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Lot 575
Five Bachmann Branch-Line locos: 31-454 Ivatt 2-6-2 tank 41286 push pull fitted, BR lined black, weathered; 31-450 Ivatt 2-6-2 tank 41221 BR lined black, push pull fitted; 32-205 8750 Pannier tank 9736 BR black early emblem, marked ‘returned stock checked & tested’; 32-110 08 diesel shunter 13029 BR black early emblem hinged door type; 32-029 class 20 diesel 20023 BR Railfreight grey with indicator discs. All (E) BVG-E)
Lot 820
A collection of 5 mixed 1/43rd scale white metal models comprising a USA Models USA1 1958 Cadillac Limo, a MiniMarque GTA models New York Checker Taxi 15 Seater, a Tin Wizard Maybach DS Zeppelin 1933, and 2 Durham Classics - a 1938 Lincoln Zephyr 2 door coupe, and a 1941 Chevrolet promotional produced for the ModeleX International scale model show 2002, all models have been on display and would benefit from a clean
Lot 918
A Brooklin Models 1/43 scale white metal Buick collection group to include a BC008 1934 Buick Phaeton model 98C, a No. BC012 1937 Buick Special 2-door coupe, a BC015 1938 Buick Special Phaeton M-40C, a No. BC004X 1938 Special Touring sedan M-41, and a BC-018 1936 Buick Special Victoria Coupe M-48, all in original foam packed card boxes
![Schraemli copy.- [M[ontagu] (W[alter])] The Queens closet opened. Incomparable secrets in physick, chyrurgery, preserving and](https://cdn.globalauctionplatform.com/dfa0e7de-aff7-4cdd-9ca6-afe70112ab80/0697c9e7-f60c-433c-96ae-afe800b72f4e/468x382.jpg)
Lot 104
Schraemli copy.- [M[ontagu] (W[alter])] The Queens closet opened. Incomparable secrets in physick, chyrurgery, preserving and candying, &c., 3 parts in 1, engraved portrait frontispiece of Henrietta Maria by G. Faithorne, woodcut head-pieces and decorative initials, Queens Closet E4 and I1 lacking half page of text (the latter repaired), Compleat Cook A12 torn and repaired with loss of text, Queens Delight minor worming within sig. P, mostly marginal, but occasionally just touching part of the odd letter, occasional spotting, lightly browned throughout, 20th century half light brown morocco, gilt, spine in compartments and with green morocco label, spine faded, t.e.g., [Notaker 537 (note); Oxford pp.26-27 (note); Simon BG 1239; Wing M99A & M91; cf. Bitting p.595 and Cagle 838 & 839], 12mo, Printed for Peter Dring, and are to be sold at the Sun in the Poultry, next door to the Rose Tavern, 1661.⁂ The second and third parts are A Queens Delight, Printed by R. Wood, for Nath. Brooke, 1660, and The Compleat Cook, Printed for Nath. Brooke, 1659. Provenance: 'Mary Bradshaw, hir boocke, 1674' (ink inscription to front free endpaper); Harry Schraemli, sold Sotheby's 23rd February, 1971, lot 295, £200 to Globe (bookplate).
Lot 746
GEORGE III OAK LINEN PRESS LATE 18TH CENTURY the twin doors enclosing shelving, the base fitted with four short drawers, bracket feet192cm high, 122cm wide, 48cm deepSeveral losses including sections of moulding. Structurally sound. Back original. Locks present but no keys. The door is a replacement lock. Additional images uploaded.
Lot 905A
PAIR OF VICTORIAN MAHOGANY PIER CABINETS LATE 19TH CENTURY with linen backed brass trellis cupboard door, on turned bun feet97cm high, 68cm wide, 28cm deep Both in fair condition. Scratches to both pieces in many areas. Couple of corners chipped. One leg on each of the cabinets has been over painted. Fabric on each piece in good/fair condition. Additional images now available.
