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Click here to subscribeA Victorian well figured walnut breakfront triple wardrobe, having a cavetto cornice and plain frieze above centre mirror door with scroll flowerhead applied frieze opening to reveal fitted interior of linen slides over three long drawers, flanked by twin arched panelled door with further applied mouldings enclosing hanging space and all raised on a plinth, height 211cm, width 224cm
An early 19th Century mahogany longcase clock, the hood having three gilt finials above turned pilasters flanking plain white enamel arched dial (width 12 inches), having Roman numerals, subsidiary seconds dial and rolling date dial, twin winding holes for a brass four pillar eight day weight driven movement striking on a bell, the trunk having arched door above a box base on bracket feet, height 215cm
An early 19th Century mahogany longcase clock, the arched hood having twin ring turned and slender reeded pilasters flanking a painted arched dial (width 13 inches)signed 'Feltham of Harleston' with gilded chapter ring, having Arabic numerals, subsidiary seconds dial and date dial, the corners and arch painted with a variety of shells, twin winding holes for a brass eight day four pillar twin train weight driven movement striking on a bell, the trunk having an arched panelled door with ebony stringing within canted reeded corners to a box base with crossbanding and raised on bracket feet, height 223cm
An early 19th Century oak longcase clock, having a painted arched dial (width 12 inches) flanked by twin turned pilasters, painted Roman numerals, corner floral sprays, subsidiary seconds dial signed to the centre 'William Kirk, Stowmarket', twin winding holes for a brass four pillar eight day weight driven movement striking on a bell, the arched panelled door within quarter turned pilasters above a box base and all raised on bracket feet, height 223cm
A George III oak longcase clock, having an arched hood above twin three-quarter turned reeded pilasters flanking arched brass dial (width 12 inches), having Tempest Fugit rocking automaton to the arch, Roman and Arabic numerals, the face engraved with a classical figure scene, lilies and flowers, subsidiary seconds dial and date aperture, signed 'Richard Reed, Chelmsford', twin winding holes for a brass five pillar eight day weight driven movement striking on a bell, the trunk having an arched panelled door, raised on a box base with plinth, height 217cm
A 19th Century ebony veneered and gilt metal mounted side cabinet, having proud corner pilasters, applied gilt metal cornice and leaf cast gilt metal frieze above recessed panelled door, having an oval gilt metal framed Pietra Dura reserve depicting exotic bird amidst flowers, all within brass inlays (some lifting), the door opening to reveal velvet lined shelved interior, the corner pilasters with female mask and acanthus leaf mounts, egg and dart gilt metal applied base and all raised on a shaped plinth, width 92cm
A George III oak and walnut crossbanded longcase clock, circa 1780, the square hood with ogive cornice and blind fretwork carved frieze above a square glazed door enclosing a 12" brass dial with roman numerals, subsidiary seconds dial and date aperture and marked 'Sam Harley, Salop', with foliate engraved centre and figural spandrels representing the seasons, eight day movement striking on a bell, above an ogive moulding and shaped top, crossbanded three quarter length trunk door flanked by fluted quarter columns, a further ogive moulding and crossbanded base board and later plinth, distressed, 88" high.
