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Lot 662
AB ROGERS (1968-PRESENT), a bespoke children's pod/bed, made out of fibreboard painted with high gloss red, one of an opposing pair (left side pod) made for art dealer Kenny Schachter, the pods were to house desks, T.V's and mattresses for children, the pod has a single red button which releases a pneumatic hinged escape door, the idea came from when the Kenny's children AB Rogers pictures of race cars, spaceships and SpongeBob Square Pants to help design the pods, length 235cm x depth 160cm x height 102cm (condition: structure solid, magnetic button working, some edges and corners with lifted gloss revealing fibreboard, the interior with wear and clear usage, overall restoration work is required)
Lot 579
A GEORGE III OAK LONGCASE CLOCK, moulded cornice on brass capped doric columns flanking the hood door, brass dial with silvered pierced spandrels, chapter ring with Arabic and Roman numerals, subsidiary seconds dial, eight day movement, 11 1/4''/28.5cm dial with brass name plaque 'N. Baker, Hull', plain trunk door and plinth base, overall height 194.5cm, with pendulum, weights and winding key (condition: some pieces of wood missing to pediment and trunk door, hand missing to seconds dial, name plaque over engraving, not seen working)
Lot 631
EON (ELLIOTS OF NEWBURY), a 7'4'' teak sideboard, having triple sliding doors with scalloped handles, the one door revealing three graduated drawers with large circular handles, on open ended U shaped legs, width 221cm x depth 45cm x height 79cm (condition: wear and tear, sunlight fading, frame solid)
Lot 574
AN EARLY VICTORIAN MAHOGANY SINGLE DOOR DISPLAY CABINET, the caddy top above glazed sides and door with plain columns flanking astragal glazing and with foliate moulded arching to the top, the interior fitted with three stained pine shelves, on a shaped plinth base, height 167.5cm x width 97cm x depth 49.5cm, with key (condition: cabinet has been later fitted with lighting and has a strip light to the underside of each shelf, the key and lock work, the bottom left hand side of the cabinet has been housed against a damp wall and has patches of white bloom, veneer missing from a few places) Door does appear to be warped but we don’t have a key to see whether it stays inline when it is locked as it sits forward at the top and majority of way down
Lot 578
A GEORGE III OAK LONGCASE CLOCK, moulded pediment above the hood door flanked by half doric columns, brass dial with pierced brass spandrels, chapter ring with Arabic and Roman numerals, subsidiary seconds dial and date aperture, eight day movement, 11 inch/28cm dial named S. Moore, Tewkesbury, plain rectangular trunk door and plinth base, overall height 207cm, with pendulum and weights (condition: overall good condition, some minor chips to case, case needs to sit on a block to keep it standing straight, not seen working)
Lot 385
A LACQUERED BRASS BINOCULAR MICROSCOPE BY HENRY CROUCH OF LONDON NO.1188, in a fitted walnut case with various lenses, accessories and slides, microscope height without lenses fitted 34.5cm, height of case 40cm, excluding carrying handle, with key (condition: case has a large split to the door)
Lot 603
AN EARLY 19TH CENTURY OAK, MAHOGANY BANDED AND INLAID DRESSER AND PLATE RACK, the plate rack with plain cornice and inlaid frieze over four shelves with white painted enclosed back, the breakfront base fitted with an arrangement of six drawers with turned wooden handles, ivory escutcheons, on bracket feet, width 156cm x height 219cm (condition: splits to the top of base, one replacement escutcheon, split to right hand door, the top is stained and old woodworm damage, condition commensurate with age and use)
Lot 580
A GEORGE III OAK LONGCASE CLOCK, the broken swan neck pediment with brass rosette mounted scrolls centred by a brass eagle on an orb, with brass capped doric columns flanking the hood door, brass dial with pierced gilt spandrels, chapter ring with Arabic and Roman numerals, subsidiary seconds dial, painted lunar phase mechanism, 12''/31cm dial named J. Batty, Halifax, the trunk door flanked by quarter columns, on a plinth base, overall height 223cm, with pendulum and weights (condition: split right hand side of plinth and missing kick board, dial has patches of tarnish, other areas of general wear, not seen working)
