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Click here to subscribeA 19th century oak and mahogany banded longcase clock, the thirty hour movement striking on a bell, to a 12in square painted dial inscribed 'T.C. Skaratt, Kington', the hood with a swan neck pediment and brass urn surmount, with a glazed door and fluted columns, to a moulded edge waist door, on a moulded top base (raised), 6ft 8in (203. 3cm).
A mahogany veneered longcase clock, the 8 day movement striking on a bell to a brass arched dial inscribed David Sutherland, Keith, with date aperture and subsidiary strike/silent dial, the hood with a moulded broken pediment, to a part gallery? inlaid frieze to brass capped columns, the trunk with an arched waist door to a base on bracket feet, 7ft 2.5in (219.8cm) high.
Victorian Bracket Clock, the arched silvered dial inscribed, "Joseph Merrick, Windsor", with Roman numerals and with secondary regulator dial, the triple fusee movement striking on eleven bells and with a plain back plate inscribed, "J. Merrick, Windsor", contained within a Gothic rosewood case, the arched hood with applied carved florets, the glazed door flanked by cluster column pilasters with carved terminals and on a plain base, 64cms, (25").
Longcase Clock with square brass dial, with applied plaque inscribed, "Robert Crook", silvered chapter rings, pierced and cast spandrels, thirty-hour movement, striking on a bell and contained within an oak case with a moulded cornice, turned column pilasters, ogee door, with moulded edge and on a plain base, 206cms, (6'9").
Longcase Clock with painted dial, inscribed, "Jno Birtles, Harborough" and with crescent date aperture, the spandrels painted with conch shells with gilt highlights, thirty-hour movement, contained within an oak case, with shaped cornice, with applied cast brass roundels, the hood with pillar supports, the shaped door with central sunburst inlay and on a plain base, 198cms, (6'6").
19th Century Longcase Clock, with painted arched dial, inscribed, "John Ede, Camelford" and with seconds dial and date aperture, the spandrels painted with churches and stannaries and the arch decorated with sail barges on a river, eight-day movement and contained within a mahogany case, with swan neck pediment, the hood with turned columns above a moulded frieze, shaped door with crossbanding and on a plain base with bracket feet, 234cms, (7'8").
19th Century Longcase Clock, with painted arched dial, with Arabic numerals and secondary seconds dial and date aperture, inscribed "..., Burslem", with rolling moon phase in the arch, eight-day movement and contained within an oak case, with swan neck pediment, fluted pilasters, ogee crossbanded door, flanked by quarter column fluted pilaster and on bracket feet, 220cms, (7'2.5").
George III oak Bureau, the interior with a central cupboard with arched panelled door, flanked by concealed compartments, pigeonholes and drawers, above a well, fall front with leather writing surface, above two short, one dummy and two long drawers, all with brass handles and escutcheons and on bracket feet, 102cms, (4').
Mahogany bureau bookcase, the ovolu moulded cornice over two astragal glazed doors opening to three adjustable shelves, married to a slope front base with fitted interior with drawers and pigeon holes flanking a central cupboard door over two short and three long graduated drawers, all with brass swan neck handles and raised on shaped bracket feet, width 41ins, height 89ins
Victorian mahogany breakfront wardrobe, circa 1860-1880, the cavetto moulded cornice over large central mirrored door flanked on either side with two panelled doors each with ogee moulded outlines, the centre door opening to reveal two short and one long drawer (one drawer deficient), with hanging space either side over a single deep drawer, raised on a plinth base, width 86ins, height 89ins
Victorian Pollard oak bedroom suite by Bennett & Co, Chester, circa 1875, comprising triple wardrobe with castellated moulded cornice over central bevelled glass mirrored door flanked on either side with two recessed panelled doors opening to linen press interior with trays and drawers with hanging space to one side, all raised on plinth base, width 74ins, height 82.5ins; also a dressing table with triple mirror back, two jewellery drawers and two frieze drawers over a pot board base with turned and ring legs and pot castors, width 48ins; a tile backed and marble topped washstand (now painted white); and a pot cupboard, 14ins (4)
Evan Williams, Trecastle, an oak 30 hour longcase clock, early 19th Century, swan neck pediment over two turned columns flanking a painted arched dial, signed to the centre, with Roman numerals and date aperture, with a castle to the arch and architectural spandrels, the movement striking on a bell (no pendulum or weight), the trunk with mahogany banded and inlaid door within quarter pilasters over an inlaid box base, height 85ins
A mahogany Scottish longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the enamelled round dial with Roman numerals, Arabic quarter hour divisions, subsidiary date dial and seconds dial, indistinctly inscribed .......AYR, the plain case with flame mahogany door, the hood with swan-neck pediment, 215cm high
An oak and mahogany inlaid longcase clock, the eight-day two-train movement with rack strike on a bell, the arched brass 12 1/4in dial with silvered chapter ring with Roman numerals, Arabic five-minute divisions, subsidiary seconds dial and calendar dial, the arch with silvered boss inscribed Hy. Jones Chabford, dolphin and foliate spandrels, the case with canted and fluted pilasters, the shaped door inlaid with a shell motif, the hood with broken pediment, 214cm high
A mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the arched and painted dial with Roman numerals, subsidiary seconds dial and date aperture, the arch and spandrels painted with rustic villas, the dial inscribed WILLIAMS, Cheltenham, the case with a shaped flame mahogany door, the hood with shaped pediment and three brass ball finials, the central surmounted with an eagle, 226cm high
A mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the painted square dial with Roman numerals, Arabic five-minute divisions and moonphase automaton, painted and gilt with floral spandrels, the case with shaped door, plain fluted pilasters, the hood with swan-neck pediment, 221cm high, (damage and losses to case)
An Edwardian mahogany chiming longcase clock, the eight-day three-train movement with deadbeat anchor escapement and striking and chiming on nine tubular gongs, the arched brass dial applied with foliate tracery and with a subsidiary seconds dial within a silvered chapter ring with Arabic numerals, the arch with 'Chime/Silent' and 'Westminster/Whittington/St. Michael' dials, and with retailer's plaque H.A. DOSSER WESTON-SUPER-MARE, the plain case with an oval glass panel to the door, the hood with swan-neck pediment, 234cm high
An ebony, ebonised and ivory strung cabinet on stand, the late 18th century Italian parquetry cabinet veneered to all sides with steel bindings and carrying handles, the two doors with engraved steel lock enclosing nine drawers around a door, the interior with neo-classical scroll marquetry, the later ebonised stand on turned tapering supports with a platform and bun feet, 113 high x 38.5 deep x 56.5cm wide
A LATE 18TH CENTURY OAK LONG CASE CLOCK with thirty hour movement, the square brass dial with rococo spandrels, the chapter ring with roman hour and arabic minute numerals, the matt centre engraved with foliate scrolls and bird and signed "Pet. Boyce Eccles", the square hood with swan neck pediment, the trunk with long arched door, the plain base skirted. Dial Width 11". Width 12". Height 78".
