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18th Century walnut seaweed marquetry and crossbanded longcase clock, the square hood with moulded cornice above a square panelled door flanked by barley twist columns above a rectangular door with glazed pendulum window raised on bracket feet, the 10in gilded and silvered dial inscribed Phill Avenell, Farnham with Roman and Arabic numerals, with an eight day four pillar movement striking on a bell
Suite of mid to late 20th Century cherry wood and burnished steel library or drawing room furniture, comprising: pair of large bookcases with adjustable open shelves above cupboard doors, a matching two door side cabinet with a pair of doors enclosing small drawers and shelves together with a pair of matching two tier lamp tables
CAROLINE JAINE Really Fucking Nasty Spray paint and sharpie on kitchen cupboard door Dimensions (hxlxd) 300 x 500 mm JaineArt.com Caroline Jaine is a Stroud-based writer and activist who makes a point of thriving in traditionally male dominated environments - she is a visual artist inspired by pop and urban art, she spent 14 years in the foreign service and now repairs car bodywork for a living. Caroline initiated the Nasty Women Stroud Exhibition.
MADELEINE STAPLES Redemption Fire door, gloss paint and gun holes Dimensions (hxlxd) 1965 x 775 x 140 mm (one door) Context: Standing alone, the door, painted black, is scarred with bullet holes. It stands like a shadow contrasting the domesticity of the artefact with aggressive wounds, it is both silent and violent at the same time. Its title Redemption suggests further that the work has been saved or that the brutality has offered saviour.
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