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George III inlaid mahogany longcase clock with swan-neck pediment, the painted arched dial decorated with cottage to the arch, tulips and auricular to the spandrels, having subsidiary seconds dial and calendar aperture inscribed ‘Crane & Sons, Bromsgrove’, having lozenge inlaid borders above the trunk door having central shell inlay flanked by pair inset quadrant reeded forepilasters, on plinth base, 212cm high approx. Condition ReportSurface scratches, scuffs and knocks to the wood. Areas of fading and discolouration. Areas of loss to the wood, veneer and stinging. Evidence of old worm in places. crazing and damage to the enamel face and wear to the painted decoration. General wear and tear. See photos.
Mid century modern teak cabinet, the rectangular top above tambour door, on cylindrical tapering supports, 80.5cm high x 91.5cm wide x 39.5cm deepCondition ReportConverted hi-fi cabinet, with air holes to the interior base, and a new plyboard shelf to the interior. Obviously used with various signs of wear. Assorted marks, chips, scratches throughout. Including to the door. Pen mark. Door works quite well, but coming apart slightly near to the handle. Wobbly on legs. General wear and tear throughout. Needs attention, and the top probably re-finishing as has ring mark as well.
20th century mahogany demi-lune hall table on sabre supports, 69.5cm high x 75cm wide x 37cm deep, a 20th century pot cupboard, the rectangular top on panelled door, on square section supports, 61cm high x 58cm wide x 44.5cm deep and a 20th century waterfall display stand of four tiers, on circular base, 90.5cm high x 45.5cm diameter (3)
Victorian figured walnut, porcelain and ormolu-mounted side cabinet having gilt foliate borders to the frieze with floral painted over porcelain panel, similar panels to the uprights and door corners, the door with part glazed panels flanked by floral ormolu mounts, 98cm x 74cm x 32cmCondition ReportSurface scratches, scuffs and knocks to the wood. Areas of loss to the veneer, raising/rippling to the veneer on the top, chip to the front right corner, split to the left side of the top. Lock escutcheon has detached but is present. Areas of fading and discolouration to the wood and the purple velvet interior. General wear and tear, see photos.
19th century cabinet with rectangular moulded top, rounded front corners, moulded edge above single glazed door enclosing shelves, raised on plinth, 91cm x 63cm x 37cmCondition ReportSurface scratches, scuffs and knocks to the wood. Areas of fading and discolouration. Some splits to the wood on both sides, old repair/filler around top hinge. Bothe shelves look original. General wear and tear.
Attributed to Jackson and Graham, Victorian satinwood and ivory inlaid coromandel breakfront credenza, the top with stringing, the frieze inlaid with stylised anthemion and foliate sprays, scrolls and flowerheads, having central mirrored door with moulded borders, flanked by pair ornate foliate and scroll inlaid panels and two pairs foliate topped faux-fluted columns, the cupboard flanked by bowfronted open shelves, all on plinth base, 203cm wide overall approx. For similar example please see metmuseum.org Condition ReportTop with light scratches and scuffs, some splits to the veneer, some losses to the back. Some moulding loss to the back at the right hand side. Some losses to back, moulding and veneer. Splits all over to the veneer. Some losses to the corners of the pillars. Losses and damage to the base all over. 204 (w) x 100 (h) x 57 (d) cm See images
Arthur Hughes (1832-1915)Oil on panel“Exile, The Door of Mercy”, the ogee shaped panel with numerous figures and angels, one girl kneeling in supplication and inscribed to the gilt frame “There is joy in the Presence of the Angels in Heaven over one Sinner that repenteth, Though thy Sins be as Scarlet They will be as White as Snow”, signed lower right, 27cm x 25cm
Pair Meissen figures, the lady holding letter, bird in cage on her shoulder and lamb at her feet, wearing bonnet with pink, blue and cream dress, 18cm high, the gentleman with letter, bird and sheep, wearing pink, gilt and blue jacket and trousers, 19cm high, each on gilt stylised Greek key circular base (2) Condition ReportMale figure has missing index finger, repair to the other hand/fingers. Surface marks and accretions. Possible areas of over painting visible under UV.Female figure with repair to lambs ear, damage and loss to the bird cage door, possible repair to hand holding the letter. Possible areas of over painting. Surface marks and accretions. Both with general wear and tear, see photos.
A 19th Century oak and mahogany banded longcase clock, the unsigned cream dial with Roman numerals in black, subsidiary seconds dial, painted with maritime and countryside scene detail, the case with broken swan neck pediment above arched glazed door, flanked by turned columns, above a trunk fitted with turned columns and panel door (broken), on block base, 56cms wide, 206cms high.
AN EARLY JAPANESE NAMBAN CABINET FOR THE EXPORT MARKET MOMOYAMA PERIOD, C.1580-1620 Of rectangular form and with a hinged fall front opening to reveal nine drawers, the door and sides decorated with panels enclosing many fans embellished with bands of geometric designs and flowering branches of prunus, scrolling tendrils, and ume-bachi mon (family crests), in between borders of chevrons and other formal patterns, the decoration rendered in a multitude of raiden (mother of pearl) inlays and gold and black lacquer, the inside with further mother of pearl inlays and gilt decoration depicting panels of flowering prunus and peony, the copper fittings and side loop handles with designs of melons, flowers and tendrils, together with a key, 28cm x 37.5cm x 24cm. (2) Provenance: from an English private collection, London. Formerly Sotheby's London, 24th June 1982, lot 566. Cf. O Impey & C Jörg, Japanese Export Lacquer (1580-1850), pp.123-24 where this very piece is illustrated and discussed. See the Brooklyn Museum, New York, access. no.84.69.1, for a comparable piece decorated with open fans. Also, see Christie's, New York, An Inquiring Mind: American Collecting of Japanese and Korean Art, lot 33, for another namban cabinet with mother of pearl fans. The ume-bachi mon was notably used by the Hisamatsu and the Maeda clans.
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235302 item(s)/page