Lot 332
THOMAS HARDY INTEREST: AN EDWARDIAN MAHOGANY WARDROBE FROM MAX GATE early 20th century, the moulded cornice over a mirrored door, opening to an interior fitted with hanging hooks, with a single drawer beneath, 195cm high x 118cm wide Provenance: Purchased by the current owner from the estate of the late Bill Jesty. Mr Jesty was the former custodian of Max Gate, Thomas Hardy's home from 1885. The wardrobe is believed to have been purchased by Bertie Stephens, the Max Gate gardener, when the piece was offered for sale by Emma Hardy after the death of her husband. The Jesty's later purchased the wardrobe for a 'moderate sum'. It is commented in Bill Jesty's obituary, in relation to Max Gate, that 'there was nothing in it that had belonged to Hardy (save, I think, one wardrobe...'
Lot 591
CHINOISERIE BRACKET CLOCK EDWARD & SONS OF GLASGOW, EARLY 20TH CENTURY with two train eight day movement striking on a coil, the brass dial with silvered Roman and Arabic numeral chapter ring, the caddy top with swing handle, the case decorated with chinoiserie scenes, on four bun feet35cm highVery dusty, four slight splits to the corners of the door; joints to domed top and handle plate are showing some separation; some usual rubbing to gilding; some slight scuffs and nicks to corners and edges; rear grille concave and slightly pushed in so would benefit from being straightened, interior fabric very tired; currently overwound so this will require attention but otherwise movement looks relatively clean; chapter ring with light wear
Lot 672
GEORGE III SCOTTISH WEST COAST MAHOGANY LONGCASE CLOCK THOMAS STOBO OF STRATHAVEN, LATE 19TH/EARLY 20TH CENTURY three train eight day movement, the engraved brass dial with silvered Roman and Arabic numeral chapter ring, subsidiary seconds dial, pierced spandrels, maker's plaque to lunette, with triple orb and spike finials over moulded swan neck pediment and blind fret frieze, the trunk and base with later outline and later Art Nouveau stylised detail to door, pad feet
Lot 674
FRENCH BOULLE MANTEL CLOCK AND WALL BRACKET MID TO LATE 19TH CENTURY with twin train eight day movement by Japy Freres, striking on a bell, the back plate further inscribed Marshall & fils a Paris, the white enamel dial set with Roman numerals, the waisted tortoiseshell case with cherub surmount, brass foliate mounts and inlay, glazed front to reveal a foliate cast bob, on scrolling acanthus feet, the bracket of inverted caddy form with gilt mounts and acorn finialthe clock 40cm highDial extensively damaged; lost the applied metal mount to upper right corner; boulle work crazed, tightly particularly to right side where it is more visibly worn, dry and cracked; pitting and rubbing to gilt mounts; pronounced wear to top of rear door and surrounding area; movement does respond when wound but no guarantee of working order, alarm mechanism not tested; bracket with some loosening to the mounts but overall similar condition to clock body
Lot 215
An 18th century Italian ebonised table-top cabinet with ivory engraved panels of Classical form, with rosewood veneer and pine construction on bun feet, height 41cm, depth 31cm, width 48cm. This item has been registered as exempt from the UK Ivory Act 2018 on account of it being made before 3rd March 1947 with less than 10% ivory by volume. Ivory declaration submission reference 8KEEVS5SSplits to veneer on sides and top, small sections of missing ivory inlay, replacement catch to front panel, internal door lock has been removed and is loose, neither locks working but have keys, looks to be overall original construction
Lot 189
In the manner of Jackson & Graham, London, an ebonized and burr oak banded breakfront credenza, English late 19th century, fitted a central glazed door flanked by a pair of cupboard doors each typically set with oval classical pale blue jasper panels decorated with the classical muse, fitted with gilt metal mouldings and mounts supported by a shaped plinth base. 175 cm overall length x 45 cm overall depth x 107 cm overall height.
