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Click here to subscribeA GEORGE III MAHOGANY AND CHEQUER STRUNG STICK BAROMETERBy J. Colombo, 180 High Holborn, LondonWith an architectural pediment and glazed panel door, signed silvered scale with vernier and thermometer, above the trunk with turned reservoir cover96cm highCondition reportIn good condition. The scale has some discolouration to the lacquer surface.
A FRENCH ORMOLU CLOISONNÉ ENAMEL AND ONYX FOUR-GLASS MANTEL CLOCKCirca 1910The case with a serpentine-shaped front, twin baluster uprights, stepped onyx pediment, above serpentine-shaped glazed and bevelled front door, the sides and back with bevelled panels, the dial with Gothic chapters within a pierced gilt chapter ring, the twin train movement with Marti cachet mark and marked A & N PARIS, hourly strike on a blued steel coiled gong, twin tube mercurial pendulum, on a shaped onyx base 34cm highCondition reportThere is no key. It has its pendulum. The case is in good condition. The movement may require a service.
A FRENCH ENGRAVED GILT BRASS GORGE CASED STRIKING AND REPEATING CARRIAGE CLOCKBy H. L. No. 5521, For Parkinson & Frodsham, No. 740 circa 1870The case engraved all over, the top with large bevelled glass panel and four others below, with push repeat, white enamel dial detailed PARKINSON & FRODSHAM, with blued steel ‘Breguet’ moon hands and alarm subsidiary below, original silvered platform club-tooth lever escapement, twin train movement striking on a bell and with subsidary alarm train 19cm high (handle up)Condition reportThe gilding to the case is worn in places. Chip to top right of bevelled glass on rear door. Movement ticks only for a few seconds. Horizontal hairline cracks to dial at top of the minute ring and above. Repeat works. Movement requires a full service.
A FRENCH ENGRAVED GILT BRASS STRIKING AND REPEATING CARRIAGE CLOCK WITH DUPLEX ESCAPEMENTBy Bourdin, 28 rue de la Paix, Paris, circa 1860The case engraved with foliage and scrolls, with folding handle and push/repeat, four bevelled glazed panels, signed white enamel dial with seconds subsidiary at the XII, blued steel 'Breguet' moon hands and alarm subsidiary, original platform with bi-metallic compensated balance and duplex escapement, the twin train movement striking and repeating on a bell, numbered 4919 and 253, and numbered 7314 on the back of the frontplate, the shuttered solid door, signed BOURDIN Hger Bte RUE DE LA PAIX 28, with an associated green velvet-lined leather travelling case15cm high PROVENANCE: Cyril Fish, thence by descent.A. E. Bourdin are recorded in the rue de la Paix 1840-60.Condition reportThe clock has its original gilding. It is going, striking and repeating. The bottom back corner of the left hand glass is chipped.
A LARGE GILT BRASS PETITE SONNERIE STRIKING AND REPEATING FUSÉE CARRIAGE CLOCKBy James McCabe, Royal Exchange, London, No 1936, circa 1850In a one-piece-style case, with five large bevelled glass panels, folding handle and push/repeat to the back, the silvered dial with Roman chapters, blued steel hands, detailed JAMES MCCABE, ROYAL EXCHANGE, LONDON 1936 below the VI, with large gilt brass platform escapement, engraved cock, gold three-arm balance, triple chain fusee movement with maintaining power to the going train, chiming each quarter and the hour on a bell mounted within the base, the backplate mounted with the strike and repeat work and detailed James McCabe, Royal Exchange, London 1936 at the base, together with a Morocco leather and gilt travelling case and replacement key18cm high (handle up)PROVENANCE: Cyril Fish, thence by descent.Antiquarian Horology, Vol. 10, No. 3, June 1977, page 50, for a biography of the McCabes and their business, with a graph of the numbering system and approximate dates.Another carriage clock by McCabe, No. 2946, was sold in these rooms, lot 624, May 2019.Condition reportThe clock is working and it strikes and chimes. The repeat work functions although the push-piece from the rear door is missing. The quality of the engraving to the dial is not quite as expected and it may possibly be replaced from a previous enamel dial? The key is a modern hand-made replacement.
