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Lot 124

A 19TH CENTURY MAHOGANY POT CUPBOARD, with arch panel door, and one other (2)

Lot 18

An oak and mahogany banded eight-day longcase clock, the replacement movement with painted dial, subsidiary seconds and calendar aperture, signed Jno Blaylock, Longtown, phases of the moon to the arch, four pillar movement, the case enclosed by a shaped panel door, plinth base, the break arch hood with broken swan neck pediment and flanked by fluted columns, height 221cm (83in.).

Lot 1372

A Mahogany Striking Trunk Dial Wall Clock, R.C.Marsh, Birmingham, circa 1870, circular top with side opening doors, trunk with front pendulum window and flanked by later added carved "ears", bottom opening door, 11-inch painted dial with Roman numerals, twin fusee movement with anchor escapement and rack striking on a bell, 74cm high see illustration

Lot 1387

A Fine Late 17th Century Pull Quarter Repeating Verge Table Clock, signed John Bushman, London, circa 1695, the case with foliate cast brass and pierced basket top and carrying handle, above a moulded cornice, brass repousse sound side frets, pull quarter repeat cord and small vacant hole for the hour repeat cord (cord lacking) to the opposite side, mounts to the front door possibly later, rectangular moulded base raised upon later claw feet, 7-inch brass dial with silvered Roman and Arabic chapter ring with half-quarter marks and elaborate half hour marks, strike/not strike lever positioned above 12, matted dial centre with mock pendulum aperture revealing a silvered plaque signed John Bushman, London, date aperture surrounded by engraved scroll work, ringed winding holes, winged cherubs head spandrels, movement with seven baluster pillars and verge escapement, rack striking on a bell and pull quarter repeating on a nest of five bells, the backplate with foliate scroll work throughout and central cartouche signed by the maker, pierced apron, 45cm high see illustrations John Bushman (b.1691) has pieces in the V&A Museum, the Metropolitan Museum of Art in New York, the Ilbert Collection, etc. He was made a Brother of the Clockmakers Company in September 1692, and is thought to have worked as a clock and watch maker in London until 1725. See Loomes (Brian) The Early Clockmakers of Great Britain, p.129.

Lot 1388

A Mahogany Eight Day Longcase Clock, the case with swan neck pediment, turned pillars, wavy shaped trunk door with inset plain pilasters, plain rectangular plinth upon bracket shaped feet, 14-inch arched painted dial with Roman and Arabic numerals bearing inscription Willm Barlow, Ashton, date aperture, arch with moonphase (not functioning), four pillar movement with anchor escapement and rack striking on a bell, 236cm high (dial and movement later associated to the case)

Lot 1389

A Mahogany Eight Day Longcase Clock, signed Blair Flight, Kenross, circa 1800, the swan neck pediment with blind fret work, fluted columns, nicely figured and inlaid trunk door flanked by inset pilasters, rectangular plinth raised upon later bracket feet, 14-inch painted arched dial with Roman and Arabic chapter, date aperture and subsidiary seconds, floral spandrels, rolling moon in the arch and signed above (minute hand broken), four pillar movement with attached falseplate stamped Osborne, anchor escapement and rack striking (bell missing), 226cm high see illustration

Lot 1390

A Mahogany Eight Day Longcase Clock, circa 1820, the nicely figured case with swan neck pediment, gilt painted glazed images of lions and central Prince of Wales feathers, fluted square shaped columns, arched trunk door with acorn finial, flanked by fluted pilasters and inlaid ebony stringing, rectangular plinth with boxwood inlaid stringing and canted corners, 14-inch painted arched dial with Arabic chapter, Prince of Wales feather spandrels, two subsidiary dials for seconds and date, arch with rolling moon, four pillar movement with attached falseplate stamped Owen, anchor escapement and rack striking on a bell, 234cm high see illustration

Lot 1391

An Oak Chiming Longcase Clock, the pagoda top pediment with fluted columns, case later carved throughout, arched trunk door flanked by canted corners, plinth raised upon later bracket feet, 12-inch painted arched dial with Roman and Arabic numerals and inscribed LVR, floral spandrels and the arch depicting birds, triple weight driven movement with attached falseplate stamped Wilson, quarter striking with two hammers onto two bells and a further hammer striking a bell for the hours, 240cm high See illustration

