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* Sector Timepiece. A rare WWII period U.S. Tactical Air Command Sector Timepiece by Seth Thomas, the black bakelite casing containing the high quality movement, the dial with sectors in green, orange, blue and yellow, the 12-hour day marked with black arabic numerals, the supplementary 24-hour day hours in red, with Fast/Slow adjustment, well modelled hour and minute hands and truncated seconds sweep, with glazed door to front, 10.25in (26cm) diameter, brass key, together with a copy of “Signals. The Story of Communications in the XIX Tactical Air Command up to VE Day”, prepared by Captain E. M. Greenberg, Signal Office, XIX T.A.C., APO 141 U.S. Army, pub. 15 June 1945, 154 pp., photograph illusts., drawings, diagrams and plans, illusts. of this sector clock in use in forward air control rooms using the U.S. Tactical Control System, as well as its use in D-Day landing period mobile teletype and forward control vans on unprepared airstrips, orig. cloth boards, title and overprinted “Restricted” (2)
* Tinplate Clockwork motor car. A good large example by Tipp & Co., Germany, c. 1930s, having coachwork in the form of a two-door cabriolet limousine, decorative colour-lithographed tinplate with clockwork motor, liveried chauffeur, “Balloon” tyres and travel trunk to rear with opening lid, original old-stock condition, length 14in (36cm) (1)
A small eighteenth century oak bureau bookcase, the top with a moulded cavetto cornice, the interior fitted adjustable stationary shelves and pigeon holes, enclosed by a pair of fielded panel doors with brass escutcheons, the base with fall flap reveals a stepped fitted interior with central cupboard door, drawers, pigeon holes and secret compartment, above four long graduated drawers fitted brass plate handles on bracket feet. 35in (89cm).
A French Belle Époque grey painted oak bedroom suite, of a double wardrobe, a double domed acanthus cornice with hanging compartment fitted drawers, enclosed by a pair of panelled doors and a central hat cupboard with adjustable shelves also enclosed by a panelled door, corner rosettes, above three drawers with panelled fronts and oval brass plate swag handles, stop fluted bell flower pilasters Vitruvian scrolls, florette apron frieze on short turned fluted legs capped by oval paterae, 7ft 6in (198cm), a matching three drawer commode, 3ft 6in (107cm), a triptych dressing mirror, a cheval mirror and a pair of carved bedroom chairs.
* Doyle (Sir Arthur Conan, 1859-1930). Autograph letter signed `A. Conan Doyle’, Windlesham, Crowborough, Sussex, 22nd February, no year, to [Geoffrey] Hodson, `I expect Sunday is a Òdies nonÓ with you but we have our big Sunday gathering at 12.00 at the Queen’s Hall. I am the speaker this time and shall survey this movement in a way which might interest you. If you do come make for door 15 and the assembling [?] so that I can ensure you good seats. There is always a great crowd. If you can’t come what about sending a good man to report not what we say so much as the evidence of a big popular movement’, printed letterhead, a little soiling and creasing, one page, 8vo. The letter probably refers to one of Conan Doyle’s talks on spiritualism, possibly on 31st March 1920. Geoffrey Hodson (1886-1963) was an occultist, Theosophist and medium. In 1921 Conan Doyle arranged for Hodson to come to Cottingley to examine the now infamous Cottingley fairy photographs and to sit with the girls in the hope that even stronger fairy shapes would materialise. In August Mr Hodson reported seeing wood elves under some beech trees as well as dancing fairies in the field.. (1)
* A mid 20th c. stained wood storage cabinet, the upper section fitted two shelves enclosed by glass panel sliding doors, with cupboard below enclosed by panel door, approx. 77 in tall, 29.5 in wide (196 x 75cm), together with a smaller stained wood cabinet fitted two shelves, enclosed by four glazed panel doors, 42 in tall, 28 in wide (107 x 72cm) (2)
A late 19th Century Burr Walnut drop dial Wall Clock, the plain segmented surround over carved ears and hinged and glazed door, with rounded bottom, to a spun brass bezel enclosing a repainting 12” Roman dial, with outside minute track and black spade hands, to a spring driven movement with anchor escapement, strike on a gong, height 27”
