A Mahogany Eight Day Longcase Clock, the case with flat top pediment and "later" inlay around the case, reeded columns, broken arched trunk door flanked by canted corners, rectangular plinth with raised quatre form moulding, 13-inch silvered circular dial with Roman and Arabic chapter, dial centre signed "Jno Agar & Son, York", four pillar movement with anchor escapement and rack striking on a bell, 207cm high, dial and movement circa (1790), case with "later" inlay (19th century)
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An Oak Single Hand Thirty Hour Longcase Clock, signed R Hardwick, Ashwick, circa 1740], the case with flat top pediment, plain turned brass capped columns, plain rectangular trunk door upon 'shortened' rectangular plinth, 10-inch square brass dial with silvered chapter ring, matted dial centre with recessed silvered plaque signed "R Hardwick, Ashwick", single pierced hand, four posted movement with slender pillars, anchor escapement and outside countwheel striking on a top mounted bell, 189cm high, dial and movement (circa 1740) and case (later)
A Japanned Eight Day Longcase Clock, signed Robt Donne, London, circa 1780], the case with gilt chinoiserie pictures depicting Oriental scenes, broken arched trunk door with moulded borders, rectangular plinth with stepped base, 12-inch arched brass dial with Roman and Arabic chapter ring, floral engraved dial centre with subsidiary seconds dial and date aperture, the arch with recessed silvered plaque signed "Robt Donne, London", four pillar movement with anchor escapement and rack striking on a bell, 245cm high
An Oak and Mahogany Eight Day Longcase Clock, signed Hudson Fox, Beverley, circa 1825], the case with pagoda pediment and eagle finials, reeded brass capped columns, the trunk door with mahogany crossbanding and flanked by canted corners, rectangular crossbanded plinth with (feet missing), 13-inch painted arched dial with Roman chapter, dial centre with subsidiary seconds, date aperture and signed "H.Fox, Beverly", multi-coloured corners and the arch also with flower decoration, four pillar movement with attached falseplate stamped "Wilkes & Son, Birmingham", anchor escapement and rack striking on a bell, 230cm high
A Small Edwardian Mahogany Chiming Longcase Clock, Retailed by Harrison & Son, Darlington], the nicely figured mahogany case with swan neck pediment, blind fret work to the hood and slender turned columns, the good good coloured arched trunk door with moulded borders and flanked by reeded pilasters, plinth with raised quatre form panel and dial with silvered chapter ring signed "Harrison & Son, Darlington", triple barrel movement chiming four hammers on to four gongs, backplate numbered "96 921363", 176cm high
A Scottish Mahogany Eight-Day Longcase Clock, signed Geo Graham, Glasgow, made by Jon Key, circa 1780], case with flat top pediment, pierced side sound frets, wavy shaped trunk door flanked by twisted inset pilasters, plain rectangular plinth raised on bracket feet, 13-inch arched brass dial with silvered chapter ring, engraved floral dial centre with date aperture and subsidiary seconds, "later" minute hand, silvered plaque signed "Geo Graham, Glasgow, made by Jon Key", twin barrel movement with anchor escapement and with rack striking on a bell, 199cm high
A Scottish Mahogany Eight Day Longcase Clock, signed John Stewart, Edinburgh, circa 1780], the case with swan neck pediment and with central eagle finial, reeded columns with Corinthian capitals, wavy shaped trunk door flanked by inset reeded Corinthian pilasters, rectangular flame mahogany plinth raised on 'later' block feet, 12-inch arched brass dial with silvered chapter ring, matted dial centre with date aperture, subsidiary seconds dial with pie crusted decorated border, and a silvered arched plaque signed "John Stewart, Edinburgh", the arch with strike/silent selection, four pillar movement with anchor escapement and rack striking on a bell, 218cm high
A Mahogany Eight Day Longcase Clock, signed Joseph Denton, Hull, circa 1780], the case with pagoda pediment with shell inlaid front, wood stop fluted Corinthian columns, the arched trunk door of good colour with barber pole stringing flanked by canted corners, rectangular plinth with moulded frame, 12-inch arched brass dial with silvered chapter ring, dial centre with fine engraved floral decoration and subsidiary dials for seconds and date, the arch with rolling moon with lunar scale, silvered arch plaque signed "Joseph Denton, Hull", four pillar movement with anchor escapement and rack striking on a bell, 230cm high *Joseph Denton is recorded as working in Hull between 1779-1814.
