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A collection of contemporary etchings, prints, and photographs, various artists, including:John Connolly, I can See the Sea Dad, colour print, 25x9cm;Trevor Price, Social Mobility, colour etching, 13/50, 11.5x11.5cm;Erika Oller, three sets of three prints, She Arrives... She Critises.... She Leaves;Tom Durkin, Parasol on the Beach, signed limited edition print, 40x50cm;Hazel Armitage, The Old Barn Door, watercolour, 10x14.5cm;three contemporary photographs, indistinctly signed;'Cyclades' series of three coloured etchings, indistinctly signed;'Naxos II', coloured etching, indistinctly signed.
Welsh mixed wood longcase lock, the hood with swan neck pediment, turned spindles, the case with short door, plinth base, thirteen inch arched painted dial with subsidiary seconds dial and date aperture, eight day movement striking on a bell, height 214cm, with pendulum and two weights.Condition report:There is loss and cracking to the veneer to the base edges. The main body has some chipping and scraching to the edges and corners. The book has some slight cracking to veneer in places, and some chipping to the bottom rim edge. The face is rummbed, the roman numerals have some paint loss. The surface of the paint is bubbled and flaking to the to bottom left corner. There is light crazing to most of the face. It is sold as untested. It comes with pendulim (detached end) and two wieghts, but no key for the front door.
Inlaid mahogany longcase clock, the hood with architectural pediment, turned Corinthian columns, trunk with long door and ogee bracket feet, twelve inch arched painted with with hunting scene to the lunette and floral spandrels, signed Shepperley & Pearce, Nottingha, eight day movement striking on a bell, height 219cm, with pendulum and weights.Condition report:Thr hood has a short crack to the rightside, and a split to the bottom right rim of the hood. The main body of the clock is a little rubbed and scrached on the edges. The front door is warped and does not sit flat when closed. The base has a long crack just above where the inlay design is. The sides are a bit scrached in places. The face enamel is crazed all over and has some small chips to the edges and corners. It is sold as untested. The finial to the top of the hood is missing. Comes with pendulim and weights.
A Rolleiflex SLX Camera, serial no 502300016, untested, body F-G, film door catch loose, light lifting to leatherette top of finder, wear to edges, with Rollei HFT 80mm f/2.8 Planar lens, barrel G, elements G, with battery, charger, tripod mount, lens shade, manual, focusing ring, in aluminium case
A Mamiya M645 Camera, serial no J58039, shutter working, shutter button needs firm press to re-engage winder, body F, paint wear/scratches to edges, battery door damaged, secured with tape, with Mamiya Sekor C 55mm f/2.8 lens, barrel G, some scratches, paint wear to mount, elements G-VG, some dust, with prism finder, 220 film spool and Mamiya trigger grip
Two Konica Big Mini Compact Cameras, a BM 201, shutter working, flash working, self timer working, body G, light wear, some paint wear to battery door, elements G-VG, with wrist strap and a BM 302, shutter working, flash not working, self timer working, body G, light wear, elements G-VG, with wrist strap
A Yorkshire School oak wardrobe, by Robert 'Kingpost' Ingham, with adzed surfaces, panelled doors, sides and back, with a sliding latch, enclosing a hanging rail, carved signature to one door, raised on a low plinth, 123.5cm wide53.5cm deep177cm highBuying this wardrobe could save up to 0.46 tonnes of CO2e compared to buying new.Condition ReportUsed condition, some rubbing and wear, lower section with water spotting - the finish is better than the other pieces from this collection. With some scuffing around the feet. The central table section with a small knock to the edge. With scuffs to one of the gatelegs. Additional images uploaded.
An Heal's oak wardrobe,the central section with a panelled bow front cupboard enclosing shelves, over two short and three long drawers, flanked with panelled cupboards enclosing hanging space, all sections with bevelled chamfered octagonal handles, raised on slender supports, with ivorine button, 183cm wide59cm deep183cm highBuying this wardrobe could save up to 0.46 tonnes of CO2e compared to buying new.Condition ReportWith some scratches and marks throughout all sections - commensurate with age and use. Some stains to the tops of the units. With a small chip to the right door of the centre section. The left section with some staining to the bottom. Remnants of an old adhesive label to the right most section. Each unit 183 cm high, the central unit 93cm wide, each side unit 45cm wideIn three sections.