A MID 19TH CENTURY WELSH OAK & WALNUT LONG CASE CLOCK with two train eight day movement, the arched painted dial with roman numerals, second dial and calendar aperture, inscribed "W Williams Llandiloes" (Llanidloes), the hood with swan neck pediment and baluster turned angle pillars, the trunk with short rectangular door and quadrant pilasters, the base plain, the whole cross banded in fruit wood and raised on bracket feet. Dial Width 12". Width 16". Height 88".
A MAHOGANY LONG CASE CLOCK with eight day movement, the arched brass dial having a mechanical phases of the moon, the blue enamelled sky with gold stars and giving High Water times with baroque gilt metal spandrels, the chapter ring with roman hour numerals and arabic minute, the centre engraved with bird motifs and with second dial and calendar aperture and inscribed "Joseph Abrahams Walltham Abbey" sic., the hood with arched fretwork pediment and canted fluted angles, the trunk with long rectangular door, the base with applied reeded mouldings, on a shaped plinth. Dial Width 12". Width 13.5". Height 85".
AN EARLY 19TH CENTURY WELSH OAK LONG CASE CLOCK with eight day movement, the arched painted dial with roman numerals, second dial and calendar apertures, by a Monmouth maker, the hood with swan neck pediment and spirally turned angle pillars, the reed moulded trunk with shaped door and similarly moulded canted angles, the base with projecting panel, on bracket feet.
Thomas Power Wellingborow figured walnut marquetry longcase clock, the 10" brass dial with silvered chapter, second finger and date window is housed within a caddy top hood flanked with quarter carved barleytwist pillars, the slender door with glazed lenticle and profusely inlaid throughout with exotic birds amid floral ebonized panels raised on squat bun feet 87" high.
An oak grandmother clock, early 20th century, the arched hood enclosing a silvered chapter ring, Roman numerals, matted centre with St Michael's, Westminster and Whittington striking and with strike/silent and chime/silent levers to the dial above an inset panel door and conforming baseboard and on bun feet, 75.5" high
A crossbanded mahogany longcase clock, second quarter 19th century, the arched hood above a shaped door flanked by octagonal pilasters enclosing a 13" white painted enamel arched dial with rolling moon phase in the arch, Roman numerals, subsidiary seconds dial and data aperture and marked 'Josh Kerry?, Swansea', painted with castles and abbey ruins to the corners, eight-day movement striking on a bell above a crossbanded three-quarter length trunk door flanked by octagonal pilasters over a figured mahogany panel and ogive moulding and crossbanded base board and raised on shaped bracket feet, 86" high
An ebonised chinoiserie bracket clock, early 18th century, with caddy top and brass swing handle and four later gilt brass turned finials, above an arched glazed door with top corner spandrels enclosing 7" dial with silvered chapter ring and Roman numerals and visible pendulum disc and date aperture with strike/silent dial in the arch, mask and foliate spandrels, with later sash marked 'Thomas Hally, London', glazed side panels and arched glazed back door with double fusee hour striking movement with pull repeat, six graduated bells flanked by a larger bell, the escapement converted to anchor, foliate engraved back plate, gilt plinth, 16.5" high, 6.25" deep, 10.5" wide
A George III oak boxwood and ebony strung longcase clock, late 18th century/early 19th century, the ogive cornice above a faux lattice inlaid frieze and square hood door flanked by fluted pilasters enclosing an 11" square brass dial marked 'Webster & Son, Salop', with Roman numerals, date aperture and figural spandrels representing the seasons, 30 hour movement striking on a bell, dial repaired, above an ogive moulding and chequer strung shaped top trunk door between fluted canted angles, raised over an ogee topped baseboard and shaped plinth, 81" high
A George III oak mahogany crossbanded and boxwood inlaid longcase clock, late 18th/early 19th century, the broken scroll pediment centred by a boxwood urn motif over an arched door flanked by reeded gilt brass pilasters and enclosing 14" white painted arched enamel dial marked 'Artinstall? Drayton' with Roman numerals, subsidiary seconds dial and date aperture painted with flowers to the corners and with rolling moon phase in the arch painted with an English frigate and country cottage, eight-day movement striking on a bell over a three-quarter length trunk door with boxwood and harewood conche shell motif flanked by reeded brass capped quarter pilasters over a conforming base board and bracket feet, distressed, 83" high
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