AN EARLY FRENCH ENGRAVED GILT BRASS ONE-PIECE CASE STRIKING CALENDAR CARRIAGE CLOCKRetailed by Charles Oudin, Paris, circa 1865The one-piece case engraved all over with foliage, pivotted handle, with four bevelled glass panels below and lift-up brass shuttered back panel, the white enamel dial with gilt 'Breguet' moon hands above two subsidiaries for day and date, detailed Ch. Oudin, A Paris, original silvered platform with plain three-armed brass balance and club-tooth lever escapement, the twin train unsigned movement with countwheel strike on a bell15.8cm high (handle up)PROVENANCE: Cyril Fish, thence by descent.Condition reportThe movement ticks and strikes. The gilding is original but with some wear. The upper bevelled glass has some chips and can fall out with the rear door removed. The bottom section of the case has been fitted back the wrong way around, so that the engraved panel is at the rear. One double-ended key.
A LATE REGENCY MAHOGANY AND BRASS INLAID LONGCASE CLOCKSigned Bentley & Beck, Royal Exchange, LondonThe lancet top case with convex glazed dial surround, above the trunk with fluted quarter-columns and arched panel door, on panelled plinth and stepped base, the 12in. circular dial signed, with pierced steel hands, the twin train movement with anchor escapement and hourly strike on a bell200cm highBentley & Beck are recorded working 1815-24.Condition reportTwo brass-cased weights and a crank key. Wood-rod pendulum with brass bob. The movement requires a clean and full service. The dial paint appears original, the signature is visible faintly. The case is overall of a pleasing colour and in good condition, some marks and knocks consistent with age. A small ebonised fillet is chipped and loose from just under the hood at the top centre of the trunk. Another piece is chipped and lost to the right corner.
A SMALL MAHOGANY REPLICA OF JAMES FERGUSON’S TIDAL LONGCASE CLOCKBy G. H. Bell, circa 1971The case with a broken arched hood and brass finial, above glazed door and sides, the trunk with an arched door, above panelled base and plinth; the 9in arched silvered dial inscribed to the upper left J. Ferguson inv. / London / Ca. 1780 and signed to the upper right G. H. Bell Fecit / Winchester Ca. 1971, the arch engraved with the estuary showing a blue-painted rising and falling shutter depicting the tidal movement, above twenty-four hour chapter ring, enclosing a blue painted ring with ‘sunburst’ hand showing the time; centred by a disc rotating anti-clockwise once every 29 1/2 days, engraved The Moon’s Age, the time of her Southing and time of High Water at London Bridge, with cut-outs to take the readings on engraved and painted discs, the next circlet inscribed High Water and Low Water twice, with an engraved ellipse showing the state of the tides, the A-frame-shaped movement with four knopped pillars, anchor escapement and large drum-shaped weight running on a wire line, wound by a continuous chain, brass cylindrical bob pendulum203cm highThis movement is a replica of one made by Ferguson and detailed in his 1773 compendium Select Mechanical exercises: Shewing how to construct different Clock, Orrieries and Sundials. It was sold Bonhams, New York, 7 June 2016, lot 147.Ebenezer Henderson, Life of James Ferguson, FRS, Edinburgh 1867Henry C. King, Geared to the Stars, Toronto, 1978.Condition reportThe clock is in good condition. Together with its weight and pendulum. The movement would benefit from a clean.
A WILLIAM III WALNUT AND MARQUETRY 10 INCH LONGCASE CLOCKBy Thomas Spencer, LondonThe hood (formerly rising) with moulded cornice above a pair of handed turned columns with glazed front and sides, the trunk inset with a door, decorated in floral and bird marquery within oyster panels, the sides with outlined oyster panels, above a marquetry plinth, the 10in. square brass dial signed on the plate below the VI Thos Spencer, Londini, with cherub mask and foliate spandrels, enclosing silvered chapter ring, narrow seconds ring, matted centre and calendar aperture above the VI, the twin train movement with five ringed and knopped pillars, internal countwheel strike on a bell, and anchor escapement, seatboard replaced, movement and case perhaps associated200.5cm highThomas Spencer (b. 1657) was apprenticed to Solomon Bouquet 1671-1678. He gained his Freedom in 1685. He is not recorded after 1697.Condition reportThe hood still has its original runners for rising. There is no spoon. Section of the backboard is replaced. The base has been rebuilt and the marquetry panel is not original but well matched. There are two brass-cased weights, a winding crank key and a pendulum (of later date).
