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Lot 1
LNER 12" Drop Dial Clock manufactured by Seth Thomas, USA. Ex MANOR POWIS Signalbox between Cambus and Stirling on the original Stirling & Dunfermline Railway. The clock is in working order but the glass is missing from the bottom door. Inside the door is the original Seth Thomas Instruction sheet pasted to the backboard and also the small LNER numberplate 15879. Accompanying is a couple of colour photographs of the signalman, Jim Drysdale with the very clock in the background (painted in Scottish light blue colour).
Lot 1
Good Quality Oak Side Board with stand, carved frieze to top of up-stand, geometric mouldings to back, on turned & half reeded columns, base comprised of 2 cupboard doors & 3 central short drawers over barley twist & bun foot supports with barley twist stretchers, geometric moulding to drawers & door fronts, all with drop handles
Lot 1
A late 19th Century stained wood and walnut veneered Vienna-style wall clock, with eight day movement striking to gong, compensating pendulum, the case surmounted turned finials and with fluted carved and moulded half pillars to each side of the door, the cushion base with inverted finials, 35"
Lot 1
A 19th Century longcase clock, by Wm Parkes Retford, with eight day movement the painted dial with cottage and figure to the arch and floral spandrels, date aperture, in oak and mahogany cross banded case, the hood with phoenix finial and swan neck pediment over fluted columns with gilt capitals, the arched door inlaid with urn of flowers, the panelled base inlaid with a conch shell, on shaped bracket feet, 93" high.
Lot 1
An 18th Century longcase clock, by S. Ashton Ashburn, the white painted circular dial with date aperture and thirty hour movement, in oak case with mahogany cross banding, the hood with swan neck pediment over satin stringing and fluted columns, reeded pilasters, shaped door on panelled base and bracket feet, c.1790, 80" high.
Lot 1
An Edwardian six piece walnut bedroom suite, the single wardrobe with asymmetric scrolled cornice on moulded pediment, over mirrored door flanked to either side by faux burr panels and carving on deep drawers and bracket base, together with a matching wash stand, dressing table, towel rail and a pair of chairs (6). on page 37.
Lot 1
A Sheraton Revival satinwood and painted display cabinet, having moulded cornice and ribbon painted frieze over astragal glazed single door, canted corners, the sides painted with ribbon tied musical trophies, cupboard doors below painted with ovals depicting Gainsborough Ladies, on tapering splayed legs joined by shaped undertier, retailers label for W.E Greenwood and Sons Ltd, 24 Stonegate, York, 32" wide 69 1/4" high.
Lot 1
A George III mahogany cased wall clock, having a swans neck pediment above a circular glazed door enclosing the 14in. diameter circular painted dial with Roman numerals, subsidiary seconds dial and two-train movement by H. Banister, Lichfield with rectangular trunk door being boxwood strung and with cockbeading. Height 59ins.
Lot 1
A George III oak longcase clock, by Newby, Kendal with broken arch pediment above the glazed door enclosing the 12in. square brass dial, chapter ring with Roman numerals, foliate engraved centre inscribed "Newby, Kendal" with date aperture beneath and thirty-hour movement flanked by turned columns and with shaped trunk door being crossbanded in mahogany and flanked by quarter round turned mahogany columns with conforming base. Height 86ins.
Lot 1
A mahogany longcase clock, having a swans neck pediment above the glazed door enclosing the 14in. diameter circular painted dial and eight-day movement by Tyson, Whitehaven with Roman numerals and subsidiary seconds hand flanked by flat pilasters in turn above the short shaped trunk door and conforming base raised on bracket feet. Height 79.5ins.
Lot 1
A George III mahogany hanging corner cupboard, having a swans neck pediment above a Greek key moulded cornice in turn above a panelled cupboard door with central oval and enclosing a series of green painted shaped shelves flanked by fluted columns and with plinth beneath, also with later stand. Width 34ins.
Lot 1
A George III oak longcase clock, having a moulded cornice above the arched glazed door enclosing the 12in. silvered brass dial with Roman numerals to the chapter ring, subsidiary seconds dial and eight-day striking movement by Brownleys, Staindrop flanked by fluted pillars, the long arched trunk door with centre inlaid medallion flanked by canted fluted angles and with conforming base raised on bracket feet. Height 84ins.
Lot 1
An Edwardian Sheraton Revival bow fronted sideboard, the top having a moulded edge above a dentil cornice with two graduated centre drawers flanked by a drawer above a cupboard, each with brass handles with oval backplates, the drawer being boxwood and ebony strung and with satinwood banding, the top drawer with bellflower swags and each cupboard door with a marquetry panel raised on eight tapered legs of square section terminating in spade feet. Width 69ins.
