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A George III oak mahogany cross-banded and boxwood strung long case clock, the hood with scroll arch pediment and turned columns enclosing a painted dial with rolling moon face and 8 day movement, William Lines of Warwick, shaped trunk panelled door with central paterae above a stepped box base terminating in ogee bracket supports, 226cm high
An 18th Century Dutch marquetry walnut free standing corner cupboard, the upper section surmounted by a shaped pediment and foliate carved central motif, interior shelves enclosed by a glazed panel doors above a bow fronted base, enclosed by a panelled door profusely decorated baskets of flowers and birds, raised on a breakfront platform and bracket feet, 79cm wide x 200cm high
EARLY NINETEENTH CENTURY FIGURED MAHOGANY AND INLAID LONGCASE CLOCK, signed William Buxton, Bishop Auckland, the 13" painted Roman dial with subsidiary seconds and date dials, spandrels depicting ruins and a duck shooting scene to the arch, powered by an eight day movement striking on a bell and housed in a crossbanded case with swan pediment and free standing forecolumns over a foliate scroll inlaid panel and short trunk door with shaped top, flanked by a split turned half column and raised on a conforming base with shaped plinth, 91" (231.1cm) high
19TH CENTURY FIGURED MAHOGANY LONGCASE CLOCK SIGNED J HOWE, LONDON, the 13" (33cm) enamelled Roman dial with subsidiary seconds dial and pair of birds painted to the centre, powered by a substantial 8 day movement striking on a bell and housed in an arch top case with moulded cornice, chamferred fore corners and circular, glazed aperture to the hood door, above a flame cut, long trunk door, and raised on a conforming crossbanded base with chamferred plinth, 79 1/2" (202cm) high
NINETEENTH CENTURY STAINED PINE LONGCASE CLOCK, the 13" painted Roman dial, with subsidiary dial and aperture, enclosed by floral spandrels and set beneath a rural scene to the arch, powered by an eight day movement striking on a bell and housed in a case with swan neck pediment and free standing, turned fore columns over a plain trunk door and chamferred corners raised on a plain base with shaped plinth, 86" (118cm) high 7'2" (2.13m) high
EDWARDIAN MAHOGANY AND MARQUETRY INLAID LONGCASE CLOCK, the 11 1/2" Arabic dial with silvered chapter ring, matted centre, mask pierced spandrels and silent/chime dial to the arch, powered by an eight day movement striking on six rods and housed in an arch top case with bell flower and scroll work inlay, pierced side frets and chamferred forecorners, above a conforming long trunk door with shaped top and raised on a panelled base with shaped plinth
LATE EIGHTEENTH/EARLY NINETEENTH CENTURY FIGURED MAHOGANY AND INLAID ROLLING MOONPHASE LONGCASE CLOCK, signed Edward Shepley, Manchester, the 14 1/4" painted dial with romantic scene and four line verse to the centre, enclosed by figural spandrels and set beneath the moonphase to the arch, powered by an eight day movement striking on a bell and housed in a case with swan neck pediment, free standing stop fluted forecolumns, above a flame cut long trunk door with shaped top and fluted forecorners, raised on a chamferred base with bracket feet, the whole decorated with fan and boxwood line inlays, 94" (232.8cm) the dial with three hands and brass pointer, only the hour and minute hands appear to be engaged
VICTORIAN BURR WALNUTWOOD AND LINE INLAID DAVENPORT DESK, the domed top stationary box above a sloping front with gilt tooled salmon coloured leather insert, enclosing a Sycamore lined interior with pair of short drawers and conforming pair of faux drawers over a panelled front with scroll supports and a panelled side cupboard door, enclosing four drawers and raised on a shaped plinth base with turned feet and white pot castors, 34 1/2" (87.6cm) high, 23" x 21 1/2" (58.4cm x 54.6cm)
LATE 19TH CENTURY EBONISED AND LINE INLAID DISPLAY CABINET, the oblong top above a glazed cupboard door, enclosing three fixed shelves to the red plush lined interior, flanked by floral and scroll gilt metal mounts to the uprights and flanked by a plinth base, the whole outlined in boxwood stringing, 47 1/2" (120.6cm) high, 28 3/4" x 14" (73cm x 35.6cm)
