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A brass compound microscope, J B Dancer Optician Manchester, c1850, the limb on twin pillar trunnions, focusing by rack work with fine adjustment, two eyepieces, nose piece with three objectives, mechanical stage, substage condenser and plano/concave mirror, on Y-shaped foot, mahogany case with early contemporary handwritten label preserved inside the door Lacquer worn and discoloured with age, rack work and other mechanical functions operating, case with some old mildew and damp stains, hand written label stained and slightly torn with plastic covering
A brass bar limb compound microscope, Andrew Ross London, No 170, c1848, the limb supported by shaped side plates forming trunnions, focusing by rack work, the transverse arms to the body tube with long screw and fine adjustment, two eyepieces, six objectives, polariser, cans, adjustable stage with stage forceps, substage wheel of stops and plano/concave mirror, on Y-shaped foot, mahogany case with door at each end A fine instrument and basically complete, the lacquer generally degraded as evident from illustration, both mirrors with hairline separation across the silvering, rack work working well if a little noisy but not loose and fully engaging
A Victorian burr walnut veneered pot cupboard, c1880, with roundel carved triangular back, panelled door and skirted plinth, pierced brass strapwork hinges, 82cm h; 40cm w and a mirror back mahogany corner shelf, c1880, shaped back, bowed shelf above spindle gallery, bevelled plates, 64cm h; 42cm w (2) Pot cupboard with losses and tears to veneer, later faux burr painting, other faults, abrasions and losses. Corner shelf with splits, drill holes to back and wear and abrasions
A George III mahogany corner washstand, c1800, with shaped back, the upper section with provision for bowl and pots, the centre section fitted central drawer flanked by pair of faux drawers with shaped undertier centred on a panelled roundel, 112cm h; 64cm w; together with a glazed oak hanging corner cupboard, the arched door revealing serpentine shaped shelves, 104cm h; 58cm w Washstand with staining, scratches, abrasions and other faults. Hanging corner cupboard with alterations, faults and wear
A George III oak longcase clock, c1800, the swan neck pediment above an arched glazed door enclosing painted cream enamel dial with Arabic numerals, subsidiary seconds dial, calendar aperture, inscribed Barber Nottingham, the arch with female resting on a classical urn and pedestal with country house landscape and swans on a lake, floral spandrels, eight day striking movement, the trunk with shaped door flanked by chamfered angles, the base with shallow bracket feet, 216cm h Case later carved with leafage, roundels and scrolls. Case with overall bituminised varnish which is separating, cracks, chips, losses, wear, abrasions overall and the dial with wear and rubbing, minor chips to edges
A Victorian figured walnut and ebonised pier cabinet, with concave canted corners flanking a single glazed door enclosing two lined shelves, raised on a plinth base with short turned feet, 81cm wide, 40cm deep, 110cm highCondition report: Split to topSome losses to gilt mountsGeneral wear - dinks to edges
Early 19th Century oak and mahogany crossbanded longcase clock, the square hood with swan neck pediment above a rectangular panelled door flanked by fluted quarter pilasters above a conforming plinth, the painted dial with Roman numerals, signed indistinctly and inscribed Tewksbury, with gilt hands, date aperture and single train thirty hour movement
George III carved oak longcase clock, the square hood above a rectangular panelled door on a plinth base, the 11in square brass and silvered dial with Roman and Arabic numerals, subsidiary seconds and calendar aperture, inscribed Rich Chalklen, Wrotham, with a two train movement striking on a bellCase is clean and in very good condition. Movement is clean and with new gut. Runs and strikes correctly although we never give guarantees it will continue to do so. Carving assumed to be of a later date.
19th Century longcase clock, the arch top dial having painted decoration with Roman numerals and moonphase and subsidiary dials (at fault), with two train movement above a shaped flush panelled crossbanded door and conforming plinth base (at fault), with pendulum, weights and winding key, 87ins high x 23ins wide
19th Century Continental oak longcase clock, the floral carved hood with a bar glazed pendulum window above a rectangular panel door and moulded plinth base, the convex enamel dial with Roman numerals and two train weight driven movement, 7ft tall approximatelyThere is evidence of slight historic woodworm in the back board only. The pendulum to this clock is missing and therefore it cannot currently run. Also has minor damage to the floral surmount.
Late 19th / early 20th Century mahogany longcase clock in George III style, with an arched hood above an arched panel door flanked by quarter columns above a panelled plinth base, the silvered and gilt brass dial with Roman and Arabic numerals and subsidiary seconds with two train movement, striking on a gong
Moorish three fold hardwood screen having turned wooden panels with integral miniature door and panelled base (at fault), 73ins high x 24ins wide each panelThese panels are early to mid 20th Century.It would appear that all parts are present. Glue is dry which is why parts are loose. There never was a miniature door to the centre panel.
Fine 19th Century mahogany twin pedestal sideboard of Chippendale revival form, circa 1880, the ornate back carved in deep relief with a scene depicting shepherds in a landscape, the pedestals each with a galleried blind fretwork and acanthus moulded top above a cellarette drawer with swivel action and cupboard door, the tapering pedestals each with a cupboard door decorated with further carved mouldings flanking a dropped centre with two further drawers above a panelled lower back and ogee bracket feet, 104.5ins wide x 76ins high
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235302 item(s)/page