An oak and walnut crossbanded longcase clock, 18th century, the ogive cornice above a blind fret carved frieze and square glazed door flanked by gilded pilasters enclosing a 12" brass dial with roman numerals, subsidiary seconds dial and date aperture and marked 'Ralph Cappor, Salop', cherub mask spandrels, eight day movement striking on a bell above an ogive moulding and full length crossbanded trunk door, further moulding and plain base board and on bracket feet, old damage and repair, 81" high
A George III ebonised bracket clock, circa 1790, with domed hood above an arch ribbed glazed door enclosing a 7" arched brass dial with matted centre, silvered chapter ring with roman numerals, closed pendulum aperture and tablet marked 'Thomas Pym, London' pierced foliate and mask spandrels, subsidiary seconds dial in the arch with oriental head spandrels, glazed sides, single fusee movement with anchor escapement, glazed rear door enclosing a four pillar movement with arched top corners on ebonised plinth, distressed, 17" high
An Edwardian mahogany satinwood and boxwood strung free standing corner display cabinet, circa 1910, with reeded urn finial and glazed ribbed door enclosing glass shelves and a silk lined interior over a faux fluted frieze and raised on four square tapering legs joined by a shaped platform stretcher, 32" wide, 22" deep, 73" high (two finial)
An American aesthetic movement oak and walnut veneered display cabinet, Herter Brothers, New York, the domed ebonised and dentil moulded cornice above a glazed display door flanked by voluted flat columns over a scalloped moulding and raised on a dentil moulded cabinet base with semi secret frieze drawer over a glazed door with ebonised border enclosing adjustable shelves and between pierced acanthus carved flat bracket columns raised on an ebonised plinth base, stamped G Herter, New York, possibly a polyphon case, 36" wide, 19" deep, 81" high
A George III mahogany bureau, circa 1795, the bevelled fall front enclosing a boxwood harewood and tulip wood lined interior, centred by a shell inlaid cupboard door flanked by letter slides, pigeon holes and short drawers, over two cockbeaded short drawers and three long graduated cockbeaded drawers with gilt brass swing handles and raised on later shaped bracket feet, and with letter apertures to each side, losses, replacement parts, 43" wide, 21" deep, 44" high
A heavily carved oak court cupboard, 19th century, in Elizabethan style, the florally carved canopy suspended with two acorn finials above a canted superstructure centred by a lozenge carved door over three lozenge carved drawers and central cupboard door between reeded columns and raised on a carved plinth base, 63" wide, 25" deep, 76" high
An oak and walnut crossbanded straight front corner cupboard, early 19th century, on later stand, the stepped cornice above a ribbed crossbanded panel cupboard door enclosing three shelves, over a cockbeaded drawer and raised on a later stand with shaped apron and cabriole front legs and pad feet, 29" wide, 19" deep, 72" high
A walnut crossbanded and herringbone strung bureau, early 18th century, the half veneered fall front enclosing a central cupboard door flanked by pigeon holes and short drawers above a well slide over two short and two long graduated drawers within cockbeaded borders and raised on shaped bracket feet, later gilt brass handles and lock plates, 30" wide, 19" deep, 39.5" high
A 19th century oak and mahogany longcase clock, the eight-day two-train four-pillar movement with anchor escapement and rack strike on a bell, the silvered round dial with Roman numerals, Arabic five-minute divisions and subsidiary seconds dial, inscribed BELL UTTOXETER, the case with shaped door and reeded pilasters with brass Corinthian capitals, the hood with reeded pilasters and domed pediment, 198cm high
A 19th century oak longcase clock, the eight-day two-train movement with anchor escapement and rack strike on a bell, the arched 12 in. dial with Roman numerals, Arabic five minute divisions, date aperture, centre sweep seconds hand and a plaque inscribed C: Sharrock DENBIGH, the arch with moon phase automaton, the case with inlaid mahogany borders, shaped door and fluted pilasters, the hood with fluted columns with gilt metal Corinthian capitals and swan-neck pediment, 237cm high
A 19th century mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack strike on a bell, the arched and painted dial with Arabic numerals, subsidiary seconds dial and date aperture and inscribed G. Taylor, Shepton Mallet, the arch with an automaton of Adam and Eve in the Garden of Eden, the case with a shaped door inlaid with a rosette motif, the hood with flat pediment, 210cm high
A mahogany longcase clock, the eight-day two-train four-pillar movement with anchor escapement and rack strike on a bell, the brass 13.5in square dial with Roman numerals, Arabic five-minute divisions and subsidiary seconds dial, the chapter ring inscribed John Reilly DUBLIN, the case with flame mahogany shaped door and fluted pilasters, the hood with foliate carved frieze with central lions head mask beneath a broken pediment, 228cm high
