William Stumbles, Totnes, An oak cased longcase clock, the eight-day duration, five pillar movement striking the hours on a bell, the twelve inch arched brass dial having a raised silvered chapter ring engraved with black Roman numerals and five minute outer markings, the matted centre having an inset subsidiary seconds dial and date aperture and having rococo style cast brass spandrels, with a silvered boss to the arch engraved with the maker's name 'Wm. Stumbles, Totnes', the associated oak case having a panelled base, arched trunk door, barley twist columns to the hood and an arched top with blind fretwork set within, height 225cm. *William Stumbles was one of the finest of the Devon clockmakers originally working at Aveton Gifford, where he married Sarah Phillips in 1716, before moving to Totnes in 1729 where he died in 1769. He made clocks for some of Devon's oldest families including the Courtenays and Carews. There is one of his finest clocks still at Powderham Castle.
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Thomas Hall Londini fecit, A walnut longcase clock, the ten inch square brass dial having a silvered chapter ring engraved with black Roman numerals, Arabic outer numerals and fleur-de-lys half hour markings, the matted centre having a subsidiary seconds dial and engraved centre with cherub head spandrels to the four corners and engraved below the chapter ring with the maker's name 'Thomas Hall Londini fecit', the later movement having adjustable pallets to the dead beat escapement and striking the hours on a bell, the backplate stamped 'Peerless, 325060', the later walnut case having a panelled base, crossbanding to the trunk door, applied columns to the hood and a pagoda top, height 220cm. *Thomas Hall is recorded as working in London from his apprenticeship in 1675 becoming free of the Clockmakers company in 1695.
J Watson, London, A Victorian 'Georgian style' mahogany longcase clock, the eight-day duration movement striking the hours on a bell, the twelve inch arched brass dial having a raised chapter ring engraved with black Roman numerals, the matted centre having a subsidiary seconds dial and a silvered arched name plate engraved with the maker's name 'J. Watson, London', and female head spandrels to the four corners, with a silvered 'strike/silent' dial with dolphin spandrels to the arch, the mahogany case having a double plinth, canted corners to the trunk, an arched door, fluted columns with cast brass capitals to the hood and a shallow pagoda top, height 280cm. *John Forrest Watson is recorded as working in the late 19th century.
Obediah Cluer, London, A lacquer longcase clock, the eight-day duration movement having five turned, finned pillars and striking the hours on a bell with an inside countwheel, the twelve inch arched brass dial having a raised silvered chapter ring engraved with black Roman numerals, Arabic outer five minute numerals and fleur-de-lys half hour markings, the matted centre having ringed winding holes with bird and floral engraving to the date aperture, with female head cast brass spandrels to the four corners and dolphin spandrels to the arch either side of a silvered boss engraved with the maker's name 'Obed. Cluer, London', the flat topped black lacquered case decorated with raised Oriental chinoiserie work to the door, base, with quartered columns to the hood and a pagoda top, height 198cm. *Obediah Cluer was apprenticed in 1682 becoming a Freeman of the Clockmakers Company in 1710 before moving from London to Lewisham, then in Kent, where he died in 1739.
Tim Stafford, Ironbridge, An oak moonphase longcase clock, the eight-day duration movement striking the hours on a bell with the thirteen inch painted arched dial having a moon phase disc to the arch, floral decoration to the four corners, seconds dial and date aperture to the centre, black Arabic numerals and signed by the maker 'Tim Stafford, Ironbridge', the falseplate embossed with the dial maker's name 'Finnemore, Birmingham', the oak case having mahogany crossbanding, a raised oval panel to the base, shell inlay to the trunk door, fluted pillars with brass capitals to the trunk and hood and a swan-neck pediment with a brass ball and eagle finial, height 227cm.
A George III mahogany crossbanded and inlaid pot cupboard, bordered with boxwood and ebony lines, the top with a pierced three-quarter gallery and a rosewood crossbanded octagonal panel within cedar veneered surround, the dummy door front with kingwood crossbanded oval panels and with cedar quarter veneered panels to the sides, the reverse with an oval aperture, having a shaped apron, on square tapered legs, 40cm wide.
A black japanned, chinoiserie decorated and 'pietra dura' cabinet on stand with hinged sarcophagus top above an arrangement of eleven drawers around the central door, a pull-out slide and further drawer below and on tapering square legs with pierced scroll brackets, 147cm high x 97cm wide, five 'pietra dura' panels simulated.
A pair of Victorian walnut marquetry and gilt metal mounted pier cabinets, the cushion friezes decorated with sprays of flowers and foliage, each enclosed by a shaped glazed panel door with floral foliate and applied rosette ornament, the pilasters stiles similarly decorated and with applied mask, scroll and foliate decoration, raised on shaped plinths, 83cm wide x 110cm high.
A Victorian walnut crossbanded and inlaid low side cabinet of recessed breakfront outline, bordered with box lines, the top with an ebonised moulded edge, the frieze with continuous anthemion leaf and husk designs, enclosed by a central glazed panel door, franked by an enclosed cupboard to either side with recessed panels decorated with central quatrelobe flowerhead and foliate medallions, having beaded surrounds, between ebonised and gilt fluted column with gilt metal corinthian capitals on a plinth base with short turned tapered feet, 168cm long.
A Victorian walnut and inlaid upright secretaire music cabinet bordered with boxwood lines and decorated with flowerhead and foliate scroll spandrels, having a pierced gilt metal three-quarter gallery, the upper section with a fitted maple and ebonised interior with three central drawers flanked by pigeon holes and with sliding adjustable ratcheted tooled leather inset writing surface, having shelves below enclosed by a glazed panel door on bracket feet with castors, 62cm wide.