A LATE GEORGE III OAK, MAHOGANY AND OUTLINED THIRTY HOUR LONGCASE CLOCKThe case with a swan-neck pediment above arched glazed door, the trunk with fluted quarter-columns between a rectangular door, centred with a conch shell, above panelled base, the 12in. arched florally decorated white-painted dial, with calendar aperture, the posted frame movement with anchor escapement and countwheel strike on a bell225cm highCondition reportWith one weight, pendulum and crank key. The clock is in original unrestored condition. Marks, losses and knocks consistent with age to the case. Some loss to elements of the Swan-neck pediment. The panel on the base requires refining. The dial has wear to the chapter ring. Overall crazing, some small chips. The movement requires a service.
A WALNUT AND MARQUETRY LONGCASE CLOCKThe case fundamentally circa 1695 and with later elementsWith a caddy top above 10 3/4in. square glazed door, the trunk with three panel bird amongst foliage marquetry panels, the sides each with plain walnut veneer panel in two pieces, above the base with partial marquetry panel, the associated 10in. square dial detailed Thos. Nichols, Oundle, with later twin train striking movement, anchor escapement, case and movement associated218cm highCondition reportTogether with crank winding key and two brass-cased weights. There is a brass bob pendulum. As stated case and movement/dial are associated.The case is circa 1695 and with later elements due to damage and repair. The hood’s pierced panel above the door is replaced with a later oak fillet. The fillet around the inside of the door is replaced. The part just below the caddy may be later? The main part of the case is relatively original. The backboard is complete as are the internal side pieces. The cheeks have been reduced and have later risers and an associated seatboard. The front marquetry panel is about 66% present, the lost part now veneered in walnut. The plinth at the base is later.The movement and dial are associated and it would require a service to be in going condition.
A GEORGE III PAINTED STRIKING LONGCASE CLOCK WITH SWEEP CENTRE SECONDSThe movement signed John Hunt, WorleThe case with a moulded pediment above a blind fret frieze and arched glazed dial door, the trunk inset with an arched door, on a stepped base and plinth foot, the 12in. arched brass dial with painted moon phase indicator, above brass spandrels enclosing a silvered chapter ring with matted centre and inscription plate, above calendar aperture, the twin train five knopped and ringed pillar movement with anchor escapement and strike on a bell, movement and case possibly associated210cm highCondition reportWith pendulum and two lead weights, together with crank key. The movement is in good order and may benefit from a clean and service. The case is in reasonable condition, marks and knocks consistent with age. Decoration refreshed. There is a cut-out to the lower part of the dial door.
A GEORGE III OAK, OUTLINED AND CONCH SHELL INLAID LONGCASE CLOCKBy J. Woolley, Codnor, circa 1800The case with a swan-neck pediment above arched glazed dial door, flanked by fluted columns, the trunk with canted angles and inset with an arched panel door, on stepped base, the 13in. arched brass dial, with moon phase, above crown and cherub spandrels, enclosing brass chapter ring with matted and chased centre, seconds subsidiary and signed at VI o’clock, the twin train movement with anchor escapement and strike on a bell218cm highCondition reportWith winding crank, two cast-iron weights and cast-iron bob pendulum. The movement is very dirty and will require a service. The case is in reasonable order, some marks, scratches and knocks consistent with age. A small veneer loss to the crossbanding on top left corner of the base. Filled worm holes to the left side of the hood around the top of the door and in other parts.