A 19th century mahogany longcase clock, the eight-day two-train four-pillar movement with anchor escapement and rack strike on a bell, the arched and painted dial with Roman numerals, subsidiary seconds dial and date aperture, the spandrels painted with figures emblematic of the Four Continents, the arch with a scene titled Robert Burns At The Plough, the case with line-inlaid door, the hood with broken pediment, 213cm high
A 19th century mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack strike on a bell, the arched and enamelled dial with Roman numerals, Arabic five-minute divisions, subsidiary seconds dial and date aperture, inscribed GEORGE JACKSON GAINSBOROUGH, the arch with painted panel of Adam and Eve in the Garden of Eden, the plain case with shaped door and reeded pilasters, the hood with a Dutch gable end pediment and two replacement brass finials, 246cm high
A mahogany regulator, the silvered 12in dial with centre sweep minute hand and subsidiary hour and seconds dial, inscribed W. CORKE. W-HAMPTON, the fully enclosed eight-day movement with brass dust cover, in a coffin case with glazed door with brass weight and wheel, pendulum bob, the case bearing stamp CLEAR MANUFACTURER WOLVERHAMPTON, 157cm high, (the pendulum bob lacks glass reservoir for mercury and the pendulum arm)
A late 19th century German 'cuckoo' clock, of Black Forest type, the two-train movement with outside countwheel strike on a coiled gong and with two bellows, the dial with white Roman numerals beneath a hatch with hinged door and model bird, in an architectural case of chalet type, the back with retailer's paper label for Camerer, Kuss & Co. London, 45cm high
A mahogany crossbanded musical cabinet with boxwood stringing, the top with an edge moulding above a door centred with an oval of carved organ pipes and drapery, the base with a serpentine shaped apron, with a door to one side, on square tapering legs, 118.5 high x 42 deep x 56.5cm wide, (converted from a late George III musical cabinet, lacking mechanism)
An oak and pine dresser, the top with a moulded cornice above a frieze with split turned moulding, with a central glazed door enclosing a brass dial with a German movement above a shaped door flanked by three plate shelves, the base with three drawers on turned supports with block feet ( constructed in part from 18th century timber board), 202 high x 44 deep x 206cm wide
David Craig, Ford Pathhead (Midlothian), (clock maker), an oak eight day longcase clock, circa 1780 with later carved case, swan neck pediment with brass floral appliques over tapered reeded columns flanking an arched 13ins brass dial, signed to the arch within dolphin serpent spandrels, silvered chapter ring with Roman numerals within masked spandrels, foliate engraved centre with subsidiary seconds and date dial, the movement striking on a bell the trunk carved in the French taste with fluted chamfers flanking a door carved with shell and trompe l'oeil over a box base further carved with foliate embellished cartouche, raised on shaped bracket feet, height, 82ins
Welsh oak and mahogany eight day longcase clock, circa 1820, swan neck pediment with three brass ball finials over reeded square section columns flanking a painted arched 12 1/2ins dial, with floral and strawberry spandrels and a rose to the arch, the centre painted with cherries, within Roman numerals, outer minutes, subsidiary seconds dial and date aperture, movement striking on a bell, the trunk with a mahogany banded door within reeded quarter pilasters raised on a plinth and box base, height 85ins
Jones, Llanerchnmead (clock maker), a Welsh oak and mahogany eight day longcase clock, circa 1810, architectural pediment over two turned columns flanking a 13ins square painted dial with wild rose and strawberry spandrels, signed to the centre within Roman numerals, subsidiary seconds dial and date aperture, the movement striking on a bell, the trunk with a cross banded door within quarter reeded columns raised on a box base, also crossbanded, height 83 1/2ins
Queen Anne oak bureau, circa 1710, slope front opening to an interior with a sliding well and centred with a panelled door flanked with columns, pigeon holes and further drawers, over two short and two long drawers with later brass handles and escutcheons, raised on straight bracket feet, width 31ins
Victorian burr walnut and inlaid credenza, circa 1850, the top with a gilded brass beaded edge over two recessed panel doors inlaid with satinwood and ebony in a classical cartouche opening to a single shelf and flanked with gilt brass capped corinthian columns, bowed glazed door to either end opening to two single shelves, all raised on a plinth base, width 72ins, height 41ins
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