Lot 1392

An Oak Eight Day Longcase Clock, signed A Crawford, Scarbro, circa 1810, the case with a swan neck pediment, turned columns, arched trunk door, rectangular plinth raised upon bracket feet, 12-inch painted arched dial with Arabic numerals, dial centre with subsidiary seconds and date aperture, spandrels and the arch with painted floral decoration, four pillar movement with anchor escapement and rack striking on a bell, 225cm high see illustration

Lot 1393

A Scottish Mahogany Eight Day Longcase Clock, signed K.Murdoch, Ayr, circa 1820, the nicely coloured case with swan neck pediment and fluted columns, pierced side sound frets, rectangular trunk door, crossbanded plinth raised upon later bracket feet, 14-inch arched painted dial with Roman numerals, dial centre with subsidiary seconds, date and signed, spandrels depicting figural poets, the arch depicting a figural lake scene, four pillar movement with anchor escapement and rack striking on a bell, 218cm high see illustration

Lot 1394

A Mahogany Eight Day Longcase Clock, signed Tho Green, Liverpool, circa 1790, the nicely figured case with swan neck pediment, four fluted columns to the hood, wavy shaped trunk door with plain inset pilasters, raised quatre form panel to the plinth and brick work design to the corners, upon bracket feet, 14-inch white painted dial with Arabic and Roman numerals, inner date ring (central corresponding date hand missing), rolling moon phase in the arch, later minute hand, four pillar movement with attached falseplate unsigned, anchor escapement with rack striking on a bell, 231cm high see illustration

Lot 1395

An Oak Eight Day Striking Longcase Regulator, the case with a caddied pediment and turned finials, twisted columns, glazed front door flanked by twisted pilasters, 13-inch silvered dial with Roman numerals and signed James, Whitelaw, Edinburgh, subsidiary seconds, strike/silent above 12, twin weight driven movement, half hour striking with two hammers on to two bells and hour striking on to a larger gong, "Harrisons" maintaining power, deadbeat escapement with jewelled pallets, mercury tubed pendulum with regulator silvered scale beneath, 236cm high (dial and movement circa 1850, is later associated to the case, early 20th century) see illustration

Lot 1396

A Longcase Regulator, the satinwood and burr walnut veneered case with arched pediment and applied gilt metal mounts to the plinth, trunk door with a bevelled glass, 12-3/4-inch silvered dial with Roman numerals and inscribed R.Chrystie, Dumfries, subsidiary seconds, single weight driven four pillar movement with deadbeat escapement, 211cm high (dial and movement later associated to the case) see illustration

Lot 1397

An Oak Chiming Longcase Clock, signed W Potts & Sons Ltd, Leeds, circa 1910, the case with flat top pediment, twisted columns, pierced side sound frets, rectangular trunk door with carved moulding, plinth with quatre form carved moulding, 11-inch square brass dial with silvered chapter ring, matted dial centre with subsidiary seconds, ringed winding holes and a silvered plaque signed, silent/chime lever positioned above 12, twin weight driven movement with deadbeat escapement and quarter chiming with five hammers striking on to five gong rods, 213cm high see illustration

Lot 1398

A Small Mahogany Chiming Longcase Clock, retailed by Armstrong, Manchester, circa 1910, plain mahogany veneered arched case, pierced side sound frets and canted corners, recessed rectangular trunk door, plinth raised upon bracket feet, 10-1/2-inch arched brass dial with silvered chapter ring signed, chime/silent lever positioned at 3, strike/silent lever positioned at 9, the arch with silvered Tempus Fugit disc, triple weight driven movement with anchor escapement, chiming four hammers onto four gong rods and striking the hours with three hammers onto three gong rods, 194cm high (pendulum missing) see illustration

Lot 1399

A Mahogany Chiming Longcase Clock, the case with swan neck pediment, wavy shaped trunk door flanked by inset fluted pilasters, plinth with raised quatre form panel and canted corners, upon stepped skirting, 13-inch arched brass dial with Roman and Arabic chapter ring and inner date ring with corresponding central date hand, textured dial centre with plaque bearing inscription Simcock, Liverpool, subsidiary seconds, arch with rolling moonphase, four pillar movement with anchor escapement and extra attached chiming movement to the side, quarter striking with eight hammers striking onto a nest of eight bells and a further bell for the hours, later seatboard, 244cm high (dial later associated to the movement and both are associated to the case, one weight missing) see illustration

