George III mahogany eight day longcase clock, circa 1800, swan neck pediment centred with an eagle and ball finial, brass capped columns flanking a 13'' painted dial with rolling moon aperture and subsidiary seconds, eight day movement striking on a gong, feathered mahogany trunk door within reeded pilasters, on a canted box base with ebony and boxwood stringing, raised on short bracket feet, height 229cm(Please note our special conditions of sale regarding clocks and watches) (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
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Victorian mahogany twin pedestal sideboard, circa 1870, having a carved panel back centred with a vacant shield, over an inverted breakfront top, with an ovolu moulded long frieze drawer flanked by two similar short drawers, each pedestal having a cupboard door flanked with carved scrolled brackets and enclosing a cellarette and shelves, all raised on a plinth base, width 237cm, depth 79cm, height 138cm (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
Queen Anne walnut secretaire, circa 1710, the secretaire top having an ovolu fronted long drawer beneath an ogee moulded cornice, over a featherbanded fall front, opening to reveal a complement of 14 small drawers surrounding a central cupboard door, opening to a further three drawers inside, the fall front having a lift up baize covered writing slope, all raised on a chest base fitted with two short and two long drawers, all featherbanded and with brass swan neck handles and brass escutcheons, the whole raised on bracket feet, width 96cm, depth 50cm, height 157.5cm (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
Victorian bamboo washstand by Dickins & Son, Regent Street, London, circa 1885, having a bevelled glass rectangular mirror over a rattan clad base fitted with a short drawer and a long cupboard door, opening to two shelves (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
Victorian walnut and inlaid side cabinet, with boxwood line inlays, single glazed door opening to paper covered shelves, flanked with brass appliques, all raised on turned and ebonised feet, width 75cm, depth 30cm, height 107cm (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
Alfred Cox (Brunswick Place, London) for Maples, walnut bedroom suite, circa 1960, comprising two door wardrobe, width 124cm, height 191cm, depth 56cm, chest of five graduating long drawers, width 85cm, height 114cm, depth 47cm, and dressing table with shaped mirror and three frieze drawers and a long drawer beneath, width 120cm, depth 50cm, height 137cm (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
Fine William and Mary walnut and marquetry longcase clock by Joseph Windmills, London, circa 1695, the hood with a blind fretwork frieze and ebonised three quarter barleytwist pilasters with foliate trailing inlay, flanking an 11'' brass dial with winged mask spandrels, signed silvered chapter ring, matted centre, with subsidiary seconds and date aperture, eight day, six pillar movement with latches throughout, striking on a bell with inside count wheel, the trunk door inlaid with panels of birds and flowers in a variety of woods, set against ebony and walnut and having a brass ringed oval lenticle, marquetry panel box base further inlaid with flowers and foliage, all raised on ebonised squat bun feet, height 200cm, width 45cmPlease note our special conditions of sale regarding clocks and watchesNote: Joseph Windmills' work is comprehensively documented, see J.A.Neale 'Joseph and Thomas Windmills: Clock and Watch Makers 1671-1737', published 1999. Joseph joined the Clockmaker's Company as a free brother on 29th September 1671, the same year that Joseph Knibb, Daniel Quare and Thomas Tompion also gained their freedom of the Company. In 1699 he became the Company's youngest warden and in 1702 was made Master, preceding Tompion. In the company of the aforementioned makers, Joseph was considered one of the finest clockmakers in late seventeenth century London, and produced a prolific number of lantern clocks of all sizes and qualities. His earliest known watch was created before 1680 and is displayed in the British Museum. He and his son Thomas worked in partnership and Thomas also served as Master of the Clockmaker's Company in 1718. Joseph last attended the company in 1723 and died a year later, having practised his trade for 52 years. (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
A Liberty & Co. Cymric silver carriage clock,maker's mark for Liberty & Co. Ltd., Birmingham 1918,model no. 5508, with a shaped handle over a blue enamel dial, the front engraved with feathered and flower details, all raised on four bun feet, stamped 5508,9cm high, in an Hamilton & Inches cardboard boxCondition report: Minute hand loose in the dial. Silver tarnished throughout the case. Scratch beneath the dial on the case. The back door is slightly bent.also slight dent wear winder has pushed into the door. Marks clear - scratched marks to the base. Not working. Screw threads slightly marked.
A Tudric pewter and enamel clock,designed by Archibald Knox for Liberty & Co., the enamelled dial with a copper chapter ring with Roman numerals, the shaped rectangular case with a stylised plant design and inset with three circular enamels under the dial, stamped '0369', with brass key, dial 6.5cm, 19.3cm high overallCondition report: Some pewter flakes and knocks to the case. Back door slightly misshapen and bent. Movement stamped 'Lenzkirch' and numbered 517044. Ticks and runs when wound (17.3.2020 and 1.9.2020) scratched number to back door 157 and 4/38 CLK.There is no number stamped on the key.