An American 30 hour weight-driven Wall Clock, the rectangular moulded cased to a two-part glazed door, decorated with gilt highlighted pansies beneath a 7 ½” painted square Roman dial, with outside minute track and blued steel hands, to a spring-driven movement with anchor escapement, strike on a coiled gong, height 26”
An early 20th Century Walnut cased Mantel Clock, Junghans, the Oriental influenced case surmounted by three ring turned finials, over further half ring turned collar mounts, flanking a glazed door and splayed bracket base, to a signed composite 4 ½” Roman dial, with outside minute track and pierced hands, to a spring driven movement with anchor escapement and strike on a gong, with simulated mercury twin pot pendulum, height 19”
An early 20th Century Oak Cased Alarm Timepiece, Fattorini and Sons of Bradford, Patent No 16226, the plinth-shaped case with glazed front door and stepped base, to a signed 4 ½” Roman enamel dial with outside minute track and alarm set to the centre, with further blued steel hands, to a spring driven movement, with strike on bells (bells lacking), height 13”
A late 18th Century Oak and Mahogany crossbanded 8 day Long Case Clock, Jofh Burn of West Bromwich, the swan neck pediment flanking a globe and eagle finial, to a plain frieze over freestanding fluted columns, to a moulded throat, and shaped long trunk door flanked by quarter columns, to a plinth panelled base, to a refreshed 13” arched painted dial, decorated to the arch with a horse and hound hunting scene, over gilt highlighted gesso spandrels, with Roman and Arabic chapter ring enclosing subsidiary seconds and date sector with pierced stamped brass hands, to a signed falseplate and movement with plates united by four knopped pillars, with anchor escapement and strike on a bell, height 91”
An early 19th Century Mahogany cased 30 hour Long Case Clock (name rubbed), the hood with overhanging cornice and shaped pediment, to an ogee throat and long trunk door on plinth base, to an 11” third period square painted dial with floral painted spandrels, to a Roman chapter ring with outside minute track enclosing subsidiary seconds and date with black painted steel hands, to a movement with plated united by four knopped pillars with back mounted count wheel and anchor escapement, strike on a bell, height 79”
An early 19th Century Oak and Mahogany crossbanded 30 hour Long Case Clock, Rogers of Stevenage, the hood with swan neck pediment surmounted by three giltwood spherical finials over freestanding fluted columns, and moulded throat to a short crossbanded trunk door and plinth base, to an 11 ½” square painted third period dial, with gilt floral spandrels enclosing a Roman chapter ring with outside minute track and pierced and stamped brass hands, to a movement with plates united by four knopped pillars, back mounted count wheel and anchor escapement, strike on a bell, height 82”
An early 19th Century Mahogany cased 30 hour Long Case Clock, Bedford of Hingham, the hood with overhanging cornice to a scrolling pediment, over freestanding columns to an ogee throat and long arched trunk door and plinth base, to an 11” painted square third period dial, with floral spandrels, to a Roman chapter ring with outside minute track and enclosing date sector and further painted country house detail, with pierced hands, to a movement with plates united by four knopped pillars, with anchor escapement and strike on a bell, height 82”
A late 20th Century American Triple Weight Long Case Clock, the shaped and arched case with overhanging cornice, to applied case brass capitals and half-fluted columns to a short plinth base, and long glazed door, to a 10” arched brass dial signed Pearl, with moon phases to the arch, and engraved spandrels with Arabic chapter ring and outside minute track and further engraved centre, with blued steel hands, to a triple weight driven movement, and strike on twelve rods, height 80”
A 1940`s oak cased synchronome by F. Hope-Jones, the master with a silvered 6.25 inch dial, glazed door with visible mechanism and pendulum; with one slate , cast iron pressure cylinder, glass bell and pendulum and various accessories, with a copy of Electric Clocks and Electric Timekeeping, both signed by Hope-Jones
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235302 item(s)/page