Lot 1400

A Mahogany Eight Day Longcase Clock, swan neck pediment with glazed front apertures, fluted columns, trunk with blind fretwork, nicely figured trunk door flanked by inset fluted pilasters, plinth with raised quatre form panel, later bracket feet, 13-inch arched brass dial with Arabic and Roman chapter ring with inner date ring and corresponding central date hand, textured dial centre with subsidiary seconds (hand missing), plaque bearing inscription Monks, Prescot, later added arch with printed scene, four pillar movement with anchor escapement and rack striking on a bell, (dial later associated to movement and both are associated to the case), 241cm high see illustration

Lot 1401

An Edwardian Inlaid Mahogany Chiming Longcase Clock, swan neck pediment with inlaid canted corners, pierced side sound frets, case inlaid throughout with satinwood, boxwood and ebony stringing, arched trunk door with bevelled glass, recessed moulded plinth raised upon bracket shaped feet, 13-1/4-inch arched brass dial with silvered Roman chapter ring, matted dial centre with subsidiary seconds, three subsidiary dials in the arch for strike/silent, chime/silent and Westminster/Whittington, massive triple weight driven movement with deadbeat escapement, quarter chiming with eight hammers striking a nest of eight bells and striking a large gong for the hours, 240cm high see illustration

Lot 1402

A Mahogany Eight Day Longcase Clock, signed Obadiah Brandreth, Middlewich, circa 1790, the case with swan neck pediment, turned pillars, wavy shaped trunk door flanked by fluted pilasters, rectangular plinth with later feet, 13-inch arched brass dial with Roman and Arabic chapter ring with inner date ring (central date hand missing), dial centre with engraved scroll work and subsidiary seconds, rolling moon arch signed above, four pillar movement with anchor escapement and rack striking on a bell, 218cm high (one weight missing) see illustration

Lot 1403

A Mahogany Eight Day Longcase Clock, case with swan neck pediment, later inlay throughout with boxwood stringing and shell inlay, wavy shaped trunk door with acorn finial, inlaid rectangular plinth upon bracket feet, 14-inch arched brass dial with Arabic chapter ring, dial centre bearing inscription Jaques, Wakefield, arch with Tempus Fugit disc, four pillar movement with anchor escapement and rack striking on a bell, 237cm high (dial associated to movement and both are associated to the case) See illustration

Lot 1404

A Mahogany Eight Day Longcase Clock, swan neck pediment with carved wooden petals, turned columns, mahogany crossbanded trunk door flanked by fluted inset pilasters, rectangular plinth with canted corners and upon bracket shaped feet, 12-inch arched brass dial with silvered chapter ring bearing inscription Barwise, Cockermouth, painted scene in the arch, movement with anchor escapement and outside countwheel striking on a bell, 225cm high (dial is later associated to the movement and both are associated to the case) See illustration

Lot 1405

A Mahogany Eight Day Longcase Clock, flat top pediment with fluted columns, arched trunk door flanked by canted inlaid corners, 13-inch arched brass dial with two subsidiary dial for seconds and date, the arch with rolling moon and bearing inscription above Thomas Arlot, Sunderland, four pillar movement with anchor escapement and rack striking on a bell, 214cm high (dial later associated to the movement and both are associated to the case) see illustration

Lot 1406

An Oak and Mahogany Eight Day Longcase Clock, swan neck pediment with later columns, mahogany crossbanded trunk door flanked by fluted corners, plinth with raised panel and upon later bracket feet, 12-inch arched brass dial with silvered chapter ring, dial centre with engraved scrollwork, date aperture and subsidiary seconds, arch with engraved circular disc and (above with an arched plaque now missing), four pillar movement with anchor escapement and rack striking on a bell, later seatboard, 231cm high (dial and movement circa 1770, possibly associated to the case circa 1770) see illustration

