A circa 1900 French lacquered brass cased carriage clock, the dial with Arabic numerals inscribed "Vincent Weymouth" over a subsidiary dial striking on a bell to the base, the case with column and blind fretwork style decoration raised on turned feet 16.5 cm high including handle CONDITION REPORTS The piece is basically sound throughout with no particular damage or loss. There is some discolouration to the gilding of the gilt brass and possible oxidisation, though over all quite dirty and in need of a clean. Presumed that the marks will come off with a clean but this may be deeper rooted oxidisation. The door has a dent top right and bottom right, the glass is broken in the bottom right corner - see images - and also chipped top right, again see image. Otherwise wear and tear conducive with age and use
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An American cherry wood coffer in the 18th Century style raised on bracket feet bearing brass plaque inscribed "Hand crafted by Brendan Byrne, Princeton NJ 1986" 117 cm wide x 53.5 cm deep x 53.5 cm high together with a silver painted tin trunk with central lock and double hasp and staple flanked by carrying handles, the lock stamped "Fisam" 91 cm x 52 cm x 50 cm high, an 18th Century North Country oak and inlaid hanging corner cupboard, the panelled door with shell marquetry medallion opening to reveal three shaped shelves 87 cm wide x 46 cm deep x 101 cm high together with two Victorian walnut framed dining chairs with upholstered seats on turned and ringed tapering legs
A mahogany and inlaid bow fronted pot cupboard with single drawer above cupboard door on square tapered legs 42.5 cm wide x 40.5 cm deep x 82 cm high, a mahogany night table with tray top on square supports 42 cm wide x 34 cm deep x 81 cm high, a smokers bow chair, mahogany barley twist design framed prie à Dieu chair and a Continental walnut framed dining chair with upholstered seat on cabriole front legs
A 19th Century ebonised and boulle work brass and red tortoiseshell inlaid side cabinet, the plain top above a boulle work frieze and single door with oval set panel enclosing a red velvet lined interior of two shelves raised on a plinth base to turned feet 87 cm wide x 35 cm deep x 112 cm high
An Edwardian mahogany music cabinet, the raised back with swan neck pediment above a shelf, with moulded edge and a bevelled mirror plate, the serpentine fronted base with a moulded edge above a blind fret carved frieze and a glazed door, on square tapering legs with castors, retailers label W Whiteley of London, 139cm high, 56cm wide, 39cm deep.
An early 19thC flame mahogany and boxwood inlaid longcase clock, the moon phase arched dial painted with cottages, windmill and castle, bearing Roman numerals, subsidiary seconds dial and date aperture, with eight day four pillar movement with coil strike, the hood with swan neck pediment and raised on turned columns, the case with shaped trunk door flanked by turned columns, raised on bracket feet, 227cm high, with key and pendulum.
George IV Coronation Ticket. Admission ticket to Westminster Abbey on the occasion of King George IV's Coronation, 19 July 1821, printed in black and blue with a blind-embossed border by Dobbs, manuscript instructions directing the recipient to 'The Choir, Lower Gallery, North Door' and numbered 2552, stamped signature of 'Howard of Effingham' (Deputy Earl Marshal of England at the Coronation), a little general soiling, closed tear to lower right corner, 240 x 260mmQty: (1)Footnote: There are two versions of this compound-plate printed ticket, one admitting to Westminster Hall, the other to the banquet in the Abbey. These were marked respectively 'Hall' and 'Abbey' in oval cut-outs to the left of the central motif. Seating in the Abbey was so crowded that only twenty-two and a half inches were allocated per person. The firm of H. Dobbs was founded in 1803 and pioneered the use of decorative blind-stamping for invitation cards.
CHARLES BLANCHARD, LONDON; a George II mahogany eight day longcase clock with caddy moulded hood above arched brass dial with rolling moon phase, subsidiary dial, date aperture, inscribed Charles Blanchard of London above a cross banded door, plinth base and squat ogee bracket feet, height 227cm.
JOHN TAYLOR OF PETWORTH; a c1790 pine cased cottage-style longcase clock, the moulded cornice above square glazed door, flanked by turned quarter pilasters, enclosing a square brass dial with silvered chapter ring set with Roman numerals and a five-minute track, the inner silvered dial marked 'Taylor Petworth' (John) and decorated with columns, swags and floral patterns, with pierced corner brass spandrels, single weight thirty-hour movement striking on a bell, height approx 206cm, diameter of dial 9"/23cm.
An early 20th century oak two-piece bedroom suite comprising a wardrobe with single mirrored door set with bevelled plate, flanked by pair of oval roundel decorations above a single base drawer, raised on bracket feet, 190 x 99 x 47cm (possible later top), together with a similar two-drawer dressing chest set with oval bevelled mirror above a shallow shelf, two long drawers, raised on stile supports (2).
A modern, possibly bespoke made stained pine sideboard containing a centred small drawer flanked by two longer drawers, over a centred small cabinet flanked by two double cabinets, each door inset with a floral hand painted tile, fluted side columns, on straight plinth base, with turned handles, 79 x 212 x 47cm. CONDITION REPORT Possibly handmade for the vendor by a Lake District cabinet maker, using locally sourced wood.
A mid-20th century crossbanded burr walnut veneered double dome topped cocktail cabinet, with ornate lock escutcheons, the upper section with pair of panelled doors enclosing a mirrored interior with single glass shelf, mirrored brush-in slide, above further pair of panelled doors, raised on squat cabriole legs to pad feet, 158.5 x 92 x 44cm (af). CONDITION REPORT There is a large loss to the veneer on the back of the right hand domed section. there is a further loss to the veneer on the right hand upper door, with further splits visible throughout the veneer on the rest of the cabinet. Further surface wear throughout, including scuffs, scrapes, etc, commensurate with use.
A 1930s Art Deco burr walnut veneered cocktail cabinet, the top section with cantilever drop-front and lift-up doors, enclosing a mirrored bottle section with recessed cut-outs, the top flap with central located lemon squeezer, flanked by two brackets of three thistle-shaped cocktail sticks, the drop flap with mirrored surface with possible glass holders, over a single cutlery drawer, over two-door cabinet with shelf and bottle holders, Art Deco inspired Bakelite handles to the front, 111 x 70 x 38cm, together with with a quantity of cocktail and bar items including Art Deco soda siphons, carafes, various conical-shaped Art Deco inspired drinking glasses, etc.
An Edwardian two-piece oak bedroom suite comprising a double wardrobe, the moulded cornice above single mirrored door with bevelled plate, alongside a pair of panelled doors above three short drawers and a base of one long drawer, raised on turned supports, 211 x 129 x 58cm, together with a similar dressing chest, the large mirror with broken arch pediment and set with bevelled plate, above three shallow drawers, with central frieze drawer flanked by two banks of open shelf above three short drawers, raised on turned feet to castors (2).
A Priory-style dining room suite comprising an oak draw-leaf table, six spindle back chairs (4+2), a dresser with boarded shelf rack and a freestanding corner cupboard with open upper section above a panelled door (9). CONDITION REPORT Overall ok condition, with signs of use throughout, including scuffs, scrapes, stains, fading, etc.
A George I figured walnut and featherbanded bureau The rectangular top above a sloping fall enclosing a central cupboard door flanked by six pigeonholes and six short drawers above a sliding well, the lower part above two short and two long graduated drawers on later bracket feet, 96cm wide, 52cm deep, 100cm high.
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