Lot 398
A LATE VICTORIAN CARVED OAK BRACKET CLOCK, arched brass 16cm (6 1/4'') dial with silvered chapter ring with Roman numerals, subsidiary slow/fast and chime on eight gongs/chime on four gongs dials to the arch amongst gilt metal scrolls and masks, eight day movement, nine gongs housed in an ornately carved case with moulded top and grotesque telamon and flowers to the front, carved fret panels to the sides, height 57cm x width 35.5cm, with pendulum and key (condition: clock seen and heard striking, a few splits to the case, including the top of the door, both sound frets and damaged silk, back door has dents in pierced brass panel, no key to lock dial door which sits proud to the frame, centre winding hole can wind back, silvering worn in patches on chapter ring)
Lot 603
Oak eight day longcase clock by James Holt, Rochdale, circa 1820-40, swan neck pediment over brass capped turned columns flanking a painted 13.5'' dial with maritime rolling moon aperture, date aperture, painted with exotic pheasants, eight day movement striking on a bell, the trunk with mahogany crossbanded door within quarter pilasters, raised on a canted box base, height 220cmPlease note our special conditions of sale regarding clocks and watches
Lot 624
Oak eight day longcase clock by Paul Lacey, Bristol, circa 1820-40, having swan neck pediment over turned columns flanking a painted arched 12'' dial with subsidiary seconds and date aperture, eight day movement striking on a bell, the trunk with an arched mahogany crossbanded door and box base, height 223cmPlease note our special conditions of sale regarding clocks and watches
Lot 689
Oak eight day longcase clock by Ray, Bury St Edmunds, circa 1810-30, arched hood with brass urn finials, brass capped fluted columns flanking an arched painted 12'' dial with subsidiary seconds and date aperture, eight day movement striking on a bell, plain trunk with an arched door and moulded box base, height 198cmPlease note our special conditions of sale regarding clocks and watches
Lot 699
Victorian burr walnut and inlaid credenza, circa 1850, having a central brass mounted door inlaid with classical scrolls and centred with an urn of flowers in boxwood, ebony and harewood and crossbanded with amboyna, opening to two shelves and flanked by brass capped Corinthian columns with a bowfronted glazed door to each side opening to further shelves, all raised on a plinth base, width 134cm, height 110cm, depth 40cm
Lot 583
Mahogany eight day longcase clock, circa 1830-50, the hood with swan neck pediment centred with an eagle ball finial, over brass capped columns flanking a painted 14.5'' arched dial with a vignette to the arch titled 'The love letter', the spandrels representing the four countries of the Union, subsidiary seconds and date dial, eight day movement striking on a bell, flame mahogany crossbanded door, over a crossbanded flame mahogany base, raised on bracket feet, height 228.5cmPlease note our special conditions of sale regarding clocks and watches
Lot 701
Carved oak sideboard in the Elizabethan Revival style, circa 1900-10, the back with a cornice supported on cup and cover supports, with guilloche carved raised panel back with barleytwist pilasters over a base fitted with two moulded panel fronted drawers with cast metal ring handles, flanked on either side with a cupboard door with raised octagonal panel, opening to a cellarette and cutlery drawer, all raised on cup and cover turned supports with bun feet, united by a stretcher, width 190cm, depth 61cm, height 162.5cm
Lot 512
Jaeger Le Coultre brass mantel clock, circa 1972, having a lapis lazuli dial with gilt hands, all brass case and raised on brass bun feet, the inside back door with presentation plaque 'Hawker Siddeley Aviation Ltd long service award', 16cm x 13cm x 6.5cm, original blue faux leather boxPlease note our special conditions of sale regarding clocks and watches
Lot 682
Oak dresser and plate rack in Georgian style, circa 1900, the boarded back with three shelves, and two cupboard doors over a base centred with a recessed panel cupboard door and two short drawers to either side, all with brass swan neck and batwing handles, shaped apron and short cabriole legs with pad feet, width 160cm, depth 47cm, height 207cm