Lot 1407

An Oak Thirty Hour Longcase Clock, the case later carved throughout, pediment with mask and scroll work, carved masks to the sides, rectangular trunk door with moulded borders, plinth with skirting missing, 11-1/4-inch square brass dial with Roman and Arabic chapter ring signed Barber, Winster, matted dial centre with date aperture, later minute hand, four pillar movement with anchor escapement and outside countwheel striking on a bell, movement frontplate numbered 532 (dial and movement circa 1761are later associated to the oak carved case), 250cm high see illustration

Lot 1408

An Oak Thirty Hour Longcase Clock, signed Kidd, Malton, circa 1770, the case with a caddied top, turned columns, wavy shaped trunk door, rectangular plinth raised upon later bracket feet, 11-inch square brass dial with silvered chapter ring, dial centre with scroll and bird engraving and signed, subsidiary seconds, four pillar movement and anchor escapement, outside countwheel striking on a bell, 213cm high see illustration

Lot 1409

A Japanned Eight Day Longcase Clock, signed John Simpson, London, circa 1750, the case with caddied pediment, side viewing windows, case with Oriental decoration throughout, arched moulded trunk door, 12-inch arched brass dial with Roman and Arabic chapter ring, matted dial centre with subsidiary seconds, date aperture, engraved borders, arch with engraved circular silvered plaque and signed, four pillar movement with anchor escapement and rack striking on a bell, 247cm high see illustration

Lot 1410

A Scottish Mahogany Eight Day Longcase Clock, signed A Cockburn, Haddington, circa 1820, the case with drum shaped pediment with a single eagle finial, rectangular trunk door, recessed moulded plinth raised upon bracket feet, 13-inch circular silvered dial with Roman numerals, two subsidiary dials for seconds and date (no date drive at present), dial centre signed, four pillar movement with anchor escapement and rack striking on a bell, 228cm high see illustration

Lot 1411

A Walnut Eight Day Longcase Clock, signed John Willats, London, circa 1760, the arched top pediment with fluted Corinthian capped columns, arched moulded trunk door, re-built plinth raised upon a wavy shaped skirting, 12-inch arched brass dial with silvered chapter ring signed, strike/silent in the arch, matted dial centre with date aperture and subsidiary seconds, six pillar movement with anchor escapement and rack striking now on a later gong positioned to the backboard and converted from a bell, (case with restorations), 243 cm high see illustration

Lot 1415

A Mahogany Stick Barometer, signed Baranzino, 281 High Holbn, London, circa 1810, the case with broken arched pediment, hinged front door with latch, exposed mercury tube with silvered single vernier dial, thermometer tube lacking), case with ebony stringing to the borders, turned cistern cover, 96cm high see illustration

Lot 1416

A Mahogany Ship`s Stick Barometer, circa 1850, the case with concealed mercury tube, single ivory vernier concealed behind a hinged door containing thermometer tube, brass gimbal wall bracket, suspension loop, turned brass cistern cover, 90cm high see illustration

Lot 1418

A Mahogany Stick Barometer, signed H Davis, London, circa 1810, the case with broken arched pediment, hinged front door with latch, exposed mercury tube, silvered single vernier signed, ebony stringing to the borders, turned cistern cover, 99cm high see illustration

Lot 1519

A George II Oak Bureau of Small Proportions, mid 18th century, the fall enclosing a fitted interior of pigeon holes about a central cupboard door flanked by pilasters, above two short and two long drawers fitted with brass swan neck handles, raised on bracket feet, 76cm by 48cm by 88cm

Lot 1528

A George III Joined Oak Dresser, North Wales, circa 1750, the boarded top above three frieze drawers and a central fielded panel cupboard door flanked by four further drawers, raised on a moulded plinth with bracket feet, 214cm by 57cm by 88cm See illustration

Lot 1536

A George II Oak Low Dresser, mid 18th century, the rectangular top above three frieze drawers and central fielded panel door, flanked by two further fielded cupboard doors, raised on bracket feet, 180cm by 53cm by 91cm (good colour) See illustration

Lot 1558

An Edwardian Mahogany, Satinwood and Floral Painted Breakfront Display Cabinet, stamped Hamptons, Pall Mall, London, the ogee cornice above a lozenge decorated frieze, the central astragal glazed door enclosing a velvet lined interior of two fixed shelves, the frieze drawer decorated with painted trailing flowers, raised on slender tapering forelegs with club feet united by a shaped undershelf, 111cm by 33cm by 185cm See illustration

