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A cast metal model of a bird on a branch with wings outstretched, raised on circular wooden base, label underneath, 50cm wide, (af) together with a pottery bust of Apollo, some horse brasses and door knockers including 1912 Badge of Merit Sussex & Brighton Horse Parade and a wooden stationery box (4)
Railwayana interest: A plain dome-cased bracket clock, the silvered dial marked 'Kay Worcester' black Roman numerals, brass bezel, twin-fusee movement, side sound fret grills, applied identity plate 'GWR 427' label, raised on brass ball feet, label of provenance inside rear door stating the clock had been in Ruabon Station, North Wales for many years, 35cm high
A late 18th / early 19th century mahogany longcase clock, swan neck pediment with stylised flowers and fluted finials, arch glazed hood with a pair of Doric columns either side enclosing the brass dial, engraved with an eagle, Roman numerals and embossed spandrels, the trunk with shaped door and Doric columns to square stepped base, weights and pendulum present, the movement marked 'Burgess', approx. 230cm tall
A good quality Edwardian mahogany, satinwood and boxwood veneered two-door display cabinet in the Sheraton 'Revival' style, with a pair of tracery glazed doors enclosing upholstered shelves, flanked by open mirror-back shelves with concave cupboards beneath, and recessed under-tier, on square tapering supports, 155cm wide
Smallpage, Leeds Victorian longcase clock, the 34.5cm Roman dial spandrel corners painted with ladies depicting the four seasons and a scene of lady with cornucopia of fruits to the arch. The broad case with turned columns and acanthus leaf brass capitols, the door with scalloped and flame mahogany panel with banded inlay, the eight day movement striking on a gong, H233cm
J Howison, Perth Georgian longcase clock, the 33cm painted arched Roman dial with two subsidiary Arabic date and seconds dials and floral and foliate gilt decoration, swan neck pediments to hood, flame mahogany door, quartered turned pillars and inlaid banded decoration to mahogany case, raised on bracket feet, the two train eight day movement striking on a gong, H216cm
Charles Hopwood of Rochdale Georgian longcase clock with 32.5cm square painted Roman dial, date aperture, painted spandrel decoration of flowers and strawberries, oak case with full length scalloped door, quarter reeded columns, hood with swan-neck pediments and reeded columns with brass capitols, the eight day duration movement striking on a gong, H231cm
I H Barker, Sodbury early 19thC longcase clock, with 31cm painted Roman dial, the spandrel corners decorated with shells, nesting bird and roses to the arch and date aperture, oak case with full length arched door, swan neck pediments and brass capitols to pillared hood, the 30 hour movement striking on a gong, the whole raised on bracket feet, H214cm
Queen Anne/Early George I walnut cased longcase clock by Jos. Davis, London (Ratcliffe Highway clock maker 1690-1711), the brass 29.5cm dial with finely cut blued steel hands, cherub and crown spandrels Roman and Arabic silvered chapter ring with matching seconds dial and finely engraved framed date aperture, finely matted centre, border engraving to arch and Jos Davis London to engraved silvered circular name plate in arch with dolphin spandrels around. The hood with moulded arch above finely carved frieze, tapering, turned corner pillars front and rear, gilded capitols and glazed apertures to view movement. Gilt eagle finials to top, long trunk door with moulded frame and original iron hinges, glazed lenticle porthole to view the gilt brass pendulum bob and decorated brass escutcheon. The eight day movement set between two heavy brass plates with five ringed and knopped pillars, the countwheel strike on bell, the whole raised on bracket feet.
Cats (Jacob). Spiegel van den ouden en nieuwen tydt, bestaende uyt spreeck-woorden, ontleent van de vorige en jegenwoordige eeuwe, verlustiget door menichte van sinne-beelden, met gedichten en prenten daer op passende. Vermeerdert met groote menighte van spreeckwoorden, door geheel het werck..., Amsterdam: Jacobus Konynenberg, [circa 1715], engraved frontispiece and numerous engraved emblem book illustrations throughout, occasional light spotting, contemporary vellum, 8vo, together with: Luiken (Jan) , Des Menschen Begin, Midden en Einde; vertoonende het kinderlyk bedryf en aanwas, in een en vyftig konstige figuuren. Met godlyke spreuken en stichtelyke verzen, Amsterdam: Kornelis Vander Sys, 1737, additional engraved title, numerous engraved emblem book illustrations, letterpress title imprint date with partial loss of final digit, initial gathering strengthened with adhesive tape to spine edge and loose with sewing weak, lacking front free endpapers (front pastedown torn), upper hinge broken, later vellum, 8voQty: (2)
A late 19th century slate mantel clock, the gilt decorated dome top case with 8-day two train Marti & Co movement striking on a bell, 39 cm h o/all good original overall, movement winds but untested, case movement door glass panel missing, back l/h corner above foot has a diagonal scarfed in repair of lighter colour
An early 19th century style mahogany long case clock commemorating Nelson/Trafalgar by Comitti London, the hood with swan neck pediment and brass ball and spire finial, full length door with oval glass panel, arched painted dial with rocking ship to the arch, triple train, chiming movement with 3 brass weights height 219 cm (current retail £7000-8000)
A 17th century style oak credence cupboard, of small proportions, rectangular top above a central panel door flanked by canted niches, open pot board to base, turned pillars, applied throughout with split turnings, geometric mouldings and ebony dressings, 121.5cm high, 114cm wide, 19th century
A George II oak longcase clock, 30cm square brass dial inscribed Henry Deykin, Worcester, No 1169, Roman and Arabic numerals, subsidiary seconds dial, date aperture, twin winding holes, 8 day movement striking on a bell, the case with pagoda pediment flanked by turned finials, rectangular door to waist, plinth base, 209cm high, c.1750Henry Deykin was the son and successor to Worcester clockmaker Thomas Deykin and his wife, who was also a clockmaker. He was apprenticed to his mother 1744-1751 and he worked until 1788. The numbering system as displayed (very unusually) on the dial - here 1169 - is believed to have been carried over from his parents' oeuvre.