Lot 280
Nathanial Kirk of Kibworth (Market Harborough, Leicestershire); A George III oak-cased 8-day longcase clock with brass (31 cm) two-piece dial with silvered chapter ring and centre, named and numbered 120, fitted with a four-pillar, post and plate movement now striking on a later coil gong. In a plain oak hood and case with a long trunk door and shaped plinth base. 55 cm wide x 24 cm deep x 196 cm overall heightNote: Nathaniel Kirkis recorded as working in Kibworth, nr Market Harborough, Leicestershire and it is noted he sometimes numbered his movements; this being No. 120.
Lot 284
20th Century Pin-Ups. First published in 1966. Includes monochrome and color images of ladies in various states of undress. Presents saucy mix of girl-next-door photography and British seaside-postcard humor. Contains nudity. Contains 299 pages. Artist: Ross GilfillanIssued: 2010Dimensions: 8.25""W x 8.25""HManufacturer: Ammonite PressCountry of Origin: UKCondition: Age related wear.
Lot 469
Moveable Book: The Art of Gil Elvgren. Delightfully designed to showcase action springing to life through the fresh faced girl-next-door pin ups created by acclaimed artist and pioneer. Paper engineering by Roger Culbertson. Printed and bound in Thailand. Pages unnumbered. Artist: Richard J. PerryIssued: 2008Dimensions: 9.25"W x 12.25"HManufacturer: Metro BooksCountry of Origin: New York, United StatesCondition: Age related wear.
Lot 352
COLIN HUNTER ARA RSW (SCOTTISH 1841 - 1904), THE COAST OF DEVON oil on canvas, signed and dated 1894, titled in the presentation plaqueframed image size 44cm x 82cm, overall size 58cm x 96cm Note: Colin Hunter ARA (1841 – 24 September 1904) was a Scottish artist of the Victorian era. Most of his works are seascapes. Hunter was born in Glasgow, Scotland, in 1841. About 1844, his father moved the family to Helensburgh, on the coast of the Firth of Clyde, where he opened a bookshop and was also post-master. In his youth Hunter spent most of his spare time sketching from nature, and on leaving school he became a clerk in a shipping office in Glasgow, where he stayed for four years. There he met and befriended William Black, a journalist who later became a novelist, and began to study at a local art school, often working out of door.
Lot 513
A Dutch silver large model of a windmill, with galleried upper tier and opening door, pseudo marks to underside, 23cm high (damage to sails), and a collection of seven Dutch and Continental silver miniature models, comprising a windmill, a spinning wheel, a box in the form of a cottage, with hinged roof, three various tables and a sleigh, 17.5oz overall (8)
Lot 125
AN IRISH GEORGE III INLAID MAHOGANY SLOPEFRONT BUREAU, BY BUTLER OF DUBLIN, STAMPEDthe fall front top opening to a fitted interior with drawers, pigeon holes and central cupboard door with inlaid angel, flanked by column compartments, above an arrangement of four graduated drawers, with ornate applied brass handles, raised on bracket feet, the entire decorated with fine boxwood stringing.
Lot 381
A GEORGE III OAK CASED BRACKET CLOCK, BY THOMAS BROWN OF CHESTER,the stepped domed case with arched glazed door, enclosing a brass face with engraved eagle with out-stretched wings, above a chapter ring and signed 'Tho Brown, Chester' flanked by glazed astragal side panels, raised on short feet. 45.5cm high, 26cm wide, 18cm deep
Lot 152
A 19th century ebonized and parquetry carved wooden side cabinet, carved pediment over an arched open top with shelf space (shelves missing), the base with inlaid parquetry top, over a glazed and curtained single door, flanked by carved figures playing musical instruments, and further carving in relief, on splayed and scrolled front feet 199cm x 107cm x 58cm Location:
Lot 523
A Victorian ormolu and porcelain mounted burr walnut credenza, d-shaped, the door with central oval Sevres style porcelain plaque with courting scene, surmounted with ribbon ormolu, flanked by curve glazed doors enclosing two shelves, with further porcelain roundels, 97.5 cm high x 168 cm wide x 40.5 cm deep Location: BWR
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