An 18th Century walnut Long Case Clock Case, fitted with a later movement, signed Thomas Robins, Chatham, the arched hoot with a moulded overhanging cornice to a plain frieze, over gilt metal capped three quarter columns, and scrolling sound frets, to an ogee throat, and long trunk door, with herringbone banding, to a plinth base and raised on later bracket feet, to a 12” arched brass dial, with subsidiary for four and eight bells, with cast and pierced scrolling foliate and shell spandrels, to a Roman and Arabic chapter ring with inside date wheel, matted centre with subsidiary seconds and black pierced hands, three weight movement, the plates united by eight knopped pillars, with anchor escapement and strike on eight graduated bells,
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Furniture Designs. Le Garde Meuble Ancien et Moderne, Paris, n.d., c. 1844 50,. 130 hand col. litho. plts. after Desire Guilmard, including chairs, tables, desks, beds, windows and curtains, divans, mirrors, etc., some soiling and marks to margins, with occn. fraying, sheet size approx. 275 x 360 mm, (sold as a collection of plates, not subject to return), together with a further collection of thirty eight hand col. plates of designs for furniture, Paris, pub. Maincent (later J. Ory), n.d., c. 1906, thirty eight hand col. plts. of designs for chairs and chaise longues, tables and cabinets, fireplaces, hatstands, window and door draperies, etc., by Veuve Maincent, and J. Ory, most with fabrics designed by the Maison Boyer, sheet size approx. 270 x 360 mm, loosely contained in plain portfolio wrappers, bearing the date 1906, worn to extrems. ( )
An 18th century long case clock, the eight day movement with arched enamelled dial, the sun and moon phase aperture over a chapter ring with Arabic and Roman numerals, enclosing a date aperture and subsidiary seconds dial inscribed "Geo. Washbourn ,Gloucester", within painted scrollwork spandrels, housed in a red lacquered and gold painted case, the hood with architectural top and glass panel above the arched door flanked by turned side pillars, the main body with arched door decorated with two figural panels depicting a dancing bear scene and minstrels with bagpipe and fiddle (both highlighted prints) on a rectangular base and plinth support, 223 cm high (for restoration, includes two weights, pendulum stem and bob) (ILLUSTRATED)
A late 17th century walnut and seaweed marquetry inlaid long case clock case, the domed hood with cavetto moulded cornice over an arched door with integral turned pilasters, the main body with rectangular door mounted with circular glass panel and brass bezel on a rectangular base and plinth support, 238 cm high (ILLUSTRATED)
A circa 1800 mahogany cased long case clock, the eight day movement with square enamel dial, the chapter ring with Roman and Arabic numerals enclosing a subsidiary seconds dial and date aperture, inscribed "Gerrans , Wortley" within fan painted spandrels, housed within a plain case, the broken arch pediment with lion mask motifs over a plain door (glass missing), flanked by turned side pilasters over a plain body, the rectangular door with moulded edge above a plain base and moulded plinth support, 202 cm high (with two weights and pendulum) (ILLUSTRATED)
A Victorian ebonised marquetry inlaid walnut banded break front credenza with gilt metal mounts in the manner of Lamb Manchester circa 1870 the top with moulded edge over a bell flower inlaid and giltwood strung frieze above a rectangular crossbanded single panel door revealing one fixed shelf with plush velvet lined interior flanked by two rectangular glazed doors revealing two fixed shelves with plush velvet lined interior on a cut out plinth base 70.5" wide 42" high 15" deep
An 18th century French tortoiseshell-veneered and gilt brass mounted bracket clock the twin train movement with circular brass dial having Roman chapters enclosed within waisted case with glazed door set with elaborate leafy castings the whole with applied rococo leaf and C scroll mounts 65cm high
A George III period mahogany 8-day longcase clock By Harrison Liverpool the twin train movement with anchor escapement the arched brass dial with Roman chapters enclosing subsidiary seconds dial and with moonphase to the arch further inscribed 'The man is yet unborn who duly weighs an hour' the hood with swan neck pediment and brass eagle finials above reeded columns the trunk with shaped door enclosing fluted quarter columns on a panelled base 241cm high
