A Victorian satinwood compactum wardrobe, second half 19th century, the central pair of panel doors enclosing linen slides and drawers, flanked by hanging cupboards, 216cm high, 194cm wide, 64cm deepCondition Report: Marks, scratches and abrasions consistent with age and use. No obvious significant damage. Old chips and splits. Slight scuff to top moulding on corners. Drawers/shelves clean but one drawer base has gap in base board. The pull out shelves have scuffed the door interiors - polish/wax will minimise this. Escutcheon to hanging section is loose. The piece splits into four pieces - cornice, base, two door and one door sections. Locks and keys present, slight damage around closing area on double door section (top right corner of central door). Some hinges lacking screws. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
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A Napoleon III ebonised, pietra dura and gilt metal mounted side cabinet, circa 1870, 117cm high, 217cm wide, 44.5cm deepA cabinet of related design attributed to Adam Weisweiler is held at the The J. Paul Getty Museum in Los Angeles, California (76.DA.9.1). Condition Report: Marks, scratches and abrasions comensurate with age and use. old splits and chips. Some additional marks and indentation to areas of the top. All mounts are present. Key is present to operate locks. Some old losses to the pietra dura are disguised by careful black painting to the vacant areas. There is a crack to the central door panel decorated with pietra dura. The cabinet will be inspected again upon its arrival at the galleries at Donnington Priory. Please request additional images if required for visual reference to condition. Condition Report Disclaimer
A Victorian ash and birch breakfront wardrobe, circa 1870, in the manner of Holland & Sons, the central mirror panel door opening to a hanging rail, flanked on each side by a door opening to sliding trays, 218cm high, 227cm wide (235cm wide incl. cornice), 66cm deep.Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old splits. Some old chips and small losses to veneers. The left hand door opens to reveal only five sliding trays where there should be eleven. The right hand door opens to reveal only two sliding trays where there should be eleven. Two handles with some losses. No key present, all locks are open. Old screw holes to interior of the centre section from previous fixtures. Section of moulding adjacent to one upper corner of the central door with split and small section of loss. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A Queen Anne walnut and feather banded cabinet on chest, circa 1710, the pair of cupboard doors opening to an arrangement of drawers and a central small cupboard opening to four further small drawers, 167cm high, 115cm wide, 52cm deepFor a related cabinet with comparable interior arrangement see, Christie's, London, 23rd November 2006, Important English Furniture and Carpets, Lot 111 (£24,000). Condition Report: Marks, scratches and abrasions comensurate with age and use. Some old chips and splits and some minor old repairs. some small losses. Some areas of lifting and splitting to veneers. Various old veneer repairs. The most noticeable replacements are shaped sections to the doors. Some of these may be original, some of various age. The door lock is a likely mid 18th century replacement. The key is present to operate it. door hinges are probably 18th century replacements. Some hinges have later screws. The key to the interior door may be original and there is a key to operate it. The escutcheons and handles of the drawers are replacements faithful to the period style and use the same holes as the originals. One drawer lock of the lower chest section is lacking. One other to the bottom drawer has been replaced with a timber fillet. Some fading but generally good colour . The front is more faded than the remainder. There are vertical splits to the doors that have been disguised by slender fillets of timber and some staining/ coloured varnish. The feet are possibly original or very old replacements. They are faithful to period style and are positioned in the original holes in the base of the carcass. The handles to the interior drawers are likely replacements in period style. Evidence of old worm damage (holes) and some fragmentary loss in some areas as expected for age. This is mainly visible to the top. The rear panels appear original. Shrinkage has caused some gaps and splits to the boards. Please request additional images if required for visual reference to condition. Condition Report Disclaimer
