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Lot 222
A FIRST QUARTER 20TH CENTURY REPRODUCTION ITALIAN DESIGN CREDENZA / SIDEBOARD, all-over profusely inlaid with fancy scrolls, fantastical creatures, urns and cornucopia, with ram's head bell husk, edging, a single drawer over two panelled cupboard doors, the whole supported on short square tapering legs, 99cm x 117cmCondition report – Some scratches, dents, stains, overall, some small veneer loss bottom left front and right side top, the doors, particularly right door, a little warped, sticks out top left, there is discolouration (possibly fading) to the tops of panels to the centre of doors, back left leg a bit loose. There is no evidence in the top of supporting a super structure, usually you see filled holes from struts, there are some small holes along the back edge of the top, may have had a small upstand to the back, like a low panel.
Lot 163
Two part cabinet desk with upper twin door cupboard, the lower section with single drawer and pull out writing surface, approximately 147 cm x 92 cm x 46 cm.Condition reports - Upper part of cabinet - a crack running down both side of the cabinet and a hair line crack running from one side to the other on the surface top. Ware to wood banding and surfaces scratches from the door opening and closing. Inside - Slight ware from use in pigeon holesGeneral slight ware over the rest of the unit in places.
Lot 369
A late 18th century oak and mahogany cased 8-day longcase clock, 13 inch painted dial, Wilson style flowers and birds to the centre, marked for Hulme of Congleton, with matched blued steel hands, flat topped hood with cut-out swan-neck pediment and brass ball finials, fixed reeded columns, trunk having quarter reeded columns and long door, canted corner base raised on ogee bracket feet, with 2 cast iron weights and a brass faced pendulum bob, overall height 225cm
Lot 376
A late 18th century oak and mahogany cased 8-day longcase clock, 13 inch Wilson painted dial, floral decoration to the corners and centre, marked for S. Haywood, Northwich, with matched blued steel hands, flat topped hood, fixed reeded columns, trunk having smooth quarter columns and long door, canted corner base raised on ogee bracket feet, with 2 cast iron weights, winder and pendulum, overall height 225cm
Lot 378
A good quality contemporary dark wood cased wall timepiece, single-train weight driven movement behind a white two-piece dial, with Roman numerals and seconds indication, brass bob pendulum on a wooden rod, full-length opening glazed door flanked by handed, barley-twist mouldings, overall height 110cm
Lot 66
§ JEAN DUFY (FRENCH 1888-1964) ROUTE DE RIVES (TOURAINE) Signed (lower right), oil on canvas(64.5cm x 45.5cm (25.25in x 17.75in))Footnote: Literature: Bailly, Jacques and Jean Dufy, Jean Dufy 1888-1964 Catalogue Raisonne, published by Editions Jacques Bailly, 2002, p.165, cat. no. B.183. Jean Dufy was a French Art Deco artist, best known for his colourful, melodic depictions of post-war Parisian society. Working to capture everyday life, from concert halls and circuses to country landscapes and busy Parisian streets, Dufy focused on recreating the feeling and impression of a scene, rather than individual details. In 1906, Dufy visited the exhibition ‘Cercle de l’Art Moderne’ in La Havre, and it was this show that eventually inspired him to pursue an artistic career. The exhibit, one of Dufy’s first exposures to Modern Art, crucially shaped his approach to art and introduced him to artists such as Picasso and Matisse. While he had no formal training, his older brother was well-known French Fauvist Raoul Dufy, who served as his artistic mentor. In January 1914, Dufy launched his artistic career, holding his first show at Galerie Berthe Weil. He returned to Paris after the war and settled in the Montmartre district of Paris, moving next door to artist George Braque, who encouraged Dufy to experiment with Cubism. His personal painting style developed into a vibrant fusion of Post-Impressionism with a loose decorative approach to colour and line, which he achieved from his work in porcelain design. For almost 30 years, Dufy worked for Limoge porcelain manufacturer Theodore Haviland, hand-painting decorative designs of animals and flowers. At the 1925 L’exposition Internationale des Arts Décoratifs he was awarded a gold medal for designing the service ‘Châteaux de France’. Dufy participated in many exhibitions, including the Salon d’Automne, which reflected the popularity of jazz music and the art of Parisian culture after the war. Dufy would return to his native Normandy throughout his life and spent long stretches of time in the south of France. The dynamism of these landscapes and cityscapes - particularly noticeable in the street scene Route de Rives (Touraine)- are so cleverly captured due to Dufy’s uniquely musical and distinctive Post-Impressionistic style.