EARLY NINETEENTH CENTURY FIGURED MAHOGANY AND INLAID LONGCASE CLOCK, signed J.V. Merron, Greenock, the 132 enamelled dial with subsidiary seconds dial, powered by an eight day movement, striking on a bell, housed in a case with broken swan neck pediment and circular glazed door enclosed by quarter fan inlays to the corners, over a flame cut long trunk door, and raised on a conforming base, 82" (208.3cm) high (lacks bracket feet)
GEORGE III INLAID OAK AND MAHOGANY LONGCASE CLOCK, signed Thomas Powell, Ravenscroft, the 10 3/4" brass Roman dial with cherub mask pierced spandrels and two birds engraved to the matted centre, powered by a 30hr movement striking on a bell (absent), housed in a case with swan neck pediment, dentil moulded frieze and free standing fore columns, above a short trunk door with architectural top and two inlaid panels, raised on a conforming base with bracket type feet, 80" (202.2cm) high
NINETEENTH CENTURY FRENCH RED SHELL AND GILT BRASS INLAID BOULE WORK EBONISED SIDE CABINET, the oblong top with wet lea moulding above a scrollwork panelled frieze and conforming cupboard door with raised oval panel to the centre, enclosing two shelves to the red plush lined interior, raised on a shaped plinth with applied gilt ormolu mounts, 44 3/4" (113.7cm) high, 35" x 14 1/2" (88.9cm x 36.8cm) (losses to inlays)
EARLY TWENTIETH CENTURY CARVED MAHOGANY DISPLAY CABINET, the mounted oblong top surmounted by a shaped, low back with foliate scroll carved panel above a bevel edged astragal glazed cupboard door, enclosing three white fabric lined shelves to the mirror backed interior, raised on square tapering legs with moulded feet, tied by a shaped undertier, 63" (160cm) high, 27" x 17" (68.6cm x 43.2cm)
EDWARDIAN CARVED MAHOGANY DISPLAY CABINET, the centre section with bulls eye glazed 15 panel cupboard door enclosing a glazed shelf to the pale green plush lined interior, flanked by a pair of bevel edged shaped mirrors and open shelves, the advanced lower section with moulded oblong top above a pair of conforming cupboard doors and interior, raised on straight cabriole fore legs, tied by a shaped under tier and glazed back, 83 1/2" (212.1cm) high, 46" x 16 1/2" (116.9cm x 41.9cm)
EARLY TWENTIETH CENTURY NEWHAVEN CLOCK CO. AMERICAN MAHOGANY CASED MANTEL CLOCK, the 5" painted Roman dial powered by an eight day movement, striking on a bell and gong and housed in an oblong, chamferred case with floral print to the glazed door raised on a plinth base, 18 1/4" (46.3cm) high
EARLY TWENTIETH CENTURY WALNUTWOOD AND GILT METAL MOUNTED MANTEL OR BRACKET C LOCK, the 6 1/2" brass dial with silver Roman chapter ring, scroll pierced spandrels and matted centre, powered by an eight day movement striking on two gongs, the back plate stamped RSM and rose motif, numbered 977, housed in a bonnet top case with cast finials, bevel edged glazed door and side panels and raised on a moulded plinth base, with turned feet, 18 1/2" (47cm) high
EARLY NINETEENTH CENTURY OAK AND MAHOGANY LONGCASE CLOCK, signed Thomas William Hay, Shrewsbury, the 13" painted Roman dial with subsidiary seconds dial and date aperture, enclosed within floral spandrels and powered by an eight day movement, striking on a bell, stamped Finnemore, housed in a case with swan neck pediment, later ball finial and free standing square, fluted fore-columns, over a crossbanded trunk door, flanked by reeded fore-corners and raised on a tall conforming base with bracket feet, 86" (218.4cm) high, dial from date aperture missing
EARLY NINETEENTH CENTURY FIGURED MAHOGANY LONGCASE CLOCK, indistinctly signed, the 12" painted roman dial with subsidiary seconds and date dials, stag spandrels and landscape with maid to the arch, powered by an eight day movement striking on a bell, housed in a case with swan neck pediment and eagle and ball brass finial, above free standing ebonised fore columns, over a flame cut long trunk door with arch top, flanked by quarter cut rope twist columns and raised on a plain base with peg feet, 81 1/2" (207cm) high