Lot 1
Paul W. Ehrhardt (20th century) "In Erwartung", Interior Scene with a Young Lady Seated beside a Table, a Bowl of Flowers Nearby, an Open Door Beyond] Signed, also extensively inscribed on the stretcher verso and dated "1922", oil on canvas, 80.5cm by 70.5cm (31 3/4in by 27 3/4in) *Provenance. With Bo Hansson Kanalg 3 21140 and Malmo, Sweden "Ex. Christies Sweden, Lot 142 16th February 1989
![A Mahogany Inlaid Electric Mantel Clock, signed Eureka Clock Co Ltd, London, Pat No.14814-1908 No.3435, circa 1910], the bal](http://lot-images.atgmedia.com/SR/10041/2669547/1221-63-10041_468x382.jpg)
Lot 1
A Mahogany Inlaid Electric Mantel Clock, signed Eureka Clock Co Ltd, London, Pat No.14814-1908 No.3435, circa 1910], the balloon shaped case with shell inlaid front and stringing around the borders, the back with rectangular door to reveal large size battery, 4-1/2-inch enamel dial with retailers name "Payne & Co 163, New Bond St, London", dial centre showing movement, plaque signed "Eureka Clock Co" and large oscillating balance, 36cm high
![A Burr Walnut Gothic Revival Chiming Bracket Clock, circa 1870], the Gothic case surmounted by three church steeples, the ar](http://lot-images.atgmedia.com/SR/10041/2669547/1262-63-10041_468x382.jpg)
Lot 1
A Burr Walnut Gothic Revival Chiming Bracket Clock, circa 1870], the Gothic case surmounted by three church steeples, the arched door with carved leaf decoration, pierced side sound frets and pull repeat cord to the side, 7-inch arched silvered dial with Roman chapter surrounded by engraved foliate decoration, the arch with three subsidiary selection dials for chime/silent, slow/fast and Westminster chimes/chime on eight bells, blued steel spade hands, massive triple fusee movement with anchor escapement and chiming eight hammers on to eight bells and a further hammer striking a gong for the hours, 75cm high, together with a floral carved and scrolled mahogany wall bracket, 33cm high
![An Edwardian Oak Gothic Revival Chiming Table Clock], the case surmounted by church steeples, arched door with carved floral](http://lot-images.atgmedia.com/SR/10041/2669547/1263-63-10041_468x382.jpg)
Lot 1
An Edwardian Oak Gothic Revival Chiming Table Clock], the case surmounted by church steeples, arched door with carved floral decoration, side sound fret opening doors and pierced back door, the base with angled corners, 6-1/2-inch arched brass dial with silvered chapter ring, triple barrel movement with anchor escapement and chiming four hammers on to four gongs and a further hammer striking a gong for the hours, movement backplate stamped "W & H Sch", 64cm high
![A Fine Rosewood and Ormolu Mounted Striking Bracket Clock, signed James McCabe, Royal Exchange, London, No.2188, circa 1835]](http://lot-images.atgmedia.com/SR/10041/2669547/1272-63-10041_468x382.jpg)
Lot 1
A Fine Rosewood and Ormolu Mounted Striking Bracket Clock, signed James McCabe, Royal Exchange, London, No.2188, circa 1835], the case with shaped cresting and applied ormolu shell and scrolled mounts to the front pilasters, raised on scroll feet, sides and the top with glazed panels, back door with pierced sound fret and numbered "2188", 4-1/4-inch silvered dial with foliate engraved centre, set within a pierced scroll leaf decoration, five pillar twin fusee movement with anchor escapement and striking on a gong, movement backplate signed, 33cm high *The McCabe family was renowned for Clock and Watch making in the 19th Century. James McCabe who was apprenticed to Reid & Auld before succeeded the McCabe business in 1811, when his father died. He had several business partners between 1811 to 1838, when his business was destroyed by a fire in the Royal Exchange. He was succeeded many years later by has nephew Robert Jeremy McCabe.
Lot 1
A George I Ebonised Striking Bracket Clock with Pull Quarter Repeat, signed Jos Antram, London, Watch & Clock Maker to his Majesty, circa 1720], the case with inverted bell top with carrying handle, pierced brass side sound frets and pull quarter repeat cord to the side, moulded plinth raised on small bracket wooden feet, case front door with slight (imperfections), 7-inch arched brass dial with silvered chapter ring, matted dial centre with mock pendulum aperture, dummy date aperture and signed "Jos Antram, Watch & Clock Maker to his Majesty London" on a arched silvered plaque, the arch with strike/silent selection dial, twin fusee movement with verge escapement and pull quarter repeating on two bells, movement backplate elaboratly engraved and signed within a cartouche, movement secured by two brackets, 48cm high hilt of handle *Joseph Antram is recorded as a Royal Watch & Clock Maker in the early 18th century to King George I. A very similar clock by this maker is illustrated in "British Clocks Illustrated" by Brian Loomes, pg 220.
