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Lot 223
English - 19th century 8-day Fusee wall clock in a mahogany case, with a plain veneered dial surround, carved ear pieces and pendulum viewing glass with a curved base and pendulum regulation door, 12" painted dial with Roman numerals, minute markers and steel spade hands, flat glass and brass dial bezel. With pendulum.Dimensions: Height: 77cm Length/Width: 43cm Depth/Diameter: 23cm
Lot 228
German - late 19th century mahogany and ebonised 8-day wall clock, with a shaped pediment, applied carvings and finials, fully glazed door with visible gridiron pendulum flanked by turned half columns , curved base with finials below, two part enamel dial with Roman numerals and pierced steel hands, count wheel striking movement sounding the hours and half hours on a coiled gong. With key. Dimensions: Height: 97cm Length/Width: 35cm Depth/Diameter: 18cm
Lot 394
Moissey Kogan (Orgjejeff 1879 – 1943 Auschwitz). Kniender Frauenakt mit Blumen. 1920er-JahreTerracotta-Relief. Durchmesser: 10,5 cm (4 â…› in.). Unten mittig signiert: M. Kogan. Rückseitig mittig monogrammiert MK (um 90° gedreht). Dort auch beschriftet (eingeritzt): gebakken door hildokrop [s.u.].Henkel 58.–Von Hildo Krop nach dem Modell gefertigt. [3144] Provenienz: Ehemals Kunsthandel Wending, AmsterdamWir berechnen auf den Hammerpreis 32% Aufgeld.
Lot 39
Eugene Jansson (Swedish, 1862-1915)Vid dörren (À la porte)signé, inscrit, et daté 'Eugene Jansson/Knut Nyman 20/1907' (en bas à droite)huile sur toile200 x 90.2cm (78 3/4 x 35 1/2in).signed, inscribed and dated (lower right)oil on canvas Footnotes:ProvenanceWith Julian Hartnoll, London.Eugene Jansson was born in 1862 in Stockholm, where he lived most of his life. After his studies at the Swedish Royal Academy, Jansson set up his studio in the south of the city, overlooking lakes Mälaren and Riddarfjärden. Inspired by the environment around him, he painted mainly urban cityscapes, and developed a particular interest for night-time scenes.At the turn of the century, Jansson started to experiment in figurative painting with his first series of male subjects. The naturist movement emerging in Sweden inspired the artist to start painting nudes. Jansson had more of a philosophical approach to the nudity of his models, differing from the over idealised Greek nude and focused more on the crude reality of their bodies. In 1907, Jansson moved to the island of Skeppsholmen, where he painted several volunteer models from the Swedish Navy's bath house. The subjects of his paintings are often dynamic, training with weights, performing aerobics or swimming. These subjects illustrate the beginning of a new era of modern creation, not only for Janssen but for many Swedish artists.With this particular painting, Jansson demonstrates his mastery of physical expression. His favourite model, Knut Nyam, is standing by a door without clothes and without complex. Jansson's signature colour which is seen in the background highlights perfectly the skin tones and brushstrokes. The controversial artist affirms his art and pioneering vision with this work.Tor Hedburg wrote about Jansson's painting in the 1927 Minnesgestalter Stockholm: 'The male form, boldly and supremely, has made its entry into Swedish painting, not as a more or less academic study from models, deprived of real life, in an artificial pose, with neither exertion or repose, surrounded by atmospheric lights, using all the contemporary advantages in colour, model arrangement and gesture; they are products of an utterly creative, original art and at least within Swedish Art I know of nothing to match it.'This lot is subject to the following lot symbols: * W* VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.W Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
Lot 225
A Victorian brass tobacco-dispensing ‘honour’ box, circa 1850Of oblong form, with central handle, to one side a ‘penny' slot and circular plunger, the other a hinged tobacco compartment, on four ball feet, stamped ‘RICH’S PATENT’, with key, height 7.5cm, width 23.8cm, depth 12.1cmLiterature: See Schiffer, Peter, Nancy and Herbert. ’The Brass Book’ (1978), p. 114, figs A & C for similar examples. Honour boxes ‘are primitive coin-operated vending machines that were common in English Inns. An English penny is inserted into the raised slot, the plunger is depressed and the large door opens to a caché of tobacco. the customer is on his honour to take only one pipeful of tobacco’ This Lot open with a 2p coin
Lot 320
An unusual and small Charles II oak cupboard, North Wales, circa 1670Having a recessed cupboard, with boarded top, and accessed by a boarded door, carved in high-relief with a stylized leafy-filled ‘roundel' with beaded border, flanked by a matching fixed panel, the uprights with applied split-baluster turnings, a projecting cupboard below, with a pair of doors, each with an arch carved panel, originally enclosing drawers, triple-panelled sides, the front stiles terminating in front splayed feet, 108cm high, 85cm wide, 53cm deep.
