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A 19th century mahogany cased North country longcase clock with gilt orb form pediment, the glazed arched door opening to reveal a painted dial with moon phase to the top section and maker’s name William Fletcher Leeds above scroll painted spandrels, the dial with Roman and Arabic numerals, subsidiary seconds dial and with a portrait of a young lady to the centre. The case with reeded Corinthian column and shaped door above a plinth base. Est £250-400
An 18th century mahogany cased longcase clock by Thomas Higgins of London, the hood with two brass orb finials and central marquetry inlay above an arched brass dial, subsidiary seconds dial and date aperture. The silvered chapter ring with arabic and roman numerals, the base with canted marquetry inlaid corners, arched shell marquetry inlaid cupboard door, on a marquetry inlaid plinth base and bracket feet. 93 by 19¼ins. Est £400-600
An 18th century mahogany cased longcase clock, the hood with scroll decorated pediment and arched glazed door flanked by two reeded columns, the painted dial with arched top section depicting a ruin with figures and sheep to the foreground above painted floral spandrels and roman numerals, the dial with subsidiary seconds and date aperture. Makers name George Braddock Martham. The case with arched door above a plinth base and bracket feet (af). 19ins wide by 82ins. Est £200-300
An 18th century mahogany and oak cased longcase clock, the hood with shell marquetry inlay to the pediment above an arched glazed door flanked by reeded pilasters, the dial with strike silent to the arched top section flanked by mythical creature and scroll decorated spandrels, the silvered chapter ring with roman and arabic numerals and central seconds dial above makers name JNO Benning Windsor above a date aperture. The clock case with ebonised door surround, on a plinth base (af). 86ins. Est £200-300
Oak and mahogany case with aperture for a 12" arched dial, the case with short door inlaid with a conch shell and the hood surmounted by a swan neck pediment, 81" high; also another oak and mahogany crossbanded case with aperture for a 12" square dial, the long crossbanded door inlaid with a central conch shell and the hood surmounted by a moulded broken arch pediment, 82" high (2)
Oak and mahogany crossbanded eight day longcase clock, the 12" square brass dial signed Crampern, Newark on the brass chapter ring enclosing a subsidiary seconds dial and calendar aperture, also with subsidiary seconds and strike/silent dials to the upper dial corners, the case with short crossbanded door and the hood surmounted by a moulded swan neck pediment, 81" high (two weights)
Carved bog oak eight day longcase clock, the 12" painted arched dial signed Seggate, Halesworth to the centre with subsidiary seconds dial and calendar aperture, the case carved overall with stylised strapwork foliage, with long rounded arched door and the hood surmounted by a shaped pediment, 84" high (pair of iron weights)
Mahogany eight day longcase clock, the 12" painted arched dial signed W. Drury, Banbury under a calendar aperture and subsidiary seconds dial, the case with long door inlaid with a conch shell and flanked by quarter fluted columns with Corinthian capitals and the architectural hood with rounded shaped cornice, 88" high (door key only)
Welsh mahogany and crossbanded eight day longcase clock, the 14" painted arched dial signed Meredith, Merthyr, with subsidiary seconds dial and calendar aperture, the case with short Gothic arched door flanked by foliate carved turned columns, the hood surmounted by a swan neck pediment, 95" high (pendulum and two weights)
Good oak eight day longcase clock, the 11" square brass dial signed Jonas Barber, Fecit on the silvered chapter ring enclosing a centre with ringed winding holes and calendar aperture, the case with long beaded moulded door and fitted with a circular lenticle and the hood surmounted by a moulded flat pediment over a blind foliate carved fretwork frieze, 77" high (pendulum and two weights)
Dutch marquetry eight day longcase clock, the 10" brass arched dial spuriously signed Thomas Tompion, London on the silvered chapter ring enclosing a foliate engraved matted centre with calendar aperture, also with moon phase to the arch, the movement striking on two bells, the case with long moulded arched shaped door fitted with an oval lenticle over a bombé base and the hood surmounted by a moulded ogee pediment with two turned vase finials, decorated overall with birds, angels and flowering foliage, 92" high
Carved oak thirty hour longcase clock, the 11" square brass dial signed William Webb, Wellington to the foliate engraved centre with subsidiary seconds dial and calendar aperture, the case with long door and the hood surmounted by a flat stepped cornice, the front carved overall with masks and mythical beasts amidst scrolling foliage and roundels, 77" high (pendulum and weight)
Oak crossbanded eight day longcase clock, the 12" brass arched dial signed Harris, Wellington to the floral engraved arch over subsidiary seconds and calendar dials, the ebony lined and crossbanded case with short door and the hood surmounted by a swan neck pediment, 85" high (pendulum, two weights and door key)
Scottish mahogany eight day longcase clock, the 14" painted arched dial signed William Logan, Catrine to the centre with subsidiary seconds and calendar dials, painted to the arch and spandrels with charming rural scenes depicting various figures in recreational and working pursuits, the case with medium length door and the large hood with canted flat cornice, 82" high (pendulum, two weights and door key)
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235346 item(s)/page