A pair of rare Arts and Crafts oak armchairs, by C F A Voysey (1857-1941), c.1902, each with leather and studded drop-in seats, 62.5cm wide 54.5cm deep 100.5cm high, seat 42.5cm high (2)Charles Francis Annesley Voysey, was educated at Dulwich College and was a prolific architect- designer within the Arts and Crafts movement. An undistinguished academic at college, Voysey later claimed he became an architect because it was 'the only profession for which one did not need to pass any examinations'. Beginning his career in 1881, he first established himself as a designer of furniture, textiles and wallpapers. Winning his first building commissions in 1890, he quickly earned a reputation of being a master of artistic cottages and modern country houses. He paid meticulous attention to detail, designing every aspect of a project, down to the door hinges. Voysey regularly exhibited watercolour elevations of his building projects, furniture and decorative designs at the Royal Academy, and is celebrated today as one of the leading British designers of the turn of the 20th century.The simple design, personified by a heart motif on the back of a chair, is one of Voysey’s best known furniture designs. F C Nielsen, who made other furniture that Voysey designed, made these chairs from 1902, in differing proportions. One telltale detail is the dovetail construction fixing the splat to the frame. Versions of this chair can be seen in major collections around the world with leather and rush drop-in seats.Voysey had a limited number of designs that he used, but in many of his schemes for interiors, this model appears often - his mantra was for furniture with a ‘sense of proportion and puritanical love of simplicity’.Few of these chairs have come on the market over the last ten years, the most recent a pair of single chairs without arms, which sold in March this year for £16,500.No doubt, this pair are the exemplar of the Arts and Crafts tradition and rarer still to be found together after all this time. Examples of this chair can be seen in The Homestead, built for the General Manager of the Essex and Suffolk Equitable Insurance Society, whose offices Voysey designed, and is among his best-preserved domestic masterpieces. The vendor has been the lucky owner of these for over forty years.Condition report: If further images needed, please contact auctions@sworder.co.uk.Provenance statement from the vendor '- I have no information as to their original owners. My father was a highly respected antique collector, he had two antique shops in Bath. He had a great eye for high-quality craftsmanship in the design and making of all periods of furniture, which I have inherited from him. I spent much of my childhood and youth in these two shops.#1 split to the splat panel above and below the heart shape. Right arm - this has been reset - split down the line of the stretcher below. Seat split to the join, webbing replaced. Back rail has some splits to the inner edge. Studwork worn and rusted – three worn. Numbered VI to the edge of seat.#2Top right upright rest and restored. Seat faded and loose – later screws into the seat from the underside. Studwork rusted and worn. Some studs are loose. Webbing replaced. Numbered IX to the edge of seat.
An oak hanging corner cupboard,dated 1934, designed by Stanley Webb Davies, craftsman Bob Willett, with a panelled and pierced door, centred with an octagonal clock, with an electric Smiths movement, hexagonal dial 16.5cm, the centre panel hinged, with chip carved details, signed with monograms,57.5cm wide27cm deep76cm high
An oak wardrobe,dated 1936, designed by Stanley Webb Davies, craftsmen Ernest John Oldcorn and Herbert Marshall, with chip carved details, opening to reveal two drawers to the left, a mirror to the right door which slides out, signed with monograms, 122cm wide53cm deep172cm highmirror 39.5cm wide x 122cm highCondition report: Some minor knocks to the edges of the frames. Colour good - some minor spots to the left door. Latches work, drawers inside are rather stiff. Further images are on the system.
A chestnut 'owl' cabinet,c.1905, designed by Ambrose Heal, with two cupboards, each centred with a circular panel, with chip carved edges and wood latches to the centre, over two short and three long drawers with recessed fret cut handles, on a plain plinth, stamped to the reverse '498', 111.5cm wide52.5cm deep151.5cm highCondition report: Split to the left side of the left front cupboard door - appears to have been restored. A split to the panel of the right cupboard door - this is on the front of the cabinet. Scuffs and marks to the edges and the front and sides. Plinth unscrewed for transport - screws present.
An Art Deco walnut sideboard,with two cupboards flanking three drawers, with carved panels and Bakelite and chrome handles,133.5cm wide50cm deep94cm highCondition report: Left door locked - no key. Mug stain to the top left top surface. Water staining to the base and veneer losses. Some knocks to the edges - further images done.
An Heal's limed oak wardrobe,c.1930, with two panelled doors bordered with inlaid lozenge ebony moulding, raised on bun feet, with ivorine label 'Heal & Son Ltd., London W.',92cm wide52cm deep182.5cm highCondition report: Top right edge slightly dented, the front joins expanded. These are through age and expansion - some minor wear to the front banding - see photos. Does not affect the use of the wardrobe. Hangers fit - no key - door does close.
19th century pine linen-press, moulded cornice above two panelled doors enclosing shelves on base of three drawers, raised on plinth, 124 x 208cmCondition ReportNumerous surface scratches, scuffs and knocks to the wood. Chip to the bottom of the cornice. There is an area of loss to the front of one of the drawers. Wear around all knobs, areas of fading, discolouration and staining. The lock mechanism on the cupboard door has been replaced. General wear and tear commensurate with age and use. The wardrobe will be on the Wednesday 9th September at around 11:00 See photos.
Victorian mahogany breakfront wardrobe compactum, the moulded cornice above two central arched panelled doors enclosing shelves, on chest of two short and three long drawers, the whole flanked by two mirrored doors, each opening to reveal hanging space, one converted to shelves, the whole raised on plinth base, 218cm x 201cm Condition ReportThe length is 222 cm X the height is 201.5 cm X the depth is 63 cm. There are some cracks and repairing done to the middle doors. The hangers in the middle of the right side are loose and the lock is missing off the door. General wear and tear throughout. The inner depth of the sides is 45 cm and the inner depth of the middle is 37.5 cm. See attached images.
Victorian rosewood mirror back sideboard, top shelf with brass pierced galleried back above rectangular mirror, breakfront with central mirror to the door flanked by cupboard door with beaded decoration, 138 x 119cmCondition ReportThe handle is missing from the middle door. There chips to both sides of the top. There is wear to the front of the shelve, the back section is loose. The mirror has some wear to it as well as the back. The metal is loose from the top. See attached images.
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