![A Thirty Hour Longcase Clock], Japanned case with flat top pediment and depicting oriental scenes, trunk door with moulded b](http://lot-images.atgmedia.com/SR/10041/2669547/1274-63-10041_468x382.jpg)
Lot 1
A Thirty Hour Longcase Clock], Japanned case with flat top pediment and depicting oriental scenes, trunk door with moulded border and glazed lenticle, 'shortened' plinth, 12-inch square brass dial with silver chapter ring signed "Thomas Kefford, Royston", dial centre with date aperture, four pillar movement with outside countwheel striking on a bell, dial and movement (circa 1730) associated to case (mid-18th century), 188cm high
![A Carved Oak Single Hand Thirty Hour Longcase Clock, signed Rd Bullock, Ellesmere, circa 1730], the highly carved case with](http://lot-images.atgmedia.com/SR/10041/2669547/1275-63-10041_468x382.jpg)
Lot 1
A Carved Oak Single Hand Thirty Hour Longcase Clock, signed Rd Bullock, Ellesmere, circa 1730], the highly carved case with flat top pediment, arched trunk door, "shortened" plinth, 10-inch square brass dial with single hand, alarm disc and dummy date aperture, four pillar movement with anchor escapement and outside countwheel striking on a bell, 202cm high
![An Oak Single Hand Thirty Hour Longcase Clock, signed Willm Porthouse, Penrith, circa 1740], the case with flat top pediment](http://lot-images.atgmedia.com/SR/10041/2669547/1276-63-10041_468x382.jpg)
Lot 1
An Oak Single Hand Thirty Hour Longcase Clock, signed Willm Porthouse, Penrith, circa 1740], the case with flat top pediment, the trunk with shaped door, 10-1/2-inch square brass dial, matted dial centre with date aperture and plaque signed "Willm Porthouse, Penrith", single hand, four pillar movement with anchor escapement and outside countwheel striking on a bell, 206cm high *William Porthouse was from a family that made clocks for several generations. He is recorded as between 1706-90.
Lot 1
A Mahogany Eight Day Longcase Clock, the case with flat top pediment and "later" inlay around the case, reeded columns, broken arched trunk door flanked by canted corners, rectangular plinth with raised quatre form moulding, 13-inch silvered circular dial with Roman and Arabic chapter, dial centre signed "Jno Agar & Son, York", four pillar movement with anchor escapement and rack striking on a bell, 207cm high, dial and movement circa (1790), case with "later" inlay (19th century)
![An Oak Single Hand Thirty Hour Longcase Clock, signed R Hardwick, Ashwick, circa 1740], the case with flat top pediment, pla](http://lot-images.atgmedia.com/SR/10041/2669547/1277-63-10041_468x382.jpg)
Lot 1
An Oak Single Hand Thirty Hour Longcase Clock, signed R Hardwick, Ashwick, circa 1740], the case with flat top pediment, plain turned brass capped columns, plain rectangular trunk door upon 'shortened' rectangular plinth, 10-inch square brass dial with silvered chapter ring, matted dial centre with recessed silvered plaque signed "R Hardwick, Ashwick", single pierced hand, four posted movement with slender pillars, anchor escapement and outside countwheel striking on a top mounted bell, 189cm high, dial and movement (circa 1740) and case (later)
![A Japanned Eight Day Longcase Clock, signed Robt Donne, London, circa 1780], the case with gilt chinoiserie pictures depicti](http://lot-images.atgmedia.com/SR/10041/2669547/1279-63-10041_468x382.jpg)
Lot 1
A Japanned Eight Day Longcase Clock, signed Robt Donne, London, circa 1780], the case with gilt chinoiserie pictures depicting Oriental scenes, broken arched trunk door with moulded borders, rectangular plinth with stepped base, 12-inch arched brass dial with Roman and Arabic chapter ring, floral engraved dial centre with subsidiary seconds dial and date aperture, the arch with recessed silvered plaque signed "Robt Donne, London", four pillar movement with anchor escapement and rack striking on a bell, 245cm high