A LATE GEORGE II/EARLY GEORGE III PARCEL-GILT, RED LACQUER TO IMITATE TORTOISESHELL AND CHINOISERIE DECORATED LONGCASE CLOCKThe case circa 1760, the associated movement by William Gilbert, Gosport, circa 1795The case decorated in red lacquer to imitate tortoiseshell and decorated with chinoiserie figures, pavilions and landscapes, with an ogee pediment and three ball finials, above an arched glazed door, flanked by three-quarter columns, the trunk inset with an arched panel door, on a base and stepped plinth, the later associated movement with arched 12in. silvered and engraved dial, with HIGH WATER AT GOSPORT to the upper edge, above blue painted age of the moon and outer high water time to the arch, the dial with sweep centre seconds, signed in a recess Willm Gilbert, Gosport above another sector for the date, the twin train movement with anchor escapement and strike on a bell, movement and case associated249cm high overallCondition reportWith its pendulum and two-brass cased weights. There is no key. The movement will require a service. The movement and case are associated as stated above. The case is in good reasonable condition considering the age, some marks and knocks consistent with age. A split to the base panel. Some flaking in places.
A GEORGE III MAHOGANY LONGCASE CLOCKBy John Jackson, LondonThe case with an arched hood and three brass finials, above glazed door, flanked by fluted columns, the trunk inset with an arched panel door, flanked by fluted canted angles, on panelled plinth base, the 12in. arched brass dial, signed Jno Jackson, London, with strike/silent to the arch, the chapter ring enclosing subsidiaries for calendar and seconds, with four knopped pillars, deadbeat escapement and strike on a bell, movement and case possibly associated232cm high overallCondition reportThe hood perhaps had an ogee pediment which has been removed to reduce its height. The three brass finials are replacements. The case has been repolished. The door has a slight warp to it, pulling away at the top on the left edge. The dial is lacquered brass, when once it would have been silvered. There are some lines of corrosion to the surface. The movement requires a service. There is a pendulum, no key and two associated wrought-iron weights.
AN UNUSUAL LATE VICTORIAN FUSÉE DETENT ESCAPEMENT MANTEL TIMEPIECEWith skeletonised dialIn a bevelled glazed mahogany case with hinged door and concealed lock, bevelled mirrored back, the movement with tapered foliate engraved plates, four screwed pillars, chain fusée with maintaining power, pierced Gothic-style silvered chapter ring, pierced steel hands, A-shaped pendulum bracket with engraved brass bob and detent escapement to the base with seconds hand above (hand lost), on a substantial four-column brass support, together with original engraved brass winding key51cm high overallCondition reportThe case is in unrestored original condition. It is dusty and would benefit from a wax. The glass is in good condition. The movement is not working and the detent requires adjustment. It would benefit from a clean and service also. The pendulum is detached from the carrier. Together with its original key.
A MINIATURE BRASS LANTERN CLOCK WITH ONE-IN-PASSING HOUR STRIKEThe dial inscribed Tho. Tompion, LondonOf typical form, surmounted by a bell and pierced frets, above 4 1/2in. silvered chapter ring, enclosing an engraved centre inscribed Tho Tompion / London, with silvered alarm disc (decorative only), fitted with a chain fusée movement, anchor escapement and pendulum locking block and nut, perhaps incorporating some earlier elements?23.5cm high (excluding ebonised plinth)Condition reportThere is a steel winding key. The left hand door handle is loose.
AN UNUSUAL ENGRAVED GILTBRASS AND MALACHITE MINIATURE TIMEPIECE WITH A MALACHITE-MOUNTED STANDThe timepiece by Barwise, London, circa 1860The clock with an engraved gilt case, with scrolled foliate cast handle above malachite inset panel, the front with bevelled glass pane above the circular signed dial and blued steel trefoil hands, within an engraved mask, the sides each with a malachite panel within an engraved mask, with solid hinged engraved door, the barrel going movement with English platform lever escapement, plain three-arm polished steel balance; together with an ormolu Louis XV style miniature table, the top inset with a malachite panel and with four malachite cabochonsThe clock 11cm highThe table 8cm highPROVENANCE: Cyril Fish, thence by descent.Condition report The clock ticks. The table has lost one of the anthemion stops on its top. It does not quite sit 'flat' and has a small differential on its front left scroll foot. It has a key.
