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A Ginger Rogers signed photo to Pandro BermanSilver gelatin photograph of Ginger Rogers from the film Shall We Dance (1937), matted, signed and inscribed to lower left of mat, 'To Pandro / Fondly, / Ginger,' and also signed by photographer John Miehle to lower right of mat. Pandro produced all nine of the Astaire-Rogers musicals that were made at RKO including Top Hat (1935) and Swing Time (1936) (their tenth and last film was made by MGM in 1949), as well as some of Rogers' other screen successes including Stage Door (1937) and Vivacious Lady (1938).Provenance: the Cynthia Berman Collection. Overall: 14.75 x 20 in.; photo: 10.25 x 13 in.
A Lucille Ball skirt from The Fuller Brush GirlColumbia Pictures, 1950. Designed by Jean Louis. Pleated plaid skirt of red, green, and yellow, bearing an interior black-lettered 'Columbia Pictures' label inscribed, 'L. Ball' in black ink, with a 'Western Costume Co.' stamp and a modern 'Western Costume' barcode on the waistband lining. Playing a door-to-door saleswoman opposite co-star Eddie Albert, Ball gets into all sorts of mischief à la Lucy Ricardo in this comedy directed by Lloyd Bacon. The skirt is worn throughout the last half of the film as she and Albert undergo a series of comedic mishaps while running away from the villains. Accompanied by a DVD of the film.
A Marilyn Monroe signed photographer's release from her early modeling daysPhotographer's release document signed ('Norma Jeane Dougherty') to lower right, dated April 25, 1946, on 'Paul Parry / Photographer' letterhead, indicating that Monroe is receiving $15.00 for her modeling work and waives all rights to the photographs. The client name, 'Evers Whyte,' is handwritten to upper left corner, and Parry's letterhead address is crossed out and his Sunset Blvd. address typed underneath. In 1946, Monroe was in the middle of divorcing her first husband Jim Dougherty, to whom she had been married for 4 years, and was working diligently to further her modeling career. According to Emmeline Snively, who put her under contract to the Blue Book Modeling Agency, 'She was a clean, shining, pleasant, expressive-faced little girl, the girl-next-door type.' 5.5 x 8.5 in.
Co. Carlow: The sworn Examination of John Mathers of Tullow, Carlow in which he states that John Burk, a Trooper and Corporal William Kennedy, Hugh Deen, a Gauger, Richard Mothle, John Delaney, servant to Richard Mothley with several other men in November 1751 came into his yard in a riotous manner and shouted "Watch Watch fire dam you, are you all dead, won't you put out your heads," repeating the same words throughout the night. Mathers was "apprised by one of his neighbours that he was to have a rope tied around him and dragged through the river." his servant girl was attached by the men. Matheers slipped out the back door and went to the Barracks to contact the Quartermaster.Examination of John Mathers, a farmer, of Tullow, Carlow dated August 1752. Mathers states that "John Delaney of Tullow was taken on the Capias of John Coskar for assault committed on Mathers."Delaney was held in custody at Mathers house "when Morgan Byrne, a butcher came at the head of a very great mob with his butcher's knife in hand and Huzze'd."The mob "Huzze'd and declared they would assist Byrne in endeavouring to release Delaney," etc. As a m/ss., w.a.f. (1)
WESTLEY RICHARDS, LONDON,A .450 (1 1/2in. CARBINE) SINGLE-SHOT CARBINE, MODEL '1871 IMPROVED MARTINI', serial no. 1400,circa 1872, with round 22in. barrel marked at the breech '1 1/2 CASE' and 'CARBINE', block and dove-tailed blade fore-sight, small elevating ladder rear-sight, the top of barrel also marked 'HENRY'S PATENT RIFLING, slab-sided receiver with large safety on the right, the left 'WESTLEY RICHARDS PATENT, 170 NEW BOND ST LONDON', walnut straight-hand butt-stock, iron heel-plate with central trap-door, under-lever cocking, walnut fore-end, single barrel-band and provision for clearing rod (absent). Sold as an exempt item under Section 58 (2) of the 1968 Firearms Act, to be held as a curiosity or ornament
Sir Stanley Spencer, CBE, RA (British 1891-1959) Head and shoulders portrait of Claire George pencil, signed lower right and dated 1957 48 x 38cm The George family lived next door to the artist in Cookham. The drawing is offered for sale by a relative of the sitter Artists resale rights may apply
Samuel Edmund Waller ( English 1850-1903) ' Cold Comfort ' Gentlemen with horses at the door of a closed Inn, in a wintry landscape Oil on canvas, signed lower left 49 x 74cm NB The title plaque to the frame reads 'To Let'. A lithograph of the oil featured in Harpers Weekly Graphic Christmas Number in 1884, correctly titled
A Charlie Parker Town Hall Small Concert Poster1954black lettering printed on white card for a show in New York on Saturday Oct. 30th of the Great Moderns In Jazz, including Charlie Parker, Sonny Rollins, Thelonious Monk, Art Farmer, Horace Silver, Jim Raney and Hall Overton.This poster is originally from the collection of jazz impresario Bob Reisner, who founded 2 New York jazz clubs Open Door and the Pad. Reisner was also a jazz critic for the Village Voice and wrote the biography Bird: The Legend of Charlie Parker. 14 x 8 1/2 in.
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