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Click here to subscribeA 19th century figured mahogany longcase clock, the hood with blind swan neck pediment, gilt lacquer work to the frieze and double reeded side columns, similar single columns and three quarter door to the trunk, canted corners and ogee bracket feet, painted arched dial with moonphase to arch, Liverpool
A George III figured mahogany longcase clock in ornate Chippendale style case, the hood with blind fret frieze, swan neck pediment, 3 ball and spire finials and 2 rococo ormolu acanthus paterae, ormolu mounted and reeded Corinthian side columns, the trunk with blind fret frieze, triple cluster pillars, beaded full length double arch door, the base with canted and beaded corners and bracket feet, arched brass dial with raised chapter ring and moonphase to the arch, 8 day striking movement by John Livesey De Bolton, height 96" (hood door a.f.)
An early 19th century oak long case clock with Sheraton style inlaid decoration and mahogany crossbanding, swan neck pediment, 3 brass finials and turned column to the hood, canted corners and full length door to the trunk, on bracket feet, circular painted dial and 8 day weight driven striking movement
A George I style burr walnut library bookcase, the upper section with swan neck pediment, breakfront double door central cupboard flanked by a matching cupboard on either side, a serpentine base with double door central cupboard and 2 side cupboards enclosed by crossbanded doors, on carved bracket feet, width 74", height 86"
An Arts & Crafts walnut bedroom suite with burrwood panels, ebonised crossbanding and incised gilt line decoration, comprising triple wardrobe with spindle turned cornice and swan neck pediment, side robe enclosed by single door, central mirror door robe with drawer under and fitted side section with double cupboard, open shelf and 4 drawers, on plinth, width 27½", height 90"; kneehole dressing table with 2 jewellery drawers, mirror and spindle gallery over 7 short drawers, with turned legs and undershelves, width 54"; similar marble top washstand (no back), width 52"; and a pair of bedside cabinets
An olivewood, walnut and rosewood cabinet on stand, late 17th / early 18th century, possibly Colonial, central cupboard door opening to an arrangement of six drawers, within an arrangement of eleven further drawers, oyster veneered front and side panels, the stand with a frieze drawer, spiral turned legs, shaped undertier and turned bun feet, 135cm high, 97cm wide, 38cm deep
A Victorian burr walnut, marquetry and gilt metal mounted writing desk, circa 1880, of serpentine outline, with raised superstructure, pierced gallery, mirrored central door flanked by drawers, above a tooled leather inset and a frieze drawer, on slender cabriole legs, 120cm high, 111cm wide, 70cm deep
A tulipwood, painted, Vernis Martin, gilt metal and marble mounted cabinet after a design by Francois Linke, in Louis XVI style, late 19th century, shaped rouge royale marble top above concave moulding, above a frieze centred by a cartouche with painted floral sprays, above a vernis martin decorated bombe door depicting a courting couple in an extensive landscape, shaped apron and outswept legs and metal sabots, 119cm high, 95cm high, 40cm deep
A superb quality Ebony cased Bracket Clock by ``Wightwick & Moss, London``. The 7`` diameter, white enamelled face having Roman numerals and with strike control above the 12 o`clock position. The glazed door to the back revealing the Brass fusee movement, engraved to the edge with trailing scrolls and the makers name ``Wightwick & Mofs, London``. Below the face are shaped fretwork screens decorated with scrolling foliage and to the sides `fish scale` pierced screens that have a Violet coloured fabric backing. The arched body case has a swing carrying handle and stands on elegant splayed bracket feet. 15 1/2`` high with handle up x 10 3/4`` wide x 7`` deep, weight 7.79 kgs. Complete with pendulum but no key.
An Imposing Walnut cased Longcase Clock, the eight hour movement by ``Jos Jackeman, London Bridge``, having arched Brass 12`` wide face with silvered chapter ring with Roman numerals and Arabic minutes, inset second hand below the twelve position and square date window above the six position. The arch with domed silver representation of the Sun and having cast Brass spandrels depicting cherubs supporting a crown surrounded by a Maltese Cross, those to the arch depicting mirrored Dolphins and scrolling foliage. The splendid Walnut case having light and darkwood stringing and an arched door, the hood flanked by tapering turned pillars with brass capitals terminating with a platform top above a blind fretwork frieze depicting trailing foliage. The Brass plate movement having turned posts with annular knops and striking the hours on a bell. The hood having recessed side panels replicating the shape of the door of the main case. 91`` tall and 20`` wide approx. Good running order
An attractively simple Oak cased Longcase Clock, the single handed 30 hour movement having a square Brass face with silvered chapter ring that has Roman numerals and engraved ``Jam Rose, Litchfield``. The central field with fine engraving depicting trailing stems, foliage and flowers, the cast Brass spandrels depicting cherubs holding a crown aloft. The movement having a rear mounted count wheel and striking the hours on a bell. The Oak case, being of good colour, has an unusually long door, the hood door incorporating half-round turned pillars to either side and side windows revealing the movements which would originally been rope driven but now driven by a chain. Good running order, 80`` tall x 17 1/2`` wide approx.
A carved wooden Chinese Door of Hope Mission Shanghai man wearing a white jacket and trousers and a white coat, 12 1/2in H. A boy wearing printed trousers and a short jacket, 7in H and a young man wearing brocade coat over a purple velvet short bolero jacket, white side fastening robe and brocade trousers, 10in H and a woman with carved bun wearing a black skirt over gold trousers and a purple silk jacket 12in H. Early 20th century
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