A WILLIAM IV SMALL BRONZE MANTEL CLOCKBy Jefferson, Bruton StreetThe case with stepped pediment, above signed 3 1/2in. white enamelled convex dial (restored), pierced blued steel hands, flanked by canted angles to each side with a scroll and an arched glazed panel, glazed hinged back door, the fine twin train chain fusée drum-shaped movement, signed to the backplate, striking on a bell, with pendulum locking block and nut22cm highCondition reportThere is no winding key. One case key. With its pendulum. As noted in the cataloguing the dial is restored. The movement appears in good well-maintained order. It would benefit from a service.
A LATE WILLIAM IV MAHOGANY AND BRASS MOUNTED STRIKING AND REPEATING BRACKET CLOCKBy James McCabe, Royal Exchange, London, No 255The case with a chamfer top above arched glazed panel door, with canted edges, flanked to each side by a fretted panel and with a hinged glazed back door, the 6 1/2in arched signed silvered dial with strike/silent subsidiary to the arch, the twin train chain fusée movement with signed backplate, striking on a bell and with pull repeat, brass pendulum locking nut, together with a reproduction bracket36cm high excluding bracketCondition reportWith a brass winding key and a steel case key. In good overall original condition. The movement appears to be tarnished and will require a clean and service.
A GEORGE III BRASS MOUNTED MAHOGANY BRACKET CLOCKBy Morice, Fenchurch Street, LondonThe broken-arched top case with brass carrying handle, above glazed doors, the sides with pierced fish-scale rectangular panels, the 8in arched brass dial with strike/silent above silvered chapter ring, enclosing a matted centre with pierced blued steel hands, the signed twin train chain fusée movement with anchor escapement striking the hour on a bell, with an associated mahogany bracket46cm highCondition reportIn unrestored condition. With a modern crank key. The case has been subject to repairs previously. Some veneer replacement on the top and back door. The movement requires a clean and service. The brass securing brackets are Victorian replacements.
A RARE TYPE 1 RAF OPERATIONS ROOM SECTOR WALL CLOCKBy F. W. Elliott Ltd. No. 6851, dated 1939The mahogany case with moulded dial surround and cast bezel, hinged side door and pendulum access door, 14in. painted dial with RAF insignia and tri-coloured sector ‘flags’, outer 12-hour chapters and inner 24-hour markings, within 5-minute marker ring, black painted steel spade hands, the chain fusée movement with anchor escapement, corn-coloured lacquered plates, four plain turned pillars, screwed to the backplate, stamped 6851 / F. W. ELLIOTT LTD. / ENGLAND / 1939, the reverse of the case also stamped A M between a crown / F. W. ELLIOTT Ltd. / 1939 and further stamped to the righthand side of the case at the base W. S between a crown47cm diam. overallCondition ReportWith its pendulum and a winding crank key.The clock appears in good original condition. Some small joint movement to the wooden bezel. The side door fillet has been repaired and subsequently the door repolished. The pendulum access door a possible replacement? Evidence of repairs to the base here and re-polishing. The polishing to the sides appears original and one can see a slight crazing to the surface of the polish supporting that. The dial has some very slight chips to paint around the winding hole. Original surface overall with a cracquleur to the surface. Possibly the RAF crest with some decoration refreshed? The coloured sectors refreshed. The four pegs holding the dial surround to the case are not the originals.
A LATE WILLIAM IV/EARLY VICTORIAN MAHOGANY DROP-DIAL WALL CLOCKBy Vulliamy, London, No. 1829, circa 1840With cast brass glazed bezel, above the painted dial, with pierced blued steel moon hands, the signed fusée movement with rectangular plates and four turned pillars and anchor escapement36.5cm diameter; 47cm high Condition reportWith 12in brass pendulum. The movement appears to have been ‘dipped’ when last cleaned and is now tarnsihed. The dial is worn and requires restoration. The case requires careful sympathetic restoration. The drop front panel has a screw hole in its centre. Veneer chips to the left side and to the underside. A piece of fillet from the underside door is lost. Some old white paint. Some chips to the fillet overhang of the side door. There is no key or case key.