Lot 1568

A Victorian Walnut, Floral Marquetry and Ormolu Mounted Credenza, 3rd quarter 19th century, the egg and dart banded frieze above a central cupboard door with a marquetry oval panel of flowers and gilt figural mounts, flanked by glazed cupboards, the platform base with gilt rococo mounts and wavy shaped apron, 185cm by 46cm by 110cm See illustration

Lot 1576

A Victorian Walnut Piano Top Davenport, in the manner of Jas Schoolbred, circa 1875, the domed top opening to reveal a fitted interior of letter racks above a sliding green and gilt tooled writing surface, flanked by compartments and two inkwells, the lower section with a hinged door enclosing four long drawers with knob handles, platform base with carved brackets and raised on compressed bun feet with recessed castors, 63cm by 55cm by 107cm See illustration

Lot 1588

A French Walnut Wardrobe, late 19th century, the leaf carved scrolling pediment above two mirrored doors with foliate carved panels below, the interior fitted with brass hanging pole and single drawer below, the shaped apron raised on leaf carved and scrolling cabriole legs, 138cm by 523cm by 241cm; A Matching Dressing Chest, with shaped mirror back and grey and orange marble above a single frieze drawer and cupboard doors enclosing three sliding drawers, 123cm by 58cm by 240cm; A Pair of Marble Top Bedside Cabinets, with leaf carved superstructures, single frieze drawer and small cupboard door, raised on cabriole legs, 48cm by 42cm by 135cm; and A 5ft Bedstead, each end profusely carved with acanthus leaf and floral swags, all en suite See illustration

Lot 1621

A Mahogany and Satinwood Banded Free Standing Corner Cupboard, late 19th century, the fluted cornice above a blind fret frieze, the astragal glazed door enclosing two fixed shelves, the base with cupboard door inlaid with an oval panel of an urn, all between canted corners, raised on a platform base with bracket feet, 82cm by 48cm by 206cm

Lot 1624

A George III Mahogany Hanging Corner Cupboard, 3rd quarter 18th century, the swan neck pediment above a dentil frieze and moulded cupboard door enclosing a blue painted interior of three fixed shelves, all between stop fluted canted corners, 70cm by 40cm by 125cm See illustration

Lot 1639

A George III Mahogany Tray-Top Commode, late 18th century, with reeded tambour front drawer and a deep two-as-one dummy drawer sliding to reveal a commode, raised on square chamfered legs, 50cm by 44cm by 76cm; and Another Tray-Top Commode, with tambour door and single drawer, raised on square chamfered legs, 50cm by 44cm by 76cm (2) See illustration

Lot 1650

A George III Mahogany Serpentine Front Sideboard, circa 1800, with single frieze drawer above a shaped apron, flanked by a deep cellaret drawer and cupboard door, raised on square tapering legs with spade feet, 137cm by 56cm by 92cm See illustration

Lot 1659

A Louis XVI Transitional Style Gilt Mounted Vitrine, late 19th century, the three-quarter pierced brass gallery above a pink and grey marble top, the central glazed door with painted panel depicting two figures in a landscape, the red velvet lined interior with two fixed shelves, all between gilt metal mounts and sabots, the concave shaped sides raised on slender cabriole legs and shaped apron, 73cm by 37cm by 152cm See illustration

Lot 1675

A George III Mahogany Bureau Bookcase, late 18th century, the broken architectural and dentil pediment above two cupboard doors enclosing three adjustable shelves, the fall enclosing an attractive interior of pigeon holes, small drawers and central cupboard door flanked by reeded pilasters, the lower section of four long graduated drawers with later knob handles, raised on bracket feet, 107cm by 53cm by 250cm See illustration

Lot 1677

A Victorian Walnut and Floral Marquetry Breakfront Credenza, circa 1870, the frieze with a marquetry panel of flowers, the central cupboard door flanked by two glazed doors enclosing a faded velvet interior, flanked by gilt foliate mounts, raised on a wavy shaped platform base, 180cm by 44cm by 111cm

Lot 1679

A George III Mahogany Bureau, 3rd quarter 18th century, the fall enclosing a fitted interior of serpentine shaped drawers, pigeon holes and central cupboard door flanked by columns, above two short over three long graduated drawers with brass drop handles and escutcheons, all between moulded column supports, raised on bracket feet, 109cm by 55cm by 109cm See illustration