PROBABLY EIGHTEENTH CENTURY WHITE PAINTED CONTINENTAL LONGCASE CLOCK, signed Gil Minde, the 11 1/2" copper dial with silvered chapter ring, pierced gilt metal spandrels and inscribed circular plaque to the arch, powered by an eight day movement striking on a bell, housed in an arch top case with ball finials and long panelled trunk door with arch top raised on a panelled base with plinth, 89" (226cm) high
LATE EIGHTEENTH CENTURY MAHOGANY LONGCASE CLOCK, signed Lassel Park, the 13" brass dial with silvered chapter ring, subsidiary seconds dial and date aperture to the diaper matted centre, enclosed by emblematic figural spandrels and powered by an eight day movement striking on a bell, housed in a case with swan neck pediment, free standing fluted fore columns, long flame cut trunk door with shaped top and fluted quarter columns and raised on a panelled base with ogee bracket feet, 89" (226cm) high
LATE NINETEENTH CENTURY 'KOMET' DISC MUSICAL BOX, with coin in the slot operated mechanism, the movement working but sluggish and dirty, playing on combs (complete) in stained walnutwood case with moulded forecolumns flanking the framed door, with milestone shaped glass panel over cash drawer, 30" high x 28 3/4" wide THE WINDING HANDLE and TWENTY 20 1/2" DIAMETER DISCS (rusty)
LATE EIGHTEENTH CENTURY OAK LONGCASE CLOCK with moon phase brass dial, signed Thomas Lister, Halifax, the 12" dial with Halifax moon phase and date aperture to the scroll engraved centre, powered by a 30hr movement striking on a bell and housed in a case with swan neck pediment and gilt wood ball and spike type finials above freestanding forecolumns and long trunk door with shaped top, flanked by quarter columns and raised on a panelled base with moulded plinth, front section missing, 86" (218.5cm) high overall
A LATE GEORGIAN LANCASHIRE MAHOGANY LONGCASE CLOCK, the broad trunk with reeded forecorners flanking a shaped top oval moulded door, the hood with detached columns and swan neck pediment, the base with canted corners, feet absent, housing an eight day striking movement with painted arched dial inscribed Thomas Barton, Parbold, with rolling moon and lunar calendar, subsidiary calendar and seconds dials and floral painted spandrels, 88 1/2" (223.5cm) high
An excellent circa 1900 crossbanded mahogany display cabinet, single central door with satin lined interior and glass display shelves, the eleven paned door with round beading, three door crossbanded and quarter veneered base with central line inlaid quatrefoil cartouche, six turned and block supports with under tier shelf, 198 x 114 cms
A Victorian mahogany longcase clock, the hood with broken swan neck pediment and central carved swag above an arched door with half cut and full twist wooden pillars, 14 ins arched top dial with painted Roman numerals, subsidiary seconds dial and date aperture, maker Hugh Roberts, Llangefni, floral painted spandrels with a young boy on a horse decoration to the arch, eight day bell striking movement (requiring attention), the wide trunk with short arched door and flanking carved twist pillars on a stepped trunk base with raised panel, 230 x 66 cms
A superb quality rosewood and ivory inlaid display cabinet, the multi-mirrored super structure with broken pediment and carved urn central finial, ribbon and floral swag inlay, multi-shelved with finely carved supports, twin bevelled edge glass fronted doors above floral inlaid ivory panels, twin flanking base doors with architectural tops, mirrored and velvet lined interior shelving, central undershelf with centre door cupboard below with campana pot inlay, shell surmounted with profuse ribbon and floral swags, the whole on tapering spade feet, 240 x 168 cms
A top quality Edwardian inlaid mahogany dressing table, the mirror with broken swan neck pediment and carved urn finial, brass finial capped side supports, curved centre drawers with flanking two door drawer pods, bowed central front drawer with twin three drawer flights, tapering supports on brass cup castors, the whole crossbanded and line inlaid with Regency brass swing handles and pommels, 198 x 138 cms
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234658 item(s)/page