An oak cased longcase clock the thirty-hour movement with anchor escapement and outside countwheel strike on a bell the 11in brass dial with silvered chapter ring with Roman numerals date aperture and inscribed Tho. Baker Portsmouth in a plain case with flat pediment and rectagular trunk door 192cm high See G.H. Baillie Watchmakers and Clockmakers of the World (1974) where a Thomas Baker of Portsmouth is listed ante 1753
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A walnut longcase clock mid 18th century the eight-day two-train five-pillar movement with anchor escapement and rackstrike on a bell the 12in brass arched dial with silvered chapter ring with Roman numerals Arabic five-minute divisions subsidiary seconds dial and date aperture within masked and foliate spandrels the arch with a silvered boss inscribed Jere Quelch London the hood with flat pediment and domed door with brass capped plain pilasters the trunk with a domed top door 230cm high (some shrinkage cracks to the case See Britten’s Old Clocks and Watches (9th ed. 1982) where a Jeremiah Quelch is listed 1735-54
A George III yew longcase clock the eight-day two-train five-pillar movement with anchor escapement and rackstrike on a bell the brass 10in square dial with silvered chapter ring with Roman numerals Arabic five-minute divisions the foliate engraved centre inscribed Willm. Bafsett MAYFIELD the hood with flat pediment and plain turned pilasters the trunk with rectangular door with lenticle 193cm high (some shrinkage cracks to the case See Britten’s Old Clocks and Watches (9th ed. 1982) where a William Bassett is listed circa 1790
A Victorian walnut side cabinet mid 19th century with box stringing and gilt metal mounts the curved glazed panel sides and door enclosing a velvet lining and two shelves on block base 102cm high |117cm wide 39cm deep and an associated walnut and crossbanded mirror with a foliate carved arch top 132cm high 116cm wide
A Victorian mahogany and ebonised breakfront secretaire bookcase third quarter 19th century with chip carved decorated leaves and flowers the moulded cornice above four doors with arched glazed panels and leaf carved brackets the base with a fall front drawer enclosing a green leather inset and sycamore fittings above an arrangement of six drawers and a door flanked by two further doors on a plinth base 212cm high 196cm wide 50cm deep
An 18th century mahogany longcase clock, the arched hood with globe finials and fluted ionic columns above a long arched trunk door and box base on bracket feet, the arched brass dial with silvered chapter ring, seconds subsidiary dial, hours strike/silent dial, quarters strike silent dial, the three train movement striking on bells, inscribed John Monkhouse, London, 270 cms high, dial 32 cms diameter.
Victorian mahogany veneered longcase clock, hood with twist turned columns flanking the glazed door enclosing 14in painted enamelled dial with rolling moon to the arch, with figures to each corner symbolisiing the Four Seasons, with Roman numerals, subsiduary seconds and date dials, marked J Merts, Mold, with eight day movement, the trunk with shaped short door flanked by twist turned columns, 229cm high, 67cm wide.
George III mahogany longcase clock, dome top hood with circular glazed door enclosing 13.35 in. dia. circular enamelled dial with Roman numerals and subsiduary seconds dial, marked Cromer, Limerick, striking 8 day movement, trunk with rectangular glazed door enclosing brass stick pendulum and twin weights, 210cm high.
An Art Deco satinwood, walnut and calamander bedroom suite, retailed by ‘Leander & Co Ltd, Piccadilly Circus’, of a three door wardrobe, 153cm wide, 52cm deep; a chest with five long drawers and plinth base, 123 high, 91cm wide, 51cm deep; a mirror-back dressing table, each pedestal with two drawers, 175cm high, 169cm wide, 47cm deep; an oval dressing stool, 44cm high, 64cm wide, 41cm deep; a pair of bedside tables, each with a drawer, recess and door, 72cm high, 36cm wide, 33cm deep; and a headboard, 122cm high, 138cm wide.
A late 19th century mahogany bookcase on cabinet, in mid 18th century style, the detachable egg, dart and cavetto moulded cornice above adjustable shelves enclosed by a shaped astragal glazed door with leaf borders, the base with a conforming fielded panel door enclosing a shelf on blind fret bracket feet, 73.5in (186.5cm) h, 27.5in (70cm) w, 18.75in (47.5cm) d.