An early 19th century mahogany 8-day longcase clock By John Wilkie Cupar the twin train movement with anchor escapement the arched painted dial with Roman chapters and subsidiary date and seconds dial the arched hood with turned columns above a moulded trunk door on panel base with bracket feet 213cm high
A George III period mahogany 8-day longcase clock the twin train movement with anchor escapement the arched brass dial with Roman chapters and subsidiary seconds and date dials with moonphase to the arch the wood with elaborately carved swan neck pediment above cluster columns the trunk with ogee arched door on panelled base with ogee bracket feet 230cm high
A George III period oak 8-day longcase clock By William Wright Dunbar the twin train movement with anchor escapement the arched painted dial with Roman chapters enclosing subsidiary seconds and date dials painted with a huntsman to the arch and shells to the spandrels the hood with swan neck pediment above arched trunk door 206cm high
An 18th century Chinese export black and polychrome lacquer cabinet-on- later stand the doors decorated with courtly figures within a fenced garden and a pair of ducks applied with pierced and engraved hinges and central escutcheon the sides similarly decorated in raised ground lacquer with birds amidst foliage the interior door panels decorated with a flowering tree and a pair of cockerels above fishermen at a riverside flanking an arrangement of eleven short drawers with ring handles depicting stylised landscapes with pavillions exotic birds and warriors the 'crenellated' apron printed with ideographs on barley-twist turned legs united by a long stretcher carved with stylised birds on bun feet 108cm wide 166cm high 53cm deep
An early 19th century mahogany crossbanded and boxwood strung sideboard the low staged back decorated with three false drawer panels with oval stamped handles above an arched recess with frieze drawer flanked by a cellaret drawer panelled as two and a short drawer above a small cupboard door on tapering legs with spade feet 184cm wide 101cm high 69cm deep
A George III period mahogany bureau bookcase the swan neck pediment pierced with anthemia above a pair of twenty-one pane astragal doors enclosing slatted shelves the fall enclosing a fitted interior of drawers and pigeon holes around a central door above four long graduated and crossbanded drawers with (later) brass drop handles on incised bracket feet 115cm wide 225cm high 55cm deep
A 19th century German mahogany fall front secretaire the crossbanded top with frieze drawer set with a sunken lozenge above a plain fall enclosing a well-appointed fitted interior with a central door flanked by ivory mounted pilasters and an arrangement of six short and two long drawers enhanced by amboyna veneers cube parquetry and chequer stringing the lower part with two long drawers with foliate cast ring handles on stepped plinth base 102cm wide 143cm high 49cm deep
A 19th century German mahogany secretaire abbatant the moulded top with a sunken field frieze drawer carved with scrolling anthemia the oval panelled fall enclosing a fitted interior of short and long drawers around a central maple crossbanded cupboard door the lower part with two long drawers the whole of tapering form on moulded block feet 112cm wide 135cm high 56cm deep
A Victorian mahogany longcase clock the 14" arched brass dial with three centred winding holes date aperture and subsidiary second dial the chapter ring of Arabic and Roman numerals within pierced corner spandrels with subsidiary chime silent dial to the top left hand corner and subsidiary chime on eight bells and Westminster chimes subsidiary dial to the top right hand corner under a rolling moon the three weight driven movement striking on eight graduated bells (subsidiary seconds dial at fault) hood with swan neck pediment flanked by turned urn finials over spiral turned front corner hood pilasters flanking an arched glazed head door with half spiral turned split columns over a crossbanded short trunk door flanked by spiral turned front corner pilasters on a canted box base and skirting support 92" high (associated case and dial)
An oak longcase clock the 12" arched brass dial with silvered chapter ring of both Arabic and Roman numerals centred subsidiary seconds dial and date aperture under an arch with circular disk signed Robert Poll Harleston the eight-day movement striking on a single bell the arched hood with turned front corner pilasters flanking an arched glass hood door over a shaped long trunk door on a plain box base and plinth support 86" high
