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Click here to subscribeA late 18th Century mahogany knee-hole Desk, the reeded top above a single brushing slide and full width drawer below, the knee-hole space with further small drawer above a central cupboard door flanked by three further smaller drawers either side with brass swan neck handles, raised on bracket feet, 81cm wide
A late 19th Century rosewood and boxwood strung Purdonium, the three quarter pierced gilt metal gallery above a hand bevelled back plate mirror and two tapering fluted supports, further over a pull down cupboard section fielded panel door inlaid with floral style marquetry, raised on short turned legs with castors, interior makers label of Jas (James) Shoolbred, Tottenham Court Road, London, 43cm wide x 103cm high
A late 19th Century aesthetic movement walnut open Bookcase, the moulded top above inverted tear drop style incised frieze and shelf below, central panelled cupboard door opening to reveal further shelf space and flanked each side by similar shelves, raised on plinth base, 147cm wide x 31cm deep x 121cm high
A large 19th Century oak and walnut crossbanded free standing Corner Cupboard of architectural inspiration, the arched panelled door opening to reveal Classical style painted alcove above three shaped shelves flanked by outset stop fluted columna verticals with outset capitals, 215cm high x 135cm wide
A good mid 19th Century figured walnut double Wardrobe, the cornice above central mirrored door opening to reveal original slides, the right hand panelled l door flanking and revealing hanging space and further over two half drawers, raised on plinth base, 211cm high x 60cm deep x 166cm wide
An early 19th Century 'W.B. Cornforth' Macclesfield eight day longcase clock, the hood with a swan neck pediment fitted with a glazed door set between turned columns and opening to reveal a white enamelled and painted dial with black Roman numerals, having a moon phased dial and a subsidiary dial, the case with a Gothic door, opening to reveal a double weighted movement and pendulum.
A Victorian oak walnut and parquetry apprentice chest The rectangular top with a triangular frieze of specimen woods, yew-wood border above a panelled cupboard door, the burr yew ground centred with a parquetry lozenge, inlaid spandrels enclosing four drawers, each veneered with specimen woods, raised on plinth base and bracket feet, 38x31x21. (illustrated) CONDITION REPORT: Lot 2053: The rectangular top good colour no veneer missing, signs of a stress crack running through the centre left to right, 32.5cm. Minor surface scratching, front door very good condition all inlays in tacked, bright colours from the interior of the door visible stress crack running top to bottom but not visible through the application of the veneers, each of the four drawers bight and good condition, hinges to door tight complete with lock, each drawer with velvet linings, sides good condition, plinth good condition, minor surface scratching original feet, good condition.
A collection of miniature furniture Including a simulated bamboo chest with a rectangular top above a drawer and a cupboard door. 19x14x10cms, a miniature folding table with a 23.5cm diameter top, a reconstructed Edwardian inlaid mahogany miniature chest of two drawers, 25x23cms, a miniature Edwardian inlaid table 33cms high. (5) CONDITION REPORT: Small bamboo chest - primitively reconstructed, space between left hand bamboo column and the edge of the door, moulding missing to left hand side of the top, otherwise good condition. Miniature mahogany inlaid chest of two drawers - possibly reconstructed, evidence saw marks through each upright and through the left and right hand sides, colour good, inlay intact. Small table - mahogany plug covers above splay feet visible on the top surface, some surface scratching, good condition Folding table - some fading, some discolouring, scratching to the ex form supports otherwise in good condition. Small rectangular table - made up good condition.
A Regency mahogany bracket clock circa 1820 With a 15cm convex white dial, indistinctly signed J.B. Bristol with Roman numerals the single train fusee movement with anchor escapement with shaped plates, the case with a Pagoda shape top, later turned finial, the case carved with flowers and leaves raised upon a stepped plinth base, glazed side panels, brass ring handles, glazed back door raised upon compressed bun feet, 46x24x15cms. (illustrated)
A French "Tableaux Comtoise, Oeil de Boeuf" With a 24cm dial signed Chalumeau Mepvans with Roman numerals set within white cartouches, foliate pierced hands with a two train spring driven movement striking on a coiled gong, the shaped painted and ebonised wavy oval frame embracing a frieze inlaid with shaped panels inlaid with Mother of Pearl and silver coloured wire, flowers and leaves. 66x49cms, with pendulum and key. CONDITION REPORT: The hinged door the hinges tight probably the original glass old putty, glass spandrels may have been replaced hinges centre screws missing to glazed door hinges tight, some rubbing to silvered dial, side gilt metal panels possibly metalwork replaced and red backing replaced and inner card replaced.