Lot 2045
Mary Beresford Williams (British, b.1931). Three limited edition prints, 'The Back Door', signed, titled, dated '79 and numbered 51/75 in pencil, image size 34.5 x 48cm. 'Waddeton Reach', signed, titled, dated '83 and numbered 73/75 in pencil, image size 30 x 49.5cm. And 'Sun Path', signed, titled, dated '83, and numbered 38/75 in pencil, image size 33 x 49cm (3)
Lot 151
A Nikon S Rangefinder Camera, 1951-54, chrome, serial no. 6125840, with Nippon Kogaku Nikkor-S.C f/1.4 50mm lens, chrome, serial no. 337313, body, G-VG, shutter working, light corrosion under vulcanite of film door, lens, VG-ENote: Lot imported under Temporary Admission. 5% UK import VAT will be charged on the ‘hammer’ and 20% UK VAT will be charged on the ‘buyer’s premium’ and invoiced on an inclusive basis under UK Margin Scheme rules.
Lot 339
A Victorian Table Top Stereo Viewer, English, c.1880, signed to a plaque at the front 'MOGINIE 26 Lichfield Grove Finchley N.' with internal carousel for approximately 30 stereoviews, double folding door to the top one with a mirror, finished in Fine French polished Burr Walnut veneer, 43cm tall
Lot 412
Victorian Cabinet of Microscope Slides, Cabinet, English, c.1880, constructed of French polished mahogany with glazed door opening to reveal 27 slide drawers and one deep drawer for accessories, each drawer has a double layer and capable of holding 32 standard slides giving a capacity of 864 slides in total, the slides represent a diverse collection covering many subjects with a mix of slides by professional and amateur preparers, case 41cm tall x 28cm wide
Lot 413
Gothic Victorian Microscope Slide Cabinet & Slides, English, c.1870, cabinet with two doors opening to reveal seven drawers with two pull out secret drawers to each side, finished in French polished flame mahogany with carved flower detail to the door arches, cabinet holds approximately 330 slides, slides mainly amateur prepared paper covered, with handwritten index of slides, cabinet 48cm wide x 50cm tall
Lot 476
A 1½ inch Scale Model of an Agricultural Traction Engine, with copper boiler with fitted pressure gauge, water sight glass, regulator, firebox door, 1 1/2in stroke and 1in bore (approx.) engine with open crank motion with Stephenson's reversing gear, ratchet oiler system, safety valve and brass oiler cups, eccentric driven water pump,Dimensions:Length - 45cmFlywheel - 11.5cm DiameterRear Wheel - 15.5cm DiamterNote: Will need rebuilding if the new owner has intentions of getting it back to steam. Copper boiler with basic fire tubes engine turns but stiff, wheels and gears turn but again stiff would benefit from minor general restoration, cleaning and repainting/lining out - Sold untested and therefore for display only.
Lot 1002
A spectacular 19th century quarter chiming English Exhibition table clock with automata, circa 1870/80, of exceptionally large proportion, the ornate gilt bronze mounted ebonised case surmounted by a cherub riding a dragon, the domed pediment flanked by four cherubs holding globes aloft, the brass dial having silvered chapter ring with multiple subsidiary dials displaying day, date and month, cast and pierced spandrels, the dial pediment having an automaton with blacksmith striking his anvil every second and a figure emerging from a side door and striking a bell on every hour, dial flanked by gilt brass corinthian columns on ormolu mounted plinth base, massive 8-day chain-driven movement chiming on eight bells and striking on a gong, overall height 148cm, plinth width 82cm, depth 48cm, dial 45 x 39cm, brass backplate 44 x 31cm, case has heavy gauge bronze carrying handles with relief cast and pierced opening side panels to either side, with original massive brass key. PLEASE SEE THE FINAL 2 IMAGES FOR A FULL WRITTEN CONDITION REPORT.
Lot 1045
A late 19th/early 20th century German Winterhalder & Hofmeier light oak-cased dome-top 8-day chiming bracket clock, gilt-brass dial with silvered chapter ring, Roman numeral hour markers, chime/silent dial with brass-mounted case, Mercury holding flaming torch finial, and movement chiming on 5 gongs, with original brass-mounted oak bracket, case overall height 55cm, bracket height 24cm, dial width 18cm, Working order, oak case has some deterioration of polish on right side panel, gilding on brass is rubbed on all high points, some beading beneath Mercury is slightly worn, front door does not close completely flush, potentially with replacement hinges
Lot 1102
Archie Shine for Heals sideboard, four shallow drawers over sliding door storage, with label, h80 x w211 x d46cmCondition Report: Overall condition good. Paper label to inner drawer "Heal Furniture Archie Shine Design". Exotic hardwood.Various scratches to top most noticeable front left of the top. Minor sun fading to drawer front. Sliding doors possibly bowed and stiff to slide. Wear to runners. Circular water marks on interior shelf.
Lot 242
A late Victorian satinwood and ebony strung Circassian walnut veneered pier cabinet with neo-classical marquetry and turned pilasters at the extended angles, flanking a single, plain glazed door. With gilt metal mounts throughout. On a plinth base. 94 cm wide x 108 cm high x 43 cm deep.Condition report: Some brass beading is lifting.Some slight chipping to the veneers
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