A George I walnut and feather banded bureau bookcase, circa 1720, the shaped mirror panel doors opening to an adjustable shelf above an arrangement of short drawers and pigeon holes, the lower section with a hinged fall opening to a tooled leather inset writing surface, a well section with sliding cover and an arrangement of pigeon holes and short drawers, 208cm high, 102cm wide, 58cm deepCondition Report: Marks, scratches and abrasions comensurate with age and use. Some old chips and splits and some minor old repairs. some small losses including a short section of moulding from the top front edge of the bureau section . The appearance would be possible to improve relatively easily be an experienced and qualified restorer.Some later screws to hinges, leather inset to interior is later. The escutcheons and handles are replacements (largely 18th century) and there are plugged holes from previous alternate/ original positioning of handles. The locks of the two short drawers of the bureau section have been neatly filled with timber fillets and disguised by filler. The remaining long drawers beneath have later 18th century locks. The key is present to the later 18th century lock of the cabinet doors but keys are lacking to all other locks. The key escutcheon to the cabinet door has been cut down slightly to fit. There is an unusual 'secret' compartment to the interior of the well section concealing three small removable drawer type compartments. The handle to the slide of the well section is lacking. Some evidence of later varnish. Some fading to colour. This is more noticeable to the left side overall from sun fading. One small 'arch' element to the pigeon holes of the interior of the bureau is lacking, one is detached but present. The feet are later replacements. The original holes for the turned bun feet are visible to the interior floor of the carcass. The interior of the cabinet section is well fitted and this appears original. The handles to the interior of the cabinet and the interior of the bureau section are good quality but are of later 18th or 19th century date. The mirror plates of the doors are likely original but we cannot guarantee this. The plates bear the expected depletion (see images)Evidence of old worm damage (holes) in some areas as expected for age. Please request additional images if required for visual reference to condition. Condition Report Disclaimer
A Louis XVI style kingwood longcase clock,c.1870, French, the modern movement mounted in the top section of cartouche shape with a gilt bronze figural surmount over a brass dial with porcelain numerals within gilt-bronze scrolling mounts, the base, of baluster shape, with well-figured veneers within broad crossbanding, the full-length door with a glass lenticle within gilt bronze mounts, the sides similarly veneered,dial 26cm diametercase 206cm highCondition report: Dial is a marriage. Movement is of modern quartz type. Top section with some wear and losses to veneer. Base with losses to crossbanding - not major. Complete with pendulum, no key.
An extraordinary, profusely inlaid, mahogany cabinet,19th century, North Italian, the top section with three doors, each with a Renaissance figure within an arched panel surrounded by ebony, ivory and boxwood geometric and flared inlay, the central door with two figures and a mother-of-pearl hawk, flanked by grotesque animal monopedia, the base with two similar doors with similar monopedia columns,135m wide54cm deep186cm highCondition report: Basically ready to be placed in a country house.Top left door with old veneer split along top of figural panel.Bottom left door with repaired verticle split to right-hand side, full length and similar quarter length on left.Small piece of moulding missing to base of top right monopedia.Appears to be missing a gallery or finials to the top. No key present, and the left and central upper doors are locked, but the right-hand example is open, enclosing shelves. Splits to right-hand door inside and out. Knocks, scratches, losses, wear and repair. Appears to have had some professional attention. Some lifting and losses to inlay. Some moulding lost. Traces of worm. Splits, scratches, knocks, fading and some repairs to base doors. Left backboard split. General wear throughout. Please see photos.
A French gilt-bronze carriage clock,mid-19th century, by Paul Garnier, the engine turned silvered dial signed 'Paul Garnier Paris', the drum movement with platform escapement visible through an oval top glass, outside count wheel and striking the half hours on a bell, the backplate inscribed 'P.G. Brevete Paul Garnier H'er du Roi Paris', the carrying handle emanating from lion's masks,14cm wide12cm deep23.5cm highCondition report: Ticks away quite happily, silvering to dial grubby, some wear to darker patinated areas especially on sides and back door. Movement number 843. Please see photos.