Lot 1687

A Walnut Chest on Stand, the double doors with brass edge opening to reveal an arrangement of small drawers around a central cupboard door later decorated with flowers and portraits, the stand with moulded frieze and wavy shaped apron, raised on turned bobbin legs, the chest late 17th century, the stand later, 133cm by 45cm by 177cm See illustration

Lot 1744

A Victorian Mahogany Library Bookcase, 3rd quarter 19th century, the ogee moulded cornice above a plain frieze, four oval glazed doors between moulded uprights and leaf carved trusses, the breakfront base with a central cupboard door flanked by two conforming cupboard doors, raised on plinth base, 166cm by 48cm by 235cm See illustration

Lot 1771

A Victorian Mahogany Four-Door Library Bookcase, 3rd quarter 19th century, the broken pediment centred by a Grecian urn above a plain frieze and four arched glazed doors with scrolling and carved trusses, the interior with nine adjustable shelves, the breakfront base with four frieze drawers above four recessed cupboard doors, raised on plinth base, 213cm by 57cm by 265cm See illustration

Lot 1876

A Robert "Mouseman" Thompson Oak Bedside Cupboard, with raised upstand, over a single panelled door with internal fixed shelf, on two octagonal front legs, with carved mouse signature, 49cm by 37cm, 69cm high

Lot 1912

A Robert "Mouseman" Thompson Oak Music Centre Cabinet, with a raised upstand, hinged lift top above a leaded glazed door enclosing fitted interior, above a single drawer, on two octagonal front legs, with carved mouse signature, 56cm wide, 48cm deep, 108cm high

Lot 1917

A Thomas "Gnomeman" Whittaker Oak Hanging Corner Cupboard, the door with six burr oak panels, wrought iron hinges and handle, enclosing a shelf, with carved gnome signature, 62cm by 40cm by 64cm high

Lot 1929

Sidney Barnsley (1865-1926) An Oak Glazed Bookcase, circa 1921, the upper section decorated along the top breakfront and bottom edge with a chip-carved lozenge pattern, each top end with a protruding edge decorated with a chip-carved triangle pattern above three glazed doors, the centre door with Hobb`s & Co. London lock, each door with pear drop handles, the glazing surrounded by chip-carving, on stepped supports, the base with a rectangular top with exposed dovetail and tenon construction, the front edge with chip-carving, the three fielded doors enclosing adjustable shelves, three scroll and heart motif handles, surrounded by chip-carving, the base sides with indented panels, panelled back, on a moulded chamfered base joined by two arched chamfered stretchers, 5`3 1/2" (161.5cm) wide, 1`6" (46cm) deep, 6`2 1/2" (189cm) high See illustration Cost £55 in 1921

Lot 1954

An Art Deco Pratt`s of Bradford Satinwood Bedroom Suite, comprising double door wardrobe 123cm wide, 191cm high, dressing table with central circular mirror above a drawer enclosed by two sets of three drawers, mirror 69.5cm, dressing table 106cm wide, 51cm deep, a tallboy with two doors over three long drawers, 127cm high and a 4`6" bedstead, labelled

Lot 1211

African White Rhinoceros (Ceratotherium simum), WSB 1907, anterior horn, mounted as a door stop, longest curve 59cm, with riveted iron banded base with title plaque inscribed WSB 1907, 57cm high overall CITES Appendix I Annex A (Exempt)

Lot 809

A Victorian mahogany mirror door wardrobe, 209cm high, 183cm wide

Lot 105

AN EARLY VICTORIAN `FOLK ART` PAINTED BIRD CAGE in the form of a cottage with red tiled roof and studded front door dated 1845, 26 1/2" wide x 14" deep x 26" high (see illustration).

Lot 110

AN EDWARDIAN MAHOGANY DWARF BOOKCASE fitted two shelves enclosed by a glazed door with crossbanded decoration, 36" wide.

Lot 122

A MATCHED PAIR OF FRENCH WALNUT NIGHT CUPBOARDS each with serpentine tops and fitted drawer with panelled door, one carved on cabriole legs, 15" wide (see illustration).

Lot 267

A COLLECTION OF TEN ANTIQUE IRON DOOR KEYS.

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