We found 235346 price guide item(s) matching your search
There are 235346 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
235346 item(s)/page
AN OAK LONGCASE CLOCK Dial: 10 3/4inch brass chapter ring, signed Edwards Bps. Castle, case: the hood with mahogany crossbanding flanked by turned pillars, the cornice incised 1768, the arched waist door flanked by fluted square section pillasters, the plinth with a reverse breakfront, 91in. (231cm.) high overall
An early 19th century mahogany domestic medicine chest, the hinged lid marked 'Stock London' to an ivory plate revealing glass spouted mortar and pestle, tumbler, brass tweezers and blood letting blades in cases, the front of the chest with door enclosing six clear glass bottles and six labelled drawers below, the reverse enclosing twelve further bottles, with side brass handles on bracket feet, 27cm wide, 23cm deep, 28cm high; and an apothecary's balance scale in Japanned tin case, 13cm wide (2)
A 19th century North country mahogany eight day longcase clock, the swan neck pediment above an arch glazed door enclosing a 14 inch arched painted dial with moon phase, figural painted spandrels and secondary seconds and date dials, with four pillar bell striking movement flanked with spiral moulded columns above an arcaded trunk door flanked with similarly moulded uprights, standing on a plinth base with bracket feet and a shaped apron, 280cm high
An 18th century oak longcase clock, the swan neck pediment above a circular brass dial signed Hill, Sheffield, with Roman numerals and engraved centre, flanked with brass capped fluted columns above an arched long trunk door flanked with fluted quarter columns, standing on a plinth base, 206cm high
An 18th century oak 30 hour longcase clock, the moulded cornice above a glazed door enclosing a 10 inch brass dial signed to the silvered chapter ring Richad [sic] Watkin, with Roman numerals and posted frame bell striking movement above a long trunk door, standing on a plinth base, 200cm high
A decorated bow front sideboard, the shaped rising top with marquetry painted underside enclosing a fitted interior above a frieze drawer and an arched recess flanked with three short drawers opposing a cupboard door modelled as dummy drawers, standing on square section tapering legs, 135cm wide.
A Tortoiseshell Veneered Table Cabinet, circa 1840, with pewter wire stringing throughout, the upswept "caddy" top centred by a silvered metal rectangular plaque engraved with an earl's coronet over the initials "AF 1936", the lid hinged to reveal triple open compartments, the two frontal rectangular hinged doors enclosing three similarly fitted long drawers with turned mother of pearl mushroom handles, the door panels embossed with classical temple facades, edged in ivory, with petal whorled mushroom side handles, conforming bun feet, {34cm by 30cm by 22.2cm} (one door off its hinges, small veneer losses) . *The initials are, by repute, those of Lord Halifax.
A Mahogany Eight Day Longcase Clock, circa 1840, swan neck pediment, wavy shaped trunk door upon plain base, 14 inch arched painted dial with later signature "T Lister Halifax", the arch and corners with painted rural building scenes, dial centre with subsidiary seconds and date, four pillar movement with anchor escapement and rack striking on a bell, {240cm high}
An Oak Thirty Hour Longcase Clock, signed Simpson, G Bridge, circa 1770, the case with stepped top pediment, mahogany crossbanded trunk door flanked by inset pilasters, the plinth with mahogany crossbanding upon bracket feet (plinth slightly shortened), 12 inch square brass dial, silvered chapter ring with inner date ring with corresponding central date hand, the engraved centre field with dummy winding holes, two cartouches inscribed with initials and signed "Simpson G Bridge", four pillar movement with anchor escapement and count wheel strike on bell, {207cm high}
An Oak Thirty Hour Longcase Clock, signed John Porthouse, Penrith, circa 1760, the case with flat top, double arched trunk door upon plain rectangular plinth 11-inch square brass dial, matted centre with date aperture and brass plaque signed "John Porthouse Penrith", four pillar movement with anchor escapement and outer countwheel striking on bell, {202cm high}
An Oak Thirty Hour Longcase Clock, signed Wm Porthouse, Penrith, circa 1750, the flat top pediment, double arched trunk door upon plain rectangular plinth (slightly shortened), 11 inch square brass dial, chapter ring with Roman and Arabic numerals and half hour marks, matted centre with date aperture and a plaque signed "Wm Porthouse Penrith", four pillar movement with anchor escapement and countwheel strike on bell, {207cm high}
An Oak and Mahogany Thirty Hour Longcase Clock, signed H Fisher, Preston, circa 1775, the flat top pediment with brass capped columns, wavy shaped trunk door with mahogany banding and inlaid around the border, flanked by mahogany veneered canted corners and a conforming plain plinth, upon bracket feet, 13 inch square brass dial with silvered chapter ring, dial centre with floral engraving, date aperture and dummy winding holes, four pillar movement with anchor escapement and outside countwheel striking on a bell, {207cm high}
A Good Oak Thirty Hour Longcase Clock, signed Barber, Winster, No.828, 1768, the broken-arch pediment with inlaid decoration, wavy trunk door flanked by inset reeded pilasters, the plain plinth with angled corners, 12 inch square brass dial with chapter ring signed "Barber, Winster", centre field with two apertures for date and lunar scale, four pillar movement with anchor escapement and with countwheel strike on bell, signed "Barber" and numbered 828 on the movement front plate, {212cm high}