A fine Regency doll's house,c.1810, the painted stone grey exterior in classical style with pitched roof, grand entrance with moulded step leading to a panelled door and arched moulded surround, the facade with four grand columns supporting the first floor balcony, ground floor with four glazed windows to front and back, first floor with four windows to front and back, all with glazing bars and pediments, opening in two sections to front to reveal four rooms, hallway and landing on two levels, papers to walls and floors, contents include an 18th century dining suite, wooden furniture, canopy bed and more,112cm wide40cm deep89cm highCondition report: Inherited by the vendor's family c.1965Knocks, splits, chips, losses and wear throughout. Evidence of repair and restoration throughout. Repainting and re-touching. Most or all glass windows appear replaced, having been secured with tape and painted over. Door hinges possibly replaced or have had new screws. Staircase probably replaced. Old layers of paint and wallpaper visible. Split to base. Rubbing, wear, discolouration and degradation to floors, walls and ceilings. Furniture appears to be of various ages. Bottom right wallpaper painted over. Wear, tear, breaks and repair to furniture and fittings.Please view additional condition photos using this link: https://share.icloud.com/photos/0cc8WTA4vbWktsSLN9DGoVc4gBelow are notes from the vendor:Hallway and stairs: papered walls and floors, furnishings including metal pressed mirrors, chandelier and wall sconces with candles, faux bamboo hall stand, a butler doll, a spaniel dog and a needlepoint carpet.Drawing room: with vibrant blue and gold paper, panelled and painted grey walls, in-built black marble-effect fireplace, an 18th-century dining suite including an oval dining table and four chairs with silk seats, a metal newspaper rack with a copy of Punch, two dolls a wooden violin, metal candelabra, wooden display case and needlepoint carpet.Kitchen: with cream patterned paper and panelled painted green walls, in-built fireplace, a cook doll with set of keys, oven and sink with taps, painted green wooden dresser with numerous ceramics, a ceramic sheep, four French metal pans,Bedroom: with paper depicting parrots and foliage and panelled and painted grey walls, in-built fireplace with numerous metal accessories, canopy bed with bedding, an opulent doll in lace clothing holding a book and a three-piece furniture suite including bedside table, dressing table and display case.Nursery: with floral paper, in-built fireplace with various metal accessories, five-piece furniture suite, a Moses’ basket with baby doll, and various small ceramics and an embroidered carpet.
A fine early Victorian doll's house, c.1840, the exterior with stipple-effect paper and quoining to all sides, the panelled door flanked by moulded columns and pediment, the ground floor with two glazed windows to front and three to back, the first floor with three windows to front and back, all with glazing bars, the whole opening in three sections to reveal four rooms, the hallway and landing on two levels, papers, including some after William Morris, to walls and floors, fully furnished including Arts and Crafts wooden furniture, a tester bed, a canopy bed, a violin, Victorian chairs with original upholstery, a metal press and more, 87.5cm wide50cm deep69cm highCondition report: Purchased by the vendor's family c.1980. Lovingly cared for by the vendor's mother from the point of purchase up until 2018.Splits to the roof and back. Knocks, chips, losses and wear throughout. Left moulding return loose. Evidence of repainting to areas of the exterior. Evidence of repair. Some sash windows a little stiff. Splits to central door. Hinges replaced on all doors. Repairs and replacements to fixtures and fittings. Dirt, tears and degradation to wallpapers. Window at the top of the staircase loose. Staicase appears over/later painted. Split to top left bedroom floor. Wear, dirt and damage to floor 'tiles'. Furniture of varying ages. Some damage and repair to furniture. Mangle in kitchen functioning, although slightly misshapen in places. A couple of the loaves in the kitchen appear to be organic. Wear throughout.Please view additional condition images using this link: https://share.icloud.com/photos/0Srv8TWGrEck4DadvwqRo1wbwBelow are comments from the vendor:Bedroom (first floor left): papered walls after a design by William Morris and tile patterned paper floors, built-in wooden fireplace, furnishings include canopy bed with green silk upholstery, a doll, and a five-piece suite of Arts and Crafts furniture.Bedroom (first floor right): papered walls after a design by William Morris and floors, built-in wooden fireplace, a wooden tester bed with red and white bedding and a doll, an Art Nouveau cupboard and a wooden cheval mirror.Drawing room: papered walls and tile patterned papered floors, built-in fireplace, furnishings including Victorian chairs with original upholstery, curtains after a design by William Morris a wooden violin, a doll dressed in brown with a hat, and an oval needlepoint carpetKitchen: papered green walls and tile-patterned paper floors, built-in fireplace, furnishings including a wooden dresser with numerous ceramics, a metal press sewing machine, a cook doll, a glass cat, a metal press mangle machine with towel and a marble top kitchen table.Hallway and stairs: papered walls and tile-patterned papered floors, furnishings including a metal stand with drawers and mirrored top, metal coat stand, leather satchel, umbrellas and hats.
A diminutive George II-style mahogany and parcel-gilt bureau bookcase,incorporating some 18th century elements, the upper section with a rectangular mirrored door enclosing shelves and a candle slide, the base with a fall front with a fitted interior within, above four graduated long drawers and raised on bracket feet, 67cm wide52cm deep190cm highCondition report: The top and base a marriage. Alteration and repair throughout. The top is desperate to fall forward when the door is opened, suggesting that the mirrored door is itself associated. Knocks, wear and scratches.