![An Oak and Mahogany Eight Day Longcase Clock, signed Hudson Fox, Beverley, circa 1825], the case with pagoda pediment and ea](http://lot-images.atgmedia.com/SR/10041/2669547/1280-63-10041_468x382.jpg)
Lot 1
An Oak and Mahogany Eight Day Longcase Clock, signed Hudson Fox, Beverley, circa 1825], the case with pagoda pediment and eagle finials, reeded brass capped columns, the trunk door with mahogany crossbanding and flanked by canted corners, rectangular crossbanded plinth with (feet missing), 13-inch painted arched dial with Roman chapter, dial centre with subsidiary seconds, date aperture and signed "H.Fox, Beverly", multi-coloured corners and the arch also with flower decoration, four pillar movement with attached falseplate stamped "Wilkes & Son, Birmingham", anchor escapement and rack striking on a bell, 230cm high
![A Small Edwardian Mahogany Chiming Longcase Clock, Retailed by Harrison & Son, Darlington], the nicely figured mahogany case](http://lot-images.atgmedia.com/SR/10041/2669547/1281-63-10041_468x382.jpg)
Lot 1
A Small Edwardian Mahogany Chiming Longcase Clock, Retailed by Harrison & Son, Darlington], the nicely figured mahogany case with swan neck pediment, blind fret work to the hood and slender turned columns, the good good coloured arched trunk door with moulded borders and flanked by reeded pilasters, plinth with raised quatre form panel and dial with silvered chapter ring signed "Harrison & Son, Darlington", triple barrel movement chiming four hammers on to four gongs, backplate numbered "96 921363", 176cm high
![A Scottish Mahogany Eight-Day Longcase Clock, signed Geo Graham, Glasgow, made by Jon Key, circa 1780], case with flat top p](http://lot-images.atgmedia.com/SR/10041/2669547/1282-63-10041_468x382.jpg)
Lot 1
A Scottish Mahogany Eight-Day Longcase Clock, signed Geo Graham, Glasgow, made by Jon Key, circa 1780], case with flat top pediment, pierced side sound frets, wavy shaped trunk door flanked by twisted inset pilasters, plain rectangular plinth raised on bracket feet, 13-inch arched brass dial with silvered chapter ring, engraved floral dial centre with date aperture and subsidiary seconds, "later" minute hand, silvered plaque signed "Geo Graham, Glasgow, made by Jon Key", twin barrel movement with anchor escapement and with rack striking on a bell, 199cm high
![A Scottish Mahogany Eight Day Longcase Clock, signed John Stewart, Edinburgh, circa 1780], the case with swan neck pediment](http://lot-images.atgmedia.com/SR/10041/2669547/1284-63-10041_468x382.jpg)
Lot 1
A Scottish Mahogany Eight Day Longcase Clock, signed John Stewart, Edinburgh, circa 1780], the case with swan neck pediment and with central eagle finial, reeded columns with Corinthian capitals, wavy shaped trunk door flanked by inset reeded Corinthian pilasters, rectangular flame mahogany plinth raised on 'later' block feet, 12-inch arched brass dial with silvered chapter ring, matted dial centre with date aperture, subsidiary seconds dial with pie crusted decorated border, and a silvered arched plaque signed "John Stewart, Edinburgh", the arch with strike/silent selection, four pillar movement with anchor escapement and rack striking on a bell, 218cm high
Lot 1
A Mahogany Eight Day Longcase Clock, signed Joseph Denton, Hull, circa 1780], the case with pagoda pediment with shell inlaid front, wood stop fluted Corinthian columns, the arched trunk door of good colour with barber pole stringing flanked by canted corners, rectangular plinth with moulded frame, 12-inch arched brass dial with silvered chapter ring, dial centre with fine engraved floral decoration and subsidiary dials for seconds and date, the arch with rolling moon with lunar scale, silvered arch plaque signed "Joseph Denton, Hull", four pillar movement with anchor escapement and rack striking on a bell, 230cm high *Joseph Denton is recorded as working in Hull between 1779-1814.
