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A George III clock movement, George Tringham London in later mahogany case, the arch hood with fretted cresting and glazed door, the trunk with fluted canted corners, the arch brass dial with silverised chapter ring and Roman and Arabic numerals with strike/silent in arch and seconds and date indicator, the eight day five post movement striking on a bell, 235cm high to include brass ball finials
AN EARLY 20TH CENTURY EUROPEAN WALNUT VIENNA STYLE ReGULATOR CLOCK with Classical pediment above a gilt enamel dial with twin-train movement and Roman numerals, flanked by two carved and fluted pilasters, the glass door enclosing a pendulum and balance indicator, on a gadrooned base, 94cm (height).
A Gordon Russell Ltd mahogany, birch and Bombay Rosewood Helix sideboard, designed by David Booth, 1950, two door form with routed groove decoration exposing white birch, with internal cutlery drawer, applied Heal`s ivorine label, Gordon Russell label missing, 122cm. wide, 84cm . high Literature British Art & Design 1900-1960, V&A Museum, page 184 a version illustrated. A version of this sideboard was exhibited at the Festival of Britain in the Homes and Gardens Building.
A Gordon Russell Ltd mahogany, birch and Bombay Rosewood Helix sideboard, designed by David Booth, 1950, two door form with routed groove decoration exposing white birch, with internal cutlery drawer, with a Gordon Russell extending table and four chair, designed 1949, applied Gordon Russell labels, 122cm. wide, 84cm . high, chairs 84cm. high, Literature Annette Carruthers and Mary Greensted Good Citizen`s Furniture, page 152 figure 197 catalogune number 102 for a comparable sideboard.
A Heal`s limed oak Simple Bedroom cupboard on chest of drawers designed by Sir Ambrose Heal, twin door compartment with wooden lock handles, above two small and three long drawers, with cut-out heart-shaped handles inset roundel 151cm. high, 106cm wide Provenance Applied Arts Phillips, 7th November 1995 lot 188 Literature At The Sign of the Four Poster A History of Heals, page 25 this design illustrated
A late Victorian burr walnut and gilt metal mounted credenza with amboyna crossbanding and ebonized banding, the frieze with three applied painted porcelain tondo panels above a central panelled door inset with an oval porcelain panel painted with two figures, flanked by a pair of glazed bowfront cabinets, on turned legs, height approx 108cm, width approx 158cm.
A near pair of Edwardian mahogany bowfront corner cabinets with overall boxwood stringing and satinwood crossbanding, each fitted with a pair of glazed doors above a single panel door inlaid with a swan flanked by inlaid urn reserves, raised on splayed legs united by undertiers, height approx 188cm.
A mid-Victorian burr walnut music whatnot, crossbanded in amboyna and with ebony stringing, the top with a brass three-quarter gallery, supported by ring turned columns with beaded baluster decoration above a central tier and cupboard, enclosed by a glazed door, on turned baluster tapering legs and china castors, height approx 104cm, width approx 61cm.
(Numismatique) - VAN LOON, Gerard.- Hedendaagsche penningkunde, zynde eene verhandeling van den oorspronk van `t geld, de opkomst en `t onderscheyd der gedenkpenningen [...]. s` Gravenhage, Pieter Van Thol, 1734. In-f° : [12]-389 [i. e. 289]-[27] pp. (pp. 163-164 uitvouwbaar). Eigentijdse band : donkerbruin kalfsleder, rug met ribben en goudstempeling, gesprenkelde sneden (titelschild beschadigd, scharnieren gedeeltelijk gebroken, platranden en hoeken versleten). Est. : 150/ 200 € Tweede uitgave (1ste : 1732) van dit historische basiswerk betreffende de numismatiek door de penningkundige en verzamelaar G. Van Loon (1683-1758), overvloedig geïllustreerd. no. NNBW VIII-1070/1071; no. Frederiks & Vanden Branden 477. ¶ Seconde édition (éd. orig. : 1732), soignée et abondamment illustrée, de cette étude historique de numismatique générale. Plein veau de l`ép. (pièce de titre partiellement conservée, mors fendus).
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