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Click here to subscribeContinental walnut mirror door wardrobe, with matching dressing table and bergère chair.CONDITION REPORTDressing table and chair good overall condition. In need of clean. Table height 62cm, 147 including mirror high, 117 cm accross Wardrobe- overall in good condition in need of clean. A few old worm holes at top wardrobe door. In need of clean. Linings on interior in golden oak. 242cm high, 141cm wide, , 56 cm deep , drawers 46 cm
Edwardian double arched inlaid mahogany display cabinet, moulded cornice, central concave inlaid panel, flanked either side by an astragal glass door, mahogany shelved interior on a base with central short drawers with a cupboard either side, raised on square tapered legs and spade feet, united by stretchersLength 170cm, Width 42cm, Height 227cm
G PLAN TEAK ILLUMINATED SIDEBOARDthe upper section with a pair of glass cupboard doors opening to reveal two shelves, with a central shelf flanked by a pull down flap door with a shelf and mirror section, the base with a central drawer above a pair of panelled cupboard doors, flanked by a pair of panelled cupboard doors, standing on a plinth base, 186cm wide
Richard & Cie, Paris, a French brass cased repeating and striking carriage clock, the enamel dial with blued steel hands, the 8-day duration timepiece mechanism, signed to the back plate with R & Ce stamp, striking on two gongs, lacking door handle, 13.5 x 9.5 x 8cm.Richard & Co started life in Paris in 1848 under a different name but then added a London branch at 24 Cannon Street in 1867 which became Richard & Co. They were mainly carriage clock makers, producing clocks in different English and French styles for the respective markets. The London business lasted until 1881 with the Paris workshop based at Rue Bondy continuing on until the beginning of the 20th Century.
A Rye Fortress alarm novelty mantle clock, retailed by J.N. Masters, Rye, Sussex, the architectural clock tower case with a Jughans movement, paper label to the door, 27cm.John Neve Masters (1846-1928) advertised in the 1868 Sussex trade directory as trading as a watchmaker at 21 High Street, Rye, then in 1890 and 1891 as a watch and clock maker at 95 High Street, Rye. In 1899 as a watch and clock maker and also as a jeweller but the abbreviation changed to J. N. Masters Ltd. and this was used for the 1905 listing when he occupied numbers 8, 9 and 95 High Street, Rye. The 1911 and 1915 directories show the address as 8 and 9 High Street, Rye under watch and clock makers but no listing appears under jewellers.
Vinyl - The Cure - 4 original UK albums to include: The Head On The Door (FIXH 11) VG+ / EX (with printed inner), Three Imaginary Boys (FIX 1), VG+ / EX (with printed inner), Faith (FIX 6), Sleeve VG (foxing), Vinyl EX (with printed inner), Seventeen Seconds (FIX 004), Sleeve VG (foxing), Vinyl EX
A YEWWOOD TWIN PEDESTAL DINING TABLE, extended length 211cm closed length 164m x depth 96cm x height 73cm, six chair including two carvers and a four door tv cabinet, width 98cm x depth 52cm x height 141cm (9) (condition:-surface scratches to table top and chairs, tv cabinet with section cut out)
Maggy Clarysse. Still Life of a Bouquet of Flowers hanging on a door.. Oil on canvas, signed lower right and verso. 55 x 46cmPROVENANCE; The residual studio collection of the artist. Maggy Clarysse (1931-2011), hidden away for the past decade, will come to auction in this sale.Consigned by her family, the art displays an extraordinary range, from pointillist studies of ponds, via Cézanne-inspired landscapes to Impressionist and post-Impressionist still lifes. In all, the auction will offer over 450 works by a woman who was obsessed with art and would rise early each day to get to her easel, completing 12 hours of painting, sketching, sculpting and drawing before turning her hand to crafts in the evening.BIOGRAPHY; The art came before and after a successful career as a model from the 1940s to 60s with the glamour that it brought with it.Born in Belgium, Maggy studied at art college in Brussels with the aim of becoming a Paris fashion designer. To that end, she eventually approached a leading couture house to show them her designs.To her delight, they agreed to take her on immediately. However, they did not want her as a designer, but as a model!This led to work in Paris, London and around Europe, with Maggy basing herself first in Germany and then in Paris as a couture house model and then a model for Vogue.She was photographed by Terence Donovan and David Bailey, with one shoot ending up with her pushing the then leading film star, Norman Wisdom, into a swimming pool her reasons for doing so remain shrouded in mystery!It was while on holiday in the south of France in the late 1950s that she met her future husband, an English businessman, and they then married and moved to Barnes in south-west London.She gave up modelling when her son was born, and the glamour days of chic long dresses were over, and she then turned her exceptional work ethic towards art.Maggy painted from dusk to dawn for many decades up until her death in 2011 and enjoyed considerable success commercially.She would divide her time between London and their apartment in the South of France, and she hosted several exhibitions a year between the early 1970s and the late 2000s in both London and Antibes. Works sold for up to £6,000-8,000 but are much more reasonably estimated here. Few of her works come on to the market and this sale provides a unique opportunity for collectors. In all, the auction will offer over 450 works by the artist.
