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Lot 422
CLOCKS - ELIEZER AND JAMES CHATER, LONDON A GEORGE III OAK LONGCASE CLOCK having a probably later case with Victorian inlaid pediment, modern brass spheres, flank plain timber pilasters with brass capitols, waist panel door with pendulum aperture and box pl"inth, the eight day mechanism of Clerkenwell type, four pillar with anchor escapement, faced by an arched brass dial with strike silent, subsidiary seconds and calendar, 2.33m overall "
Lot 629
FURNITURE - A PART 18TH CENTURY QUEEN ANNE STYLE WALNUT KNEE HOLE DESK having crossbanded and herringbone inlaid top with rounded edge over a long frieze drawer flanked upon twin side supports, each with three drawers and ring handles, a central cupboard door, raised on six bun feet, 77cm high x 91cm wide
Lot 673
FURNITURE - A VICTORIAN MAHOGANY AND BOXWOOD STRUNG INLAID AND SATINWOOD CROSSBANDED DISPLAY CABINET/CUPBOARD having a high upstand with moulded and boxwood simulated dentil pediment over three satinwood crossbanded panels, each with quarter veneers, mounted upon a flat top with bow front centre, central cupboard door enclosing two shelves and twin glazed doors, raised on square tapered legs with spade feet united by a plank undertier, 167cm high x 138cm wide
Lot 511
VICTORIANA - A LATE VICTORIAN OAK COMPACTUM WARDROBE having chamfered and moulded pediment with cushion frieze over a central door with circular bevelled mirror and panels below, flanked by twin three quarter length bevelled mirror doors and three drawers below,with provision for plinth, 1.98m high x 1.92m wide
Lot 711
FURNITURE - A LATE VICTORIAN/EDWARDIAN MAHOGANY DISPLAY CABINET having moulded pediment, boxwood, stylised floral inlaid frieze over a single oval glazed door with moulded glazing bars, enclosing three shelves and painted floral and bow chapters, raised on a base with square tapered legs, spade feet and boxwood stringing, 176cm high x 66cm wide
Lot 9
An oak eight day longcase clock, the 27cm gilt chapter ring with roman numerals, the dial with subsidiary seconds and date aperture, signed Jno Stokes, Bewdley, four pillar movement, the trunk enclosed by an arched panel door, plinth base, the hood with blind fret carved frieze flanked by pilasters, height 203cm (80in.).
Lot 434
An 18th century eight day figured walnut long case clock, the plain stepped cornice over a square 12" dial with silver chapter ring bearing makers name `KEN BRISTION LONDON`, subsidiary day of the month and second aperture, set within gilt metal corner spandrels, the hood with gilt metal mounted turned column decoration above plain trunk, within herringbone inlaid arch top door and parcel gilt lenticle, resting on a shaped plinth base, 204 cm high.Illustrated.
Lot 672
Vincenti et Cie A French boulle mantel clock, the eight day duration movement striking the hours & half hours on a gong with the backpate stamped with the trademark of the maker ‘Vincenti et Cie, Paris’, the brass dial having black Roman numerals to the individual enamel cartouches, with blued steel hands, the waisted tortoiseshell boulle case inlaid with engraved brass decoration, with cast brass mounts to the front and sides and to the shaped, glazed front door, height 48cm. *For details of Vincenti see lot no. 656
Lot 677
Thomas Baxter, London A mahogany floor standing regulator, the eight day duration timepiece movement having maintaining power and a dead beat escapement, the thirteen inch round silvered dial of regulator layout with the minutes to the outer aspect and two inner subsidiary dials for seconds and hours, engraved with the maker’s name ‘Thomas Baxter, London’, the dome topped mahogany case having a glazed trunk door, with raised mouldings to the base, height 210cm.