A Louis XVI-style inlaid, parquetry and mahogany marble top commode, French c.1900, after Jean-Henri Riesener, modelled from the Concordant Commode at the Palais de Fontainebleau, the shaped and veined white marble top over three frieze drawers and shaped and panelled doors, the front of bowed, breakfront form, the sides flared, the drawers and frieze with ornate gilt bronze mounts, the doors inlaid with a central panel of an ewer and a basket of fruit on a specimen wood ground, flanked by panels with stylised flower heads, the sides conforming, within boldly cast gilt bronze mounts,166cm wide64cm deep94cm highCondition report: Minor chips to edges of marble, mainly the back edge. Repaired split to both side panel. Smaller door with wear to hinge edge. Faded.it looks as though it has been through a restorers workshop at some point in its life, both panels have been repaired and there are areas of the veneers damaged internally (see photos) other small areas of repair, evidence of glue between the backboards and expansion within the joints of the carcass. Gilt metal worn extensively and unevenly slightly pitted to the surface, split to the front right-hand door that is also visible from the inside.One key. It could easily go straight into a grand house.
A French Louis XVI style mahogany and ormolu mounted commode,late 19th/early 20th century, the Brèche d'Alep marble top with a pierced gallery, above three drawers, set between a pair of cupboard doors, raised on tapering fluted supports,96cm wide44cm deep91cm highCondition report: Dirt and tarnish to ormolu. No key present on one drawer and door locked. Right door split. Small crack to corner of marble. Some knocks, scratches and wear.
An eight-day oak and pollard oak longcase clock, by Josh Wilson, London, the square brass dial with a silvered chapter ring, seconds dial, nameplate and calendar dial, the hood with a stepped cornice over three-quarter turned columns, the door with a bullseye lenticle, dial 11½ inches (29cm approximately) case 222cm highCondition report: Please note that this is oak and pollard oak, not walnut.Movement has out run for some time. Bell missing. Will require attention. Case re-polished. Feet possibly later. Cheeks re-built. Hood missing side glass and base moulding to hold it in place. Movement and case probably matched.No pendulum, weights or key present. Lost moulding not present. Lock replaced. Knocks, splits, scratches, losses and damage throughout. Generally in need of attention. Dial is 11 1/2 inches (29cm approx)
A George III mahogany bracket clock,the brass dial with an arching top, subsidiary strike silent dial, date aperture, the silvered chapter ring with black Roman numerals, the twin fusee movement striking a bell,27cm wide17cm deep49cm high Condition report: The case with cracks to the veneer mouldings loose, three holes drilled to the top of the dial plate, vacant holes to the backplate, not signed, pendulum and key present, pierced grille to one side broken, rear door ill-fitting, front door to case broken and repaired.
A mahogany longcase clock, 18th century, by Thomas Wheeler, London, the hood with a blind fret arch, brass stop fluted columns, cast brass cherub and crown side panels and brass flaming urn finials, the arched silvered dial inscribed 'Wheeler London' and with strike/silent in the arch, subsidiary seconds and date dials, the five-pillar movement striking the hours on a bell, with two brass weights and a heavy pendulum with flattened wooden rod,54cm wide23cm deep237cm highCondition report: Trunk recently restored. Repaired split to length of backboard. Scratches, knocks and surface wear. Deterioration to polish in places, repaired top hinge to hood door. Height without finials 238cm.
A Victorian satin birch small combination wardrobe, with hanging compartment to the left-hand side enclosed by a bevelled mirror door, a cupboard & three drawers to the right-hand side above a long drawer to the base section, all with Aesthetic style brass ring handles & escutcheons; 51” wide x 87” high x 23” deep.
A Victorian inlaid rosewood upright side cabinet, with raised back set bevelled mirror with ebonised border & on turned supports, fitted frieze drawer above a part-glazed panel door inset four further mirror plates, & on square tapered legs with ceramic castors; (front left leg castor requires attention); 22¼” wide x 55” high x 15” deep.
A Victorian burr walnut veneered davenport, with raised brass gallery & four drawers to the top above a satinwood-lined interior fitted six drawers enclosed by a sloping fall-front inset green leather writing surface, fitted with three drawers to the right-hand side enclosed by a panel door, mock door to the left, on carved & shaped supports with circular pad feet & brass castors, 25” wide x 37½” high.
