h. Pendulum, door key.
An 8 day walnut marquetry longcase clock, the 11 inch brass dial signed beneath silvered chapter ring John Farwell, London, subsidiary seconds and date aperture in the matted centre, the spandrels divided by engraved foliage, the five pillar movement with latched plates and dial feet, in an arabesque marquetry case, the trunk door inhabited by birds, glass lenticle, panelled sides, the flat hood flanked by barley twist pilsters, 7ft (213cm).
An 8 day mahogany longcase clock, quarter striking on two bells with a 14 inch painted arch dial with subsidiary seconds dial and pierced crescent date aperture, signed Ifaac Court HENLEY, with a painted fly between IIII and V, the arch painted a rondel of Father Time, the hood with stop fluted columns with gilt brass corinthian capitols, the trunk door crossbanded and with chevron stringing, canted corners to a marquetry base on ogee bracket feet, 88.5in (225cm) h.
A late George III japanned tavern clock, with a painted wooden 22.5in (57cm) dia. dial with Roman and Arabic numerals to an applied moulded bezel, the straight trunk with applied scroll ears and inscribed `Wm Maurifs (sic) YARMOUTH,` above an inverted arched door decorated a figure within a palace landscape, to a tapering base, the movement with tapering plates united by five turned pillars and with an anchor escapement, 55in (140cm) h, pendulum, weight. A brass plaque to the trunk door reads `This PARLIAMENT CLOCK hung in THE STAR HOTEL, YARMOUTH, from LORD NELSON`S time. Was purchased by Mr. W. BROWN, of OULTON BROAD, SUFFOLK, who sold it to me, January 1932.` William Morris, King`s Lynn and Yarmouth, c.1733 - 1816.
19th Century mahogany Longcase Clock, the hood with an architectural pediment above a gilt glass frieze, turned supports, long door with three-quarter columns, on ogee bracket feet, square brass dial, with cast spandrels, silvered chapter ring, with Roman numerals, inscribed, Jno. Yates, Liverpool, subsidiary seconds dial and date aperture, eight-day movement, striking on a bell, 230cms, (7`6").
Late 18th Century Longcase Clock, the painted square dial inscribed, "Deacon Barton", with secondary date dial, painted with an exotic pheasant and fruits and flowers in the spandrels, thirty-hour movement, contained within an oak inlaid case, with break-arch pediment, with dentil cornice, the hood with inverted turned columns, crossbanded door with central inlay and bracket feet, 214cms, (7`).
18th Century and later Longcase Clock, with painted arched dial inscribed, "Wm. Clarke - Long Buckby", with secondary seconds dial and date aperture and rolling moon phase in the arch, eight-day movement, chiming on a bell, contained within an oak case, the hood with swan-neck pediment, with turned columns, above a crossbanded door and flanked by fluted quarter columns and on plain base, 224cms, (7`4").
19th Century French Carriage Clock, the enamelled dial inscribed, "Paul Garnier - Paris", the back plate similarly inscribed and numbered 3110, the movement striking on a bell, contained within a rosewood and inlaid case, the top with folding brass handle, the front with bevelled glazed door, the sides inlaid and decorated with musical instruments in gilt, 13cms, (5").
Longcase Clock, the brass arched dial inscribed, "Wm.Coulton - York", silvered chapter ring, secondary seconds dial and date aperture, eight-day movement, striking on a bell and contained within a Dutch marquetry case, the hood with arched glazed door and turned pilasters, above an arched door fitted with a lenticle, the whole decorated with birds, vases, flowers and scrolls, in various stained woods, with a bombé base and bun feet, 224cms, (7`4").
An 18th century eight-day long case clock, the five pillar movement chiming on a single bell and fitted a brass dial with cherub spandrels, secondary dial and calendar aperture, marked for William Jarves, Norton St. Phillips (near Frome), the oak case with long door and swan neck pediment to the hood, 219cm (86in)
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235302 item(s)/page