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Flemish School. Late 15th century.Micro carving boxwood travel triptych with gold leaf in the interior. Exterior lacquered in black and gold.Closed measurements: 15 x 8 x 2 cm. Open measurements: 15 x 16 x 2 cm.Exquisite, and curious devotional travel altar depicting scenes from the Passion of Christ.For private use, it transposes the characteristic format of large altar triptychs, both carved and painted, into a small and compact, meticulously detailed format.Its lobed Gothic arches enclose the Mystery of the Death of Jesus Christ in 7 windows that inspire deep devotion. The central window is presided over by Christ on Golgotha at the moment of his death, crucified between the thieves Dismas and Gestas, the good and the bad.In the scene, the worshipper standing before it can feel in their heart those words: 'Jesus, remember me when you come into your kingdom.' And Jesus (will) say to them, 'Truly I tell you, today you will be with me in paradise.' Below him, Mary Magdalene is in the heart of the massif and grotto of Sainte Baume (a typical Provençal village with a Romanesque church from the 11th century with a natural cave dedicated to the Saint). Six scenes of the Passion on each door contain the central mystery of the Crucified Christ: on the left, Jesus praying in Gethsemane, the Arrest, and the Flagellation, and on the right, the Presentation of Jesus before the Sanhedrin and Caiaphas, the Via Dolorosa or Way of Calvary, and the moment of Crucifixion.The exterior is lacquered in black and gold, the colours of mourning, with a jug of lilies, as symbols of the Virgin Mary, representing her deepest femininity, her purity when she conceived her Son, within this devotional and mysterious altarpiece.Other triptychs for domestic use and of small dimensions can be found in the collection of the Victoria & Albert Museum in London (inv. 3264-1856), also of Flemish origin and from the same century; several examples of Flemish or Dutch origin were in the magnificent exhibition 'Small Wonders: Late Gothic Boxwood Micro-carvings from the Low Countries,' jointly held by the Rijksmuseum, the Metropolitan Museum of Art in New York, and the Art Gallery of Ontario.
American - late 19th century New Haven 8-day wall clock, with an inlaid case and fully glazed rectangular door flanked by turned pilasters, painted dial with Roman numerals and steel spade hands, mirror to the back of the case and visible brass faced pendulum, two train spring driven movement with countwheel striking on a bell.Dimensions: Height: 80cm Length/Width: 40cm Depth/Diameter: 15cm
Three albums by The Cure including The Top, The Head in the Door and Kiss Me, Kiss Me, Kiss Me, all three albums have their original printed inner sleeves, (3) The vinyl surfaces of each disc are in excellent condition with few very minor marks visible under light, with all covers showing some signs of light laminate creasing and signs of storage wear along the edges, but generally are good.
A George III oak longcase clock with thirty hour movement striking on a bell via an outside countwheel, the 11-inch square silvered dial with black Roman hour numerals and foliate engraving and inscribed 'Danl Gill RYE', the hood with moulded pediment, glazed door and turned columns, the rectangular trunk door above a plain base and bracket feet, height 214.5cm, with pendulum and weight. Note: Daniel Gill is a recorded Sussex clockmaker. Born in 1759, he worked from his High Street address in Rye between 1798 and 1810.
An early 19th century mahogany longcase clock with eight day movement striking on a bell, the 13-inch square painted dial with Roman hour numerals, the hood with broken arch pediment and glazed door, the trunk and base with boxwood line inlaid decoration flanked by fluted corner columns, on bracket feet, height 236cm (faults), with pendulum, two weights and winder.
An early 20th century German walnut cased wall clock with aneroid barometer and mercury thermometer, the eight day clock movement striking on a gong, the dial with Arabic hour numerals, the case with turned finial surmount above a breakarch pediment, the trunk door inset with silvered thermometer dial and printed circular barometer dial, flanked by a pair of fluted columns, height 69cm, with pendulum.
An early 18th century thirty hour longcase clock movement and dial, the movement striking on a bell via an outside countwheel, the 10-inch square brass dial with matt centre, the silvered chapter ring with black Roman hour numerals and signed 'Jno Ettry Horton', with pendulum and weight, within a later oak longcase case, the hood with moulded pediment and glazed door, on bracket feet, height 202cm. Note: John Ettry is a recorded Wiltshire clockmaker. Born in 1717, he worked from Bishops Canning and nearby Horton from 1736 until his death in 1759.
An early 19th century mahogany longcase clock with eight day movement striking on a bell, the 12-inch painted breakarch dial with rolling moon to arch, Arabic hour numerals, subsidiary seconds and date aperture, the hood with moulded arch pediment and glazed door, the trunk with arched door, on a plain base and plinth, height 201cm, with pendulum and two weights.
A late 19th century walnut cased Vienna style wall clock with eight day movement striking on a gong, the circular dial with Roman hour numerals, the case with arched surmount and turned finials above a glazed door with turned columns and tapered apron, height 119cm, with pendulum and two weights.
A 19th century mahogany longcase clock with eight day movement striking on a bell, the 13-inch painted breakarch dial with Roman hour numerals, subsidiary seconds and date dials, and indistinctly signed, the arch painted with animals and birds in a woodland, the hood with swan neck pediment and inlaid columns, the bowfront trunk with arched door and spiral reeded corner columns, on a crossbanded bowfront base and bracket feet, height 214cm, with pendulum and two weights.
An early 19th century figured mahogany longcase clock with eight day movement striking on a bell, the 12-inch circular white painted dial with Roman hour numerals, subsidiary seconds and calendar dials, the arched hood with brass ball finials and glazed door, the trunk with arched door above a panelled base and bracket feet, height 209cm, with pendulum and two weights.