A group of English medieval church/priory architectural stonework and tile fragments, some pieces with inscribed labels of provenance, including two fragments of figures supposedly from the lowest row of niches of Wells Cathedral, Somerset, four sections of stonework from Merton Priory, Surrey (destroyed in 1538) from excavations from 1898-1929, a section of a door jamb from the cloisters of Glastonbury Abbey, a section from the reredos of Lady St Mary church, Wareham, Dorset, and a section of the reredos of Cuthbert Church, Wells, Somerset with traces of red paint Provenance - A. T. Arber-CookeCONDITION: Provenance - Alfred Theodore Arber-Cooke (c.1905-1993); thence by family descent. Arber-Cooke was an antiquarian and avid collector of Antiquities and Asian works of art, principally collecting from the 1930s to the 1970s. He initially lived in Wimbledon, Greater London and was involved with local archaeological digs undertaken by the Surrey Archaeological Society. He wrote the book 'Old Wimbledon', with a foreword the MP Sir Arthur Fell, published in 1927. He later moved to Llandovery in Carmarthenshire, Wales, again involved with local archaeology and wrote the History of Llandovery, published in 1975. The inscribed labels in this lot were probably produced in the 1940s-50s.
Week's Museum. A Regency gilt brass and mahogany drum case mantel timepiece, with urn final, enamel dial and sweeping second hand, swept squared base and lion's paw feet, chain fusee movement with anchor escapement and adjustable pendulum, height 12.5in.CONDITION: Looks to be in very good relatively recently restored condition with all the gilt work in good order, dial with signs of very light crazing particularly between 6 and 8 o'clock so perhaps has seen some retouching or restoration, numerals look good and clean, again probably restored, woodwork definitely re-polished. Movement looks complete but not tested for timekeeping, comes with the original pendulum, back has a lower brass door to allow access to the pendulum, feet have adjustable pads at the back.
An early 20th century red tortoiseshell veneered mantel timepiece, with paste set bezel and ormolu mounts, eight day movement striking on a bell, height 8in.CONDITION: Ormolu mounts have now been rubbed down to a dull finish, cracking in the tortoiseshell to the front of the case around the dial, one paste missing from the bezel at 9 o'clock, dirt specking to the dial, veneers coming away at the front left bottom corner, grille of the back door slightly pushed inwards with cracking and rubbing to the back of the case, movement complete but not tested for timekeeping.
Richard Keyte of Wittney. An early 18th century walnut eight day longcase clock, with moulded cornice, barley twist framed door and 10 inch square brass dial signed and engraved with foliate scrolls, later anchor escapement movement, slender trunk and bracket feet, W.1ft 5.5in. H.6ft 6.5in.CONDITION: Overall of good rich mid to dark walnut tone, separating slightly at the joints around the pediment, no key to the door but it did once have a mechanism that was released from the inside, movement complete but not tested for timekeeping, comes with a brass faced pendulum and two cast iron weights, some small separation around the moulding around the trunk door, similarly so around the mouldings around the box base where there is some scuffing and denting commensurate with age.
A Regency mahogany secretaire bookcase, with initialled dentil cornice and two brass grilled doors enclosing adjustable shelves over a double dummy fall front drawer with satinwood lined interior and three further graduated long drawers, on swept bracket feet, W.2ft 9in. D.1ft 8in. H.6ft 1in.CONDITION: Cornice has had an additional panel laid over the top, minor dents and knocks, the dentil work may be later, centred with a plaque monogrammed SFL, upper doors with original lock and working key, silk in good condition, fitted with three adjustable shelves, the fall with original lock but no key, interior with later gilt black skiver, minor chipping to the ring turned bone knob handles, central door has original lock and working key, minor scuffing around the base but overall good condition.
A Victorian figured walnut and marquetry side cabinet, with inlaid frieze and two panelled doors flanked by serpentine glazed doors, on plinth foot, W.6ft 6in. D.1ft 5in. H.3ft 6in.CONDITION: Overall in good condition with a good rich dark toffee brown colour, faded somewhat lighter to the front of the doors but not bleached, ormolu mounts look to have the original gilding although now a little rubbed from polishing, central door has the original lock and working key, enclosing two original velvet lined fixed shelves, ormolu mount to the left side central door has sprung a little loose, glazed doors enclosed three fixed shelves which were once claret velvet but have now faded to brown, slight scuffing where the doors rub against the top of the plinth but overall good condition.