Lot 678
James Harrington, Ipswich An early burr yew longcase clock, the eight day duration movement having ringed & knopped pillars and striking the hours on a bell, the 12 inch square brass dial having a raised chapter ring engraved with black Roman numerals, fleur-de-lys half hour markings and the maker’s name ‘James Harrington, Ipswich’, with the matted dial centre having ringed winding holes and date aperture with florally engraved surround, blued steel hands, wheatear border engraving and ‘female head’ cast spandrels to the four corners, the burr yew case with a lenticle glass to the trunk door, chevron style crossbanding to the trunk door & base and a fretwork frieze to the flat top hood with brass capitals to the hood pillars, height: 230cm. * James Harrington is recorded as working in Ipswich, Suffolk in the late 17th/early 18th century. He was born in the west of county and after the death of his first wife married Martha Jowers at Lavenham in February 1729, with his will dated the 13th of October 1729 and proved after his death on he 16th of February 1730. As there were no children from either marriage the beneficiaries were his executor (his brother) and his widow.
Lot 679
W. Cockings, Bridgewater A mahogany longcase clock, the eight day duration movement striking the hours on a bell, the 11 inch arched painted dial having black Roman hour numerals, a subsidiary seconds dial, date aperture and painted floral decoration to the corners and arch, the falseplate embossed with the dialmaker’s name ‘Finnemore & Sons, Birmingham’, the mahogany case having ebony & boxwood stringing to the base and door, canted corners to the trunk, fluted pillars with cast brass capitals to the hood and a swan neck pediment, height 210cm. * William Cockings is recorded as working in Bridgewater, Somerset from before 1860. * William Finnemore was one of the leading makers of longcase clock painted dials recorded in Birmingham from 1812 and was joined by his sons, William jnr and George in 1828 and were known to be still working together after 1846.
Lot 682
Rob Fulford, Plymouth Dock A mahogany longcase clock, the eight day duration movement striking the hours on a bell, having a 12 inch silvered brass dial engraved with black Roman numerals, cherubic four-season decoration to the four corners and maker’s name ‘Rob Fulford, Plymouth Dock’ to the centre, with subsidiary seconds dial and date aperture, the arch engraved with a depiction of a ho-ho bird, the arched top mahogany case having boxwood stringing to the trunk door and base with ‘Prince of Wales’ feathers inlaid to the trunk and base, with fluted canted corners to the trunk and fluted pillars to the hood, height 230cm. * Robert Fulford, Plymouth Dock (now Devonport), married Mary Clark at Stoke Damerel parish church on the 21st of November 1785.
Lot 683
Thomas Nevitt, Bristol A mahogany moonphase longcase clock, the eight day duration movement striking the hours on a bell, the 12 inch arched brass dial having a silvered chapter ring engraved with black Roman numerals and outer Arabic minute numerals, the matted centre having engraved floral decoration, a subsidiary seconds dial engraved with the maker’s name ‘Thos. Nevitt, Bristol’, and date aperture, with cast brass ‘floral & rococo’ spandrels to the four corners, the arch having a moon phase disc with the arch showing ‘High Water at Bristol Key’, with blued steel hands, the mahogany case having a plain base with fluted, canted corners to the trunk, typical Bristol shaped moulding to the top of the trunk door, a swan neck pediment with dentil moulding below and fluted columns with brass capitals to the hood, height 132cm. * Thomas Nevitt is recorded as working in Temple Parish, Bristol becoming a burgess, through marriage, in 1754. He was known to be still working in 1784 when he is recorded in the Poll book.
Lot 686
James Tranter, West Bromwich An oak & mahogany moonphase longcase clock, the eight day duration movement striking the hours on a bell, the 14 inch painted arched dial having black Roman numerals, subsidiary seconds and date dials to the dial centre, painted female four-season decoration to the corners and having a moonphase disc within the arch, signed to the dial centre ‘Jos. Tranton, West Bromwich’, with decorative brass hands, the oak and mahogany case having shell inlay to the door, base and panel below the short door, with various styles of inlaid stringing and crossbanding, with the fluted quartered columns to the trunk having brass capitals, the mahogany veneered hood having a swan necked pediment and fluted pillars, height 230cm. * James Tranter of West Bromwich, Staffordshire is recorded as working circa 1810. The name has obviously been mis-spelt during restoration of the dial.
Lot 718
An early 19th Century oak dresser, the shelved superstructure with a bevelled cornice and rounded column stiles, the base containing three frieze drawers and three central false drawers, flanked by a cupboard to either side with enclosing moulded panel door, on bracket feet, 157.5cm (5ft 2in) wide x 213cm (7ft) high.
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235346 item(s)/page