A Mahogany Inlaid Eight Day Longcase Clock, the pagoda pediment with inlaid top and brass capped fluted columns, arched trunk door with an oval flame veneer and flanked by canted corners, rectangular inlaid plinth, 12 inch white painted arched dial indistinctly signed, dial with Roman numerals, subsidiary seconds and date aperture, rural painted scenes to the corners and the arch, four pillar movement with falseplate stamped "Wilson", anchor escapement with rack striking on bell, dial and movement associated to case, {239cm high}
A Mahogany Eight Day Longcase Clock, signed John Jefferson, Gt Driffield, pagoda pediment with three finials, the arched trunk door flanked by canted corners, plain rectangular plinth, 14 inch convex shaped dial with Roman numerals, centre field with subsidiary seconds, date aperture and signed "John Jefferson Gt Driffield", floral decoration to the corners and a landscape scene in the arch, four pillar movement with falseplate stamped "Finnemore & Son", anchor escapement and rack striking on bell, dial and movement associated to case, {219cm high}
A Mahogany Eight Day Longcase Clock, signed Thos Lees, Bury, circa 1810, case with swan neck pediment, the arched trunk door of good colour, plinth with inlaid canted corners and flame veneer, 14 inch painted arched dial with Roman and Arabic numerals, corners decorated with flowers, dial centre with subsidiary seconds, the arch with moon disc, four pillar movement with falseplate attached stamped "Wm Whitaker", anchor escapement, rack striking on bell, {232cm high}
An Oak and Mahogany Eight Day Longcase Clock, signed ?Bell, Garstang, circa 1830, the case with swan-neck pediment, turned columns, the arched mahogany cross banded door flanked by reeded pilasters, mahogany cross banded plinth with canted corners, 14 inch arched white painted dial, dial centre with date aperture, subsidiary seconds and indistinctly signed "?Bell Garstang", flower decoration to the corners, rolling moon disc in the arch, four pillar movement with false plate stamped "Wilkes & Son Birmingham", anchor escapement with rack striking on bell, {223cm high}
A Mahogany Eight Day Longcase Clock, signed Allsop, London, circa 1780, case with pagoda pediment, stop-fluted hood pillars, broken-arch trunk door with good colour, panelled plinth upon shaped apron, 12 inch arched brass dial with Roman and Arabic chapter ring, centre field signed "Allsop London", subsidiary seconds and date aperture, the arch with non-active strike/silent dial, four pillar movement with anchor escapement and internal countwheel strike on bell, dial and movement associated to case, {244cm high}
A George III Mahogany Longcase Clock, signed Barnard Bayley, London, circa 1780, the pagoda hood with reeded columns, break arched trunk door with moulded frame, rectangular moulded plinth, 12 inch arched brass dial with silvered Roman and Arabic chapter ring, matted centre field with seconds and date aperture, arched silvered plaque signed "Barnard Bayley London", the arch with engraved silvered plaque upon strike/silent selection, five pillar movement with anchor escapement and rack striking on a bell, {235cm high}
A Regency Mahogany Longcase Clock in the Egyptian Revival Taste, signed Thoms Leach, Lime St, circa 1815, the arched hood with gilt-brass capped cluster columns to the door, pierced sound frets to the sides, the trunk with arched door and flanked by chamfered angles topped by gilt-brass Pharaonic bust mounts and ending in gilt-brass feet, the plinth with raised panel and upon stepped plinth, 12 inch circular white painted dial with Roman numerals and signed "Thoms Leach Lime St", two subsidiary dials for seconds and date, five pillar movement with anchor escapement and rack striking on a bell, {206cm high} .
A Walnut and Floral Marquetry Longcase Clock, signed Rob Sadler, London, circa 1705, the pediment with spiral turned columns and with floral marquetry to the front, rectangular trunk door inlaid with bird and floral marquetry within D ended panels and centred by a lenticle, re-built plinth with marquetry and on later bun feet, 11 inch square brass dial with silvered chapter ring signed "Rob Sadler London", matted centre with subsidiary seconds, ringed winding holes and decorated calendar aperture, five pillar movement with anchor escapement and internal countwheel strike on later bell, {216 cm high}
A Late Victorian Rosewood and Inlaid Sideboard, the raised superstructure with two panelled cupboards over an open shelf flanked by smaller cupboards, the base with three frieze drawers to the centre over a panelled door and arcaded open shelf below, between raised quadrant plinths, each with bowed cupboard and open shelf under, all on a shaped plinth, {189cm by 182cm by 48cm}
A Victorian Bird's-Eye Maple Breakfront Bookcase, with a moulded cornice over a central arched part-glazed door enclosing shelves, flanked by similar doors, all between panelled pilasters headed with flowerheads, with three drawers to the base, on a plinth, converted from a wardrobe, {246cm by 250cm by 48cm}
An Early Victorian Mahogany Breakfront Secretaire Bookcase, the raised centre with bold cornice over an arched glazed door enclosing adjustable shelves, flanked by arched glazed wings, the base with a central secretaire drawer flanked by small drawers, over four panelled doors, on a plinth, {247cm by 151cm by 52cm}
A Pair of Copeland Porcelain Door Plates, of slim rectangular form with bracketed headers and terminals, each centrally painted with an extensive Alpine landscape with figures and goats just outside city walls, within scroll and shell ciselle gilt frames, flanked by swags of flowers against soft yellow and dotted grounds, with trellis gilded salmon pink borders, printed marks in green, circa 1870, {27cm and 20cm long respectively}
-
235346 item(s)/page