A French ebonised Boulle and Mother of Pearl inlaid striking vineyard clock Circa 1870 with a 31cm white dial with Roman numerals, gilt metal leaf and C scroll hands, two train movement striking on a gong, the hexagonal case with a hinged door, gilt metal leafy bezel the frieze inlaid with cut brass scrolls, tortoiseshell and Mother of Pearl enclosed by brass line inlays, plain frieze with a pendulum and key. 65x64cms
A Victorian Art Nouveau oak mantle clock With a 15cm silvered arched dial signed Byrne & Son Ltd., Liverpool with Roman numerals, subsidiary slow fast dial in the arch the two train Winterhalder & Hofmeier striking on two coiled gongs, the case with an arched top carved with a leafy pediment above classical columns and a frieze carved with Art Nouveau flowers and leaves raised upon an inverted breakfront plinth base, the side panels insized with leaves the back door with a brass pierced grill, 33x20x16cms. (illustrated)
A Regency brass inlaid rosewood bracket clock, James Bidlake, London, early 19th Century With a 15.5cm convex dial with Roman numerals with a single train fusee movement with anchor escapement, the shouldered brass back plate signed within a oval James Bidlake, London, leaf engraved border the ebony edged arched case with a hinged brass convex glazed bezel above inlaid brass stringing raised upon an inlaid plinth base, fish scale side frets the rear with an arched glazed door raised upon compressed brass bun feet. 29.5x21x15cms. (illustrated) Brian Looms watch makers and clock markers of the world records a James Hodgson Bidlake, London.
A Regency ebonised and brass inlaid bracket clock signed Ross & Peckham, Bedford Street, Strand The 20cm convex dial with Roman numerals, the twin chain fusee bell striking movement with anchor escapement regulated by lenticular bob pendulum, engraved shouldered back plate, unsigned, the Gothic lancet shape case with a fluted brass rim above shaped spandrels centred with a quatrefoil, turned side columns raised upon a plinth base, lion's mask ring handles above brass lancet side panels with a glazed rear door, brass ball feet. 44x27x16.5cms. (illustrated)
A gilt brass striking carriage clock With a 5.5cm white enamel Roman and Arabic dial with blued moon hands and alarm ring below, with an engine turned ground with a platform leaver escapement strike repeat alarm on a gong the back plate signed JS Paris No: 5081, for J Soldano, the gorge case with large viewing aperture to the top, bevelled glass panels raised upon a shaped ogee plinth and bracket feet, 14 x 9.5 x 8cms. (illustrated) CONDITION REPORT: Lot 2225: Signed JS Paris No: 5081, for J Soldano. The case, overall scratching to the gilt metal frame, no cracks to the glass, bezel above the escapement, no cracks to glass in the the panel in front of the dial, no cracks to left or right hand panels or back door. Scratching and loss of gilding or brass in to the frame of the back door and overall in raised areas. The movement is working, does not strike repeat and the alarm mechanism does not strike, the strike mechanism when passing the hour raises the striking hammer but does not contact, repeat mechanism does not operate or alarm. No key with the clock. We are of the opinion the escapement is original to the clock but would need you to verify this and as such we will send images for you to determine whether this original. Condition of the dial - the hour dial, hairline crack running from the centre of the dial to in between twenty five and thirty, enamel flowers to the centre rubbed and faded, the hour alarm dial fading and wear to the enamel flowers in the centre, hairline crack running between nine and ten.
A Victorian mahogany drop dial wall clock, Signed Dibben & Co., 189 Sloane Street With a 28.5cm white dial with Roman numerals and a single train fusee movement, the case with a gilt brass bezel, shaped crossbanded dial surround, the drop trunk with an oval aperture with a pierce Gothic panel flanked by fruit and vine carved ears with a hinged side door, the rounded base with pendulum adjustment access flap to underside, 57.5 x 42cms. (illustrated)
A Victorian walnut cased dial timepiece signed Camerer Cuss & Co, London With a 29cm white dial with Roman and Arabic numerals, the single train fusee movement with anchor escapement, rectangular brass plates, the case with a gilt brass bezel with turned wood dial surround, with pendulum adjustment access flap to underside, the right hand side with door with pendulum, 42x42cms.
An early 19th Century Oak longcase clock, signed R. Griffith, Denbigh With a 35.5cm white enamel dial, with subsidiary seconds dial lacking hand above a date aperture, Roman and Arabic numerals, the two train eight day movement with outside countwheel, rack striking on a bell, the case with a swan neck cresting above turned hood columns, the long trunk door flanked by reeded quarter columns raised on a plinth base,. 213x49cms.