A George III oak and mahogany longcase clock, 32cm arched painted dial inscribed T&J Hallam, Nottingham, painted to the arch with Abraham and Isaac, the spandrels with the Four Evangelists, date aperture, swan neck pediment, shaped rectangular door to waist flanked by canted angles, bracket feet, 218cm high, c.1820
A George III oak and mahogany Neo-Classical long case clock, round painted 13.5in (34.2cm) dial, Roman and Arabic chapter, seconds dial, pierced gilt hands, ringed winding arbors, signed Condliff/Sheffield 8--day movement striking on a bell, Gothick trunk door with inlaid borders, inlaid in ebny and boxwood, curly pediment with marquetry inlaid paterae, grooved pylons to angles with central conforming fan, supported on unusual inlaid pillars with delicately carved Tower of the Winds capitals, shaped brass escutcheon with contemporary key flanked by fluted quarter columns, bracket feet, pendulum and weights, 85in (215.9cm) high (4)Martin Condliff and his brother Joseph (of Chapel-en-le-Frith) were apprenticed to Samuel Ashton of Ashbourne, Martin on 23rd September 1777 (having been born 1763); he set in Ashbourne in 1785, but by 1790 was married and working from 27, Far Gate, Sheffield. He was father to the eminent James Condliff of Liverpool (1790-1851)
A George III oak longcase clock, 30cm arched brass dial inscribed Blackett Wallace, Brampton, Roman and subsidiary Arabic numerals, date aperture, 30 hour movement striking on a bell, the case with swan neck pediment and dentil apron, shaped rectangular door to waist flanked by reeded quarter-columns, bracket feet, 234cm high, c.1780Blacket Wallace was working in Brampton, Cumberland, 1752- 1780. He was born there in 1731 and was apprenticed 1745-1751 before marrying Isabella Atkinson in 1753.
A George III oak longcase clock, 32cm arched painted dial inscribed Jos Johnson, Dudley, Roman and Arabic numerals, subsidiary seconds chapter, date aperture, twin winding holes, 8 day movement striking on a bell, the case with fretwork cresting, flanked by onion shaped finials, shaped rectangular door to waist inlaid with a batwing patera, flanked by brass capped Corinthian quarter-columns, 219cm high, c.1780
A George III oak longcase clock, 33cm arched brass dial Bennitt (sic) Uttoxeter, Roman and Arabic numerals, subsidiary seconds dial, cast spandrels, calendar dial, twin winding holes, 8 day movement striking on a bell, arched hood with dentil cornice and brass capped reeded Doric columns, shaped rectangular door to waist flanked by conforming quarter-columns, plinth base, 218cm high, c.1780James Bennet was born 1739, son of clockmaker John Bennet of Cheadle, later of Uttoxeter, who had been apprenticed to John Whitehurst of Congleton, the famous clockmaker's father. His father having died in 1752, he was apprenticed instead to Thomas Sillito 1753-1760 when he was able to take over the family's business. His output was fairly prolific and he was succeeded by his son John in 1784, and died in 1798.James Bennett is recorded as working at Uttoxeter from before 1776 until after 1797, when he took on the last of three known apprentices.