A MAHOGANY AND BRASS LINE INLAID DROP DIAL CLOCKSigned Gravell & Son, London, No. 4042With stepped moulded mahogany dial surround, cast brass bezel (and loose convex glass), with 12in. silvered brass signed dial, blued steel hands, above an associated back box with drop panel inset to the front inlaid with a star, above curved panel and inset door, with a pair of panel doors to the sides, the five knopped pillar chain fusée movement with deadbeat escapement and steel-rod pendulum with large brass bob, dial and case associated64cm highCondition reportWith its pendulum, there is no winding key. The clock is in good condition. As noted above the glass is loose. The dial silvering is not worn or marked. The movement is dusty and will require a service. The back box with its drop is associated to the dial and surround. There are some filled holes to each side of the case which correspond with a replacement seatboard support on each side.
A GEORGE III MAHOGANY TEN-INCH VERGE DIAL CLOCKBy Thomas Wagstaffe, London, circa 1780With a cast moulded glazed bezel, above signed silvered dial, with pierced blued steel hands, the gut fusée movement with tapered plates and verge escapement, saltbox case with four steel pins32cm diameter overall.Thomas Wagstaff is recorded working at Carey Street and Gracechurch Street 1756-93.Condition reportIn good overall condition. The movement appears to have been cleaned fairly recently. The dial silvering is not worn. Side and base door hinges are modern replacements. The oak fillets to each panel appear to have been replaced. There is no winding key. The shape of the arched top and apron on the salt box are usual. Whilst the oak of the box is old, is this possibly a replacement?
A GEORGE III MAHOGANY DIAL CLOCKThe dial signed James Houghton, SouthwarkThe case with a moulded dial rim and cast brass glazed bezel above an 11 3/4in circular brass dial, signed, with steel spade hands, the gut fusée movement with tapering plates with anchor escapement (formerly verge), dial surround and case possibly associated37cm diam; 40cm high overallCondition reportThere is a steel winding key and a key for the bezel lock. The wooden bezel surround has a split at 11.30. A split and repair at 9 o’clock and also at 3 o’clock. Side door has chips to the side fillets. The dial has lost its silvering. As noted the dial surround and case are probably associated. The movement has been converted to anchor escapement from a verge.
An Arts & Crafts oak pot cupboard, by Wylie and Lochhead, Glasgow, the open work top rail above a rectangular moulded top and single panelled door applied with oxidised strap hinges, opening to a single shelf, upon front bracket supports extending to a spreading foot, ivorine makers plaque to the door interior, 90cm H x 46cm W x 40cm DCondition reportSome light water marks and stains to the top, otherwise light general commensurate wear only.
An Arts & Crafts oak wardrobe, by Lee, Longland & Co, Birmingham, early 20th century, the oversailing cornice above a single mirrored door, applied with copper oxidised strap hinges, flanked by leaded glass panels, upon bracket type feet to the fore, each pierced with a heart shaped aperture, makers label to the door interior, 198cm H x 91cm W x 51cm D
An Arts & Crafts Gothic Revival ash inlaid wardrobe, attributed to Charles Bevan, possibly designed for Marsh, Jones & Cribb, Leeds, the ecclesiastical cornice above a central mirrored door flanked by two geometrically inlaid doors, all enclosing a fitted interior with linen press slides and drawers, raised on plinth base, 231cm H x 180cm W x 55cm D, along with a conforming bedside cabinet (2) (at fault)Condition reportMultiple trefoil details missing from the cornice, beading missing from the top of the right and left hand sides below the cornice causing the cornice to tilt.Slight concave bow to both wardrobe doors, door also lacking a lock.All slides and drawers feel 'tight' due to damp.Minor split to the back boards, dry and faded patina to the LHS of the wardrobe with some joint splints to the plinth base.General evidence of damp throughout particularly to the base, although no visible evidence of woodworm.The bedroom suite was originally removed from a counties border farmhouse property in an untouched condition.The pot cupboard has a dull faded patina with damp damage to the plinth, very minor evidence of woodworm to the gallery.Both items will require a degree of restoration.
A Victorian style oak triple wardrobe, by Oakwood, Traditional Furniture, Chester, late 20th/early 21st century, the moulded cornice over three fielded panelled cupboard doors, upon polished 'H' brass hinges, the right hand door opening to three fitted drawers, with hanging rails to the double compartment, all upon a plinth base with integral ogee bracket feet, 214cm H x 184cm W x 66cm DWardrobe disassembles into five parts, cornice, plinth base and the three main sections.Width without cornice 171cmSolid oak rather than veneered.
