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Lot 676
A large Victorian oak library bookcase, the moulded cornice with carved motifs above glazed doors, flanked by a further glazed door, enclosing shelved interior, raised on four door cupboard base, 268cm high x 235cm wide x 55cm deep CONDITION REPORT: Lot 676 - General marks and scratches allover, ring marks to shelf, all drops lock and open easily, key present, one brass handle missing from right hand cupboard, overall good condition
Lot 717
A fine large late 19th / early 20th Century walnut veneered chiffonier, having a shouldered back with egg-and-dart and acanthus scroll moulding, centred by carved fruit and supported on each side by cornucopia, the based fronted by a central cupboard door with applied wreath moulding, flanked by two further bowed doors, each divided by a reeded pilaster, the whole raised on acanthus-hipped short cabriole legs with volute feet, 220 cm x 175 cm high
Lot 1105
A George III flame mahogany Thwaites & Reed bracket clock, brass swing handle, caddy top, glazed 16cm circular silvered brass dial signed Thwaites & Reed, London, glazed side windows and rear door, double fusee movement striking on a single bell, brass bracket feet, height 47cm, (pendulum) Notes: Founded in London in 1740, world famous Thwaites & Reed claim to be the oldest clock manufacturers in the world with drawings dating as far back as 1610. For thirty years the Company has maintained all the clocks at The Palace of Westminster including 'Big Ben'. In recent times it has supplied movements for the likes of Asprey and Garrards.
Lot 121
@Sellars (David, 1949-2015). Earth-moon, Illustrated by the author, by Ted Hughes, Rainbow Press, 1976, letterpress illustrations in turquoise, some full-page, patterned pastedowns, all edges gilt, near contemporary inlaid and onlaid black and brown morocco (some textured), with binder's monogram blindstamp dated 1982 on rear pastedown, with interlocking circle design, incorporating onlaid 'ties' in reptile skins with appear to emanate from the covers and terminate in clasps with press-stud fasteners, small 4to (13.5 x 13.5cm/5.25 x 5.25ins), housed in a upright scuplted leather case with circular perspex window on both sides, that to front forming part of hinged door with flap, 24.5 x 16.5cm (9.75 x 6.5ins) Limited edition of 266 copies, this unnumbered and unsigned. David Sellars studied at Camberwell College of Arts with Sally Lou Smith, setting up his first studio in Clerkenwell. He taught and lectured widely at various institutions including Camberwell, Brighton Polytechnic, Oxford Brookes University, and The Royal College of Art, as well as at venues in Europe, Canada and North and South America. He wrote courses on the exploration of the book as a fine art medium and embraced the migration to computer generated books and books in digital formats. In the mid seventies David Sellars was awarded Fellowship of Designer Bookbinders and he served as President of the society for four years. His work is represented in most major libraries in the world and many private collections. (1)
Lot 105
@Sellars (David, 1949-2015). Les Miserables, A Novel by Victor Hugo. In the translation by Lascelles Wraxall authorized by the Author. Printed with a new Introduction by André Maurois and with illustrations by Lynd Ward, 5 volumes, New York: Limited Editions Club, 1938, numerous monotone letterpress vignettes, black morocco pastedowns, black edges, later reverse black calf, spines with four inset strips of sculpted black leather, the motif repeated on covers with four horizontal lines each of six strips, 4to, 27 x 19cm/10.5 x 7.5ins), 5 volumes housed together in a sculpted black leather box with cut-out strips to similate prison bars, with hinged door complete with key, 31 x 35 x 23.5cm (12.25 x 13.75 x 9.25ins) David Sellars studied at Camberwell College of Arts with Sally Lou Smith, setting up his first studio in Clerkenwell. He taught and lectured widely at various institutions including Camberwell, Brighton Polytechnic, Oxford Brookes University, and The Royal College of Art, as well as at venues in Europe, Canada and North and South America. He wrote courses on the exploration of the book as a fine art medium and embraced the migration to computer generated books and books in digital formats. In the mid seventies David Sellars was awarded Fellowship of Designer Bookbinders and he served as President of the society for four years. His work is represented in most major libraries in the world and many private collections. (1)
Lot 117
@Fisher (Roy, and King, Ronald). Bluebeard's Castle, Guildford: Circle Press Publications, 1972, nine screen-printed bifolia, each with a double-page pop-up construction with text, incorporating various reflective materials, coloured papers, and objects, original quarter black morocco, rear cover with cloth flap to protect fore-edges, printed blue paper labels on spine and upper cover, 4to (28 x 20cm/11 x 8ins) One of fifteen artist's proofs, signed by the designer and poet, in addition to 175 numbered copies. Based on the opera by Bartok, the three-dimensional images are entitled: Portcullis; The Castle; The Instruments; The Armoury; The Treasure House; The Garden; The Land; The Lake of Tears; The Last Door. (1)
Lot 30
Six US one sheet (27 x 41") film posters: "Star Trek II - The Wrath of Khan", Kiss the Girls and make them die, Get Rich or Die Tryin, The Strange Door, The Concrete Jungle (June Barrett), Spoilers of the Forest plus a Polish (27 x 38") film poster featuring Pablo Picasso. Some rolled some folded in various conditions. (7)
Lot 598
James Saddleton, Lynn', a George III mahogany longcase clock, pagoda shaped hood with floral inlay, above quarter fan paterae to the trunk and plinth, 12" dial, with strike silent to arch, seconds and date subsiduary dials, five pillar movement, 232cm tall Probable replacement of fretwork to hood where inlay is. Clock looks pretty much original, ball finials mising, glass has been replaced and not puttied in very well, pverall colour is pretty good. The silvered dial isclean but the two small screws by the date dial have been over tightened and put indentation in the dial. The door is very slgihtly warped with 4 1/2 inch pieces of moulding missing. Usual dry cracking and the feet have had some work. Not sure about the inlaid panel on the hood as it does not really match the other veneers in style or quality.
Lot 38
An Edwardian oak stationery box with sloping twin door front and compartmentalised interior above single pull-out drawer, width 30.5cm, a rectangular carved box decorated in relief with Royal Medical Army Corps coat of arms to the hinged lid, 26 x 15.5 x 6.5cm, and a further box of shaped rectangular form with detachable lid (3).
Lot 2164
A 1930s walnut and birds eye detailed combination bureau/bookcase, the fall front enclosing fitted interior above a single door enclosing two shelves with a three shelved open bookcase to the side, bearing "Goodalls" furnishers and decorators of Manchester label, length 137cm, height 106.5cm, depth 26cm.
Lot 25
A quantity of smoking related items comprising a small smoker's cabinet with external pipe rack, the hinged glazed door enclosing a shelf and a drawer, height 32cm, a small Doulton Lambeth barrel shaped tobacco jar and lid, three Ronson lighters, a cigar cutter, a table lighter with integral ashtrays, and two briar pipes, also two pairs of vintage spectacles.
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234658 item(s)/page