Lot 520
A rare Elizabeth I joined oak and spindle-turned mural livery cupboard, West Country, probably Devon, circa 1580Having a cavetto-moulded cornice, and narrow edge-moulded frieze, on inverted-baluster, ball-turned and fluted-carved end-supports, enclosing a spindle-filled cupboard, the central spindles joined and pivotal hinged to form a door, with scrolling stylised-leaf carved rails, the lower-section with a central strapwork carved door, flanked by two slender panels carved with addorsed leafy S-scrolls, matching meandering carved rails and stiff-leaf carved end uprights, 97cm wide, 76cm high, 33cm deepProvenance: Doughton Manor, Doughton, GloucestershireThe majority of English period mural livery cupboards date to the 17th century, it is exceptionally rare to find a late 16th century example.
Lot 353
An 18th century chestnut buffet with pewter water cisternThe shaped and geometric-moulded backboard with three niche-shelves, and hung with a pewter cistern, with two taps and engraved with a crowned armorial, a pewter shaped twin-handled receptacle below, the cupboard base with moulded top and geometric-moulded door below a drawer, 73cm wide, 183cm high, 47cm deep
Lot 9
Oak table cupboard in the early 16th Century manner, with thick boarded top, central door pierced and carved with initials 'IC' and heraldic devices flanked by pierced tracery panels, 176cm x 54cm x 72cmProvenance: The Mary Bellis Personal Collection, ex Huntington Antiques, Exhibited Maastricht International Antique Fair, 1989
Lot 244
For restoration: French Louis XIV / XV transitional boulle bracket clock, the 9-inch cellular Roman dial with blue numerals and outer numbered Arabic minute track, over enamel cartouche inscribed 'BAR. BALTAZAR A PARIS' the later two-train movement striking on a coiled gong, the case with cast seated maiden finial, conforming relief to base of glazed front door, enclosing typical 'chequerboard' interior, the casework at fault, 71cm high (ex. finial)
Lot 99
John Norcot, London – Fine walnut and seaweed marquetry eight-day brass dial longcase clock, 11-inch brass dial with signed silvered Roman chapter ring with half hour divisions, inner quarter hour track, matted centre with subsidiary seconds ring over ringed winding arbors and silvered terrestrial calendar square with engraved surround, all within winged cherub mask spandrels, the knopped five-pillar movement striking on a bell, the case with caddy top, pierced frieze and barley twist hood column over crossgrain-moulded long trunk door with lenticle over conforming base, 215cm high
Lot 41
Oak aumbry, in the English manner of circa 1500, of three registers, the uppermost with pierced roundel to door flanked by quatrefoils and eagle, central register of three twin wheel panels, lower with pierced eagle to door between further rondels, the sides four-panelled, 136cm x 51cm x 123cm highFormer collection of C.K. Binns and William H. Stokes, Cold Overton Hall, RutlandEx Huntington Antiques, sold as ‘Most rare late 15th/early 16th Century gothic oak standing cupboard’
Lot 420
Late 19th Century walnut-cased 'Polyphon Automatic Musical Instrument', Peters, Leipzig, the 16.5cm double comb on gilt metal bed-plate, playing toothed 39.5cm / 15.5in discs, the case with architectural pediment over silvered plaque 'Polyphon Automatic Musical Instrument Made in Liepsic', over glazed door with scroll fretwork decoration framing cast lyre motif, the lockable coin drawer to base raised upon flattened bun feet, the right side with fiurther silvered plaque 'Drop a Penny in the Slot / Peters - Leipzig', above cast coin slot over winding arbor for the crank handle, overall 59.5cm x 32cm x 92cm high, the lower section housing a selection of discs, behind hinged front, a further 71cm x 41.5cm x 84cm high, in total 176cm high, sold with 37 assorted polyphon discs
Lot 241
Early 19th Century mahogany cased 8-day painted dial longcase clock, Mallett, Barnstaple, circa 1825, 13-inch signed circular Roman dial, knopped four-pillar movement rack-striking on a bell, the case with three brass ball and spire finials to the arched canted hood, with brass bezel, over moulded figured trunk door on plain base and plinth, 230cm high, sold with two weights, pendulum and key
Lot 239
Early 19th Century inlaid mahogany cased 8-day brass dial longcase clock - Richard Hornby, Oldham, circa 1825, 13-inch break-arched dial, the silvered chapter ring with Roman hours, Arabic minutes, foliate half hour divisions and inner quarter hour track, framing an engraved diaperwork centre with subsidiary seconds ring and terrestrial calendar square, within baroque mask spandrels, the arch with signed silvered strip over rolling moon phase and engraved hemispheres, the knopped four-pillar movement rack-striking on a bell, the case with gilt ball and spire finials, reeded hood columns and trunk quarter columns, boxwood-strung trunk door and canted base, on ogee bracket feet, 251cm high, sold with two weights, pendulum and winder
Lot 65
Impressive early 17th Century oak press cupboard, Flemish, circa 1600, the gadrooned frieze over a pair of triple-panelled door each decorated with exotic figures wearing headdresses, between stiff leaf tapering pilasters, the lower register of five panels, a further four to each side all carved with masks or geometric decoration, the whole enclosing hanging space, 203cm x 68cm x 193cm high
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