A Scottish George III mahogany cased eight day longcase clock, signed David Hill, Edinburgh, the hood with a twin swan neck pediment over beaded brass mounts and a pair of brass embellished freestanding fluted pillars, flanking the 31cm silvered break arch dial, applied with Roman and Arabic numerals, silent/strike indicator and subsidiary seconds dial, signed with the makers name and enclosing the four pillar, two train movement striking on a saucer bell, over the shaped flame mahogany door and conforming quarter columns, canted lower board, 216cm high, two weights and pendulum
A mid 18th century oak cased eight day longcase clock, signed ‘E.Bullock, Ellesmere’ (Shropshire), the moulded cornice and tapering half pillars flanking the 31cm square brass dial, centred with a date and moon phase aperture, applied with Roman and Arabic numerals, signed with the makers name, enclosing the two train movement striking on a saucer bell, the profusely later carved case inset with a glazed circular viewing window, over a conforming lower board and bracket feet, 216cm high, two weights and pendulum, bezel diameter 26cmCondition reportGlass side panels and glass door appear to be later associated.Additional laths have been applied to the top of the backboard on both sides, along with runners and cut aways to the cheek pieces indicating a level of alteration/restoration.General tarnishing to the dial, movement is un-tested however appears dirty and dusty, evidence that it hasn't run for some time.Glass viewing aperture is later, hinges are also later with blocks added to the interior, the plinth base also appears to be later.Case with some minor chips and splits commensurate with age and use.Overall the case appears to have undergone a degree of restoration.
A thirty hour oak cased longcase clock, signed Thomas Lister, mid to late 18th century, the moulded cornice over a pair of freestanding pillars flanking the 31cm silvered and brass dial, applied with Roman and Arabic numerals, centered with a 'half penny' moon phase aperture, along with a date aperture and the makers name, enclosing the thirty hour movement striking on a saucer bell, the oak case with conforming quarter pilasters flanking the arched door, 211cm high, weight and pendulum
An oak cased thirty hour longcase clock, signed Phillips, Ashburne, the 28cm square brass dial applied with Roman and Arabic numerals, centred with a date aperture and signed with the makers name, the thirty hour movement striking on a saucer bell, to a cross banded oak case with an arched door and plain lower board, 200cm high, weight and pendulum
A French Louis XV style walnut triple wardrobe, early to mid 20th century, the cornice of break arch form applied with a gilt metal mount, over a shaped mirrored middle door, flanked by convex doors of a single drawer, upon French cabriole legs applied with gilt metal mounts, 245cm H x 205cm W x 62cm D with a French Louis XV style walnut double bed, early to mid 20th century, the break arch headboard applied with gilt metal mounts, inlaid with geometric banding upon French cabriole legs, with a conforming curved footboard, side rails and an associated modern bed base, headboard measures, 167cm H x 176cm W (2)
A pair of Louis XV style walnut and marble topped bedside cupboards, early to mid 20th century, each with a raised back applied with a gilt metal mount cast as cherubs and foliate scrolls, over the shaped and variegated marble tops, single frieze drawer and cupboard door, upon French cabriole legs applied with conforming gilt metal mounts and sabot, 118cm H x 54cm W x 43cm D (2)
An early George III oak dresser base, the cleated plank top over a central arched cupboard door, encircled by seven graduated drawers, applied with brass swan neck swing handles, upon a plinth base, 85cm H x 203cm W x 54cm DCondition reportMinor separation splits to the top and LH side. RH edge has a rough sawn finish opposed to the cleated LH edge.General minor chips marks and losses to the drawer fronts, the bottom LH drawer has a split in the drawer liner, later added braces to the interior and subsequently feels tight, all other drawers run smoothly.The dresser appears to be structurally sound however it would benefit from a 'clean and tidy'.