An early 19th Century inlaid mahogany longcase clock, signed Richardson Brampton With a 35cm white arched dial with subsidiary seconds and date dials, Roman numerals, the spandrels painted with flower heads and leaves, the arch decorated with a pastoral of a shepherdess, the two train eight day movement with anchor escapement, rack striking on a bell, the case with a swan neck cresting above baluster hood columns, the trunk with a panelled door with well figured wood, raised on a plinth base and bracket feet, overall with rosewood crossbanding, with two weights and a pendulum, 225 x 54cm. (illustrated)
A late 18th/early 19th Century oak longcase clock, signed Robert Webster Salop With an 18cm brass dial with Roman and Arabic numerals, with cast urn and leafy spandrels, the single train 30 hour movement with outside count wheel striking on a saucer bell, the case with a caddy top above a fretwork leaf carved frieze, above brass capped fluted columns, the slender trunk with a mahogany crossbanded door flanked by fluted quarter columns, raised on plinth base and bracket feet, 205x46cm, with one weight and a pendulum. CONDITION REPORT: Rob Webster Salop the case, raised top and cornice and good condition, carved blind fret frieze good condition, brass capped columns firm, hinge sound, original glass, some surface scratching to the central roundel of the dial not polished, original hands, crosshanded door not warped, however traces of worm to the lower section running in a narrow line, plinth generally faded, original elm back board, replaced lower section of back board some traces of worm in the original section with original glueing blocks, old seat board possibly original ?, provenance private estate
An early 19th Century oak and mahogany longcase clock signed Baker Appleby With a 35cm brass arched dial with subsidiary seconds and date aperture, cast mask and leafy spandrels, the arch centred with a mask and dolphin spandrels, the two train eight day movement with anchor escapement, rack striking on a bell, the case with a swan neck cresting with brass roundels, above brass capped fluted columns, the trunk with a mahogany crossbanded door, flanked by fluted quarter columns, raised on a panelled plinth base with canted angles, 218x52cm, with pendulum and later door key. ** Brian Loomes Watchmakers & Clockmakers to the world records a Henry Baker of Great Appleby working 1835-1840.
An early 19th Century inlaid mahogany longcase clock signed Butler Bolton With a 36cm white dial with subsidiary date dial and lunar calendar, painted with a figure by a tower, the central roundel decorated with bullfinches perched amongst branches, flower and leafy spandrels, the two train eight day movement with anchor escapement, rack striking on a bell, the case with a swan neck cresting, eagle and sphere finials above a glazed and gilt decorated frieze, fluted columns, the slender crossbanded trunk door with well figured wood embraced by fluted columns, raised on a plinth base with two weights, pendulum and winding key, 232cm, 55cm width of plinth. (illustrated) CONDITION REPORT: Lot 2245: Swan neck cornice minor bruise to the left hand upright, central brass vase possibly later damaged urn to left hand side beneath the eagle, some discolouration to the right hand eagle finial, the frieze painted possibly original, hinged door hinges in good condition, the dial the outer calendar numerals Roman and Arabic possibly repainted, very bright and good condition for age, the trunk door no signs of warping, very good feathered colour, hinge good condition, plinth good condition, very good veneer, supporting shape plinth possibly replaced, the back original back board with blocks, original foot board, mechanism working but not been running recently, provenance private vendor.
A George III and later inlaid longcase clock signed Thomas Budgen, Croydon With a 29cm arched dial with subsidiary seconds and date aperture, cast Rococco spandrels, the arch with a signed roundel flanked by leafy spandrels, the two train eight day movement with anchor escapement, rack striking on a bell, the case with an inlaid pagoda top with a pierced fretwork panel above brass capped brass stop fluted columns, the long door now inlaid with a satinwood open fan and satinwood spandrels, raised on an inlaid plinth base, 244cm, width of plinth 49cm, with a pair of brass cased weights and a pendulum. (illustrated)
A William IV inlaid mahogany longcase clock signed MacNaughton Edinburgh The 32cm silvered dial with subsidiary seconds and dates dials, Roman numerals, the two train eight day movement with anchor escapement, rack striking on a bell, the case with an arched moulded top above canted angles and incised spandrels, the slender well figured trunk door with an arched top, flanked by fluted quarter columns above an inlaid oval, raised on a plinth base, inlaid with line inlays above a shaped apron and bracket feet, with a hood key, two weights, pendulum and winding key, 198cm, 46cm width of plinth. (illustrated) CONDITION REPORT: Lot 2247: The case - some chips of mahogany missing to the right hand side of the cornice, approximately 16cm and a small piece missing on the opposite side approximately 8cm. Stress cracks which haven't stretched on the right hand side, one to the left of the glass roundel aperture, one below the glass roundel aperture and on the opposite side running vertically. Some scratching to the brass bezel, silvered dial not polished, the long door hinges tight, not warped, a strip of replaced veneer on the left hand side opposite the key hole aperture. Good figuring to the plinth, traces of a stress crack but no movement in it. Small triangular strip of veneer missing on the left hand side of the cross banded frieze on the plinth 1cm width. Original back boards, movement looks to be in good condition but not running recently.