Lot 587
Oak, mahogany and inlaid eight day longcase clock by R Pitts, Epworth, circa 1815-25, the hood surmounted with turned wooden finials over brass capped inlaid columns flanking a painted 11.5'' arched dial with Trafalgar commemorative vignette to the arch, subsidiary seconds and date aperture, the eight day movement striking on a bell, the trunk with an inlaid door over a crossbanded and inlaid box base, height 218cmPlease note our special conditions of sale regarding clocks and watches
Lot 684
Early Georgian oak dresser and plate rack, circa 1720 and later, the moulded cornice with pierced lunette apron over three shelves with a boarded back, over a dresser base with moulded edge plank top over three drawers with brass swan neck handles and with two double fielded panel cupboard doors flanking a central false door, opening to a single shelf, original wrought metal H-shaped hinges, raised on stile supports, with later extensions, width 166cm, depth 56cm, height 203cm
Lot 591
George III mahogany kneehole desk, later gilt tooled red leather writing surface over a central kneehole drawer, flanked on one side with six short drawers, all with brass ring handles, the other side having a recessed panel cupboard door opening to shelves, all raised on bracket feet, width 152cm, depth 59cm, height 80cm
Lot 607
George III mahogany bureau, circa 1780-1800, figured mahogany slope front opening to a fitted interior with central cupboard door drawers and pigeonholes, and fitted with two short and three long graduating drawers with later cast brass handles, raised on ogee bracket feet, width 115cm, height 110cm, depth 55cm
Lot 80
A RARE PRIVATE COLLECTION OF A CONTINENTAL LADYA MAGNIFICENT SAPPHIRE, DIAMOND AND TURQUOISE BRACELET, BY VAN CLEEF & ARPELS, CIRCA 1960The articulated band set throughout with round brilliant-cut diamonds, oval-shaped cabochon sapphires, pear and oval-shaped cabochon turquoises, mounted in 18K gold and platinum, diamonds approximately 3.50cts total, signed VCA, numbered, maker's mark, French assay marks, with maker's pouch, length 19cmThe collection was purchased at Van Cleef & Arpels and has remained within the family ever since.Van Cleef & ArpelsOn June 16th 1906 Van Cleef & Arpels opened the doors to their first boutique at number 22, Place Vendôme. Next door to Lalique, opposite the Ritz and a stones throw from Boucheron, this would prove to be the first of many boutiques that the highly successful Maison would open around the world during the 20th Century. Today the Maison continues to create innovative and stylish jewellery whilst also seeking inspiration in their extensive archives. Several retrospective exhibitions have been staged around the world over the last few years ensuring that Van Cleef & Arpels jewellery remains as celebrated today as it has been over the last 110 years.Van Cleef and Arpels has had a strong history of wooing celebrities and famous clientele. When Grace Kelly married Prince Rainier of Monaco in 1956 they chose a beautiful suite of pearl and diamond jewellery from the New York boutique, soon after naming the firm as an ‘Official Supplier to the Principality of Monaco’. High profile clients continued to patronise the Maison including the Duchess of Windsor, Barbara Hutton, Her Imperial Highness Princess Soraya and the Empress Farah Pahlavi for whom VCA made a stunning coronation crown and necklace in 1967. One of the most famous brands to grace the red carpet, Van Cleef & Arpels jewellery dazzles at all the major award ceremonies. At the 2015 Oscars, Margot Robbie wore an iconic Zip necklace.The ability to be classic, yet creatively flexible defines the style of Van Cleef & Arpels. You can be guaranteed that a VC&A piece will be of a high standard in terms of design, quality of stones and the craftmanship. The Van Cleef and Arpel designs of the 1960s and 1970s were characterized by a profusion of shapes, colours and striking combinations of hard and precious stones. The Arpels brothers returned from their travels around Asia with some remarkable stones and sources of inspiration.
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235302 item(s)/page