A Waring & Gillow inlaid oak wardrobe,with chequer banding, the panelled doors inlaid with stylised panels, opening to reveal a shelf over a rail, stamped 'Waring & Gillow', 92cm wide 49cm deep 186cm highBuying this wardrobe could save up to 0.46 tonnes of CO2e compared to buying new.Condition ReportSome knocks. No mirror inset to the right door.46.5cm deep inside Top right moulding edge appears to be a replacement.Some touching up along the front side edges.Further photos added
An Art Deco burr walnut dining suite,comprising:a dining table, the rectangular top with rounded corners, raised on metal copper-finish tubular 'U' shaped supports and stretcher, raised on plinths, 213cm wide 99cm deep75cm high,a set of eight dining chairs (2+6), each with a curved backs, brass edging, reupholstered in grey fabric, and raised on tapering square supports,armchairs 53cm wide60cm deep86.5cm high, seat 48cm high,singles 50cm wide55cm deep83.5cm high, seat 48cm high, anda sideboard, the raised central section with three graduated drawers, flanked with cupboards enclosing shelving, one door fitted with a bottle rack, mounted with metal copper-finished handles, raised on metal copper-finish tubular 'U' shaped supports and stretcher, and raised on plinths,167cm wide45cm deep91.5cm high (9)Buying this vintage dining table could save up to 0.46 tonnes of CO2e compared to buying new.Condition ReportUsed condition. Knocks to the table veneers and top. Copper finish is worn to all the tubular stands on the table and sideboard. Also on the handles. The reupholstery is worn and torn in places - needs sorting. Knocks and wear to the brass edging and frames. Sideboard with glass protectors. Chips and losses to the venner in places.
An Heal's 'Tudor' oak wardrobe and dressing table, designed by Ambrose Heal, each piece labelled 'Heal and Son makers of Bedroom Furniture (or Bedsteads & Bedding) London W.',the dressing table, with a rectangular mirror, with pierced supports, over two short and two long drawers, lockplates stamped 'S&P B', 91.5cm wide 51cm deep150cm high, andthe wardrobe, with a carved panel to the door, with a hanging rail and hooks, over a single drawer, lockplates stamped 'S&P B', 99.5cm wide 50cm deep195.5cm highLiterature: Illustrated in Susanna Goodden, 'The History of Heal's', 1984, p.37.Buying this wardrobe could save up to 0.46 tonnes of CO2e compared to buying new.
An Heal's oak wardrobe,with plain panelled doors, enclosing a hanging space with pull-out rail, flanked with adjustable shelves, a compartmented drawer, over three further drawers, one door fitted with a mirror and shelf, raised on turned supports with chamfered stretchers, 106cm wide 54.5cm deep187.5cm highBuying this wardrobe could save up to 0.46 tonnes of CO2e compared to buying new.Condition ReportSome surface scratches and wear.
An Art Deco burr maple bedroom suite, comprising:a triple-fronted wardrobe,the central door with a shaped mirror plate with a bevelled edge, internally with adjustable shelves, 177cm wide50cm deep199cm high, a double bed,with a waterfall headboard, raised on shaped block supports, 160cm wide204cm deep125cm high, andan open armchair,the maple frame with carved detailing, upholstered in blue suede, 70cn wide65cm deep99cm high, seat 48cm high (3)Buying this wardrobe could save up to 0.46 tonnes of CO2e compared to buying new.
INRO À QUATRE COMPARTIMENTS EN LAQUE D'ORJapon, époque Edo (1615-1868), fin du XVIIe/début du XVIIIe siècleA GOLD-LACQUER FOUR-CASE INROJapan, Edo Period (1615-1868), late 17th/early 18th centuryOf upright wide form, decorated with an autumnal scene mainly in gold, red and silver takamaki-e and gold hiramaki-e, the cord runners of dense inlaid shell, with discrete details of kirikane, one side with a cat on an engawa overlooking pavilions set within a mountainous Chinese landscape, the other with a prominent shibagaki (brushwood fence) on the lower left foreground from behind which issues tall flowering kikyo (Chinese bellflowers) in front of a fusuma door, overlooking ducks, sheltered beneath pine branches swimming on a river, the interior of nashiji; unsigned. 6.5cm (2 1/2in) x 5.5cm (2 1/8in). Footnotes:Provenance:Jean-Pierre Rousset, Paris (1936-2021) 來源:巴黎Jean-Pierre Rousset(1936-2021)舊藏For further information on this lot please visit Bonhams.com
Wainwright, Northampton. An 18thC oak longcase clock, with floral and crescent moon carved hood, sunflower trunk door, and scratch carved base with plinth, the brass dial having subsidiary seconds, and signed Wainwright, Northampton, No 2391, 28cm square, thirty hour movement with pendulum, 190cm high.
AN EDWARDIAN PINE SINGLE MIRRORED DOOR WARDROBE, width 95cm x depth 48cm x height 195cm and a similar pine dressing table with two small drawers either side of central mirror and two long drawers below (Condition:- good but dressing table has caster loose and a sliver of wood detached from back leg (in drawer) (2)
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235302 item(s)/page