A George III mahogany kneehole dressing chest, the moulded caddy edge top above a slide and a frieze drawer to serpentine edge shallow apron drawer, the recessed cupboard door inlaid a later parquetry star enclosing a serpentine front shelf, flanked by three drawers to each side, fitted replaced pierced brass plate handles on ogee bracket feet, 31.75in (80.6cm) h, 35in (89cm) w, 20.25in (51.4cm) d.
A walnut bureau cabinet in George II style, with parquetry inlay and feather banding, the top with a pair of arched doors enclosing shelves with adjustable vertical division above pigeon holes and drawers and a pair of candle-slides, the hinged fall with a rest to a shaped and stepped interior, with cupboard door pigeon holes and drawers, above two short drawers and lopers, the girdle moulding above three long drawers, the lowest with a sunburst, on bracket feet, 82in (208.5cm) h, 30.5in (77.5cm) w, 20in (50.8cm) d.
A George I walnut escritoire, with crossbanding and stringing, the moulded cornice above a cushion frieze drawer to a fall fitted a later ratcheted leather lined slope and an arrangement of pigeon holes and drawers, including secret drawers and a cupboard door, the base with two short and two long drawers, fitted later engraved brass handles, on later bracket feet, 67in (170cm) h, 43.25in (110cm) w, 20.25in (51.4cm) d.
A burr walnut chiming longcase clock, retailed by Knight & Son Northampton, the 3 train movement striking on 9 tubes to a 10_ in silvered arch dial with brass blind fret face, having a subsidiary seconds dial, the lunette with ‘Westminster/Whittington/St. Michael’ and ‘chime/gilet’ dials, strike/silent lever at 9 o’clock, the case with a glazed tracery waist door, 81.75in (207.6cm) h.
A late Victorian oak longcase clock, the 8-day movement striking on a gong to an engraved silvered arch dial with applied gilt brass numerals having a subsidiary seconds dial inscribed ‘Waring & Gillow Ltd, London & Paris’, the arch with strike/silent dial, the hood with pierced side panels to a rectangular trunk door with a bevelled oval glass panel, the base on bracket feet, 93.25in (237cm) h.
A mahogany Longcase Clock. F H Leah, Shaftesbury. The 13in broken arch painted dial signed in the centre as above, with Roman numerals, calendar aperture, pierced hands, fruit and foliage spandrels, the arch painted with a young woman, taking poultry to market, the thirty hour chain driven movement with anchor escapement and outside countwheel striking on a bell, the case with broken arch pediment on fluted columns, crossbanded door, canted sides, crossbanded plinth and bracket feet, 87in high (with pendulum, weight and brass ball and eagle finial)
A mahogany and inlaid Longcase Clock. Brock, Bristol. The 11.75in broken arch brass dial signed on the silvered chapter ring as above, with Roman numerals, Arabic five minute intervals, seconds dial, matt centre with calendar aperture, arch with phase of the moon and silvered arc showing 'High Water at Bristol Key', and with pierced scroll and flowerhead spandrels, the four pillar movement with anchor escapement rack striking on a bell, the case with moulded flat topped pediment on turned columns, long trunk door with parquetry stringing inlaid with a large twelve, pointed star and plain plinth. 82in high (with pendulum, weights and keys)
A mahogany Longcase Clock. Hodges. The 12in diameter painted dial with Roman numerals, seconds dial and signed in the centre as above, the four pillar movement with anchor escapement, rack striking on a bell, the case with shaped pediment, long trunk door and crossbanded plinth. 80in high (with pendulum, weights and crank winding key)
A George IV mahogany longcase clock, circa 1820, the swan neck hood with reel turned columns, flanking a break arch enamel dial signed L. White, Birmingham, moon phases in the arch, with subsidiary dials and spandrels painted to symbolise the four continents, the eight day rack striking movement with anchor escapement, the trunk with crossbanded door, plinth with circular panel, pendulum and two weights, 225cm.
A George III mahogany longcase clock by Thos. Ore, Birmingham, the hood and trunk with brass capped reeded columns, the break arch enamel dial with gilt painted swags, subsidiary seconds and calendar aperture, the eight day rack striking movement with anchor escapement, the trunk door with ogee moulded top on plain plinth, pendulum and one weight, 220cm.
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235302 item(s)/page