An early 18th Century oak and crossbanded longcase clock signed J Baddely Albrighton With a 28cm brass dial with date aperture, Roman and Arabic numerals, cast urn and leafy spandrels, the single train 30 hour movement with outside count wheel, striking on a saucer bell, the case with a cavetto cornice above a blind fret carved frieze, brass capped fluted columns, the slender crossbanded trunk with well figured wood, raised on plinth base, with one weight, 196cm, width of plinth 43cm. (illustrated) CONDITION REPORT: Baddely clock- cornice original, side moulding missing, loose requires re-gluing, blind fret carved frieze good condition, original putty and glazed door, hinges sound, central dial polished, chaptering very bright, long door not warped, original hinges, crossbanded mahogany veneer left hand side large piece missing approx 5x8cms, and a piece of shaped moulding measures 18cms, plinth piece of moulding missing to the right hand angle triangular section approx. 3x1cms, original seat board, original full length back boards, shrinkage crack to right hand side above the plinth measures approx. 46cms but no space between, provenance unknown.
An 18th Century oak longcase clock with a 26cm brass dial signed Thomas Cox Thornbury With Roman numerals cast leaf and mask spandrels the 30 hour movement with outside count wheel striking on a bell, the case with an ovolu cornice above turned wood columns the trunk with a glass lenticle above a long door raised upon a plinth base with alterations, 1097cm, width 43cm with one weight and a pendulum.
An early 18th Century long case clock with a 27.5cm brass dial signed Woolley Codnor With date aperture blued foliate hands, Roman and Arabic numerals, leafy mask spandrels, the single train movement with outside count wheel striking on a bell, the case with a cavetto cornice above a bow front three quarter moulding, the hood with applied out set columns moulded frame to glass panel, the well figured slender trunk with an arched door raised upon a shaped plinth base 196cm high, 47cm wide, with pendulum one weight and door key. CONDITION REPORT: Lot 2250: The oak case, cavetto cornice in good condition, frieze good condition, some restoration to the top of the left hand capital of the column, lower column aged but possibly replaced, piece of moulding missing at the back of the left hand side supporting the column, measures approximately 3cm x 2cm. The plinth at the bottom of this column possibly replaced, right hand side piece of moulding missing in a similar place to the left hand side, measures 3cm. Long door not warped hinges tight, lock to door replaced and keeper replaced, roundel above the escutcheon possibly left for a handle, lacking original shaped plinth, original back board with roundel holes where it has been fixed to a wall. Plinth, footboard old but question whether it is original, good colour.
An early 19th Century mahogany longcase clock With a 39cm arched dial signed indistinctly Blackburn with Roman numerals, subsidiary seconds and date dials, the spandrels painted with scenes from the Chase above a lunar calendar painted with a masted vessel, the two train eight day movement with anchor escapement, rack striking on a bell, the case with a swan neck cresting above two baluster turned columns, the trunk with a lancet shaped panelled door raised upon a rosewood crossbanded plinth base and bracket feet with two weights, pendulum and winding key, 250x65x27cms.
An Edwardian inlaid mahogany longcase clock With a 30cm arched brass dial with Arabic and Roman numerals, subsidiary seconds dial, cast gilt metal winged cherub and C scroll spandrels with a chime silent in the arch flanked by dolphin spandrels, the three train eight day movement with anchor escapement striking on eight bells and a gong, the case with a swan neck cresting flanking an urn finial above fluted Corinthian columns, the trunk with a long door above a panelled plinth base, overall inlaid with satinwood crossbanding, ebony and boxwood line inlays raised upon shaped bracket feet, 239cms high x 52cms with the base, with three weights, pendulum and door key.