Maggy Clarysse. Flowers Tied to Blue Door. Oil on canvas board 1998, signed and inscribed verso. 39 x 49cm.PROVENANCE; The residual studio collection of the artist. Maggy Clarysse (1931-2011), hidden away for the past decade, will come to auction in this sale.Consigned by her family, the art displays an extraordinary range, from pointillist studies of ponds, via Cézanne-inspired landscapes to Impressionist and post-Impressionist still lifes. In all, the auction will offer over 450 works by a woman who was obsessed with art and would rise early each day to get to her easel, completing 12 hours of painting, sketching, sculpting and drawing before turning her hand to crafts in the evening.BIOGRAPHY; The art came before and after a successful career as a model from the 1940s to 60s with the glamour that it brought with it.Born in Belgium, Maggy studied at art college in Brussels with the aim of becoming a Paris fashion designer. To that end, she eventually approached a leading couture house to show them her designs.To her delight, they agreed to take her on immediately. However, they did not want her as a designer, but as a model!This led to work in Paris, London and around Europe, with Maggy basing herself first in Germany and then in Paris as a couture house model and then a model for Vogue.She was photographed by Terence Donovan and David Bailey, with one shoot ending up with her pushing the then leading film star, Norman Wisdom, into a swimming pool her reasons for doing so remain shrouded in mystery!It was while on holiday in the south of France in the late 1950s that she met her future husband, an English businessman, and they then married and moved to Barnes in south-west London.She gave up modelling when her son was born, and the glamour days of chic long dresses were over, and she then turned her exceptional work ethic towards art.Maggy painted from dusk to dawn for many decades up until her death in 2011 and enjoyed considerable success commercially.She would divide her time between London and their apartment in the South of France, and she hosted several exhibitions a year between the early 1970s and the late 2000s in both London and Antibes. Works sold for up to £6,000-8,000 but are much more reasonably estimated here. Few of her works come on to the market and this sale provides a unique opportunity for collectors. In all, the auction will offer over 450 works by the artist.
Approximately Twenty Five 'OO' Gauge/4mm Steam Locomotive for Spares and Repair, 4-6-2 - 4-6-0, tank etc, all with varying degrees of damage and /or missing parts/components, sometimes boxed. Of interest a Hornby 4-6-2 boxed 'Thomas and Friends', very good loco missing smoke box door, badly damaged tender (with motor).
A LOUIS XV STYLE WALNUT, MARQUETRY AND GILT METAL MOUNTED BUREAU DE DAME 20th century, the top section with a central mirrored door opening to a shelved interior, flanked by a series of small drawers, the bottom has an inset leather writing surface, above a single frieze drawer, on slender cabriole legs terminating in sabots, 123cm high x 110cm wide x 60cm deep
GEORGE CUIT SENIOR (BRITISH 1743 - 1818) A SET OF FOUR VIEWS OF THE HYDE, NEAR INGATESTONE, ESSEXOil on canvasInscribed and dated `Ingatestone church and the cottage/near the Hyde. Taken from the Hall door./Painted by Geo. Cuit/1806'; `South East view of the Hyde near Ingatestone, Essex/late the seat of Thomas Brand Holles Esq. now of/John Disney DD/Taken from the London Road/painted by George Cuit 1806'; `The Hermitage at the Hyde near Ingatestone/Painted by George Cuit/1806': and `View of the water and grounds at the Hyde/near Ingatestone. Taken from the end of the shrubbery walk/Painted by George Cuit/1806' respectively (on the reverse) 43 x 54cm (16¾ x 21¼ in.) (4)Provenance: Sale, Phillips, London, 20 June 1995, lot 42 (sold for £14,500)The collection of Lady Victoria GettyAccording to David W J Gill's The World of Disney From Antiquarianism to Archaeology the Revd. John Disney inherited the Hyde Estate from Thomas Brand Hollis in 1805 and commissioned the paintings of it from his friend, George Cuit Senior in 1806. Please note: The cataloguing has been amended to GEORGE CUIT SENIOR (BRITISH 1743-1818) rather than George Cuit Junior
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