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Lot 1602
A Regency mahogany, breakfront secretaire sideboard. (with later alterations) The raised back with `S` scroll supports and reeded edge. The base with central secretaire drawer, with fall front and fitted interior over three long graduated drawers below, flanked by a single panelled door, enclosing shelved sections. The whole on short ring turned supports, 153 cm high x 205 cm wide x 50 cm deep.
Lot 1739
A carved oak `Lizardman` display cabinet, mid/ late 20th century, of rectangular form, continuous apron of inverted apex decoration, enclosed glazed door with applied sun burst decoration, with panelled sides and carved lizard handle, raised on four octagonal legs, height 152 cm x width 70 cm x depth 50 cm.
Lot 2020
An elegant Edwardian checker banded inlaid and carved mahogany tall display cabinet, featuring a bowed centre section with mirrored recess above a central frieze drawer and glazed lower section, flanked on either side by a bevelled glazed panelled full length door, raised on four slender cabriole feet, 128cm (illustrated)
Lot 2035
A fine quality Chinese mother-of-pearl inlaid hardwood bureau of superior quality, the hinged sloping fall front enclosing a fitted interior above central kneehole with slide-out fitted seat, flanked on either side by a short frieze drawer and single cupboard door, raised on square feet, the whole smothered in mother-of-pearl marquetry and Greek key friezes, 20th century, width 122cm (illustrated)
Lot 2048
A Victorian Aesthetic period painted twin door wardrobe, the interior partially fitted, the exterior hand painted in the Japanesque taste, width 136cm. NB: By family repute this wardrobe was allegedly a wedding gift from the Egerton family of Tatton Park to their great grandfather, Thomas Henry Walters and his new wife Emily (nee Raby) who were both in service at Tatton at the time. They were married in 1906. Thomas worked as a coachman and it is believed Emily was a lady in waiting) (illustrated)
Lot 2102
A large George III mahogany sideboard, with three-quarter gallery back above bowed centre section incorporating two frieze drawers above recess, flanked on either side by a cupboard door with dummy drawer fronts, raised on six spiral fluted and turned cylindrical legs, width 308cm (10ft 2in) (illustrated)
Lot 2116
A superb quality Victorian Etruscan-Revival credenza by H Ogden of Manchester, c.1870, the low raised back with inset bevelled mirror flanked by Arts & Crafts hand painted roundels of birds perched among fruiting branches on gilt grounds, in the manner of Burgess, the quarter veneered burr walnut top inlaid with multiple woods, the front featuring ebonised frieze with gilt detailing and central glazed panelled door, flanked on either side by pilasters and two further cabinet doors, each elaborately decorated with carved ovals of mice harvesting berries and stylised fruiting foliage amidst multi-wood inlaid decorative motifs, width 156cm (illustrated)
Lot 2117
A fine Edwardian ^t. . Georgian revival carved mahogany pair of pedestal knife urns and sideboard, the whole elaborately carved and detailed in the Neoclassical taste with winged mythical creatures, fruiting urns, scrolling foliage and fruiting swags, the central sideboard section with brass gallery back, and raised on six architectural column supports, flanked by the rising wrythen fluted domed knife covers, above the bowfronted door panels featuring central female ovals flanked by classical maiden monopodia, combined length approx 270cm (8ft 10ins) (illustrated)
Lot 2120
An imposing and good quality Victorian carved mahogany mirror-back sideboard, the mirror decorated with birds, fruiting vines, scrolls and foliage, above the base section with serpentine fronted central recess incorporating a drawer, flanked on either side by domed panelled cupboard door, the whole raised on a plinth base, width 228cm (7ft 6in) (illustrated)
Lot 2