A pair of 19th century French ormolu mounted walnut pier cabinets, inset with pietra dura and porcelain plaques, the inverse breakfronts with pietra dura floral plaques set to the frieze and the panelled doors inset with Sevres style porcelain plaques decorated with a nobleman and woman, W.2ft 11in. D.1ft 4in. H.3ft 7in.CONDITION: Both look to have been restored in the past 10 or 20 years and now showing some signs of use, cabinet with the lady to the front has very slight bowing at the top and some short cracks running in the veneer at the top, escutcheon plate is wobbly, comes with key but it does not fully work the lock, one section of foliate ormolu banding is loose from the left side of the door, signs of old restorations to the brass stringing around the door, scuffing where the door rubs against the plinth, cabinet with man to the door, overall similar condition but all ormolu attached, some scuffing and discolouration in the varnish around the lower portion of the door, overall both in fair to good condition.
A 19th century French ormolu mounted, walnut and marquetry Meuble d'appoint, with purple and red veined marble top and single door with central inlaid urn and scrolls, on plinth foot, W.2ft 11in. D.1ft 5in. H.3ft 3.5in.CONDITION: Marble top is certainly later but remains in good order, overall colour is of a mid gingerish brown tone with some faded areas, one or two small retouched dents and knocks around the frieze, a vertical split has been repaired down the right side of the panel of the door but still shows as a different colour, key has working lock, two adjustable shelves to the interior, small damages and scuffing around the plinth.
A late 19th century French Louis XV style ormolu kingwood work table, inset with Sevres style porcelain plaques, the lid rising to reveal a mirror inset to the door and tray to the compartment, W.1ft 8in. D.1ft 2.5in. H.2ft 3in.CONDITION: Overall looks to be in good honest condition, top is slightly faded, the front and sides with a much richer colour, ormolu mounts with a slightly matted finish, porcelain plaques are in good order and are applied all around the piece. Mirror inside looks like a later addition with a silvered wood frame, tray to the interior looks original, no key for lock.
An Edwardian satinwood banded mahogany games/drinks table, with twin flap swivelling top concealing compartment containing three slice and hobnail cut glass decanters and eight slice cut and etched glasses, frieze drawer fitted with compartment for card games, chess and dominoes, chess board slide and cribbage board slide, on squared tapered legs, fitted ceramic castors, width 76cm, depth 46cm, height 74cmCONDITION: Overall of even reddish brown mahogany tone, some light surface scuffing and wear to the top, baize watermarked with some holes, top swivels to reveal a compartment containing three decanters, the other side has a hinged door and holds eight well matched but associated glasses, and a recess for an ice bucket which is missing as is the key to the lock, frieze drawer has key but does not appear to work the lock, top of drawer is stamped with a registration number 514989, has one lidded compartment with chess pieces, bone and ebony dominoes and sundry card games, cribbage board slides out completely as does the chess board which is backed with baize, both in good order, legs with a fair amount of scuffing and front left leg has been broken and repaired, castors worn from use.
An Edwardian rosewood banded mahogany serpentine dwarf bookcase, with brass gallery and central door painted with a woman representing Sapphos, flanked by astragal glazed doors on square tapered legs with spade feet, W.5ft 1.5in. D.1ft 6in. H.3ft 3in.CONDITION: Overall in fair to good condition, the plum pudding mahogany of good rich colour, top with a number of small scattered dents and cracks running in from both sides, central door with a broad craquelure running through the painted panel, comes with a key but appears to be locked shut, key does work the side doors which have adjustable shelves, minor scuffing around the apron and feet.
A 19th century Russian tempera on wood triptych icon, c.1800 with floral and bird carved crest, the central panel depicting the Boy Jesus in the Temple with Mary and Joseph flanked by panels of saints, 25.5 x 16.5in. opens to 23.75in.CONDITION: Some chipping and wear around the outsides with flaking of the blue paint around the arch at the top but overall largely complete, a slightly dully dirty finish throughout, left hand door has a broken top hinge, main panel has a short crack to the right of 6 o'clock, right hand door wobbly but does hold in place, some scuffing and cracking to the sides, old worm holes to the back.
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