Ambrose Heal for Heal & Son, an Arts and Crafts oak triple 'Newlyn' wardrobe, circa 1898, with a central mirrored door and steel furniture, the two drawer base with turned supports and stretchers, 192cm high, 192cm wide, 64cm deep. See Goodden, Susanna 'At the Sign of the Fourposter: A History of Heal's' London 1984, p. 14 for a woodcut of the Newlyn suite in a room setting. Visit www.dnfa.com for condition reports.
An Arts and Crafts mahogany and inlaid display cabinet, the two door upper cabinet on pierced arched side supports above a mirrored recess, the two base doors flanking a mother of pearl and marquetry floral panel, on four square tapering supports with flared square feet, applied trade label 'D. Hibbert Cabinet Maker 273 & 275 Stamford St Ashton-U-Lyne', 207cm high, 122cm wide, 44.5cm deep. See sale these rooms 'Decorative Arts since 1860' 7th March 2007, lot 599 for a similar example and Christie's South Kensington sale 'Classic Art Nouveau' 11th April 2001, lot 156 for a similar example with differing inlay. Visit www.dnfa.com for condition reports.
A 19th Century rosewood cabinet, the gilt metal three quarter gallery cast with foliate trefoils above a beaded frieze, the single door inlaid with a brass foliate medallion, enclosing three drawers and an open shelf, flanked by two barley twist columns with acanthus leaf capitals, on turned baluster legs, width approx 47cm (alterations and restoration).
A George III mahogany longcase clock, with eight day movement striking on a bell, the painted break arch dial with rolling moon to the arch above subsidiary seconds, date dial, Roman numerals and inscribed 'Heny Kellitt, Bredbury', cornered by painted figures emblematic of the Continents, the hood with swan neck pediment surmounted by three brass ball and eagle finials above turned columns and a glazed door, the crossbanded case with triple arched trunk door flanked by turned columns on a canted corner base and bracket feet, height approx 238cm (faults).
A mid-19th Century French gilt brass carriage alarm clock with eight day repeating movement striking on a bell, the enamel dial with black Roman numerals, subsidiary alarm dial, trefoil hands and inscribed 'Dent A Paris', the backplate similarly inscribed, the glazed case with finely engraved floral and scroll decoration and shuttered back door on a plinth base, height approx 15cm, together with a leather travelling case.
A George III chinoiserie painted longcase clock with eight day movement striking on a bell, the brass break arch dial with strike/silent indicator above Roman numerals, subsidiary seconds, date aperture and inscribed 'John Hawting, Oxford', the arched hood with three gilt ball finials above a glazed door, the arched trunk door and base painted and gilt with Chinese figures and landscapes, on bracket feet united by a shaped apron, height approx 233cm (some faults).
A small Regency rosewood bracket clock with eight day twin fusee movement striking on a bell, the square silvered dial with Roman numerals and inscribed 'C.J. Case, 54 Bishopsgate St. London', the backplate similarly inscribed, the brass inlaid case with pagoda top and acorn finial above a glazed door flanked by gilt metal scale design fret panels, on a plinth base and bun feet, height approx 30.5cm, together with a matching wall bracket.
A Regency figured mahogany regulator longcase, the enclosed brass five-pillar movement with dead beat escapement, the silvered circular dial with subsidiary seconds and hours and inscribed 'Molyneux, London', above a steel and mercury compensated pendulum, the hood with arched pediment above a dentil frieze, the rectangular glazed door flanked by canted corners on a panelled base and plinth, height approx 193cm.
A George III and later oak longcase clock with eight day movement striking on a bell, the brass break arch dial engraved with strike/silent indicator above Roman numerals, subsidiary seconds, date aperture and inscribed 'Willm Harvey, Brentwood', cornered with foliate scrolls, the pale oak case with arched pediment above a rectangular trunk door, plain base and bracket feet, height approx 208cm (faults).
A George III mahogany longcase clock with eight day movement striking on a bell, the brass breakarch dial with subsidiary seconds and date aperture framed by a chapter ring with Roman numerals, cornered with coat of arms spandrels, beneath a circular boss to arch inscribed 'Smoult and Gilbertson, Newcastle', the arched hood with pierced fretwork pediment surmounted with three gilt metal ball finials, the trunk with crossbanded arched door flanked by canted corners above a crossbanded base cornered with leaf inlay, on bracket feet, height approx 227cm (some faults).
A GEORGE III OAK AND MAHOGANY LONGCASE CLOCK having a breakarch pediment, verre eglomise type panel and fluted columns, the eight day movement with silvered dial, moon phase and secondhand, signed Wm Lawson Newton, with brass spandrels and engraved decoration, the case with fluted pilasters and arched panel door, 84" high (see illustration). Note: William Lawson is recorded as working in Newton the Willows, Lancashire circa. 1770.
A late Victorian six piece bedroom suite by John Taylor & Sons of Edinburgh, comprising a breakfront wardrobe with central mirrored door flanked on either side by a door enclosing hanging space, the whole above three base drawers, raised on plinth base, a washstand, a dressing table with ornate carved swing mirror and trinket drawers above two short drawers and one long drawer, a bedside cupboard, and two bedroom chairs, the whole elaborately carved with floral panelling and inlaid throughout with decorative satinwood panels (Illustrated)
AN 18TH CENTURY OAK DOUBLE DOME TOPPED TWO DOOR CUPBOARD, the doors with raised and fielded panels flanking centre fielded panel with urn finial above, on a projecting base with two long and one centre short drawers having raised and fielded panels, standing on bun feet. C1720. 54" Wide x 82" High x 25" Deep. Provenance :- National Trust Llandeilo.
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235346 item(s)/page