A late George III oak and mahogany eight-day longcase clock the 14" painted dial signed W.Wain Burslem with ring of Roman numerals centred subsidiary seconds dial and date aperture between florally painted corner spandrels and a painted arch depicting church and harvesting corn the hood with swan neck pediment over fluted front corner hood pilasters flanked an arched glazed hood door over a shaped short trunk door between quarter fluted front corner pilasters above a crossbanded box base with canted corners on a skirting plinth 89" high
A Regency oak mahogany and rosewood crossbanded 30-hour longcase clock the 13" convex arched painted dial signed Wain Alfreton with ring of Roman numerals floral painted spandrels under a painted arch depicting huntsman on the bank and dog leaping into water after game the hood with swan neck pediment arched glazed door flanked by fluted front corner hood pilasters the trunk with arched short door with ivory key escutcheon flanked by fluted front corner quarter pilasters on a box base 81.5" high
A George III oak 30-hour longcase clock the 11" square brass dial signed WIL RIDER WELCHPOOL with central date aperture ring of Arabic and Roman numerals engraved corner floral spandrels the four pillar movement striking on a single bell the hood with cavetto moulded cornice over a plain square glazed door flanked by turned front corner hood pilasters over a long plain trunk door with cut out top corners and brass key escutcheon on a box base and short shaped bracket feet 79.5" high
A George III mahogany Lancashire Chippendale style longcase clock attributed to Gillows of Lancaster circa 1765 the broken scroll swan neck pediment carved with foliate terminals above foliate and scroll carved inset panels flanked by paterae over an arched glazed door enclosing a 13" arch brass dial with Roman numerals date aperture and marked Jon Benson Whitehaven foliate engraved centre and date aperture the arch painted with a three masted merchantman approaching a pier detailed with a lighthouse and figures the dial applied with pierced foliate and scroll spandrels eight-day movement striking on a single bell between stop fluted Corinthian column pilasters over a dentil moulded frieze centred by a patera from which issues a carved grape vine extending to each side of the clock above a shell carved and crossbanded full length trunk door with concave top corner and ribbed moulding flanked by fluted quarter pilasters with carved Corinthian capitols and blind fret work carved bases over an acanthus carved bevelled moulding the crossbanded base panel with shell carved corners (one lacking) between canted blind fret work carved angles and raised on shaped ogee bracket feet painted and gilded pendulum 90" high.
A Victorian oak drop dial wall clock the 11" painted dial signed JAs Joyce Whitchurch with ring of Roman numerals and centred winding hole the single fusee movement and short pendulum in a case with circular face surround over short trunk with C scroll and leaf moulded side mouldings above a basket base with single cockbeaded hinged door 25.5" high. . Joyce James is listed as Clock and Watch Maker Whitchurch 1821-1883 son of Thomas and Charlotte Joyce
An oak crossbanded mahogany long-case clock case the hood with swan neck pediment rosewood crossbanding to the arch with turned front corner pilasters with gilt metal capitols flanking an arched glazed hood door revealing an associated eight-day movement with silvered chapter ring and pierced brass spandrels the four pillar movement striking on a single bell the trunk with short shaped rosewood crossbanded door with central conche shell inlay flanked by turned half pilasters on a crossbanded box base with canted front corners raised on ogee bracket feet 91" high
A pine barrel back floor standing corner cabinet 18th century style the dentil cornice over leaf moulded corner spandrels flanking an open arch with egg and dart side mouldings and three open shelves over a two door cabinet base flanked by fluted front corner pilasters on a skirting base 46.5" wide 89.5" high
A William IV mahogany ebony strung sideboard circa 1835 the low superstructure to the back with two shallow sliding cabinet doors within an arched recess over bowfronted long frieze drawer flanked by a short drawer over single cabinet door with reeded mouldings to each side on four reeded tapering front legs 84" wide 39" high 23" deep