Kenneth Webb RWA FRSA RUA (b.1927) THE ENCHANTED FOREST, c.1960s oil on canvas signed lower left; inscribed by artist on reverse; also with inscribed Blue Door Studio label on reverse 41.91 by 102.87cm., 16.5 by 40.5in. L "The Blue Door Studio, Dublin; Private collection" "Colour and nature are dominant features of Kenneth Webb’s painting with the West of Ireland marrying these characteristics of the artist’s expression and forming a crucial part of his vocabulary since he first arrived in Galway over fifty years ago. His garden in Connemara is a recurring source of inspiration for him, whether he focuses on its wild flowers, waterlilies, rock pools or turf banks.Born in London, Kenneth Webb began his artistic career in the UK with a Slade Scholarship. He exhibited for the first time with the Royal Academy in 1949 and continued to pursue his studies in design that year in Gloucester College. In 1953 he relocated to Belfast and was appointed Head of The Painting School at the Ulster College of Art where his part-time assistants included Tom Carr, John Luke and Colin Middleton. During his 6 years in this position Webb had a solo show care of the Arts Council of Northern Ireland, founded the Irish School of Landscape Painting and was elected to the Royal Society of Arts. An array of solo exhibitions took place in subsequent years in Dublin and Belfast as well as in the UK, Europe and the US and Canada. In the 1970s Webb opened his studio in Ballinaboy, near Clifden and began exhibiting regularly with Kenny’s in Galway. A 1990s retrospective show was held with Kenny’s and the artist has been the subject of film documentaries and texts exploring his life and works to date. 2006 marked the artist’s 80th birthday and his 18th solo show in Kennys since 1963.To coincide with the Olympic celebrations in London, Webb’s UK agent W.H. Patterson’s, with whom he has a thirty year relationship, will host an exhibition of his current work and highlights from previous years. It will launch on 17 July and run until end August 2012 after which point the exhibits will travel to Hong Kong to be show cased there. We are grateful to the artist for his kind assistance in cataloguing these lots.
Lot 274
David Winter The English Village Collection - The Cat and Pipe Inn, The Chandlery, The Church and Vestry, The Constabulary, Crystal Cottage, The Engine House, Engine House The Colourway (red door), Glebe Cottage, The Hall, One Acre Cottage, The Post Office, The Quack`s Cottage, The Rectory, The Seminary, The Smithy and the Tannery (16)
Lot 285
David Winter Promotion pieces - 20th Anniversary plaque Rosemont, A Frosty Day At Mabons, Arches Thrice, Gallows Gate, Grumbleweeds Potting Shed, The Guards Van, Limestone Brook, Mad Hatters, Mad Hatter`s Hat, The Mash House, Primrose Cottage, Rose Carving (red and gold), Rose Carving (rosemont) Solent Fortress, Stained Glass Studio (red door), Suffolk Gardens, The White Truffleman`s House, Wellstead Cottage, Whispers Cottage, Winter Time and Wishing Falls Cottage (21)
Lot 244
A BRASS CASED CARRIAGE CLOCK CIRCA 1900. D: A white enamel dial with Roman numerals and outer minute track. M: A French cylinder movement C: Brass case with handle and opening back door, all glasses are undamaged, dimensions are 108mm high excluding the handle and 78mm wide at the base. D: Original dial perfect condition. M: In working order at present. C: In good condition but has tarnished over the years, no damage. D: Dial / M: Movement / C: Case
Lot 1112
1951 Chevrolet Deluxe 2 door Coupe Reg. No.: GSU 298 Chassis no. 6JKK6337 Engine No.: tba The Deluxe range originated in 1941, as a four door sedan, but then evolved into the two door coupe version that we see today. Post-War styling differed slightly but only in reduced body contour and integrated rear fenders. This powerful 4 litre car in eye catching green/cream livery, is offered in good all round condition with no known faults. Imported in 1988, this car was then owned for over twenty years by an elderly lady who only got the car out for MOT’s and cleaning. A car that now deserves to be used and enjoyed, that is MOT’d until July. Click Here to view this item on www.i-bidder.com
Lot 1121
1931 Morris Minor 2 door saloon Reg. No.: JF 2437 Chassis no. SV10739 Engine No.: 24134B The Morris Minor was produced to challenge head on the excellent Austin 7. Launched in 1928 it was powered with a Wolseley derived overhead camshaft 847cc 4 cylinder engine. This side valve unit developed enough power to propel the cars to almost 60mph. With its leaf suspension and drum brakes the Minor was a fine handling car. Little is known about this Minor, although the vendor does describe the car as being in good overall condition. It is MOT’d until November and has its road fund licence. Click Here to view this item on www.i-bidder.com
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