A late 19th century oak cased bracket clock with eight day three train movement chiming on four gongs and striking on a larger gong with pull repeat mechanism, the backplate stamped 'W & H Sch' (Winterhalder & Hofmeier), the brass dial with silvered subsidiary pendulum regulation dial above a matt centre and silvered chapter ring with black Roman hour numerals and detailed 'Curtis & Horspool Leicester', the arched case with carved foliate scroll decoration, bevelled glass panel to front door and pierced fret panels to sides, on an inverted breakfront base, height 38.4cm, with pendulum, case key and winding key.
A George III oak longcase clock with thirty hour movement striking on bell via an outside countwheel, the 12-inch square painted dial with Arabic hour numerals and date aperture, inscribed 'Jas Spencer Malmsbury', the hood with swan neck pediment and glazed door, above a rectangular trunk door, on a plain base and plinth, height 197.5cm, with pendulum and weight.
A 20th century French brass and porcelain diminutive carriage timepiece with eight day movement, the enamelled dial with Roman hour numerals and outer Arabic minutes, within a matt silvered surround, the corniche case with swing handle above inset porcelain side panels and back door panel, each painted with cherubs within gilt and blue borders, height 7.5cm, with winding key.
A Regency rosewood and brass inlaid bracket clock, fusée movement with bell (broken) strike, back plate signed Parkinson & Frodsham, London, with pineapple finial raised on brass ball feet, 49cm high Base has been cut away to accomodate the pendulum Top finial missingmultiple splits and repair to the veneer, knocks and minor losses to the extremetiescornice moulded edge, part missing on the right sectionrear glass door cracked,the bell is damaged, lower section has been broken off but is presentdial has multiple losses and evidence of touching upNot tested, would recommend a full serviceSee images
ENID BLYTON COLLECTION OF HARDBACKS IN DUSTJACKETS to include 'The Valley of Adventure' 1953, 'The Sea of Adventure' 1952, 'The Ship of Adventure' 1951 together with 7 Famous Five (one without dustjacket), 'The Boy Next Door' 1952, 'Go Ahead Secret Seven' 1953 first edition with dustjacket and 8 Secret Seven paperbacks (20)Condition Report:Various conditions, see images or ask for details
A French Boulle inlaid striking mantel clock late 19th century, the balloon shaped case with gilt metal foliate scroll, husk, rocaille and mask mounts and seated putto finial, brass inlay and tortoiseshell veneers, glazed front pendulum aperture and foliate scroll feet, 5in. cast gilt brass dial with twelve Roman numeral enamel cartouches, twin barrel movement striking the half hours on a bell, no. 2909, further marked '1875', sunburst mask pendulum bob, 15¾in. (40cm.) high, with a matching Boulle inlaid base. (2) *Winds, runs and strikes. Some small blisters, cracking and deterioration to the surface of the tortoiseshell to the lower and upper side panels. A couple of small pieces of brass inlay lifting. Shrinkage crack to back of pagoda top and two to movement door. No damage to enamel numerals. Stand has some small chips and flakes from tortoiseshell to top edge of front. Good overall.
A George III mahogany bureau bookcase with a broken pierced pediment over a blind fret and dental frieze, the two panelled doors enclosing three adjustable shelves over four small drawers, the fitted bureau with a gilt tooled leather insert to the fall front, opening to two banks of pigeon holes and fitted drawers, with two shallow concealed drawers over the central cupboard door, flanked by reeded pillars masking concealed drawers, the two short and three long oak lined graduated drawers with brass furniture, raised on ogee bracket feet, 46½ x 23¾in. (118.1 x 60.3cm.) x 98½in. (250.1cm.) high. *Suspected marriage between top and bottom sections
A Victorian inlaid walnut and ormolu mounted credenza with two mirrored doors opening to reveal two shelves flanked by two open quarter lune compartments with a mirrored back, each with two ormolu galleried shelves, raised on a plinth base 72 x 16in. (182.9 x 40.6cm.), x 42½in. (107.9cm.) high. *Key is stuck in door, door still functions.
A mid-Victorian burr walnut breakfront credenza, circa 1860, amboyna inlaid, crossbanded, strung and marquetry inlaid throughout, gilt metal mounts, central door inlaid with a classical urn motif, flanked either side by corinthian capital fluted columns, bowfront side doors opening to display shelving, on a plinth raised on toupie feet, 112cm high, 152cm wide, 45cm deep, (two keys)
A satinwood and specimen wood bureau abatant, 18th Century, possibly Dutch, parquetry and marquetry inlaid, crossbanded and strung throughout, dentil cornice with canted corners, a single long frieze drawer with brass ring handles framing portrait medallions of fashionable ladies, over a fall-front with a black lacquer central panel with chinoiserie landscape scene with figures and horse, opening to a fitted interior with open storage and till drawers, a double door cupboard below with bow and tassel marquetry inlay suspending lacquer panels, on inverted pyramidal feet, 149cm high, 93cm wide, 43cm deep, (key)
Gordon Russell Furniture - A "Prestige" range rosewood sideboard with chrome legs and hinged doors opening to show pull out drawers and compartment. Designed by Ray Leigh. Circa 1970s. One door opening to show two pull out drawers. Approx. 213cm wide x 45.5cm deep x 72cm high. Further Details: Some slight nibbles/scuffs, wear and signs of usage, one knob from handle to one door off (inside one drawer). N.B. Requires a CITES license if exported outside the EU, The US Government has banned the import of modern rosewood so this cannot be exported to the USA.
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235346 item(s)/page