A Victorian Art Nouveau oak pedestal cupboard, circa 1890 The rectangular moulded top above a shaped panelled back, the panelled cupboard door attractively carved with elongated scrolling leaves flanked by leaf carved cluster columns, panelled sides enclosing two adjustable shelves, panelled sides and back raised upon four naturalistic branch supports, 90cms high x 52 x 41cms. (illustrated)
A good three piece Art Nouveau oak bedroom suite, circa 1890 The fine compactum wardrobe with a shaped pediment above a pair of panelled cupboard doors each carved with elongated scrolling leaves and branches enclosing a later shelf above four graduated drawers each with Art Nouveau ribbon tied brass handles flanked on either side by a mirrored door enclosing a brass rail and six brass coat hooks above a frieze drawer, the left hand mirrored door with a brass coat rail and four brass coat hooks above a frieze drawer raised upon a shaped plinth and eight naturalistic branch supports, 218cms high x 202 x 60cms, the dressing table with a shaped cresting above three bevelled mirrors and an arrangement of five frieze drawers above a long panelled drawer enclosed by naturalistic branch supports, shaped aprons, panelled sides and back, 164x122x57cms, and the conforming oak and Brioche variegated marble washstand with a shaped leaf carved cresting above three marble panels, the lower part with a rectangular marble top above two panel cupboard doors raised upon leaf moulded naturalistic branch supports. (3) (illustrated)
A good Victorian oak and Pollard oak mirror back sideboard With a swan neck cresting centred with a well carved lions mask, the mouth enclosing a branch with leaves and flowers the inverted dentil cornice above a bevelled mirror flanked by carved panels depicting birds amongst branches supported by two vase shaped lobed columns the lower part with an arrangement of three frieze drawers, two panelled cupboard doors above a niche flanked on either side by a panelled cupboard door carved with griffin's, pendant fruit and leaves the plinth base supported on compressed bun feet. 223cms high x 196x71cms.
A fine George III oak breakfront housekeepers cupboard With an ovolo cornice above a pair of arched raised panelled cupboard doors with ornate brass hinges enclosing two shaped shelves above an arrangement of one long and two short and one long drawer, each with curvilinear fronts flanked by fluted columns, embraced by fielded panelled cupboard doors enclosing shelves, the lower part of breakfront outline, the centre with a pair of shaped panels above two long drawers flanked by turned quarter columns enclosed by a rectangular panel and two long drawers, raised on plain stile supports, panelled sides 207x177x59cm. (illustrated) CONDITION REPORT: Cornice left hand angle missing, right hand angle missing, good rich colour, side cornice as been cut and possibly part replaced, hinges old but possibly replaced, central cupboard doors open two shaped shelves original, small piece of moulding missing to left hand fluted column, four drawers below original boards and sides, interesting central frieze drawers, left hand cupboard door hinge solid, shelves old but possibly replaced, right hand shelves old possibly replaced, panelled back, front panels good condition, drawer below the two panels old repair right hand side measures approx. 28cms, brass swan neck handles replaced, handles replaced left and right hand side, original escutcheon's, wear to all supports, bruising scratching, panelled sides extant worm left hand side top corner, bottom panel unpolished, right hand panel unpolished, some traces of worm top panel extant, good provenance.
A Victorian pine and painted sycamore dresser The shaped arched triple back above a frieze of six shaped drawers, the rectangular 4cm substantial two plank top with rounded angles above a short drawer and a panelled cupboard door enclosing a concave shelf flanked by quarter columns and three long drawers on either side raised upon an inverted plinth base and vase shape feet, 158x224x62cms. (illustrated)
A early 20th Century mahogany bowfront sideboard The raised back centred with an oval, the lower part with a gadrooned frieze above three graduated cock beaded drawers each with laurel leaf ring handles flanked on either side by a panel cupboard door, one enclosing a cellaret raised upon cabriole legs and ball feet, 128x182x64cms.
A fine Edwardian inlaid mahogany dome top display cabinet The double dome top with an ovolo cornice above a frieze inlaid with roundels above an inverted front with a pair of glazed cabinet doors enclosing two plate glass shelves flanked on either side by glazed panels with a ribbon tied beaded and leaf carved oval, the lower part of bowfront outline above a frieze drawer, a pair of bowfront cupboard doors enclosing a shelf flanked on either side by a frieze drawer with brass laurel leaf handles above a cupboard door with a feathered mahogany oval and enclosed by ribbon tied bell flowers overall inlaid with ebony chequering line inlays raised upon six vase shape legs each inlaid with roundels. 227x153.5x50cms approx. (illustrated)
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