A Victorian Mahogany Chiming Longcase Clock, signed William Page, West End, Chime & Turret Clock Manufacturer, Gt Portland St, London, No.559, circa 1850], the case with pagoda pediment and eagle finials, brass capped fluted columns, shaped trunk door inset with reeded pilasters, moulded quatre form rectangular plinth raised on bracket feet, 12-inch arched brass dial with silvered chapter ring signed "William Page, Gt Portland St, London, No.559", matted dial centre, silent/chime selection lever positioned above 12 o'clock, pierced ornate cast filigree work in the arch, the massive triple weight driven movement with anchor escapement and chiming eight hammers on eight bells and a further hammer striking a bell for the hours, 268cm high
A Mahogany Eight Day Musical Longcase Clock, signed Edwd Shepley, Manchester, circa 1820], the swan neck pediment centred by a fleur de lys finial and inlaid fleur de lys medallion and stringing, the 16 inch painted arch dial with rolling moon disc, subsidiary dial for days of the week and specified tunes (named Carpet Weaver, d. of Yorks March, St Bride's bells, and Life Let us Cherish), the central reserve painted with angels and symbols of the Passion, one of the four Evangelists to each spandrel, the movement striking the hours on a bell, with pin barrel and graduated bells for seven tunes, in a richly figured mahogany case, the bracketed door with turned bone vase finial, cluster column stiles and husk inlay, on ogee bracket feet, 261cm high
An Exceptional William and Mary Walnut and Marquetry Longcase Clock, signed Christopher Gould, London, circa 1695], the case pediment with barley twist pilasters and scroll fretted frieze, glazed side panels, early concave moulding beneath the hood, the moulded trunk door with brass edged lenicle and three marquetry panels edged with boxwood stringing and depicting birds, tulips, carnations and other flowers around acanthus foliage, the sides also panelled with boxwood stringing, conforming plinth raised on bun shaped feet, 10-1/2-inch square brass dial with silvered chapter ring, dial plate with engraved floral decoration to the borders and positioned at 6 o'clock signed "Christopher Gould, Londini, Fecit", the finely matted dial centre with engraved central Tudor rose, date aperture and subsidiary seconds dial, ringed winding holes, pierced cherub and leaf spandrels, the eight day five pillar movement with bolt and shutter maintaining power, countwheel striking on a bell, 203.5cm high *Christopher Gould (1655-1718) was a famous maker of fine clocks. He was admitted to the Clockmakers' Company as a Free Brother in 1682. He took on several apprentices between 1682 and 1718, but despite his skill as a good clockmaker he was declared bankrupt in 1706, and from that time on he suffered misfortune, until his death in 1718. He worked near Royal Exchange in London and was a great repute making a number of well made clocks in superb cases, bracket and grande sonnerie examples, and for which he was particularly noted from his longcase clocks. His work is illustrated and described in all the major horological reference books and there are examples of his clocks in the British Museum and Metropolitan Museum of Art. Four of his longcase clocks were in the Wetherfield Collection including three walnut marquetry and one which is also illustrated in Cescinsky and Webster's "English Domestic Clocks" in a black lacquered case.
A Sheraton Revival Satinwood and Inlaid Bedroom Suite], comprising a three-part wardrobe of {arc-en-arbalette} form, having a moulded and inlaid cornice over two bowed doors enclosing hanging space, flanking a central coved door enclosing trays and drawers, on a moulded plinth with gadrooned toupie feet, 222cm by 223cm by 74cm, a kidney-shaped dressing table, 94cm by 147cm by 75cm, a bedside cupboard, two chairs, a dressing stool, and two single beds (8)
A Mahogany and Metal-Mounted Vitrine, in the Louis XV style], the D-shaped marble top with pierced brass gallery over a glazed door and sides enclosing three velvet-lined shelves, the panelled base decorated in "Vernis Martin" style, on slender cabriole legs with brass mounts and sabots, 149cm by 66cm by 35cm
19th Century mahogany longcase clock, the hood with brass mounted swan neck pediment and with reeded pilasters, the trunwith oval shell medallions with crossbanded arch shaped door flanked by reeded pilasters on bracket feet, the square paisigned Alker of Wigan and with painted seconds and calendar subsidiary dials - eight day striking movement, 235cm high
George III mahogany longcase clock, the hood with moulded arch shaped cornice and reeded pillars, the trunk with blind f carved florettes, arch shaped long door, the arch shaped brass dial with rococo scroll spandrels, conforming engraved dwith seconds subsidiary dial and fan shaped calendar aperture signed Matthew Dawson of Plymouth Dock - eight day strikin 220cm high
Barwise London a Regency mahogany longcase clock the hood with three ball finials and circular glazed door flanked by canted corners the trunk with arched long door and flanked by quarter columns raised on a panelled plinth with stepped base and bracket feet the 12inch (30.5cm) silvered circular dial with seconds subsidiary and strike/silent lever above XII the five pillar bell striking movement with deadbeat escapement and brass bob pendulum with rating nut 208cm high
An 18th century style walnut display cabinet the upper section with arched moulded cornice above an arch glazed door enclosing adjustable shelves the lower section with moulded shaped top above a deep drawer and two further short drawers with a shaped apron standing on cabriole legs with pad feet 66cm wide
Pipes-A 19th century French clay pipe the figural bowl modelled as Jacob inscribed 'Je Suis le Vrai Jacob' 'Gambier / A Paris' and '998' with polychrome enamel colouring; a 19th century yellow glazed clay pipe modelled as an 0-6-0 steam locomotive inscribed 'Monterbau' and 'Paris' (fire-box door replaced); a large clay pipe the bowl terminating in a foot kicking a football; a novelty German clay pipe the stem surmounted by four figures and a dog impressed 'The Whole Dam Family' boxed; and three other clay pipes (7).
An Edwardian mahogany standing corner display cupboard, neo-classical revival inlays with ribbon and bell flower swags, the upper half with a break arch pediment above a single astragal glazed door, the lower half with a conforming glazed door on slender tapering square legs. 80.5in (205cms) high x 24in (61cms) wide
An oak cased eight-day longcase clock, the four-pillar rack and bell striking movement with 12 inch brass -arch dial with recessed subsidiary dial and calendar aperture to the matted centre, within applied silvered Roman numeral chapter ring with Arabic five minutes and rococo scroll cast spandrel applied angles, the arch now with silvered plaque 'Tempus Fugit' flanked by conforming rococo mounts, in a case with shallow break-arch pediment and double baluster turned pilasters to hood over rectangular trunk door and plain plinth base with shaped skirt, associated movement and dial late 18th century, case 19th century, 210cm high
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235346 item(s)/page