A mahogany boxwood strung cross-banded serpentine sideboard early 19th century the top with boxwood strung border the pronounced serpentine front of central single frieze drawer over a tambour shuttered cabinet with fan inlaid corner bracket flanked by a deep cellaret drawer and a cabinet door all fitted with brass swing handles with pressed oval back plates on six square tapering legs terminating in a spade foot 78" wide 35.5" high 28" deep
A George III mahogany apothecary’s cabinet late 18th century the caddy moulded exterior with brass carrying handle the front with two hinged sections revealing interior fitted with nine glass bottles to each door and five further bottles bearing various paper labels above three short and two long fitted drawers with ivory knob handles to centre on moulded base one bottle lacking several damaged 29.5cm high excluding handle
A mahogany crossbanded oak eight-day longcase clock mid 18th century the four-pillar rack and bell striking movement with 11.75in square brass dial with star engraved subsidiary seconds dial and calendar aperture to the bumble bee Hoho bird and foliate engraved matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes fleur de lys half hour markers and signed Fran’s Pile Honiton to lower edge the angles with bird and urn pattern spandrels the case with stepped moulded cornice and blind fret to frieze above integral hood pilasters and long trunk door on plinth base with bracket feet 206cm high excluding finials Francis Pile is recorded in Baillie G.H. Watchmakers & Clockmakers of the World as working in Honiton circa 1762
A figured mahogany eight-day longcase clock mid 19th century the four-pillar rack and bell striking movement with 12.5in white painted Roman numeral break-arch dial with subsidiary seconds dial arch calendar aperture and signed F. Eschle Aberdare to centre with castle ruin painted spandrels beneath scene with figure before a cottage to arch the Bristol type case with arched pediment and spiral twist turned columns flanking wavy edge door to hood above rectangular short door flanked by canted angles to trunk on plinth base with bracket feet 214cm high A Felix Eschle is recorded in Loomes Brian Watchmakers & Clockmakers of the World Volume 2 as working from Aberdare 1868-87
An oak and mahogany crossbanded thirty-hour longcase clock circa 1740 the two-handed posted countwheel bell-striking movement with 12in square brass dial with calendar aperture to the Hoho bird and scroll engraved matted centre within an applied Roman numeral chapter ring with Arabic five minutes fleur de lys half hour markers and signed Thorne Tiverton to lower edge the angles with bird and urn pattern spandrels the case with moulded cornice and integral pilasters to hood above rectangular trunk door and plinth base with moulded skirt distressed throughout 203cm high Probably by Simon Thorne who is recorded in Baillie G.H. Watchmakers & Clockmakers of the World as working in Tiverton circa 1740
A George I burr walnut eight-day longcase clock early 18th century the four finned pillar rack and bell striking movement with 12in brass break-arch dial with subsidiary seconds dial and square calendar aperture to the matted centre within an applied Roman numeral chapter ring with Arabic five minutes and fleur de lys half hour markers the angles with Indian mask and scroll pattern spandrels beneath convex boss signed Thomas Wentworth Sarum between dolphin cast mounts to arch with herringbone engraved borders now in a burr walnut case with moulded cornice and turned pilasters to hood above line inlaid break-arch door to trunk on conforming plinth base 226cm high Thomas Wentworth (II) is recorded in Snell Michael Clocks & Clockmakers of Salisbury as working up to 1740. He was Mayor of Salisbury in 1719
A figured mahogany eight-day longcase clock circa 1845 the four-pillar rack and bell striking movement with 13in white painted Roman numeral break-arch dial with subsidiary seconds and calendar dials and indistinctly signed Counsell & Son Ross to centre with floral spray painted spandrels beneath painted banqueting scene to arch the case with swan neck pediment and turned pilasters to hood above shaped-top short trunk door flanked by fluted quarter columns on flame figured plinth base with bracket feet the interior of the case with pasted maker’s label 221cm high A John Webb Counsell is recorded in Loomes Brian Watchmakers & Clockmakers of the World Volume 2 as working in Ross 1835-50