A George III oak longcase clock, 33cm circular brass dial inscribed James Wright, Derby, Roman and subsidiary Arabic numerals, date aperture, 30 hour movement striking on a bell, the case with break-arch pediment and parcel-gilt Doric columns, serpentine lancet-arched rectangular door to waist, flanked by quarter-columns, bracket feet, 211cm high, c.1780James Wright (1741-1806) was a figure of some significance in the story of John Whitehurst FRS. A nephew of Mrs. Whitehurst (née Gretton) he was apprenticed to Whitehurst 1755-1762, thereafter working with him until 1775, when Whitehurst was spending increasingly more time in London, whereupon he appears to have been given charge of the works, advertising himself as 'Jas. Wright/successor to Mr. John Whitehurst' and signing clocks in his own name, as here, the clocks themselves being entirely of Whitehurst type and quality. He appears to have lost the firm money through rash management and was replaced in 1777 by Whitehurst's nephew, after which he continued to sign clocks until the 1790s. His debts were cleared in Whitehurst's will (1788). This clock dates from c. 1775-1777 and is a Whitehurst 30hr in all but name [see Craven M., John Whitehurst, Innovator, Scientist, Geologist and Clockmaker (Fonthill, Stroud (2015) 164-168, 172-174]
A George III Scottish mahogany longcase clock, 30.5cm arched brass dial inscribed Mcartney, Dumfries, Roman and Arabic numerals, sun-in-splendour to arch, subsidiary seconds dial, date aperture, twin winding holes, 8-day movement striking on a bell, the hood with swan neck pediment above a dentil cornice, shaped rectangular door to waist flanked by reeded quarter columns, plinth base, 217.5cm high, c.1775
A George III Scottish mahogany longcase clock, 33cm arched brass dial inscribed James Park, Kilmalcolm, Roman and Arabic numerals, subsidiary seconds dial, date aperture, twin winding holes, 8 day movement striking on a bell, the case with break-arch dentil cornice, brass capped reeded Doric columns, satinwood crossbanded serpentine arched rectangular door to waist flanked by reeded quarter columns, bracket feet, 233cm high, later quarter 18th century
A George III/IV mahogany longcase clock, 34cm square painted dial inscribed Thomas Barry, Bolton, Roman numerals, subsidiary seconds and calendar dials, twin winding holes, 8 day movement stringing on a bell, the case with swan neck pediment, shaped rectangular door to waist, flanked by square columns, outlined throughout with boxwood stringing, bracket feet, 228cm high, c.1820Thomas Barry was working 1822-1829
A Italian polychrome painted longcase clock, 17cm chapter ring inscribed with Roman and subsidiary Arabic numerals, single winding hole, single train movement, the case with lofty canopy crested by a sphere finial, long rectangular door to waist, painted in the Venetian manner with classical figures, strapwork and leafy scrolls, 247cm high, 18th/19th century
A late 19th century marquetry and shibayama vitrine 'shodhana', crested by a boldly carved ferocious dragon above an arched glazed door flanked by open shelves, the base with a panel door inlaid and applied in the typical Japanese manner with a geisha, bird and a flowering branch on a parquetry ground, flanked by further open shelves, above an undertier, scroll feet, 176cm high, 67cm wide, c.1890
A late Victorian walnut double-width Davenport desk, break-centre superstructure with three small drawers, sloping top with inset writing surface above two further frieze drawers, the sides with six graduated drawers and a panelled cupboard door respectively, incurve undertier, fluted square legs, ceramic casters, 82cm high, 78cm wide, c.1890
A mid-18th century oak longcase clock, 24cm square brass dial inscribed John Pettit, Chipping Ongar, silvered chapter ring with Roman and subsidiary Arabic numerals, twin-winding holes, eight-day movement striking on a bell, the case with pagoda cresting above a frieze of blind fretwork, arched rectangular door to waist, shaped apron, bracket feet, 212cm highJohn Pettit was the younger brother and successor to his brother Richard Pettit, to whom he was apprenticed 1774-1781, after which he was active into the early 19th century. His brother, in his turn, had been apprenticed to Thomas Knight of Thaxted 1767-1774.
A Sheraton Revival painted satinwood display cabinet, shaped moulded cornice above a deep frieze painted with a ribbon-tied roundel with Eros, the ground with further ribbons and laurel swags, above a glazed door, flanked by incurved glazed angles, turned slender legs, 180.5cm high, 103cm wide, c.1900
A Sheraton Revival satinwood and marquetry lobed demilune display cabinet, crossbanded top with matched veneers, above a deep frieze, inlaid with putti, landscape vignettes and swags, above a glazed central door, outlined throughout with boxwood and ebony stringing, tapered square legs, spade feet, 122.5cm high, 107cm wide, c.1900
A Victorian Franglais gilt metal mounted burr walnut and marquetry side cabinet, by Gillow & Co, Lancaster, stamped and numbered 722, crossbanded top with matched veneers and projecting canted angles, above a panel door inlaid in coloured woods with a spray of flowers, flanked by mirrored bowed display plateaus, divided by turned and parcel-gilt pillars, plinth base, 107cm high, 138cm wide, c.1860
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235346 item(s)/page