Lot 1
A Victorian Mahogany Chiming Longcase Clock, signed William Page, West End, Chime & Turret Clock Manufacturer, Gt Portland St, London, No.559, circa 1850], the case with pagoda pediment and eagle finials, brass capped fluted columns, shaped trunk door inset with reeded pilasters, moulded quatre form rectangular plinth raised on bracket feet, 12-inch arched brass dial with silvered chapter ring signed "William Page, Gt Portland St, London, No.559", matted dial centre, silent/chime selection lever positioned above 12 o'clock, pierced ornate cast filigree work in the arch, the massive triple weight driven movement with anchor escapement and chiming eight hammers on eight bells and a further hammer striking a bell for the hours, 268cm high
![A Mahogany Eight Day Musical Longcase Clock, signed Edwd Shepley, Manchester, circa 1820], the swan neck pediment centred by](http://lot-images.atgmedia.com/SR/10041/2669547/1288-63-10041_468x382.jpg)
Lot 1
A Mahogany Eight Day Musical Longcase Clock, signed Edwd Shepley, Manchester, circa 1820], the swan neck pediment centred by a fleur de lys finial and inlaid fleur de lys medallion and stringing, the 16 inch painted arch dial with rolling moon disc, subsidiary dial for days of the week and specified tunes (named Carpet Weaver, d. of Yorks March, St Bride's bells, and Life Let us Cherish), the central reserve painted with angels and symbols of the Passion, one of the four Evangelists to each spandrel, the movement striking the hours on a bell, with pin barrel and graduated bells for seven tunes, in a richly figured mahogany case, the bracketed door with turned bone vase finial, cluster column stiles and husk inlay, on ogee bracket feet, 261cm high
![An Exceptional William and Mary Walnut and Marquetry Longcase Clock, signed Christopher Gould, London, circa 1695], the case](http://lot-images.atgmedia.com/SR/10041/2669547/1289-63-10041_468x382.jpg)
Lot 1
An Exceptional William and Mary Walnut and Marquetry Longcase Clock, signed Christopher Gould, London, circa 1695], the case pediment with barley twist pilasters and scroll fretted frieze, glazed side panels, early concave moulding beneath the hood, the moulded trunk door with brass edged lenicle and three marquetry panels edged with boxwood stringing and depicting birds, tulips, carnations and other flowers around acanthus foliage, the sides also panelled with boxwood stringing, conforming plinth raised on bun shaped feet, 10-1/2-inch square brass dial with silvered chapter ring, dial plate with engraved floral decoration to the borders and positioned at 6 o'clock signed "Christopher Gould, Londini, Fecit", the finely matted dial centre with engraved central Tudor rose, date aperture and subsidiary seconds dial, ringed winding holes, pierced cherub and leaf spandrels, the eight day five pillar movement with bolt and shutter maintaining power, countwheel striking on a bell, 203.5cm high *Christopher Gould (1655-1718) was a famous maker of fine clocks. He was admitted to the Clockmakers' Company as a Free Brother in 1682. He took on several apprentices between 1682 and 1718, but despite his skill as a good clockmaker he was declared bankrupt in 1706, and from that time on he suffered misfortune, until his death in 1718. He worked near Royal Exchange in London and was a great repute making a number of well made clocks in superb cases, bracket and grande sonnerie examples, and for which he was particularly noted from his longcase clocks. His work is illustrated and described in all the major horological reference books and there are examples of his clocks in the British Museum and Metropolitan Museum of Art. Four of his longcase clocks were in the Wetherfield Collection including three walnut marquetry and one which is also illustrated in Cescinsky and Webster's "English Domestic Clocks" in a black lacquered case.
Lot 1
A Sheraton Revival Satinwood and Inlaid Bedroom Suite], comprising a three-part wardrobe of {arc-en-arbalette} form, having a moulded and inlaid cornice over two bowed doors enclosing hanging space, flanking a central coved door enclosing trays and drawers, on a moulded plinth with gadrooned toupie feet, 222cm by 223cm by 74cm, a kidney-shaped dressing table, 94cm by 147cm by 75cm, a bedside cupboard, two chairs, a dressing stool, and two single beds (8)
![A Pair of Late 19th Century French Ebonised and Bronzed Vitrines], each with a cut-cornered black slate top over a glazed do](http://lot-images.atgmedia.com/SR/10041/2669547/1373-63-10041_468x382.jpg)
Lot 1
A Mahogany and Metal-Mounted Vitrine, in the Louis XV style], the D-shaped marble top with pierced brass gallery over a glazed door and sides enclosing three velvet-lined shelves, the panelled base decorated in "Vernis Martin" style, on slender cabriole legs with brass mounts and sabots, 149cm by 66cm by 35cm
Lot 1
19th Century mahogany longcase clock, the hood with brass mounted swan neck pediment and with reeded pilasters, the trunwith oval shell medallions with crossbanded arch shaped door flanked by reeded pilasters on bracket feet, the square paisigned Alker of Wigan and with painted seconds and calendar subsidiary dials - eight day striking movement, 235cm high
Lot 1
George III mahogany longcase clock, the hood with moulded arch shaped cornice and reeded pillars, the trunk with blind f carved florettes, arch shaped long door, the arch shaped brass dial with rococo scroll spandrels, conforming engraved dwith seconds subsidiary dial and fan shaped calendar aperture signed Matthew Dawson of Plymouth Dock - eight day strikin 220cm high
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234658 item(s)/page