A Victorian ebonised and walnut banded credenza, the central cupboard door inset with an oval French porcelain plaque, flanked by glazed cupboard doors enclosing an arrangement of shelves, punctuated by fluted and tapering pillars, upon a plinth base and mushroom shaped feet, 108cm H x 177cm W x 42cm D (lacking rear foot, at fault)
Seth Thomas walnut cased calendar clock, painted 12.5 inch dial with Roman numerals, with 8.25 inch calendar dial beneath, opening door with original instruction label on the inside, with key, 70cm drop, width 38cmPlease note our special conditions of sale regarding clocks and watches (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Lanson, Keighley, mahogany eight day musical chiming longcase clock, the hood with verre eglomise painted glass panels, over reeded columns flanking a 12 1/2 inch brass dial with rolling moon to the arch, silvered chapter ring, the centre signed and engraved with a swan, eight day movement striking on a gong and eight bells, with pendulum and two weights, flame mahogany door with reeded quarter pilasters, over a panelled box base, height 229cmPlease note our special conditions of sale regarding clocks and watches (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Oak and inlaid bureau bookcase, the top with a moulded cornice over two moulded panel doors inlaid with boxwood and ebony fan panels, opening to two adjustable shelves, over a similarly inlaid slope front and opening to drawers and pigeonholes around a central cupboard door, the front having one long and two short drawers over three graduated long drawers, all raised on turned legs, width 102cm, height 194cm, depth 55cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Mahogany bow front corner display cabinet, in the French taste, having a single glazed door opening to two fabric covered shelves, over a cupboard base with finely figured doors, raised on splayed square section supports, height 171cm, width 52cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Thomas Richardson, Weaverham, mahogany eight day longcase clock, circa 1795, the hood with brass capped turned columns flanking a 14 inch square dial with signed silvered chapter ring, subsidiary seconds and a matted centre, the movement striking on a bell, the trunk having a well figured door and quarter pilasters over a box base with canted corners, raised on bracket feet, with pendulum and two weights, height 213cmPlease note our special conditions of sale regarding clocks and watches (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Matched pair of French walnut, parquetry and marble topped night tables in Louis XVI style, having scagliola oval marble tops fitted with a single drawer and recessed parquetry panel cupboard door, opening to a marble lined interior, ormolu mounts throughout, raised on tapered fluted and turned legs with a platform shelf beneath, width 41cm, heights 84cm and 83cm, depth 35cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Late Victorian or Edwardian mahogany and inlaid display cabinet, circa 1895-1910, having a boxwood inlaid anthemion frieze over a central astragal glazed door, crossbanded with satinwood and flanked on either side by concave glazed panels enclosing blue fabric covered shelves, raised on tapered square section legs with boxwood tramlines, with a platform shelf beneath and spade toes, width 123cm, height 176cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
J Carter, Warrington, mahogany eight day longcase clock, circa 1820, the hood with turned wooden finials and turned columns flanking a painted 14 inch arched dial with moon phase, Roman numerals, subsidiary seconds and date dials, floral painted spandrels, the movement striking on a bell, the trunk with figured door within reeded pilasters, over a canted box base, height 216cmPlease note our special conditions of sale regarding clocks and watches (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Late Victorian mahogany and inlaid wall mounted display cabinet, circa 1890, in Sheraton Revival style, with broken arched pediment with satinwood and harewood inlays, single glazed bevelled glass door crossbanded with satinwood, opening to two plate glass shelves, bevelled glass panelled sides, shaped apron, width 59cm, height 92cm, depth of the interior 11.5cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
George III mahogany bureau, circa 1780, the slope front opening to an attractive configuration of pigeonholes and drawers around a central cupboard door, fitted with two short and three long drawers, with brass swan neck handles, within reeded quarter pilasters and raised on ogee bracket feet, width 110cm, height 113cm, depth 54cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Samuel Collier, Eccles, a mahogany eight day longcase clock, circa 1770, the hood with verre eglomise panels and brass capped reeded columns, flanking a 14 inch painted arched dial with moon phase, Roman numerals, subsidiary seconds dial and date aperture, the movement striking on a bell, the trunk with well figured door within quarter pilasters, on a canted box base with raised panel, height 227cmPlease note our special conditions regarding clocks and watches (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
George III oak and inlaid flat front corner cupboard, circa 1800-20, having a dentil cornice with blind fretwork over a single fielded panel door with central inlaid oval, opening to three painted shaped shelves, height 108cm, width 52cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
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