An inlaid figured mahogany eight-day longcase clock early 19th century the four-pillar rack and bell striking movement with 13in white painted Roman numeral break-arch dial with subsidiary seconds dial and arched calendar aperture to centre with picturesque cottage painted spandrels and ruined abbey to arch the Bristol type case with shaped arch pediment and spiral twist pilasters to hood above herringbone banded panel to throat and short trunk door flanked by canted angles with conforming panel beneath on plinth base with bracket feet 210cm high
An Adam and Eve automaton eight-day longcase clock early 19th century the four-pillar rack and bell striking movement with 12in white painted Arabic numeral dial with arched calendar aperture subsidiary seconds dial and signed Aquila Barker Bristol to centre with gilt conch shell painted spandrels and scene with Adam and Eve standing either side of the tree of forbidden fruit their arms moving with the motion of the pendulum to arch in a later swan neck pedimented case with reeded pilasters to hood above rectangular trunk door and conforming plinth with bracket feet 221cm high overall Aquila Barker is recorded in Moore A.J. The Clockmakers of Bristol 1650-1900 as working from 48 Wine St Bristol 1781-1846
An inlaid figured mahogany eight-day longcase clock circa 1810 the four-pillar rack and bell striking movement with 13in silvered brass Roman numeral break-arch dial with subsidiary seconds and calendar dials to the Mars and Mercury figural engraved centre signed Bartley and Eggert Bristol with conforming spandrels emblematic of the four seasons beneath eagle and Tempus Fugit banner to arch the swan neck pedimented case with giltwood eagle surmount shell paterae inlay to frieze and reeded Corinthian pilasters flanking wavy edge door to hood the trunk with conforming pilasters flanking a parquetry banded rectangular door on conforming plinth base with bracket feet 227cm high. The partnership of Bartley and Eggert is recorded in Moore A.J. The Clockmakers of Bristol 1650-1900 as working from 2 Nicholas St Bristol 1810-1814
An inlaid mahogany eight-day longcase clock circa 1830 the four-pillar rack and bell striking movement with 12in white painted Roman numeral break-arch dial with subsidiary seconds dial arched calendar aperture and signed H Jones 35 Bottom of Broad Street Bristol to centre with floral polychrome painted spandrels and scene with courting couple beside a river to arch the case with shaped arch pediment above wavy edge door flanked by double baluster pilasters to hood and ebony line inlaid short door flanked by canted angles to trunk on conforming plinth base with moulded skirt 207cm high excluding finials
An oak eight-day longcase clock circa 1820 the four-pillar rack and bell striking movement with 12in white painted Roman numeral dial with arched calendar aperture subsidiary seconds dial and signed James Jew Glocester to centre with polychrome floral painted spandrels octagonal fruit still life panel and floral swag decorated arch the swan neck pedimented case with fluted pilasters to hood above shaped-top trunk door and plinth base with moulded skirt 216cm high James Jew is recorded in Dowler Graham Gloucestershire Clock and Watchmakers as working in Gloucester 1820-35
An inlaid mahogany eight-day longcase clock early 19th century the four-pillar rack and bell striking movement with 13in white painted Roman numeral break-arch dial with subsidiary seconds and calendar dials and signed Henry Kail Blandford St. Mary to centre with landscape painted spandrels and village scene to arch in a swan neck pedimented case with reeded pilasters to hood above parquetry banded throat and shaped-top trunk door flanked by canted angles on crossbanded plinth base with ogee bracket feet 224cm high
A line inlaid figured mahogany eight-day longcase clock early 19th century the four-pillar rack and bell striking movement with 12in white painted Roman numeral break-arch dial with subsidiary seconds and calendar dials and signed Ja. Ward Cardiff to centre with polychrome floral painted spandrels and thatched watermill scene to arch the case with shaped crest to the break-arch pediment above wavy edge hood door flanked by double baluster turned pilasters and short rectangular trunk door flanked by canted angles on conforming plinth base with bracket feet 221cm high
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235302 item(s)/page